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M Padin Oct 2013
Miami melts in its own heat.
It is, as Robert Frost writes,
"Riding on its own melting."

The grubby politicians
no one votes for
package the
melted, gelatinous
reality-space in
salami tubes.
(America, this is where your
“mystery meat” originates.)

And like Frost’s poetry,
this palm tree city
is a modern achievement,
gross in the undertaking.

It is a lead coffin, kept afloat
on the Atlantic Coast by
feat of the imagination alone.
The Frost allusion is to the author's essay, "The Figure a Poem Makes." Excised stanza:

This postcard ghetto is two-dimensional and
may be mailed anywhere.
It has no reality, for
only tourists seem to live here.
M Padin Oct 2013
These old doors,
sullen as spinsters.

Wharves, deckhands, the old chopping block:
flights of time misremembered in a
backward gaze.

Toes in water.
Hooks to fish.
The sea salty.

How shall I count the ways...
lost among the waves.

But look, afar, the old man on his boat!
Is he Charon come to point the way to
the seaward lost; or has he come to
sequester memory to some far shore?

(Maybe he's a schmuck with a paddle!)

Seagulls, feathers, the brine:
all groan with this wood.
In this wood was the line
that snatched life from the water
(the fish, the scales—they shine)
and flopped on the deck,
heterocercal.

The evening closes on this vista but
not the charades of time.
Written for this collection of excellent photographs. A departure of style for me, but hey, quatrains aren't going to cut it anymore. You may find the photographs here:

http://julianesharirphotography.wordpress.com/2013/10/01/not-broadway/

Comments are welcome.

— The End —