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If you see her again before I do, tell her the way she left left me shaking like a winter windchime;
the song too frozen to melt on her tongue.
I am scared of all her moving on.
The only serious love poems I write are about the same person who hides God in her hair and shows me the lingerie she bought while I try to unfog my glasses to look at her straight.
I am too convinced that she is made up of lines that lead straight to my firework skin. There has been too many explosions here.
The only way to deal with missing you is to tell you and wait and see if you feel the same. Or novacane.
I imagine you taste like an acid trip... all conspiracy theories and sugary words too sober to ever speak.
If you see her again before I do, tell her that I am a mess without her.  That my mind only settles with her tear-stained cheeks and the only way I can see the ocean in the winter in Canada is to look into her eyes.
I am scared that I am being overdramatic.
I want to rub our wrists together so we can trade scars.
Tell me the story of how you met your best friend and I'll tell you the story of how I fell out of loving my mother.
I would rather listen to you ramble than check the time.
If you see her again before I do, tell her that on the way home from her arms I counted 1200 streetlamps, 13 lovers, 3 liquor stores and 72 shakes of my knees.
Tell her I miss her like Frances misses Kurt.  Like dive bars miss blues music.
When I see you again, lover, I'll tell you that when you told me your name two years ago, I was surprised that it wasn't Love.
you are the first person I've ever wanted to share sunsets with
my loneliness stings like a salt bath after a night of wine and fresh Elvis wounds,
you are anything but desolate
the summer of two thousand nine I opened my veins to try and see God
the doctor who stitched me up asked what a 13 year old would know about faith
and all I said was that God takes his turn on the swingset by pushing other children out of the way,
but you are an angel
and even still I'd boil your halo and inject it in my veins
I want to be close to your holiness
like warmth, like winter; we go together like relief
with you, i'm never even here but I never want to leave
because I need you like my childhood that haunts the walls,
like sunday morning acoustics and coffee that's too sweet,
but not sweet enough for you to say anything
say nothing,
I miss you because you're not here and I'm not there
and still we are anything but lonely
the day I met you, I started missing you.
I hadn't cried in years.  
I was always taught that strength
was not having the courage to let yourself feel but
******* it up, holding it in.
I am sick of "You're going soft on us, honey"
Today I came to understand that
you are completely okay with writing the same poem
over and over again.
This is a metaphor for the way you ****** her in my bed.
This is a metaphor for the night you copy and pasted love letters.
This is a metaphor for what really happened-
I never fall in the same place twice.
Except when I do.
I think the critical difference between the two of us,
critical because there are many differences
but- I think our hamartia, our fatal flaw,
our end scene is this:
if people didn't like my poetry, if nobody listened,
if I walked out on stage and nobody snapped their
fingers, I would still write for just your eyes.
I would still cramp my crooked, birth defect,
quadruple jointed fingers writing to you about the nights
you loved me back,
for a minute there you loved me back.
And you loved 20,000 other people back.
And you loved small towns back and big cities back and the entire west coast
back when you drove through, making temporary homes out of people
who should have been permanent
and I loved you.
And I hadn't cried in years.
Not because I wasn't sad, but because I was taught that showing emotion
was weakness.
So if my father made me memorize the How To's of strength,
if I were going by the book, today I'd be so fragile
you could say hello and I'd shatter so suddenly you'd
forget you were the one that let go.
you were a
month for
healing, for
becoming
whole again
so thank you.
 Nov 2014 Narshrah Hazri
r
she said she fell
for the drunk me -

well, i liked me
that way-better, too

how very sad
- but true

i'd drink again
if i knew i could -
if it would do any good

- to lick her sweat
one drop at a time
all along the jawline

- making her salt mine
one more time.

r ~ 11/15/15
 Nov 2014 Narshrah Hazri
r
songbird
 Nov 2014 Narshrah Hazri
r
as fragile
as a songbird -

her hands

knotted and spotted
from many winters


november came one last time -
i held her hands in mine - gently

- gently, she flew away
to where songbirds go
when it's cold in the mountains.

r ~ 11/18/14
For my mother, Betty Taylor Richardson (8/9/1935 - 11/18/2013).
 Nov 2014 Narshrah Hazri
berry
this is not a poem. this is a plea. this is me begging you to hear me when i tell you that i love you. my voice is weak and shaking like the branches of a willow in the wind. my hands are trembling like tremors under the surface of the earth. my vision is so blurred that i can barely focus my eyes as i type. i can feel the impending collapse of my lungs as they are further crushed by the weight of all my anxieties. my strength is fading, but i'm still screaming for you, only you don't seem to hear me. i'm reaching for you but you won't take hold of my hand. i swear to god i'm trying with everything i have to hold you together, but i'm terrified it's not enough. the very thought of your nonexistence consumes me in a fear i have never known. i have never been good at telling people i need them, but i can tell you how vacant this world would be if you left it. everything would change. you can't come in to my life like you did and then just leave it with no warning. you can't do that to me. you can't tell me that you want to marry me and then try to disappear without so much as a goodbye. you just can't. so i don't mean to make you feel guilty, i just need you to understand. don't you know what it would do to me if you left? how many times are you going to almost-die before you realize i will never be the same if you do?
 Nov 2014 Narshrah Hazri
berry
nobody warns you about the first boy who tells you he wants to marry you.

nobody warns you about the tangible shift in the universe when he parts his lips to smile.

nobody warns you about the poetry he'll write you or how your knees will weaken or the melancholy hidden between the layers of his laughter.

nobody warns you that miles will morph into lightyears and you will curse the ocean for being the only thing that keeps his fingers from resting between yours.

nobody warns you about the day his sweater doesn't smell like him anymore.

nobody warns you that human hands are incapable of holding a person together.

nobody warns you that sometimes love is not enough, no matter how much you wish it was.

nobody warns you about the crippling nostalgia that renders you breathless.

nobody warns you about the nights when silence screams for your blood.

nobody warns you about the crater that forms in your chest in the middle of the night when he doesn't answer.

nobody warns you about how it's going to feel when he tells you he's in love with someone else.

nobody warns you that forever is a lie.

- m.f.
 Nov 2014 Narshrah Hazri
berry
this is an open letter to anyone who has the audacity to try and love you like i did.

dear whateverthefuckyournameis,

i apologize in advance for spilling my boiled blood on the hem of your skirt. what you need to understand, is that you are standing on ground previously reserved for my feet, so forgive me for any bitterness that seeps through the cracks in my clenched fists. i don't hate you, but i can't be your friend. you probably don't know about me, and if you do, let me commend your bravery. i have a tendency to set my problems on fire, and in my bouts of anger everything looks flammable, especially girls with paper complexions. i'm sorry. i have never been one to walk away, so i don't know how to explain to you the holes in the bottoms of my shoes. but i have been further than you will ever go. this is not supposed to be an angry letter, but lately that's the only thing coming out of me. i don't even know your name but the thought of your hands reaching for him makes we want to break them. i will douse your dreams in gasoline and strike the match against your cheek. but i know that's not right, see, the poison crawling out from the end of my pen belongs to a scarier version of myself i try not to know. my heartache is an insatiable war cry in the dead of night, that will stop at nothing to shatter all your windows. it shames me to admit that i've found a sort of twisted satisfaction in using passive aggression to breach your armor. i am sick with missing a set of arms i was not privileged enough to know. i speak with all the grace of an atom bomb and wonder about the rubble at my feet. you are white picket fence and i am barbed wire. some girls are lions, some are lambs, and i learned to love, teeth bared and snarling. one of the only things that keeps me going is the hope that one day i'll learn how to love something without making it bleed. i may have never been his, but for a time he was mine, so please understand why i taste acid when i think about your mouth on his. again, i am sorry. i know it is not my place to be so full of resentment, but there is a part of me that sincerely hopes it bothers you to know he dreamt of me before you were even a thought. there is a side of me that thrives on the image of the color being drained from your face when you read this. but i am trying to learn how to be softer. this letter is the manifestation of a self-inflicted war that has been raging in my chest since he first told me about you. you will try to be good to him, and you might even succeed. if you ever find yourself singing him to sleep, like i did, don't ask if he wants to hear another song, just keep going until his breathing slows.

- m.f.
 Nov 2014 Narshrah Hazri
berry
this is a poem about how you sleep,
how your body grew cold like a corpse in a mortuary.
how it felt wrong to reach out and touch you.
did you know that you turned away from me
every time i tried to face you?
did you do it on purpose?
maybe you were afraid i would be able to see
you were dreaming of her,
that i would read it on your face.
lines by your mouth like obituary,
like roadmap, her bedroom,
the destination, mine, a pitstop.
loving you was like attending a funeral service for myself
and sitting in the front row. no.
loving you was like watching you pick out a casket
and call it practice. ****.
i know how sensitive you are about death.
i know it still hurts.
i know how everything hurts.
i am sorry for just being another thing that hurts.
i think i'm afraid to let you forget that you used to want me.
like if i can somehow dig deep enough,
wound you into remembering me.
i keep weapons-grade nostalgia in my back pocket
for the days i can feel myself slipping from your consciousness.  
i was born with scar tissue where skin should've been.
but this isn't about me.
this is about the way you sleep
like you're waiting for someone to close the lid,
cover you in dirt, and read a psalm.
this is about the way i tried to sing your pieces back together,
and the way my voice gives out
when i read the things you write for anyone other than me.
lover, friend, stranger,
i just wanted to show you how to love your darker parts.
i never meant to become one.
i am so ******* selfish.
but i swear i am trying to unlearn the steps.
and you used to think my two left feet were charming.
i am out of time in more ways than one.
i keep stepping on your toes.
i can't seem to stop tripping you up,
hoping that you'll fall back into whatever this was.

- m.f.
"i am always dying in places where you fell asleep." - K.L.
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