last night, the same woman from a previous night prior to last night, walking with shopping bags into an affluent area of the town, giving me the ultimate evil stare of all famous superstitions. the second time, last night, the same woman, the same diseased stare, and this poem - as a result of being impregnated with too much evil; call me superstitious, but not all witchery is softened by psychiatric reasoning and antidepressants.*

and then i hear of my parents meeting a friend of mine's father,
an "antique" dealer for the tourists
slander me for drinking too much and not glorifying marijuana
while insults were thrown like snowballs
before my mother and father entertaining guests from canada,
i talk a bit more with him in a pub a few weeks later,
he tells me of the topic of conspiracy to commit ******
with haemorrhage symptoms like nothing: but how do you know
he says; i offend him with courting: but how do you know
whether i'm telling the truth or lying? in silence.
i raise my hands upon parting, we part:
diana wanna hugs? no, diana wanna scrap metal.
his father made our friendship less by not including a monetary
exchange of power, i'd flex a bicep my way had i a necessary
drinking partner; but i don't: the chip man sold whole potatoes
deep fried in the shape of fabergé eggs... his father sold
traffic cones in the shape of trombones at a higher price, only
because all the buyers were tourists.
socrates was wrong though: poets are not rhetoricians
or sophists, what we are we are because we use rhetoric and sophistry
to insult people, trying to remain in tact: better that
with any army, we're more armadillo word-to-word than the hoplites
shield-to-shield; idiots never known an insult for a gimmick
unless a chess-precise knuckle is utilised on unchaining linkages;
but like the saxon i too, on the vibrant islands of celt and caramel,
the second wave of saxons came, the scot and irish celts worried
about lambs of isaac, but lessened their concerns
with the norman landing - so i too originated upon using
my tongue to a disadvantage, and it worked, for hastings and for all,
"lying" myself abrupt with a burp for the sparrow to ease lighter spacing
of the advantaged footstep.
we were poets, word-to-word tighter than the hoplites shield-to-shield
for what the gladiators called armadillos of a farm.
socrates didn't get it, since he reasoned: i to noun, equating it only
as questioning pro to the guise of inquiry, but among the native nobility of greece,
poetry survived, songs and jests supreme, park bench hollows
for the termite lisp in sounds of the multitude,
had but the termite song bore a chair to rock a baby blue,
i'd too rock a baby in suffocating termites song,
but we known nouns are not delicious "out of time"
in the adjectives, for we know nouns as static insurmountable objects,
and given the unitary subjectivity of sport statistics,
they are only worth a passive commentary of nodding and passivity
to please - i.e., never was sloth a gamble to ease a fission of gambled lessening;
but if philosophers corrects poets, then poets end up correcting furtherance
with philosophy simply plagiarised for academia's salary bogus;
wishing that socrates only took the bribe rather than the poisonous brine.

i start the night off reading *the offence of poetry, by an emeritus prof.,
hazard adams, gets me ******* to the point where i forgive the culprit
of rotten *** and jealous ****** born lute worthy out of wedlock...
why the violins i ask, chopin played a few dirges on piano,
why the sentiment to imagine Dickensian paupers?
a violin dropped from the sky with frogs & lepers didn't **** anyone,
but a piano did, once, in bad key.

i started the night off reading a book: the offence of poetry,
got *******,
walked off into the jiggle night starry for some beers,
walked past a family: mother, father plus 3, a boy and two girls,
headphones on, hushed, then my hairpiece the attention,
walked into the off-lice, picked up 8 cans,
stood there imitating conservative *******,
spotted the mother eagerly brushing shadows with me,
tilted from my eye corner into her face
and spotted a ****** up face of smiles:
girls talked about me like zoella,
i donned my pseudo self-inventive chonmage,
hair too thick;
but i egged them on in rugby, loving the tetragrammaton geometry of
two H, y for threes in dimensions and
all the tactic being: // \ for the w.
pardon me wrong but was it: eager eagle's nest the jester in clown's face paint
**** of splash in conversation?
but don't you just love a married woman with three kids
putting two wine bottles on a counter looking at you
after her children said something noticeable about you only secondary in dreams?

well... there's the rude story of a friend's father among many
to claim the accent in jealousy,
father ****** no. 2, hide his ***** in a ******* prior to the girthed birth
experience of: "rising to the top of law and commerce."
idiotic ******* the load of them;
happened in leicester sq. i have you know,
irish was blazed in ginger that day too reminiscent of celtic,
but as you know, intelligence and the irish swing into the maxim:
a man walks into a pub - they delivered the concrete!
the pub is emptied, the irish run out for hands on prayer missing -
in shakespearean metaphor of folding monks giving prayer to ****
the ***** and lips the kiss, for whatever reason was worth a rhythmic suffix as towed into -ed, -ed.