You're the crosswind that causes droplets to fall from the leaves;
A canopy of green, the mirage of a pale-green summer storm.

You're the steel stringed guitar you so skillfully strum;
Raspy and warm, inevitably, you'll pull me under.

You're the snow drifting off of the lake;
Iced and stony, but nevertheless, fleeting.

I’ve been wrestling this since last fall,
peeling my socks off around 2a.m.
and crawling into my nightmares
like a child on her hands and knees.
I’ve tossed my hair in the towel,
examined the scratches on my back
or the bite mark on my shoulder,
juxtaposing them to my flaws,
prying myself open and watching
the little memories flood
from my arteries like insects.
I’ve ******

the energy from my cheeks and given it
to my bones so they may carry
the weight of last year into this year,
the heavy balance between leaving your room
and sitting myself against the frame,
legs to my chest, listening to the unheard voices
telling me to stop loving you.
I’ve cut

you out like bruises on a strawberry,
throwing the bad parts into the black hole
to be grinded and deposited as to be rightfully
grown into something new. But this time,

after we made love on your floor
and counted the stars that left my mouth
every time you touched me like that,

I let myself cling to the light.
I stuffed the empty parts with your remnants,
and latched onto the goodbye kiss.
I’ve been wrestling with you

our bodies so close

since the summer ended and we rejoined
the feelings we spared just to pretend
that we didn’t hear the kettle roar
when we were finished.

You thought it was a spark,
But it was a conflagration.

You see, some monsters are complex.
Some are nice,
And talented,
And poetic,
And sweet to you,
But they'll erode you to dust.
They'll shatter you like a glass bottle traveling at high speeds towards a cold, hard brick wall.  
They'll treat you like a backup plan,
Like nothing,
And you'll forgive him every ******* time
Because you're so blinded,
Under his spell,
And he's so ******* charming.

But you're not a ******* second choice.
You deserve respect.
You deserve someone who will put you first,
Someone who won't throw you on the back burner.
You're a gem.
You're a catch.
You're important,
And important things are valuable,
And valuable things should be kept close.

There will be other sparks,
Hell, there will be fireworks,
And they won't burn you.

Please don’t call me beautiful
when your hands are between my legs,
and god forbid you say it as a seg-way
between you’re so hot
and my caution, your response
you’re sure you don’t want to?
I’m pretty sure the way my body looks,
nineteen and stress-infused with an Oreo belly
isn’t really what you pictured beneath my blouse,
and I’m positive you didn’t listen
to the story about my dad and the bad prom dress
because you cared. It was just sentiment. You said it was beautiful,
but really you wanted me to believe the act
like a description in the Playbill
and ride that trust all the way until the curtain dropped.
Please don’t call me beautiful
when the word ******* is before it
or if we are ******* because making love
is for married couples and you don’t even want me
sticking around for the ****** sunrise that peers
underneath your shade every morning.

Tell me I’m beautiful when I’m crying—
crack me open and watch the colors bleed
like a painting that hasn’t dried. Admire
the light that peaks through the clear parts
like a windowpane, no blinds.
Tell me I’m beautiful when I’m laughing,
when I’m reading my favorite part of a book,
when I’m stuffing my face with peanut-butter
pretzel bites and I haven’t washed my sheets in weeks,
and I’ll know you can’t be lying
because I’ve listened to the waves your heart makes
when you’re sleeping and I’ve called your smile
to the surface many times when you’ve tried
to deflect it back inside. You’ll know that
and you’ll know I’m beautiful.  
Call me beautiful
when you’re not even trying.
Call me beautiful when you’re by yourself
and the smell of my hair is still on your pillow,
or the memory of how dumb I sounded
singing my favorite song breaks your heart back
to the best little pieces.

Sing to me softly,
For it's been a long journey,
Full of harsh noises that have come to corrupt my once pure eardrums.

Sing to me sweetly,
For the air here is not clean,
Full of subtance that has managed to pollute my no longer ****** lungs.

Sing to me gently,
For holes have weathered my façade,
Full of craters like the ones on the moon, however, mine are quite earth bound.

And finally, sing me to sleep.
Shut my eyes; let my mind run blank.
And when I wake up and enter the state where I'll have no recollection of who or where I am,
Keep me there.

All is paper thin
These temporary feelings
Nothing built to last

I took Billy Collins to lunch with me today.
He kept me company, Horoscopes of the Dead
and new versions of Dante’s hellish sandwich.
My pasta was dry, but I ate it
between stanzas and between pages.
You walked in, backpack and all, at the top
of the stairs. I choked on some graded cheese,
because of the way you looked in your khakis.
I hate the taste of cucumbers but I would have

kissed you anyway. Even though,
I sometimes laugh a little too loud in the mornings
you still make sanctuaries out of my sheets,
covering us in a layer of polka dots,
craving each other’s skin, listening
the lullaby the ruffles of the duvet make.

And even though I sometimes know
that wanting you has its clumsy consequences,
I still lose my breath when you walk up
to the lunch line, or when you grab my face
with both hands, or when you say my name
backwards between sighs. Maybe Billy understands,

and maybe I can just stay a poet. Maybe,
you would look good on me. I’d love
to try you on. But I lost my breath
when you walked in this afternoon.

On a cafeteria table,
in the middle of February,
the kind where it gets dark at 5pm,
sat eight minature figurines made of shells—
brown, speckled, like a calico cat
with googly eyes on the middle of their heads,
one business man with a black derby,
one with a pretty pink bow,
or even one with blue suspenders,
and all their chubby bellies
rounding out over their pants. The woman

with her iridescent nails, bony fingers,
the skin pressed thin against her knuckles,
lines them up in a perfect row, tilting
their heads into one another as if
they are having a tiny conversation
admist the numbers being called—
B14! She stamps in red. B14!
A man pushes a cart around the tables,
like one mows grass around graves,
with fifty cent candy bars and potato chips
on flimsy paper plates. He asks the woman
if she wants ice in her Pepsi, but she just blows
a long sigh of smoke and flicks the sparks
behind her back. He doesn’t ask her to pay.

G56! She touches the head of the figurine
with the mustache. G56! I’ve lost count
of how many numbers I’ve missed,
but then there’s you, your hand on my thigh,
creeping, your fingers pushing
my cotton skirt up, up, and up—
O74!
We play with acrylic chips instead of stampers.
We’d like to win the lottery tickets,
maybe cash them in at the gas station
after we drink a couple iced teas and snack
on Mentos cause we ran out of money
two bottles ago.

The figurine with the fishing pole has one pupil
that lies at the bottom of the eye,
lop-sided, and staring at me while I pretend
that I have G47! or pretend that this isn’t
the first time you’ve brought me here, G47!
instead of a real date. Or pretend
that I can’t hear the woman cough, and cough,
and cough as she switches stampers between every ten calls
or touch this figurine or move that one, just slightly,
this way or that or

N44! She doesn’t have it. N44!
I don’t have it.
Don’t worry, child, you’ll have it all someday,
she whispers, sideways from her mouth,
with your thumb making circles around my hipbones,
and the man pushing the cart, the squeak of the wheels
B7! But I don’t have it. B7! I don’t have it.
I don’t have it.