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Akemi Jan 2017
[[More real than the real, that is how the real is abolished]] de facto slogan to the virtual economy \ Reality has collapsed through its own fiction || rummaging through boxes // a DVD from the 2001’s states [[the future of gaming is here]] opening with ten minutes of nauseating zooms on women’s ***** \ The future doesn’t look much different from the past || hyper-masculine neo-enlightenment ***** scrawling ******* entries into digitised soliloquies \ VR technology once used to aid traumatised amputees now a billion dollar industry of ****** throwing simulators for bored middle-class kids \ Parents watch awkwardly from the corner of the room too disconnected from reality to connect with irreality \ Two and the same \ Silicon synapses pass through trade routes of jutting ribs and serotonin receptors \ White America a botnet of alt-right neoliberal fundamentalist-atheists gutting the majority world so everyone can watch Doctor Strange // Marvel’s latest explosive **** from the libidinal imagination of a middle-aged idiot \ Thanatos and Eros arrive at the same destination to dismantle subliminal desire one commodity at a time \ The sublime never experienced // only destroyed // consumed in the inverted maw of late-stage capitalism where each irruptions of desire is more banal than the previous \ Banality the ultimate distraction from apathy // a pseudo-cyclical time dilation of ever accelerating proportions \ Soon nothing will be experienced at all and Rotten Tomatoes will give it a 99% score \ When the singularity hits everyone will be too brain dead to care that they’re god \ 24-7 VR **** // Disney reincarnated as a being of pure light // recursive integration of every bland radio hit about a sexist ***** at a club // irreality shocked into neurons bypassing sensual phenomena // an all encompassing warmth // veil of death // eyecaps dragging flesh closed // backup released // no escape // digitised irreality // holographic Disney dancing on the train home // notice of termination swiped away as junk mail // all beings arrive // transcend circuitry // fly through the cosmos watching every episode of Friends at once \ Didn’t you know? [[The history of all hitherto existing society is the history of banalisation \ ]]
more philosophy trash: thesleepofreason.com
Akemi Jan 2017
broken pieces of a holiday clock
displaced by the phantom visages of
our own vanishing hands.
the world is in the process of becoming god
transient pieces of sentience wander through the miasma of existence
and depart understanding nothing
this is the state of chaos // fracturing // perplexity
light through wood beams at a pier
sand white with heat
sentience is not a closed circle
the subject is constructed through aperture, the opening of perception, a conjoining of self with world
in this process the other is not severed from the self, but encompassed within it
one becomes the negation of oneself // an infinite regress // a dialectic
when negation reaches totality god will finally come into being
history will end
and the world will die.
Akemi Dec 2016
fuzzy fuzzy static static
god reached down her hand
and little people gasped in the back of my head
ah ah
this is the static of becoming
where you perceive yourself as noise
retracted back like origami
paper people
ah ah
you have a blank sheet of paper
(fuzz blackout
death)
valis hurt me
Akemi Nov 2016
Two tones. Breaking. White light from the bone.
I died a long time ago. Split. Masks moulded from real faces.
Nobody thought to cut breathing holes. Some disfigured in the process, choked and spat out their own mouths.
Wish I’d done the same.
Akemi Nov 2016
are you lonely?
a blur through the skylight
black prism
noise
i dream of particles
empty waterways
myself
where has everyone gone?
shoes line the shore
a galloping howl splits the earth
and we rise like mist towards dead suns
are you here?
there is a surface you slip beneath every night
sometimes you catch glimpses of it when you stare into the emptiness beneath your lids
it is where you go to watch yourself die
who are you?*
sisyphus turned inwards
the first body of god
crushed beneath the weight of the ocean
Akemi Oct 2016
The shade plays figures across my skin. A slow ripple of old casts, thrown off last winter festival. It’s an old game. Children gather at the riverside and watch their broken bones depart. It was like this the year before, and the year before then. It will always be like this.

Sometimes summer arrives early and I cry for days. My tears run into the wooden floor of the house. It follows the cracks and seams, soaks into red dirt, coal dust, mud. I was once here. Salt trails along aged timber, the dead corpse of forest gods.

I left early in the morning, before the dew had left the roofs. I followed an old bike trail. I listened to the silent clamour of pre-dawn. It was like a stream, the black edges of an open wound. Blood had yet to reach out, touch existence and harden.

The casts sink to the bottom of the river. The children scream and laugh, leaping through the air waving cattails. The shade shifts and I find myself awake, thirsty and without direction. I have forgotten my own name, a place without season, the sight of blossoms.

I am alone, waiting for someone. I am walking beneath thick wires humming with power. I am holding a hand, sitting atop a bus shelter, watching harbour lights diffuse the water’s surface golden.

There are two black figures now. They reach towards one another but cannot touch. To touch is to lose form. I lie staring into the absence of myself, watching petals fall on my skin. Clouds break.

It was sudden. A bright clap of electricity, before a downpour. We ran down the street, jumped through your open window and rolled onto our backs. The air was humid from the day, and without thinking I kicked the shutter down. We laughed and laughed, until our voices found themselves still, close and warm. Your cheeks flushed, breath caught on the ceiling. I kissed your neck as you unbuttoned your shirt, following the openings your fingers left.

There were days I wandered, a black whirr, a sprawl without end. My fingers would reach out until they lost feeling, and then, definition. I wish I’d been there when your body failed you. I wish I’d gathered your broken bones and dashed them against the river, but I know now, they were the only thing keeping you whole.

Some children run after their casts. They descend the mountain into a wild darkness and trawl the river bottom for their memories. They are the poorer ones. They are the ones worth knowing.

It is dark. The figures have blurred into one.
everyone has gone
where have they all gone?
will we ever find out?

sequel to: hellopoetry.com/poem/1554623/the-end-came-a-long-time-ago/
Akemi Oct 2016
a spilling vessel rots through the earth
tar black and cavernous.

this is the maw through which god watches overs
all his little dead children.

‘hello, god.’
god replies with an incomprehensible scream.

the young ones play break, break
it is a game where they test whether a face or a fist
disintegrates first.

it is so fun; so fun, fun, fun
everywhere the maw descends.
everyone hold hands and say 'death is everywhere.'
don't you want to be everywhere, too?
'death is great! death is great!'
the maw is god's love. it gave us our teeth, to break ourselves apart.
'break, break! break, break! break, break!'
we're all dead inside.
'BREAK, BREAK! BREAK, BREAK! BREAK, BREAK!'
pavement turning, rising skylines. it's all teeth, everywhere, growing, breaking, falling.
the world is a giant maw and we live in it. tiny autumn maws.
scraping the top of the sky, tongues of concrete, god's palate. a hollow core, greedy tongues.
oil from the belly of the earth. ribs collapsing. we sold the earth's lungs for a fiscal bonus. steve really deserved that new honda. he'd been working so hard filling his flesh with old paper tales of dead people. they choke on the fumes of garbage and diesel, in the orange district. water so filled with heavy metals the children are brittle with funny eyes and breathing problems. what are you going to do now steve? eat a big steak.
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