This one's called "Running Under Streetlights on a Treadmill Made of Gravel"
Don't you ever wonder where you'd be without love?
There is no distance I wouldn't travel
to be under the arms of this oak.

This one is called "I Ain't Got All Night to Plot with the Moon,"
and this one's called "I'm Losing my Mind in the Middle of June,"
so give me a light, because this dark's ending soon.

I am a scarecrow lost in a tornado
(this one is called "You Can't Keep All of Your Straw.")
I am a glass figure in the midst of a hail storm.
This one is called "Where's my Umbrella?"

And I've found an answer,
so ask me the question.
This one is called "The Supreme and Holy Power of Suggestion"

Some nights are never ending.
This one's called "That Fruit Ain't Worth Eating if the Garden's Not Worth Tending"

So don't you judge me.
My antennae may be broken,
but my signal still sends,
and my mind is wide open.

You didn't hit me, but you might as well have
because silently crying
on the other side of your turned back,
holding my breath so the sobs
would kamikaze themselves into my ribs
hurts almost as much.
And maybe I should have red-flagged
the skipped goodnight kisses,
or even made you apologize
for leaving me alone in the library,
waiting at an empty table with two red apples
because I figured you skipped dinner
but by the time you got there,
I was just a core.

But I stayed in it, and I let you **** me
in the way I thought meant I love you
even though you never said it,
and in the way that meant
I'd be alone, again, waiting for you
to deliver yet another polished excuse
and a look that swears volumes, punches me,
guilts me into solidly believing
that it's my fault after all, because
space is just as important as answering your calls,
because independence outweighs how attached
I'd became to your lust and ten cent compliments.

Now, I've become rust in my hometown,
afraid to ask because I know the answer
and bitter, frozen and bitter,
because honestly I should have known.
I just should have known.

How much of my history can you read from my mouth?
Can you make some sort of sense of what my life is about?
"You ought to quit smoking.
It's bad for your gums."
It seems my teeth are paying the price for how I like to have fun.
I dread the sound of that drill,
but I'm here of my own free will.
Please don't tell me that I have a cavity.
Ask me about my flossing habits,
and if I've been experiencing sensitivity.
I have.
You see, I've been having these dreams in which I'm spitting out all of my teeth.
I looked it up in Zolar's encyclopedia.
It reads:
Teeth falling out = death.
It's been ******* with me.
I found some other sources which state
that losing your teeth in dreams is a subconscious way of expressing anxiety.
Sounds about right.
I've been waking up in hot sweats every single night.
With a weight on my chest that feels like the precursor to death.
I've told my favorite non-friend about how lately I've been feeling a sense of impending doom.
Like I'm headed towards disaster.
She didn't have anything to say about it.
I guess I've always had a flair for the melodramatic.

Poured into the tight pants,
the grey ones with the zipper
that's afraid of heights, and
guess what? They're really
wrinkled or very wrinkled
or **** wrinkled--but they're
the tight grey ones, assumed
the thighs and calves would
handle the ironing.
Ten minutes late,
usually more. The clock
in the car, the red beat-up
'02 Cavalier, is not behind
or ahead an hour, no it's
set to some vague time
because lateness has
replaced time so why
even worry. Blood pressure, etc.
Spray on the cologne kept
in the car. Could look
up ingredients in cologne
to describe the smell
but that would take
away a little something.
So say: it smells really good
or very good or **** good--
and move on.
Walk inside, unbathed and
sun burnt--well not completely
unbathed. Washed the hair
because it's a puffy, erratic
downer otherwise.
It's all about appearance,
the bosslady said when
she made the hire.
Slipped a little.
Big woop.
Cold called the Southside
Veterinary Clinic.
They'll allow a visit.
Pack it all in the bag,
the mouse pads,
the koozies, the actual
thing to be sold:
SHEENY PUPPY, some
really heavy or very heavy
or **** heavy duty
coat treatment for canines.
The first one is on me, is said
as the package is handed over.
The vet wouldn't buy. Not then.
Probably not ever.
Ate an eighty-calorie bag of cookies.
Drank some coffee.
Stopped at the gas station, the
Conoco on 15th and Kelly,
and couldn't decide between
the fun size or the party size.
This is called the spectrum of grief.
Bought a pack of cigarettes.
Smoked three really quick
or very quick or **** quick,
like Mom might show up any
second and then tossed the pack
and the lighter.
Done with those. Forever.
This time. Or that time.
There was $20.89 in the
checking account and
a fresh girlfriend reminding
that today is one month.
Dinner. Dinner and wine.
$20.89.
You can sell only if you believe in the product.
Be really blunt or very blunt or **** blunt.
Stress is an art.
Create FUD (Fear, uncertainty and doubt).
It’s all about the presentation.
She's fresh and funny and so
self-conscious when she eats
spaghetti. Can't get
by with spaghetti
for the one-month.
No. No. No.
Be on fire and inspiring.
If you don’t know the answer, ask a question.
Answer inquiries concisely and loudly.
Humor is ****.
You can always be better. You can never be worse.
Call Mom, donate plasma or take the Xbox back.
Is this one forever?
Does forever mean dinner and wine
are necessary?
Or does forever mean that
the spectacle is frivolous?
In the cabinet at work
someone left blueberry bagels.
There's a microwave and a tub
of margarine that only
recently expired.

Hayley Fienne scattered herself a year ago today. A hammer. A trigger. I sent flowers to a funeral home in Chandler, OK. I called. Said, "I can't imagine what you are going through" and something about how time turns the past into a form of fiction. DeLillo wrote that, I think.

Her mom said, "That's not true. That's not true."

And I wouldn't have said it if I hadn't known Hayley like I knew Hayley. She used to do these oil paintings on the nights she knew she wasn't going to class in the morning. I've a layman's knowledge of visual art but even I could tell her work was real. As opposed to what? I don't know. You just felt it. It kicked you in the gut, left you spinning around the room, asking every ******* in tweed, "Can I get some water?"

There was one large canvas in particular that stuck out. She called it "Dissolution."

The work depicted a seemingly amorphous spiral of headlight blues and star whites against the murky black of space. In the dead center of the piece she painted the face of a young man, broken into quadrants. The face was nothing more than a faint veil. If you scanned the canvas, you'd miss it.

When she showed the piece at a gallery event, featuring the work of outgoing seniors, I asked her who the man was.

"It's Jesus."

"You gave him a shave."

"It's actual Jesus. It's 'I'm thinking of converting to Buddhism' Jesus. It's lonely, masturbatory Jesus. It's the Jesus who stares at a ceiling fan wondering why Peter won't text him back," she said. "And above all, it's the Jesus God asks a little too much of, the Jesus that calls in sick."

I said I was unaware such a Jesus existed.

"Exists. Dealing with impossible quotas, he has to shave."

"I think your Jesus looks like you."

"He is."



Now it's a year later. I find comfort in the painting, allowing the erratic brush strokes, both fleeing and advancing, to lull me to--what? Just lull, I grant, aimless and asking answerless questions.

I think about her at the end, at her end-- but not the violence of it all. No, I think of the release.

No intended romance. I simply wonder how she would have wanted that final let-go in life's calendar marked by letting-goes to wrap. I imagine her body separating from her mind, her mind separating from her memories, her memories separating from her name. I think of her matter fractured and dispersed, directed where the universe, in its imperialistic expanse, requires.

I call her mom. Say, "I can't believe it's been a year" and something about how outer space makes me think of Hayley.

Her mom says, "I don't understand."



After I hang up I look at the painting. I look at Hayley's Jesus. And I think in memories, memories that may or may not have happened, I think of them in my chest--not my head. I think about mercy. I think about the infinite. And is there a place where they intersect?

I cut a negative hole from your earlobe
down to your shoulder blade,
and used the space to mask the personal void
between my separate ventricles,
pumping the breakup through, slowly,
in small doses.
The sculpted edges of your figure
kept close to my soft curves
holding together what you could salvage
from my tears and breathless begging
for a different set of circumstances,
but your bed

still smelled like sweat and *** from yesterday's,
I guess farewell, love making. And my baby blanket
covered your legs as I nuzzled into your bare chest,
drowning your pecks in sadness.
You kissed my nose twelve times, little nibbles,
like a button in a nursery rhyme,
lulling me into a coma of over thinking and restless
slumber.

I don't remember leaving in the morning,
but I remember ironing my collar, losing
the back of my earring in the carpet,
misplacing my books for my 9a.m.
I remember you holding my hand
under the table at breakfast while you dunked
pieces of hash brown into hot sauce
while I picked at the top of a blueberry muffin
barely able to say bless you,
God bless you when you sneezed.
But you carried me, my dishes I mean,
to the end of the line and you smiled
when we said goodbye.

It's not my fault he liked me even though I wore overalls.
Kind of sad, isn't it?
That someone could be so desperate
as to hit on a sorry excuse for a woman
who strode confidently in a white tee and jean
overalls with gym sneakers.
But maybe he found the way my collarbone
stuck out of the top of my shirt enchanting
or even fell dizzy imagining
what I would look like underneath.
Perhaps, he hoped I had something ****
on beneath the big **** pockets.
(I didn't, in case you were wondering).
Yet, he asked my name after I noticed him
watching me examine an avocado
for the bad spots, checking to see if the pit
was still green. He laughed, slightly,
when I told him it was
None of your **** business why I have
ten cans of Spaghetti O's in my cart!
I was polite enough not to question
why he had a Cosmo magazine in his,
or if he was making tacos for dinner
based on his pound of ground round
or the wrong brand of bagged lettuce
resting next to corn shells and salsa.

It's not my fault that I'm a two drink drunk.
He's the one that bought the expensive wine,
and asked me to join him for, you guessed it, tacos.
I hated the way he kept his socks on in bed,
but he didn't stop holding me when it was over
and he never asked me to leave when I woke up
in the morning. He brought me coffee, black, and sat
reading the paper like a gentleman while I
asked to turn on cartoons. He had the jaw line
of an actor and hair that could be in a shampoo commercial,
and I hadn't shaved my legs in three days, but
he still drew circles on my knees as he read.

I ran myself through the shower to dilute the blame.
My phone rang all the next day, no pick up.
Just burning noodles in the *** and picking
at my nails as I sat alone in the kitchen.
I threw that morning's paper away.
It's not my fault that I love the rain.

I can't drink a Miller without the taste
of a backyard, bonfire
raising and your name
only catching speed
in my throat before I gasp
too many, too late confessions. I can't
let the liquid rest with me,
just before I swallow,
or else I'll drown in reminiscing.
So I gulp.
I ferment my own mind and I punish
bottle after bottle even though
every breath after just reminds me
of inhaling your own
when we'd wind ourselves back up
after a drunken escapade
in your bed after everyone else
went to sleep and our dreams
had no chance of catching up to us. I can't
think of you too long
unless I balance on distance
and YOU'RE NEVER COMING BACK!
That's it. I can't
decide whether I'm happy that you've grasped
something so real and sturdy
after all the times I've played the crutch,
or if I hate you,
still, for leaving me by the fingertips,
dangling on a prayer for your safety,
basking in the light of your brilliance,
only to find myself here
in my shower
with a Miller
and an old country song on the radio.