I’ve got to tell you,
yes, you, Muse,
that you can be a real little ****, sometimes,
just flirting with me
and merely swirling your skirts.
And I’m so ******* vulnerable!
You hear that? I’m weak!
I’ve been meekly saying yes, yes,
thankee missus, so pathetically obsequious,
while tugging my forelock, or something else,
before scribbling about these ridiculously tantalizing
little glimpses you’ve been flashing me,
just the merest ****** of insight,
when I so desperately need, you know,
the whole ******* vision, the complete picture.
Yes. The whole enchilada!
Now look here.
You’ve got to go a hell of a lot farther than just flirting with me!
I need some of your hot little chilli, see?
Something, you know, incendiary!
You hear me?
Maybe sink my teeth right into your euphorbia poissonii!
Yes!
Even if this ******* well kills me.

Mike T Minehan

Sometimes I cup her breast
while she sleeps curled up.
Sometimes it’s just the merest brush of skin,
the toes, perhaps, that meet somewhere
in the shoal of sheets.
Maybe it’s just an arm flung carelessly
or a leg akimbo here or there.
Her flanks are also sleek and smooth,
and is it a dream I sneak
of riding wild and reckless
through the canyons of our sleep?
But mostly, just simply holding hands
stops me tumbling in the void.
I don’t know if she knows
she's my bridge across forever.
Oh yes, I know that I'm a dreamer,
and I know that forever never lasts,
but I still hold her, oh so gently,
through the darkness of my night.

Mike T Minehan

I like a whole lip-smacking smorgasbord of words,
such as preposterous and scrumptious,
sumptuous and curious,
roiling, rambunctious and trumpeting,
priapic, satyric and seraphic,
satyriasis and mimesis. Now this mimesis is the imitative
representation of nature and behavior in art and literature,
which is a pretentious way of trying to say what us writers do.
But hey, we don't just mimic things,
we can be sagacious and salacious, too.
Accordingly, I also like *******, which has a liquid sound,
and I'm not being facetious to suggest that
******* has a close connection to callipygous.
Then, for those who are suspicious of the libidinous,
I also like curmudgeonly and bodacious,
loquacious, precocious and pulchritudinous,
lubricious and fugacious,
scripturient, radiance, iridescence and magnificence,
lissome, lithe and languid (but not too limp),
shimmering and diaphanous, effulgent and evanescent,
flamboyant, fandango and flibbertigibbet,
(although this is difficult to say when you’re drunk),
voluptuous and vertiginous, slithery, **** and glistening.
And when I include crepuscular, strumpet and strawberry,
I may as well add whipped cream
as well, because this can be laid on in dollops,
and dollops is really an excellent word
along with slurping and *******, too.
Actually, I'm very flexible about words,
because in my lexicon, low moaning noises are OK, too.
These sounds come from the chord of creation
which is a sort of reverberation from the time of
primordial ooze, which I would like to squish between my toes.
Then there's protozoa, spermatozoa and also
wriggling flagella everywhere. So there.
But words don't even need to make sense,
because sweet nothings can say everything,
and heavy breathing can be ******,
even rhapsodic, ending in delirium.
Titillating should be in here too, because we all need
some tintinnabulation and tickling of the senses sometimes.
I've also decided that fecund is my second favorite word after love.
Fecund sounds abrupt, but it buds magnificently
in ******* and bellies to burgeon in absolute abundance,
everywhere. This brings me to *******, which I like, too.
I'm also partial to proud words, including bold, bulging and
brazen, along with a bit of swaggering braggadocio.
Then I like some big words, like brobdingnagian,
although I hope I'm not sesquipedalian.
Salivate is a word to celebrate as well,
along with onomatopoeia that helps choose some words here.
Drooling is highly evocative, too,
and it's not being provocative to observe that
even weapons drool when they're in the wrong hands.
And I shouldn't leave out *******, as you would expect,
because ****** is a sort of rippling word
that rhymes with spasm. Both sound deceptively simple,
but by golly, they can be intensely gripping.
And really, it's alright to writhe to this occasion
because all of us writers should endeavor
to have some good writhing in our oeuvre.
Even some bad writhing can be lots of fun, too.
But I almost forgot to mention yearning and burning (with desire)
and vulviform, velvet and venerous.
Yippee, yee har and hollerin' along with other exclamations
of exhortatory exuberance should be in this index, too.
Now. The words I don’t like include no, can’t, never,
stop and mustn’t. Also, irascible and intractable,
unmentionable, ineffable, inexpressible, incoherent,
immutable, impotent and impossible.
Then I don't like importune and misfortune,
and I don't know who thought up unthinkable,
because this is an oxymoron.
Inscrutable is also a complete cop out,
especially when there's no such word as scrutable.
Gawping, gaping, cavernous and cretinous, obsequious,
grovelling, pursed lips, circuitous,
obfuscation and isolation, unpalatable,
cruelty, tyranny and hypocrisy,
should also get the heave-**.
And I definitely don't like parsimonious and mendicant,
which are miserable words.
Quitting doesn't get there either,
and shut the **** up and ******* should also be taboo.
Also, hopeless is, really, well, it's hopeless
because it denies hope, and hope is buoyant and boundless.
I mean, sometimes hope is all we have.
But the word I dislike most is ****,
because this is an insulting word, and
to be taxonomical,
the negative score of this word is astronomical.
Hate is also right up there on this list. Hate is abominable
because it tries to destroy love, and love is indomitable.
Indomitable
is the
mightiest
word
of them all.
Yeah. So there.

Mike T Minehan

Look here.  I've been admiring the spectacle  
of Ng’s bare ****. Yes,
this is simply because I have to say
Ng’s bare **** is magnificent.
It’s not a bouncing Botticelli but it’s
a slim, firm bottom, subtly rounded,
real split peach and cream stuff.
And Ng at the other end
is a real nice girl, too!
She's my friend, see?

But back to Ng’s bare ****. Let's stay focused.
I contemplate this vision,
along with the meaning of life,
quite often in broad daylight
with a slash of sunlight across her little buns.
This is more profound than the Tait, the Louvre,
the Met, the Frick, the Neue, the Helly, the Hermitage or even
the Natty Portrait Gallery all bunged in together.
Ng's bare **** is also better, by far,
than anything you'll see at the Bolshoi or La Scala.

I’m amazed at how much I’m amazed by
this work of art. It’s awesome.
And I betcha the most famous galleries would
fall over themselves to display this finest little ****, that is,
if the world wasn't so hung up with hypocrisy and hysteria,
yeah, it'd be heaps more famous than the Mona Lisa.

Mike T Minehan

You can’t
explain
the world in
Haiku.
It’s more complicated
than that.

If you know everything,
seventeen syllables
are just not enough!

So, I like to
break the rules
and write my Haiku in
eighteen syllables.

Oh ****!
If I ever write
another Haiku,
shoot me
for Chrissake
and put me out of my misery.
There. That’s thirty four syllables.
**** it.
And there’s two more
just for the hell of it.
Now I feel a lot better.
I’m free.

So I’m marrying this young girl, see,
it’s the second time round.
My first wife died and
I’ve been struggling and drowning.
So I'm clutching the life raft
of this girl who is beautiful and young,
who’s romantic and sure of her ground,
and she and her family believe
that I can breathe and survive again.

Me?  Can I remember how to be gentle and kind to them?
It was luck. I was lucky before.
Because now I'm a veteran of the thousand campaigns
and I’ve bayed at the moon, see,
then I hunted with The Beast.

And anyway, my first wife and I
(*******, her name is Lorayne!)
suffered, and then suffocated
before our love soared so high.
Then we danced like fireflies, fabulously,
until the future ended forever.

So how can this new girl
find ecstasy with me and, and,
you know, live happily ever after,
which is such an impossible dream,
and how can I handle all this ******* purity
and innocence and beauty and youth
and flawless skin and fairy tale stuff
when I’m so gnarled
and twisted and knotted?
You see, I'm actually deeply ashamed.
In spite of my much vaunted campaigns,
I'm really a coward.
I'm afraid I can't drag myself back and do this again.
Can we possibly become fireflies and dance in the flame?

Yes, yes, I know.
We'll swear to love and to honor and to obey
in sickness and in health
in richness and in poorness
until death do us part.
Though this formula's too cute. It doesn't mention the pain.

But there's no other option. I must try to rise up again,
and alright, once more, I'll call on the flame.
So I'll cast out my demons and force them away.
Somehow, I'll hold those monsters at bay to give you
the light and the love you say
is still there, everywhere.
You are wide-eyed and oh, so naive.
But I desperately want to believe you.
I need you.
Oh god, I hope we can love without fear.

Mike T Minehan

The staff, who are stuffed full of paper,
stapled, on white,
are to be circulated with minutes,
full of minutiae,
but only the chosen staff will receive such chaff,
intricate, in triplicate,
and the others will have to wait for memoranda,
definitely not grander,
on subjection, objection and rejection
for the weary and unwary.
The brochure on staff conduct
will be grosser,
and superannuation won't be super.
There will be no more staff resolutions,
no revolutions,
so that managers can preserve the status quo
and hasten slow.
Talent is banned,
promotion is underhand,
***-kissing is in,
no sin,
and perks,
no jerks,
are for the executive few.
***** you.