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Meagan Moore Feb 2014
Bowed smirk
Arches and looses
Into redolent heart

Your rogue smile
Stained my blouse
Lilting membrane into dye
Shallow pools rendered deep
Inundated

And thusly, mottled heart sank
Drawing lung chords in
Evinced exhale
Meagan Moore Feb 2014
His mate snapped a picture.

I posit
He had turned up evidence
For kind sight.
As the young child curled
Index and ******* into
The Cupped hand of
Slack-jawed wanderer;
Whispering
“The coffin is to remind them of their last end.”

He was astonished
To find the monks never
Spoke, rising at two,
and slept
in their coffins.

How bracing the air was
Down there.
I speculate
He had turned up
Evidence for
Kind sight.

We live from eight inches
Of top soil –
Containing  
Earthworms,
Bacteria,
Fungi.
Lillipution lingerings
Cling  
Within the gentle folds
Of carrot contorting beneath, with
probing tree roots.
As above –
Grasshopper carapace – hemolymph drunk  
Probing dew-imbibed grass blade.

Life goes on,
Rhythmically and quietly
Pulsating
With the warmth of hugs
Humming  - chest against chest.

In their coffins
I muse – they listen to the pulsing chamber
Echoing –
Breath drunk  - on inhale
Resonating about and within
Wooden niche.

A barrier built between
Ourselves and
The principle of darkness.
The letters
in which we write about the aphotic night
sky need not be black.
(possible end)
Emphasis and skill
Lain behind this
Was to remain
Constant – tradition.
During this time
As flower
proffering blossom
and seed – brings flower
and fruit
man’s time capsule
has to – become
aware
within and without.

Salutary lesson
Sorrow burnished
And this –
Moment and form
Was the best method.
Perhaps
Traditional funeral,
Wake, or something more
Private.
Individual observance.
Meagan Moore Feb 2014
“How can I get you to go down on me,”
he asked, without preamble.
His voice, nervous,
laced with strength
hums through her form,
summoning
a tatting of ***.

She moves her entire form
Across the room
pushing solar plexus
With index finger
The wingback chair collecting
His form – assuaging her intent.

Retreating nine steps
To gather
Her acumen in dripping her clothes off
Adroit pivot
portent gaze
locked
exteroception - engaged

His exhale
executed succinctly in shallow lung
puckered alveoli - clenched
resonates as her own.

Pearls scooped catatonic
atop lingering breast ascension - alone
Remain –
Summoning brine.

She tastes his pulse
Derma puckering sweat globules
Redolent aeriform vapor corpuscles
declaring his need.

Fingers supporting her upper weight
she glides - crawling
pressing half inch spurs into the carpet

Lackadaisical dactyl dance
Seizes
muscle calf to thigh
Invoking listless leg drape

Pausing
Warm breath – rendered
Upon knee cap parallel
Framing shoulders

Engorging - in aching silence
Pulse thick, wrought in shaft

Kneeling
Primed
Proud

She flicks the button
From slit fabric recess
Cupping palms under thigh,
She renders garment to puddle

half-in – half-out
whole
chthonic shaft to palette

Sliding exhale
to mound
lax jaw
focus
Iris entreats -
narrowed corneal withdrawal

Oblong lip array surrounds
Supping the creamy, coppery,
Smoky, saline inoculation.

Latent dribble invokes tongue
Furl about lip cusp
Absorbing globule
Into slaked smile.
Meagan Moore Feb 2014
In this way the dross is removed
No one knows yet exactly what they are
This does not mean
that certain human kinds are real
while others are not.
The world I am talking about
has been created
to reflect
each person’s deepest image
of themselves.

One spring morning three years ago,
sensing that his sight had been restored,
he emerged into the light of day.
Meagan Moore Feb 2014
Collective heart
Aspirations lifted
Absolute focus
History beckons
Emotional spectacle
Capture supremacy
Winter will not be a burden
But a curtain raised by spirit
It needs some work.
Meagan Moore Feb 2014
Popular
Radio, TV, and Internet
Rap
Recordings of
Religious
Responding’s to
Right and left hemispheres of brain with
Rituals of
Rock and roll.
Myths regarding
The role of
Silence and the
Western classical
World.
Meagan Moore Feb 2014
His arm’s with anger
and suddenly bending to the child’s face he shouted:
“People don’t think caterpillars are a different species from the moths they become.”

The four vocabularies of obscenity vomited
in a silence.
He was identified.
A silence that merely emphasized
the hideousness of that which interrupted it.

All the elation of anger and hatred,
all the distracting excitement,
died away, and -
he was left with nothing
but the naked,
negative experience
of revulsion.

They may have gained
a deeper sense of what is
relative
and
what is universal;
aware,
of what may be global themes
while also having discerned
what could only be produced
in one particular language.

If human-kind perceptions are
always under revision,
responding to our shifting circumstances –
with ever-changing answer to
ever-changing questions - posed
by life –
then they won’t be permanent.
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