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Paul Hansford Aug 2016
HEART, not only are you much taken for granted
- how many million beats do you make
in one lifetime? and rarely a grumble -
but you are not even responsible
for most of what you are blamed for.
Am I hard-hearted?
Am I half-hearted?
Nothing to do with you, blame the brain
or wherever the soul or the spirit is.
As for heartburn, that is merely a slander
put about by the digestive organs.

Who knows better than you
that I may experience a change of heart
without a transplant?
or search my heart,
without needing surgery or a body-scan?
a heart of gold, or of stone,
may do for a statue, but not for me, thanks.
And if I hear a heart-warming story,
you still maintain
your good old ninety-eight point four.
I can pour my heart out
but you always stay put.
If my heart aches,
do you need an aspirin?
If I say my heart is in my boots,
or in my mouth,
if I wear it on my sleeve,
we both know you are where you always are.
(Thank goodness my heart's in the right place.)

OK, if I see a face of heart-stopping beauty,
you may pump extra blood to my giveaway cheeks,
even palpitate a little,
but stop? No, not you.
And when I met (long ago)
a girl after my own heart,
and she stole my heart away,
was I left heartless? Of course not, because you,
faithfully beating inside me,
are only one of my hearts, and the other,
though it may well be less *****
than metaphor,
is as necessary to a lover
(or a poet)
as you are.
Paul Hansford Aug 2016
A body on the line at Basingstoke -
the train to Waterloo has been delayed.
You'll have to wait; the plastic bag brigade
are clearing up and trying not to choke.

Commuter suicide's no news to us.
We don't suspect foul play; it's by the book.
But one train driver, terror in his look,
takes the day off, wishing he drove a bus.

Neighbours or strangers, those who saw him leap
could never know what so possessed his mind.
His unwished legacy - they long may find
the image of his death disturb their sleep.

The quiet desperation of a life
brought by that final step over the rim
to its conclusion - weep no tears for him,
his torment's over. Who will tell his wife?
Suggested by a station notice that read: "Trains into and out of _Waterloo_ are subject to delay because of _a body on the line at Basingstoke_.
Paul Hansford Aug 2016
The mother ***** died at the side
of the road, another hit-and-run
victim. Her still warm fur
unblemished, luxuriant, russet,
now with life's bloom on it,
will soon be a shelter for worms,
must turn to dust,
her milk-heavy teats return to earth.
The hungry cubs whose birth
gave fulfilment to mother-love
will cease their shrill
unanswered pleading, become victims
in their turn. I can't pass by
and do nothing. Lay her at least
on grass, where soul of beast
may be at home,
not on concrete.
I originally wrote this to be in a rather strange, syllable-counted and rhymed format, but it came out very artificial, and I didn't like it. Re-arranging it like this, however, put the thymes in an irregular pattern, which seemed to suit it better, and did away with the odd line lengths. The rather abrupt last line seems to me appropriate for the subject.
Paul Hansford Aug 2016
This is where I came from,
and the place to which I shall come back at the end.
I have been away many times,
and between the setting out and the returning
there are towns, villages that are home to others,
rivers and mountains that are familiar to them,
but all are strange to me.
The people that I meet, good people for the most part,
even those with whom I travel some of my journey,
are not my people, and I am not sad
to part from them.
So I travel on, and each time
my journey brings me to the same place,
and I am happy to know it again.
Sometimes, alone and far away,
I see men and women happy to be where they are,
and notions may come to me in the night
that I too could be happy somewhere else,
that another place could be home.
But with the sunrise, as the mists disappear,
I see those phantoms for what they are,
the ramblings of a lonely soul, fantasies,
imaginations of what might have been.
Let me know if this reminds you of anything?
Paul Hansford Aug 2016
.
I cry out your name silently
over and over in my head
and hope that no-one will hear
except you.
Paul Hansford Aug 2016
They weren't kings really, those other visitors. The chaps that wrote the story down (and that was years after), they knew it, called them "wise men". Don't know where the "king" idea came from. Wizards, more like, astrologers even. Maybe there's something in that astrology stuff, but they were nearly a fortnight late. We were there at the birth, well, pretty soon after.

I don't know about angels. There was a light, like a star had exploded or something, but angels? We may have said so at the time; I'm not sure now. We'd gone into the village, some of us, looking for a drink and a change of company, but perhaps it was too late. Or perhaps it was just that the village was full of ­strangers claiming a royal ancestor. Pity they were all so ordinary.

But then we heard this baby, a real new one, in a cow-shed, with a pitiful little cry on him, and we went to have a peep. We had a lamb with us. Nothing unusual about that; he was only just weaned, and his mum had kicked him out, so we were keeping him warm. Lovely little chap he was, not a mark on him, just the kind for an offering in the temple. So when we saw the mum and dad so worried and lost-looking, and that scrap of a baby, well, they needed all the luck they could get. I suppose that was why we gave them the lamb.

But this is the bit that still scares me. When the baby saw the lamb he stopped  crying, and he looked ... peaceful. Wise. Only sad too, almost as if he knew what the lamb was in for. And - you'll say I was imagining it, but I know sheep, and I know what I saw - the lamb looked back at him the same. I've never seen that expression on a sheep again, and I've looked for it, believe me. It was almost as if he knew, too.
If it doesn't seem too pretentious of me, this was planned as a kind of counterpart to Eliot's "Journey of the Magi".  It was intended to be a poem, but insisted on coming out as prose, and I didn't want to chop up the lines just to make it look like a poem.
Paul Hansford Aug 2016
To repay you all the love you've shown,
what can I say to give you peace
from all the troubles you have known?
What can I do to bring release?

What can I say to give you peace
during the day and through the night?
What can I do to bring release
from all the horrors in your sight?

During the day and through the night
I want to shield you with my love
from all the horrors in your sight,
my darling girl, my rose, my dove.

I want to shield you with my love
from all the troubles you have known,
my darling girl, my rose, my dove,
to repay you all the love you've shown.
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