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 Feb 2014 Odi
Tom Leveille
so i get this idea sometimes
that you enjoy being coy
when it comes to me
to conjure momentary spectacle
& make me wonder
if you paint catharsis
on the doors of a home
you've never lived in
as a memory of our first night together
because i do, i remember you
beaming white on blue
speaking softer than any storm
i ever knew, i often think that maybe
you live that night in your mind
when your pillow is cold
& you can't sleep, it makes me wonder
if you do as i do, and rewrite three years fictionally beginning with a kiss somewhere
maybe a balcony or a quiet car
on the sand or in a sunlit grove close to your home but always a familiar scar on the maps we know we know by heart
i wonder if sometimes
the idea of me loving you is too real
and if it teems under your tongue
to stay observant but distantly intrigued
if by this distance you think it safe
to get a dog and pass time
on the couch with a journal & some wine
what i really wanna know is if your fingernails ever wish to have my skin under them
or if they would boast
about winning a war with my headboard
i wonder if you can imagine me
meeting your parents in your apartment & shaking your fathers hand
as a first of many calloused palm readings
and if you know that i trembled before them
how insignificant i had felt
to not know their daughter
in the way i had envisioned
how i picture such poignant moments
so tangibly sharp that sometimes
i replace  my memories with little stories
i tell myself that i can't count on two hands
the number of times i've seen you
& that i don't feel like a crater
when i recollect our collisions
i want to know if you still find madness
in the words that have always been about you
i wanna know if your imagination of me
looks more like an anniversary or an obituary
 Feb 2014 Odi
kenye
Staring you down
From my sacral chakra

But what makes you so
******* sacred?

It's no secret
You loosen
Your legs
When I tap the
tip of my tongue
to my teeth

Go on show me
your spirit animal
underneath

Between the
vibrations
of divinity

I hummed along
and sung you
back to a deity
 Feb 2014 Odi
Nat Lipstadt
For Helen
who wrote it first,
who wrote it better,
and in doing so,
makes me see more clearly
the why

~~~~~~~~~

no poem should ever be untitled
every face needs a name
every poem needs just
one read for completion,
but more than that, it is
a orphan still, deserving of,
due the
entitlement to be titled,
a parenting of sorts

what was the thought that born it
what was the emotion that conceived it
what was the sight that demanded sharing

this is the age of summary and synthesis,
140 and not one more,
so give direction, enable me to make
snap judgements, with so much on my plate,
we must predigest your concepts,
my multi-tasking slowed to levels unacceptable,
so I can adjudge you,
you worker poet,
before or never reading
after all,
why read anything untitled

more than this however,
for the few who chew
each morseled vowel,
ken each constant consonant,
celebrate stanzas that halt the breathing
and then,
god bless the whole child,
flaws and all,
they more than anyone deserve
your consideration in return

for the title is the essence spark
of you
and all the more so
of what you have
  chosen *to share
of your essentials
After I wrote this I stumbled on the far superior, righteously angry version

http://hellopoetry.com/poem/559624/i-refuse-to-read-a-poem-

An aside: growing up you read I was just called "The Brother."
Even today when some calls me by my first name, it is a sudden shocking to my system.
 Feb 2014 Odi
Barton D Smock
her parents ask her to babysit the boy of the couple they’re going out with.  her brother knows the boy as the one who doesn’t get to read aloud in english class.  her parents want her to eat but she ate in her sleep.  the other couple has problems.  her father isn’t jealous.  her father is ugly.  the first thing the boy does he does with a pencil.  a thin line moves across the white wall that in her dream is a tooth.  food comes to her brother in small portions.
 Feb 2014 Odi
Breanna Legleiter
it's so hard
seeing someone you love
*shrink
 Feb 2014 Odi
JC Lucas
The sun is resplendent and warming.
on this bench in front of these shops in a town we’ve never been to.
Italy’s a lot nicer if you’re in a small town.

I’m watching her peel an orange
slowly,
meticulously
she’s removing the skin from the meat.

She reminds me of a boxer wrapping his hands
before a big fight.

The last moment of meditative solitude
before the **** hits the fan.

She’s finishing with the peel now, setting the pieces on the bench next to us
as she splits it in half, an aerosol of juice sprays from the orange
she hands me one half
and begins to eat the other herself.

I peel the segments apart, eating them slowly
and spitting the seeds into the gutter.
she’s smiling,
the juice running down her chin,
and neither of us are speaking.

Later I’m smelling the citrus on her fingers
as she runs them through my hair;
it’s barely long enough to run fingers through,
and I’m thankful for that.

I’m thankful for that orange.
I’m glad I saw that small town,
the one without tourist attractions or snakeoil peddlers
I’m glad my scalp ever knew her citrus fingers.


it came,

I saw,

it went.
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