poetry and philosophy can only teach ethics with systematisation, with systemising itself as itself and nothing off itself requiring replicas of art: of acting to suit the scientific concern for cloning or computerisation of analysis with being artificial in the quotient of intelligence expressed via the infinite synthesises of care, miscarriage and history; both subjects care for ethics - both care for linear allegiance to the ancient greek flux to permit infinite multiplication of change and changes, along with the additions and the desertions... obelisk adds to the addition, the algebraic multi- adds to the hyphenating minus compounding, paradoxically. well, carelessly the testimonies gave windows the narcissus effect... and the mirrors the antidote of thinned air vampirism of h. g. wells' plot.*

1st. hello is about a blind girl
sculpting a head with a charlie chap' moustache...
2nd. hello is about a deaf girl
versing the telephone into violin vibrations;
both are fun-****-as-hell
given i'm the one in lycra-spandex and botox
friendly mode on stage, as
the exploiting artist.