Hours. Back. Tideless extreme. Gaunt. Happy face, good luck, forever ago. A go-go. Breakfast. Preference. Slip stream mock tidal bliss. Humpback seal stardom, infinite provocative immortal. Catches me. In between the teeth. Cool, Mach 3. Sumptuous extravagant human meat, flesh game. The flesh game. Heroes air-freight. Wash cloth. Hot breaths. 'ths' and plastic bag I-280 North ***** and sudatorium.

Pick a pepper.
Cow Palace.
Moth ***** and mouth *****.
Tea bags and sore throats.
Presumptuous candid                                            story-telling anomalies, trite

/masterful caustic limping brick-pedaling life-goers in major metropolis wearing leather sandals, whistling\

Whistling deep cavernous chasm bellowing hollowing, in out in out arithmetic.
        
                                                                                        Sand gathers boulders.

Women gather warmer wethers. The weathered. That ton. One of the asinine                                        

                                                        and aesthete.

Curious. Before
clause. The story god.
                                                        The kick of Achilles

                 and the Satan prance. Bleat of the squeeze.
                                        Course set. Picking up the pieces and going spelunking. French maid syndrome. Wan. Wielding the anatomical dollar of the "this-just-didn't-work" childhood.

                                                                                                Wears gloves. Has colds.

Breaks molds, and reads fortune cookies.

Limps                            lifeless, heavy as a Tuesday and digging its own grave. It owns gray. It

makes
meals
and carries them through broken towns,
over smoky ridges,
helping out and just- helping.

The line wakes it.                                        One traffic light.   Three thousand three hundred lakes.

Steals a cell phone. Goes quiet for days in the forest.

Kills a wild pig. Bares a feral hog.

Opens up a can of sour condensed milk and still makes caramels. The open fire. The children gasping and favoring the brave. The score is limitless.



Hours go by.

                                                        ...    ­                                      ...

                      ­                    ...

                                        ­                                            ...

Mites dig into the skins, and the shins of the subtle. The men come back. The palm fronds make excellent roofs. Raised. Reared. Canned food makes abhorrent constipation forest dwelling; syndrome. And excrement. The crowns carry over.

The bejeweled mid-rim equator

                                                               ­                                                 providence.


Ki­ng and queen.
Prince and princess. Knees bend and over and over. Mirthy trammeled lots. Egg white clouds scurry through towns scurrying through. The bastion wall. A romance connecting. Two lovers. The lot. A burrow in the ground. Short-haired hares: run, jump, skip. Life settles. No one comes back. The skin starts to itch. Gratitude is and is not. Worry steps in. The chimes glow through the rorschach tree tops. Fires and combustion. Great oversized bells. Who hears the ringing?

The canopy overcome with splinters, the eyebrows are furnaces that never spit out the light.

Spectacular plight. Unbelievable nights. Feeling fowl in the palms of another                                                        
                                                                        land where weirs and wilds
and roaring waterfalls
                                                decorated with cowards collecting honey
                                                                                                              combs
through hair-strainers, so brave    soo brave, to brave, to hunter-gatherer
African mission-syndrome types in white long coats and sometimes and dangerously called doctors. Do not stop for lines. Do not stop for lions. Or

                        when stuck in the cauldron of the c t a         & cia

do not weave heavily through traffic, railing divorce into the cellular phone of man        . NO ZHE DOES NOT. NO.

No one eats, anymore.
The pleasure is moved.
The happy have landed.
The girl of my dreams is foretelling, foretold. She climbs into a lunchbox and heads to work. She digs her nails into her skirt and chimes for dinner.

All is sentimental and elementary. No one is everyone. There is something human in the air.

Something cumin in the water. I love in French in English. In Germanic.

I'm in the water. Feet stuck in the mud. Hands flailing, I'm naked contemplating making shark moves, one hand flat-out, vertical, putting on a show for ducks and swallows.

The women return. The girls come back. Catastrophe and the merriment of the seven deadly fellows.

I run around Sue
and move back.                         I come to the coast to see what's the matter. It's blue. A cinder blanketed snow home. An igloo. An ice tale of curiosity, of  

                two cities, twisted cities. Mad dragons and weirder wizards that rear silver and portage the weirs of Elk Grove, thru the elk homes
humming bizarre cantatas, making Raspberry jellish and relishing

inthelast
lightsofthemorning

of an

interruption. The wanton exercise. The carnivorous machismo.
We work out with our quirks out and lead with the flaws. A tailored finite saw. A ringing through the air. Who can hear the ringing?                

Makes the men to swine, to mew muses. And get choosy on cabooses while

saving Moose.

                                                  maybe like Salvatore Dali would have done

He would halve none of it and brim over with it all.
Make cape flight from coastal waters. Riding the thermal winds of

North Africa, Tomato, and Japan;                              

BEARDEDfrogOFprinceGENEALOGYneededTOO     ...  ...  ... ....  .. . . ... ..

To sew buttons. To bring the water from the well. The shrimp from the levy. We all go to war on Sundays. We hate on Tuesdays,





but the women never come with the water.


                         [now you're supposed to ask if they keep it for themselves]

sad-leis         'end nose.'

I can't but we can. You don't and I hate you for it.

I smell you on socks

                                                          ­                          .On pillowcases and bullet casings. I'm hot and hard to handle. I lay down in front of forklifts trying to bulldoze shopping malls. I am too and too sentimental. I have a 25¢ ring from a vending machine. I love it. I love you. I go to the bottom room. Blue carpet. **** carpet. Tilted blinds. I find the moors and the heaven. I put my books and a sweater in a sack and I start moving. No ones ever seen me move like this. It's like I had revolution for breakfast. I sip a small glass of orange juice. Orange colored juice. I'm off like a stereo and walking through and through up into a story. I'm making life easy with my purple crayon. I draw a canyon and a boat too. The boat can't float so I draw myself an ocean, a coastline. I call out for my friends and no one is there, so I draw friends. I draw the seashore, the plateau. I make other ships. I shift in my seat, it's uncomfortable so I make it leather. I write a letter but it flies away with a pigeon. I'm stuck on a peninsula, crying. On the front step of a friend's tenement and I'm sobbing. I'm waiting for the waif and she's not coming. I think her over with coffee all alone in a diner, and eventually I have to leave. I trail like an autumn sun, splashing bits of earth with my tepid light. I plash in the sea and still I'm very alone. I run my fingers through my hair and find a find a crown to make myself king. I'm heir to my own home, but it's not good enough. It never was. I grow curiouser and curiouser. I don't know what to do, I'm without. I'm without use. Eight months on top of six years, on top of the second floor of a third floor building, it's hot, and I'm locked out, I'm fighting off weakness and indecision. I'm starving and I haven't eaten in days. I'm confused and the ******* seems the rite. I've got no one to call and I start swimming. I start swimming in circles. I get verbal. I start crawling and drawling and soon I'm weeping in a brutal drawl. And I can't hear you. And all I have is the coastline and the ocean, a plateau,

a yacht club full of empty vessels. A flotilla of friends but there's


eh                                                            ­                        eve             nobody home.

And I see you. I meet you. I mean to meet you. But I can't. I can't move or be moved. I can't speak or be made to speak. I am gripped by your love and yet wrapped in fear. In the rapture of fear. Its rancor grips me. So I stand up. I'm halved and naked and half naked. In the sea. And I see you.

And I seem you, to me. I seam you to me.

which were the center of the Earth.
A rill, a gentle excite that rolled from side to side
touching the verdant moors and bridging the tepid winds
through the mirthy wood.
          
                                                                                                   She

afluntered, pivoting in circles,
pronouncing an aubade for a throng

anthropolatrating agelasts.

Her palms and dactyls outstretched. A chilliad had passed, still her astereognosis never produced the fields and trunks before her. Amending the acronycal light an aeolistic caitiff arose, piercing the crowd, rising to her circumference. This clapperdudgeon and callet woman rang out in a cacophony of sharp jabbering, then another blellum arrived, then another carker, soon they were all cloffin at the pyre.

                       Her lips

                                                       instantly wet, her mouth broke its pursed chastity, and among the meek she suddenly was overcome with an incredible basorexia.

And so she began, bussing left to right, osculating
the buffoons and bavians.
Some cullion tried their way

                                                                             towards & towards

   and then disappeared in a comestion, another dratchell roused himself, sudorous and covered in culch. The concilliabule was dwaible now, those who weren't prying for her kisses were dwaling about frantically croodling, mooing, even barking. This wild frenzied lot of basiation and baisements. Beazing in the dying sun she began to crose and cough. Her blood and spit, her saliva became estiferous and unstable, she began to eroteme herself, her healthy figure was now ectomorphic. Her thoughts were unsettling, she began to fantasize her own decollation. Some sauntering madman with a sleek leather overcoat and an enormous hatchet hunching over her. It overcame her, this auto deicidal ideology in addition, the sweet kir began to wear off, and all she could feel was lackluster, emptiness, indifference. Eventually her acrasia overcame her and in her accidia and overbearing mania she took her own life. Her head slipped from her shoulders and rolled casually past her body, her knees collapsing before her feet, before her torso. And the abderian men and women cackled,

just sat and stared

her life, her love, all gone and              disappeared.

They will bury me in the red robe don't you know it.

It was your red robe for smoking
cigarettes

                                                                                                     on the stone patio,

            Saturday mornings                      with Nespresso and milk.

You must be brave when you tell me. That you have put a strange flesh inside you. If you turn your eyes, left to right a barn owl will die. If you move them right to left a child will go hungry. And when you say only the truth, then my dear, my stomach will eat itself alive, and my brain will start forgetting stories right there.

I see a photo one hundred years old of men stalking foxes in the snow and I feel a sudden death. A sour breath from a sour mouth. A dry skin hand covers a very bad dry cough. I am tearing up in the picture of wind and scorn and blue winter skies. It can be so heavy I have to sit. I go to a couch, three extra feet long, for my legs to not be stuck in the groove, or I find a chair with an ottoman. I need to be supine. Twenty nine is no year to wander. The dingos play at night, and you have taken up new flesh. I have everything to say now, and something will happen too. Still I am waiting with my eyes down and my feet up. Still.

some August, July, or September. Some ordinary bliss, a magic. Your annual short-fall. An epitome, that overcomes, the hate in register octave. Time to rearrange the furniture. By now you should have found things to do at night, or Jesus. In the bedrooms where the moon men climb and claw. You are frazzled by sheets and pillow cases. The river rooks, your yellow shirt and blue jeans too. Them too. So many months have passed, so far as I could count, those moments when we grew so farther apart, or those moments, when we so closely grew together. That either, our choice of ice cream flavor became the same, or by a standard we resented the same kind of person, or on some eve not.

That it could make me shake, and sometimes even in the advesperating light I could see bits of your face in the wood paneling of my basement bedroom, or in the dissipating smoke of a cigarette I could make out a part of your cheeks and chin and nose. The small nose that I picked every chance I got. Lovely hatred, the glaring eyes you rattled me with or the sad letters and phone calls and your voice singing on my answering machine but then asking, inquiring to me. It's four in the morning and you're asking questions and I'm not speaking, my back arched and my legs and arms wrapped into my gut in the corner of the room, at the corner of my bed- that I could not April the 4th name the songs that you worshipped, if any, for tonight I could mention the acutely impossible grief, calls from the miserably disappointed. And ***** the rooms, those chairs of annoying, repetitive do-gooders, all of you, babbling buffoons in the pews and in the basements. The sides of your triangle softening into a mush, that you can't even keep your jawlines in focus. I hate you. That you could not even bare the inscription of an honesty so pronounced that it would unlock you from your tyranny of the eyes trailing off into space and nothingness, or follow the lines from the heft of your baited breaths, cold, hard *******.

There is good reason I am not god. I would spite the self-smitten, and helve the world inside out of your glory hole opus and irresistibleness. But should our letters over shine our bits, that we have lived our great adventures over, it would not be enough for me. And had you been shown the lives of our shadows, or could you not seize the light which has found you. I never forgave you, and instead, peeled my eyes back into my dry estate. Something more than every chance that was shucked from your pallid, mortal form. You were the life inside me and the words that ebbed from my infernal sores

I just wanted to make an art house out of popsicle sticks, a room out of acorns and limes. That maybe when you made your fashion dreams announced and I believed, that I could say ha-ha. An abundant melancholy shaped to a disparate creature shagged by a monster toiled in his rag and repugnance. I could have been alone in New England shaping the world on cobblestone streets, or say, kissing an hour in an airport parking garage gleefully strapped with excite and eagerness. Maybe I was just alone. Out of every postcard that I ever sent, giant quaffs of pink sugar, a clutch of headless penguins, the Newport Coast tide, that I could never be your prize and climb out to escape with you from your pain.

At first when it happens

     it's like a spell, I cast it, it moves me, and I use it.
To the youth with it. Some hollow-gutted frogs' yolks and thrice its weight in pigeon carcass and fly.
Gruesome fruit loosies.

Then somehow the trance begins, the anecdotal watch stopes moving, to the hedge-burn up to the meadow go the witnesses, moving under the guile of fresh addiction. Wicked words, fiery,

a conflagration.

Burning us up. Two in two out.  And just as they get it right, the moon hollows itself out, the sky undergoes a change, a nuance splits open the gut of the world and comes indifference, apathy,

anxiety.

A poem comes.
     It crashes down over my head like an arrow-carved apple, from the Natives. Bending me on my side, my flat side, where I have lived one-hundred years on my side, my left leg nuzzled in between you and the blankets we bought at the thrift store on 26th and Valencia. And it worries me, now that they shift from top-floor to basement in some corner of the Salvation Army. No one ones that magic. They touch the bruised knots of its cotton fibers, and for what-

a throw blanket in a common room.

As the wet wind hums its way through our two tower six-cylinder apartment complex. Birds fall from their naked winter wept branches, braced by stiff bones, mapped out in Alexandria, carrying notes from El Salvador. The corner market is closed, never opened. A hair salon stands in its place, it wrings out the "R's" from a Philadelphia warshing.

And like every night, hot air cakes on an extra layer of indecipherable red dots up the arms and around the neck, minute pustules of hypochondria that steal my finger tips from the keyboard. I scratch and tip them, looking under their fiery scarlet caps for, I-don't-know-what disease. Paul says It's that magic school bus melanoma, typhoid drip, it comes at you from a computer screen and eats at your nervous system until you've got the wambles.

Tuesday's used to be the worst, until I OWNED THAT ****. I make a pronoun out of aluminum foil and where it as a hat on a first date. OKCupid's not bad for conceptual art projects. I carry it within me like an anodyne complex, out into the guzzling wind, the air that comes into my mouth and looks for any breath within me that it can go out of me with, and I'm breathless.

I abandon my miniature house to enter the pyramidal pinetum to the North. Wild paradise shrubs gather with songless animal noises watching as I take naked photographs of my father to preserve his body from anything less than his great immortal end. He lives on black moss and water from a nearby bourn,

he's the mien of an Anthony Hopkins, living in a hologram I saw in my dream last night.