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Jan 2010
Trying to capture a moment, but the moments ever changing.

I paint in oils
-oils outlive my mortality
-oils extend my message
oils prolong my life after death.
It's a gamble because anything could wrong when I'm not there to care for it.

7am:
So I start by sitting in front of a huge blank canvas.

7:05am:
So I start by sitting with a mirror in my hand.

7:30am
The canvas is intimidating.

9am
My mind tries to capture the final product
- composition,
style,
toned down?
bright colours?
thick smears of paint?
hyper realistic?
or make it an abstraction from reality?

11am
I half-fill a jar with turpentine to clean my brushes.
I fill a small jar there with linseed oil to thin the paint.

11:05am
On my palette
-a small squish of cobalt blue
-proceed on thinning it.

11.10am
Lift brush,
dab it into the paint...
almost reach the canvas.

11:15am
I study my face to see where I'll start.

3:15pm

4 hours pass.
The sun has moved.
The shadows are softer
and the shadows longer.

Accurate painting is not about talent as much as observational skills-
thats why you can stop for years but if you have learnt the art of seeing you will be able to paint a more realistic picture than when you quit the previous time.

7pm
All my contemplation sees the sunset
without a stroke being applied.

I flick a switch and a new light appears-
harsher with darker shadows-
it doesnt allow the paints show their true colours
but at least it is consistent.
I don't like what I see in this light.

Days have passed me in front of this mountain-
when I started it was sheer will that got me here-
not because I want to
but because I know I can paint better than most a
nd some will think it's worth something-
might  make a bit of extra cash on the side.

When I was younger I pumped out canvasses faster than toilet paper
but now I dont know Wonder Boy anymore-
too much distance between now and then.

Out of sheer impatience I decide to put a wash over it. I mix a bright orange mixture. and start brushing the canvas-
the brush is too slow so I start pouring it out of it's linseed mixture bowl straight onto the canvass and rub it with a cloth until no more white can be seen.

I hate the result-
my compulsion led me to trade a white blank canvas
for an orange one-
I'm nowhere closer to coming up with an idea than when I started and now I have to wait two days for the paint to dry. By that time I would have aged two days and my resolve might not be what it is right now- the little I have left.

So the final result of my painting-
a blank orange canvas hiding behind my bedroom closet.
Cry Sebastian
Written by
Cry Sebastian  Hanover
(Hanover)   
958
 
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