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I decided today when I woke up
To write a poem  for everyone
I'd start off with the very old
And end up with the young

In between I'd have kings and queens
Along with a peasant or two
A genius with a dozen degrees
Even a few without a clue

For the in-laws and the outlaws
Though at times they act the same
If right now they're sitting next to you
No need to mention names

I'd also write it for the Catholics
Protestants and Jews
So as not to leave anyone out
A Methodist marching band with kazoos

What would a poem for everyone be
Without rodeo and circus clowns
The ones that paint happy faces
Over the top of their life's frowns

The tall the short and skinny of course
Those that are tipping the scale
Which these days are most of us
But let's not dip into that well

And of course I can't leave out
All the gays and all the straights
Who never knew that they were straight
Until the gays knew they were gay

I guess we've all been labeled
I really don't mean to offend
Oops...I almost forgot to include
All the mustached women and hairy backed men

If you find you weren't in here
And think that your unmentionable
I'd like you to know my friend
My rudeness was unintentional

You may take this poem for everyone
And do with it what you wish
Perhaps the closest receptacle
Where it may join it's friends...the trash
Thoughts of you fade
Like a photo kept in sunlight.
I can still remember your laugh,
Your voice,
Our kiss,
But the potency is distilled,
Diluted,
Watered down.

One day soon,
I will be able to think of you in abstract,
Just another someone.
A slightly awkward association,
Jarring slightly
In an otherwise pleasant afternoon.

I must admit,
I don't want this to happen.
You, for me, should ever be
Vibrant, dazzling, primary
But you are greying,
Fading, leaving me,
And I must let this be.
It is half past one in the morning and
The red digits from the alarm clock
Lecture me for thinking about you.

The pillow next to me
Harbors your absence,
And the loneliness holds me.

I glare at the numbers,
Fully aware that I will be exhausted come morning.
Then the time changes and it is one thirty-one.
 Oct 2013 Madeline Harris
AM
her olive eyes swam with desire
as she gazed at this boy
this simple boy
whom she never expected she'd fall for
but who'd worked his way into parts of her
so concealed, so guarded
not even she knew they were there

love was a foreign concept to her
her past conquests were only that:
conquests
simple boys who flitted in and out of her life
and proven themselves to be just as they appeared:
simple

she was told that when you kiss someone
you feel sparks
the earth moves beneath your feet
and you feel as if you can fly

but she had never felt this power
she was told a simple kiss could hold,
dismissed these stories as fairy tales,
and went about kissing for the fun of it
and out of her desperation to become whole



he saw the desire swimming through her olive eyes
and gently stroked her cheek
he felt so drawn to this
enigma of a girl
and oh how tirelessly he strove to solve
the puzzles she created with her glances

"Kiss me"

she loved him
and she hated that she did
for giving into desire is not as simple as it appears
in the romantic comedies
from which she'd learned everything she knew about love

giving into desire means quieting your logical mind
and logic was the only thing she knew

"Kiss me"

he looked at her with tender curiosity
observed the conflict raging in her olive eyes
and wondered why she was so hesitant to let herself go
wondered why she seemed so full of desire
yet was unable to allow it to consume her

she leaned closer to him
the simple boy who had wormed his way into her heart
and he looked at her intently
tried to solve the puzzles she laid before him

she saw her own desire echoed in the green foam of his ocean eyes

"Kiss me"


she felt sparks
the earth moved beneath her
she flew
all those fairy tales proved themselves to be true

and oh, how certain she was she loved him
 Oct 2013 Madeline Harris
laura
II.
 Oct 2013 Madeline Harris
laura
II.
Their sea foam apartment has soaked up the ashes that have hit their bedroom carpet, as well as the remnants of silent conversations passed between quiet lips. She found him in his Victorian chair that he had acquired from last year's flea market.

But staring. As if he wanted to mold into the inanimate walls, so that glares became passing glances, thoughts and feelings would strip into the air. The very fabrics of his mind would form to nothing - nothing significant. He mumbled heavy words towards the window, his view of family distorted under his parent's clumsy hands. She knew his hatred pulsed behind every memory of "family".

She thought, "but they grew older and so did we".

His eyes had never looked so dull. The reluctance in his face reminded her that she was tired. Not tired of her bed. But of this- blanket of clouded emotions. She herself collapsed next to him, freeing her dismantled wonders and collected pool of what used to be.

In a circle-the-drain sort of way, he said that it's killing him.

Killing you? I think killing both of us.
Hesitating, her voice broke the silence.

"Maybe that's our tragic flaw; we think too alike. If you're tired my love, then I feel the same."
THANK YOU FOR MAKING THIS TREND, AH. <3
 Oct 2013 Madeline Harris
Wallamo
You have beautiful hands.
So wrong to write about a taken man.
To desire such a forbidden lust
but to be wrapped in your arms would be perfect
introduce me to your art
bring that passion to me with those lips
It's been a long time since I longed for a kiss.
To feel you a against me would be beautiful
(like your messy, curly hair, oh my I am swooning.)
Before now I've been making it up
like a play-write, a poet, an actress,
hoping for just this.
Can you hear my heart beat from four doors away?
I want to laugh with you all night long.
Please tell me that it will be done.
Still miss that trombone.
I have so much to tell you, but I don't know where to start.
This is the beginning of giving you my heart.

I've been through a lot of sorrow, I've been forced to endure pain.
I have had some feelings that I never could explain.

My heart has been shattered, time and time again.
And I came close to believing that love was a sin.

Now all I have are pieces of a heart that once was whole.
And I'm trying to fix the damage from where it took it's tole.

I'll be completely honest, I'm overcome with fear.
I'm terrified of love because it only brings me tears.

I'm clinging to my heart, afraid of handing it to you,
because I'm afraid that, like the others, you'll just crush it too.

If my heart breaks anymore, all I'll have left is dust.
I'll be devoid of emotion, sanity, or trust.

So if I give you my heart, please handle it with care.
Don't throw it to the ground and leave me swimming in dispair.

It's just so hard to love again when my heart is so worn out.
I promise I'll try but please forgive me if I have doubts.
He is who you want to see at the airport,
half asleep, pastel sweatshirt half zipped.
Half length shorts ending just above the knees.
Eyes matching the green and blue abstract swirls
patterned into the carpet to hide passenger sick-up.

The background to travelling japanese circus photos,
they’ll look back in their scrapbooks,
past the ponies on the baggage carousel,
see him waiting for the delayed international arrival.

Stiff legs tread quietly down grey hallways,
stringing a stickered suitcase along moving walkways,
thoughts caught between continents, in escalator’s teeth.

Tiptoeing over the hot coffee spilled like oil,
the taste of morning breath clinging to the back of the throat,
chalky as chilled ashes, abandoned and unswallowed.

When the taxis are cold and the day’s been worn out,
before it’s even begun; patchy fabric stretched over toes
rubbing thin on the inside of your shoes,
he’ll circle your head like a daisy crown.

To hold the tiny scars on his broad shoulders,
traces blemishes like a mine sweeper,
would be like orange juice at 40 000 ft.
Intimate in a way only TSA agents know how to be,
looking for explosives behind the ribcage, to the left.
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