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Oct 2015
but nowhere is the sun more poignant
than in october drizzle
with downcast grey limits of the sky expanding
with a diaphragm placed inside the lungs of clouds evaporating
but the same clouds merely scouting,
to fake masculinity to fake femininity
and abide by the embryo’s chance of oinked blossom,
where a man sits in the earthenware of thought
kissing a book’s page of the last line he didn’t write but spoke,
and says that man resides in the hemisphere above
the churning metalloid chisel and the howling winded bagpipe,
that a whiskey at 10am allows all the fun but no company,
that each word although not exactly onomatopoeia is just that,
a sound in echo without a cavern solitude of exfoliating shadow,
that it’s just that, a sound abbreviated by concentrated strain on the eye
in “pure” reading of verse,
but then the smooch on the page of previous sounds resounds highest, cherished,
because man is so easily lullabied in the numbers to his own frankenstein
of machine upon machine upon machine:
his tractor broke but the nonetheless the wheat was scythed,
that’s the fate of man,
resound man to the gong of your chiral chimera in kantian residue of thought!
resound to be fated as the abducted by numbers - by those first
parameters of thoughts - resound i say, resound! echo ageless
and steer that buckling ship into the hoof echoes of the waves
braving the endless night! resound i tell you! let no coward no rat
off the guillotine!
ah but i too stand removed from moving an inch further into
a blossoming digression that might allow me a sense,
perhaps sight, perhaps hearing, perhaps tongue in tongs
be the next snippet of sound that i might be an usher to,
but whatever fates await us, i too will have said more than the hammer
and the revered horse’s snout in gallop, i too will have added to
the synchronisation of all things apparent,
and with these symbols i have aided a complication for the chinese,
who’s own phonetic symbolism master crafted
the mathematical genius in them,
to have no coupling like the post-roman dogs did zeros with
omicrons and omegas,
so that they peered into the parentage of one begot two
two begot three three begot four etc.
with more ease than we could never envision
unless starring into our western mandarin of: ♪, ♫.
never will you debase these symbols to write an onomatopoeia
of a dog's bark! you'll call it what it is, and then write me
a symphony in due course to erase the clamour
of rusty metal sounds kept as the heartbeat of refrigerators.
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
496
   --- and Mote
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