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Moriah Harrod Mar 2013
there's a breeze in here.


perhaps it's that opportunity
that you just missed
that just whisked by you
as you were too busy studying
those little doubt plants rooted in your soil.


perhaps it was your future
rushing by you
in an attempt to avoid you
because you have this wonderful way
of ruining things
and it knows it could be so great.


perhaps it was the nightmare
that was waiting for you tonight
that changed its mind
because even nightmares know
we all deserve second chances.
C 2012 Moriah Harrod
Moriah Harrod Aug 2012
Feet. Gnarled, scabbed and bent at the bone. Where‘s the beauty? I look at my toenails, my arms around my knees, as tears roll down and hit the sidewalk. The splash is exciting, and a thousand images come to mind.

I stand as I take in everything around me, savoring each breath, watching the colors enter my mouth.

The wind. It’s colorful here. Rolling rainbows of blues and greens and reds caress the buildings around me. It’s astounding when it blows.

Last week, the sun exploded into a thousand little ***** of light and they float around me now, serene and inert. Only when I walk do those in my path slowly twirl out of my way.

Slowly, slowly. As if they are moving through gelatin, as if they are slightly begrudged that I‘m counteracting their inertia.

I know that this is beauty. It is beauty that is this place. I would give up every element comprising my being to have this beauty with me when I leave, but I know I can’t overstay my welcome.

I place my foot onto a step behind me and I walk up. There is a balcony above me where I bring my camera. I sit on this ledge and I let my feet hang over and I try to capture everything this beauty is.

But it can’t be done. I have tried so many times to take this place, to put it in my pocket. But it can’t be done. No matter how many times I try, or how many ways I turn my camera, I can’t capture it.

I set the camera down after a couple minutes and I look to my left. A little ball of sun is floating beside my head. I stick a finger out to poke it and, as if by a magnetic field, it slowly pushes itself back when I am but a mere inch away. I try again, and fail. I put both hands out, cupping, as if to net it. I miss, and we play this game for a while.

But the suspense goes nowhere, and the ball of sun finally anticlimactically slips a few feet away. Disappointed, I stand up and walk slowly down the steps, my hand on the edge of the wall next to me.

The suns begin to lose their brightness, and I know it is time for me to go. I’m almost sad, knowing that I won’t see beauty like this until the next time I am able to return here.

Almost. This place is so great, so majestic, I can’t help but leave with a sense of pride, knowing I am privileged enough to come here.

With a final look back, I take in the glow of the setting ***** of sun against the background of the wind. I hesitate at the bridge, to put my hair back up into a ponytail. I slip back into my sneakers and I put on my lip gloss. I’m ready to go back to the side of the world from which I came.

I have to catch my breath as I prepare myself for the world I’m returning to. I breathe in deeply, and I look down, at my feet. Gnarled, scabbed, and bent at the bone. Where’s the beauty?

I take a reluctant, mournful step onto the bridge
Moriah Harrod Aug 2012
Today I wrote to you. I haven’t seen you in seven months and sixteen days, as of 10 AM this morning. Only two weeks left. It seems unreal… It also seems that to write to you is all I have. So this morning I sat at my desk, and I opened my mind to all the things I could have said to you, but never thought to.

Do you remember the first day we met? It was in the café on Franklin Blvd. You were wearing your grey Fedora, a Hurley shirt, and those burnt sienna penny loafers we’d make so much fun of later.

I was at the table by the window, and I couldn’t help but notice you. Three of your fingernails were painted yellow, and you wore a bunch of beaded hemp bracelets on your right wrist. They looked Bohemian to me, but one day you explained the difference in that and Jamaican. You were singing a little tune while waiting in line. Later, you’d call it your “little ditty,” and you’d sing it all the time. You always said things like that, & I always fell in love with you more.

You ordered a vanilla cappuccino and a plain English muffin. I looked down at the same half-eaten muffin and cold cappuccino in front of me. I wondered why it seemed that I knew you already.

You sat down at a table a few feet away from me. You took off your penny loafers and took a handheld game of Yahtzee out of your pocket to accompany your breakfast. I was perplexed that you hadn’t noticed me staring yet.

Ah, there it was. You looked over at me. You must have sensed me by then. Immediately you smiled that half-smile you would always do, a mix between a condescending smirk and a boyishly cute pride. It was altogether endearing. You raised your eyebrows and nodded, as if we’d known each other for years. I admired your charmingly playful introduction. I would soon call you sweet pea.

………………

It was eight months ago today that you told me you were leaving. Your large brown eyes were full of promise and sorrow. I dropped my half-full coffee mug, and it spilled all over the carpet. The cat ran to lick it up, and was disappointed when the taste was utterly bitter. In other circumstances, I would have laughed and pointed it out to you, and we’d admire the cat’s zealous naïveté.

However, the cat had but a split-second of my stolid attention before my eyes met yours again, and I felt paralyzed. I asked what you meant, and you repeated yourself.

You told me of Jacob and all he meant to you. I cried when you told me how God and all his goodness took a sixteen year-old boy and his giant heart away from this world, away from his brother. You also told me how you’d avoided him for over three years before his death.

I was in disbelief that you’d never told me of him. You just looked down and said you’d had no room in your selfish green world for his coal-black sickness. Then you told me of his letter before he passed, asking one thing from each person he cared about. To help the world in a way they never would have done before, to somehow leave a legacy in his name.

My stomach felt sick. My baked-apple oatmeal felt at the tip of my tongue. How could this be happening to you? I instantaneously let go of any would-be grudge against you for being kept from the cruelly and sickeningly beautiful reality attacking your heart.

For I could see in your eyes that you were tearing your soul to shreds. You explained how in your peaceful aura had been a mask, a denial of the sickness slowly claiming your brother, waiting it out. For he couldn’t die. He would simply be better one day, and you were waiting for that. But, he did die. And you already knew what your mission would be.

You were leaving in two weeks from that day. You were flying to Africa with the church your brother had been devoted to since the diagnosis four years before this day. You’d spend eight months with the church members in Africa, working with children in a third-world country. Anything you donated would be in the name of Jacob Meyers.

You had talked about this with your family, and they agreed it would please Jacob and the legacy he had asked for. I at once stated that I was going too. My belittled heart broke cleanly in two when you told me how you had to go alone, that Jacob wanted a noble mission.

He had explained that he wanted someone to do selfless work in his name. How in order to give truly, you must give all. I knew you felt that you had to give the largest part, for you’d been the most selfish to avoid him. I let you keep your dignity and, broken, I accepted what you were doing. If anything, I loved you so much more for it.

Sorrowfully and dutifully we packed bags to attend his funeral. I never told you this, but I read four novels on sibling death. I wanted to take your hand in mine and feel what you were going to feel when you saw him laying there.

………………

In two weeks I will see you again. I will travel to the airport and pick you up and time will move once again. I often wonder how spectacularly, or marginally, you will have changed.

I have your loafers, your fedora, and your faded Hurley shirt ready to wear to the café where we met when you come back.




To my faux Jamaican sweet pea,
I miss you.
Though I have personally experienced the emotions in this poem, the setting, characters, content are actually fiction. I really appreciate the feedback though.

Like I have explained in my biography, I am not a creator of stories; they are floating all around us. I'm just the messenger to share them.
Moriah Harrod Aug 2012
You held my hand and showed me all the pictures in the sky
& told me of all the days you'd spent out here
I laughed and told you that I didn't need it, didn't need any of it

The day you left I realized I'd been wrong, so utterly wrong
I began looking at the pictures in the sky each night
& spending all my days out here

I wonder if where you are the sky pictures are better
Do they make you feel the things that I couldn't?
Maybe one day I'll be big enough to venture out there to where you are

But for now, I'll stay here
& look at the sky-pictures that used to be enough for you
& remain unchanged, unwavering, unwilling to let you in.
Moriah Harrod Aug 2012
You called yourself a man, swinging on the lion with your frostbitten breath
But I anulled what you said, when I saw that the lion was but a mule, and the frostbite just the smoke from your cigarette

You said you hunted demons in the chasm going down, hunted demons from Hell in the chasm going down
But I saw you selling her things in the pawn shop down on East
Are the demons merely what her illness represents to you?

You whispered in my head that you could save me from this ****** bath
And take away the faucet that I want
But it’s coming back, another promise that you broke
Are those ashes of surprise blanketing the cancer that you smoke?
Remove your shoes at the door, leave her eulogy lying on the dusty kitchen floor

Go ahead and board the escalator; take your musics with you
You are not my savior, not the bargain that I asked for
Just a martyr for whatever cause you decide to **** today
Moriah Harrod Aug 2012
My world. What is the definition of "my world?" Is it the earth as a Whole? Or is it simply my perception of the earth...as a Hole. I'm here to stumble my way through these observations and make sense of my surroundings; seeing as You are (presumedly) on the same Earth as I am, I can only give you my account as the earth as I See it, and let you make the Comparisons as according. Perhaps we shall See the same earth in this, if this tale has fallen into the hands of a "like Mind." If it hasn't, well...then you can judge this all for yourself; an entirely new perception.

If you are reading this in hopes of a love Story, on the off-chance of finding solace for whatever Mistakes you have made, or of finding hope in a happy Ending made of whatever Wrongs have been done upon you, then I must let you Know in advance, this isn't any of that. This is a Declaration of Independence; my truthful account, my soul-bearing, eyes-wide-open testimony that

This Has All Become A *******.






My story is the menial, self-congested tale of a society gone rampant.


The year is 1922, and the air is frigid with self-absorbed disgust; none but I can see this. To the rest, We of 1922 are Nothing but Jubilee.

If you are reading this, then your year is at least 1972; I pray that my Here and Now, this 1922 era of Superficiality is the shadow of your here and now. I pray that the earth you Know is the beauty that I seek, that this radiation of Filth has died and that everyone now Understands what we went through, what I'm going through.

If you don't, well...maybe this account will help.
Moriah Harrod Aug 2012
we'll be a laugh
tickling the insides of a time when
things were much easier

we'll be a kick
to the shins of those who said
we'd never slay the demons we run from

we'll never change
always holding onto the things we love
and looking forward to the things to come
arms spread wide from the past to the future
our navel suspended in the here and the now

you'll be the sun
radiating with the joy
of a thousand beating hearts
and circling the earth, selflessly moving
spreading yourself so thin to help

i'll be the breeze
a catalyst for the lazy season,
never solid, never sure
running with you
to escape the dark you chase
as i'll shout "nevermore" and it all blows away

we'll never change
always holding onto the things we love
and looking forward to the things to come
arms spread wide from the past to the future
our navel suspended in the here and the now

and you'll take my hand
and you'll take my hand
and you'll take my hand

we'll never change
always holding onto the things we love
and looking forward to the things to come
arms spread wide from the past to the future
our navel suspended in the here and the now

and we'll be the cry
of a new life born

and we'll be the years
growing old by the shore

and we'll be the soil
tossed over our bones

oh we'll never leave, never leave, never leave it alone
obviously not a songwriter.
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