~for Marion~

all poets are junkyard scavenger connoisseurs

who wear suits to Manhattan faculty afternoon tea parties,

broken-in jeans to Brooklyn midnite poetry slams,

regalers, tall tale storytellers, subway words pickpockets

of the  extra-ordinary,

claiming innovations but from all saints stolen,

insights inside other's waste,

refusing to acknowledge the true owner's title

by fusing other's refuse.

the original recyclers,

junkyard dog liars,

willful sufferers of the plague of overhearing,

exceptional excerpters of the gems of coal dust noise,

"Connoisseur of old thoughts
Bound in new gilt bindings"*


them's me.


~

12:37am may eighth

inspired by TC Tolbert's poem, ""Dear Melissa"*

                                        ~~~

joined skin cells shed and shredded,
two bodies, a compositoy,
an experiment in the temporary,
now, lost under lock and key, at a secure depository,
remote, undisclosed location,
kept unheated in a dark cool place
to preserve their combinatory
slow, half-life decaying oratory

the body is never an accident,
even though we mostly are,
accidental tourists, two collision-prone comets,
lark, rambling rambunctious adventurers,
on a half-day tour only,
leaving behind commingling blinking dust vapor trails,
 emissions of a tour bus journey rerouted
                                                            while under orbit sail

some cells, microscopic, preserved digitally,
aged to imperfection, thrash my eyes,
making me speak in tongues I do not recognize,
but fluently possess, no wonder there,
the memory place fairly empty,
room aplenty for passerby's and the imagery
                                                         ­ of the vaguest of dearly departed

skin is not the only mot shed,
                                                       sloughing of woeful words, shelled

                    
                                     ~~~


Dear Melissa
TC Tolbert

a curve billed thrasher
is cleaning its beak on the ground—
we are closer now than ever—sitting
in shadow—I never want to scare
anyone—not really—I have a friend
who loves people who come out
suddenly—in the dark—
                                          pleasure
is the same distance as pain from here—
that’s my skin on your sweater—both hands
stripped now—I know I am someone
to you I am entirely—practicing
Spanish on the computer—gesturing to
the neighbor instead of speaking—
                                          to sharpen
the body is never an accident— someone
I know I am not—letters are inseparable
from loss—moving what can be still
moved—one is sweeping the mouth—
what ever isn’t skin—take it off—