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Lysander Gray May 2013
Treasury Casino, 3:03 am. Monday morning.

Casino bars shut at  3:00 am in QLD.


I missed a place to sleep by 9 minutes.
My timing is impeccable.

2 hours to **** until the last train home.

An older man in a slate suit enters stage right.
Crosses.
Disappears.
Reenters stage left with  brass buttons
lit up like embers.

The 9 network wants me to buy
stonedine frying pans.
And warns me about harmful gasses that have killed household budgies.

I wish I was more interesting.

You havent lived
until you've seen a man blow a pancake
off a frying pan.
Onto a plate.

----

3:12 am.

Late night bar personnel work in silence
cleaning beer nozzles and coffee machines.
They wander in and out of the scene under sophisticated lighting.

I wonder what to do about you, and what I'm feeling.
What our  hold on each other is and when (if) the sword of Damocles will fall.
Is this truly tragedy to which we are destined?
I shudder to think.
And for this am I classed by the title
"coward"
or
"lover"?

----

3:20 am - Existentialism strikes a vicious blow. No coup de grace.

The blackjack dealer on the $15  table has a gorgeous face that makes me wonder how her body feels on a post ****** morning. Satisfied and relaxed, taut through anticipation of further pleasure?
Straight raven tresses frame a heart shaped face that peers over the ridge of a white collared shirt, sprouting from beneath a black vest, tight at the elbows.
She deals with deft machine-gun efficiency. Not all bullets hit their mark here.

Her back curves with natural elegance down to a tight, young ***. The shape of  it magnified by the black business pants writes itself as a factory on my mind. Light hands would fit well there, one on each cheek, her mouth open seductively, trading  tastes and sensations.

There is a dying rose in my lapel.
It's sad.
I contemplate leaving it somewhere poetic but  cant think of a place.
The thorns are still sharp.

----

3:45 am

The only place where time is invincible
is a place  where it is hidden.
Casino's are such a place.
Here time cannot be killed.
Yet I have smuggled it in.
I was trapped in Brisbane one evening from 'round midnight till 6am and kept a journal of my experiences, thoughts and rambles of the night in a stream of consciousness style.

Part 1: http://hellopoetry.com/poem/brisbane-street-sketch-1/
Part 2: http://hellopoetry.com/poem/brisbane-street-sketch-2/
Part 4: http://hellopoetry.com/poem/brisbane-street-sketch-4/
Part 5: http://hellopoetry.com/poem/brisbane-street-sketch-5/
Lysander Gray May 2013
Treasury  Casino - 2:30 am

From my seat in the smokers section
I can see the Brisbane eye,
the river,
and the  performing arts center.
Streetlights  are mans answer  to the cosmos

"Everything you can do,
I can make better."

Once it was said that we were made in God's image.
Now we can safely say that God was  made in our image.

I am in a quiet place of the universe, the night stretches on
visible through the stately
wonderous
walls
carved of old wood  and sandstone.

I am in a suede armchair, winged for pleasure.
The ceiling in this room is twice as high as an ordinary room.
Circular steel ***** hang down like a path of bubbles
left  by a leviathan.

My water was poured  with panache.

Let me set  the scene for you:
I'm in the  Treasury Casino, this building was once the QLD state treasury, it never changed really.
Sitting next to  window that overlooks the river, a glass of water sits to my left. The room is the size of a double garage, maybe bigger. The floor and ceilings are made of old wood, the walls are decorated with a transparent gray fabric that remindsme of smoke. An old marble fireplace sits in a wall studded with tiny lights that resemble stars or candles. Above me is a series of hanging circular light fixtures that resemble a trail of bubbles left by a leviathan.

This room was designed for,  and houses opulence.  
The TV plays Eminem.

Peter Garrett dances like a Parkinson's sufferer.
And looks like Disco-Nosferatu.

We have  killed the night
and neon power
and infomercials
**** the romance
once held
by late night solitude.
I was trapped in Brisbane one evening from 'round midnight till 6am and kept a journal of my experiences, thoughts and rambles of the night in a stream of consciousness style.

Part 1: http://hellopoetry.com/poem/brisbane-street-sketch-1/
Part 3: http://hellopoetry.com/poem/brisbane-street-sketch-3/
Part 4: http://hellopoetry.com/poem/brisbane-street-sketch-4/
Part 5: http://hellopoetry.com/poem/brisbane-street-sketch-5/
Lysander Gray May 2013
The silent street erupted around me the moment I sat down,
a thunder rumbles in the distance
but only reveals a passing truck.

The white swan drifts past
without elegance.

I watch the youths drive by on fish lane
as the silent score of stoplights
play to an impersonal audience-
tonight the pizzicato is on time.

----

The air is dense with quiet conversation
of nighthawks
and the splash  of luck
on a steel  tray.

Elegant servants of style remove the unwanted things.

12:30
The air has cleared,
alone again
with two fat asians.

When did boring become stylish?

GET ME OUT  OF HERE!!

"It is truly a free nation that offers pancakes 24/7"

----

Normally, the solitude of wandering a sleeping city would elicit poetry.
Tonight only nothing comes out.

Not the people nor the smells or secret music. Only the flicker  of a dying neon sun assuring me,
that the parking is open.

----

1:00 am.

A woman in a pink burkha enters a white car, only to be driven off into the night, followed by two taxis.

There are ancient trees twisting their tops through the modern facade. For eras, much like fashion are discarded by finicky time.

They have stood as silent sentinels for longer than I have breathed, and with any hope, they will stand as soldiers long after I  come to pass. These reminders of the ravages of time.

I loved a girl who lived  here once.
She lived in an apartment that overlooked the city
and had  ******* like two soft moons
that tasted like honey.

1:40 am.

Other nighthawks wander as wastrels through the quiet Autumn night,
with a slow, soft  gait one never see's in the rush of day.
If all evenings carried a beat, it would be thus:
a slow jazz drum.

"...psssssh-bop! pssssh-bop! pssssh-bop!...."
would sound the echo of every evening heart
throbbing slow with power.
"...psssssh-bop! pssssh-bop!..."

The car's carry  white  blood cells to  the  suburban arteries.
Taxi's are cancer.

I walk
northbound.

----

Cold beer at 2am.

Faintly lit menagerie
an open cage containing
nighthawks.

Well spoken Eastern girls
corporate white boys
two old tradesmen,
one on a smartphone with a rosary around his soft large neck.
The antique street curves away toward the river,
sloping up
then down
I follow it with my eyes.


And run them back
to the fairylights.
They hang like glowworms
or constellations.

Glowworms hang like constellations, the inside of their cave  is the same fleeting feeling of being alone with the universe, it being caressed by your eyes.
For you are its lover and its mirror.
Inside the glowworm cave, I felt like the universe and everything reflected  itself in miniature. That to look upon their hanging, blue stars you saw everything else.
I was trapped in Brisbane one evening from 'round midnight till 6am and kept a journal of my experiences, thoughts and rambles of the night in a stream of consciousness style.

Part 2: http://hellopoetry.com/poem/brisbane-street-sketch-2/
Part 3: http://hellopoetry.com/poem/brisbane-street-sketch-3/
Part 4: http://hellopoetry.com/poem/brisbane-street-sketch-4/
Part 5: http://hellopoetry.com/poem/brisbane-street-sketch-5/
Lysander Gray May 2013
The quiet servants to  a neon god
walk beneath blind stars.
The sightless man sits, as two lovers pass
him by, under his feet the ground the changes colour,
Off  time with the chatter that surrounds me.
He takes the hand of an elderly celestial
and they exit the scene
the way of waves.

Laughter explodes like a bombshell
the only casualty is silence.
Through the steel arch I watch
ivory wave burn the black
rippled
sea.

A child chases a seagull
through the slits of sea-fog
caught in the light.

The barmaid leaves and my eye follows her,
resting on the corpses  of our  modern age;
bullet ridden with boredom and the chill,
swathed in the sear cloth of modernity
and eyes glazed by ***.
They wait.
The "Sons of the Silent age"
who's thoughts are as stolen
as this line,
stolen from greater men.
The Lindbergh baby has grown up.

I bear witness to the silence and pressure
of the girl to my left, it  encroaches this space  as
her gaze encroaches the distance.

These streets were once filled with the
flotsam
of wasted  youth,
the steady stream of touristry.
Now, in the winter
they lay empty, cold and pecked
by the multitudinous hordes of bird and man alike.
Where once they writhed with life
now they sit dormant and sleep atomic
on a chill stream,
at once both mirror and glass to our
wonderous world.

If we are the dreamers and music makers,
then  our instruments sleep in dust
and our dreams walk silent in this defeat
of waking.
21/5/2013 - Surfers Paradise, 7:30 pm.
Lysander Gray May 2013
It is the space
between the stars
where  moonlight fails to graze
where violet memories fall
into place.

It is the chorus of a dying sun
and every angels tear.
It is chaos
locked in a nutshell
It is purity we hear.

All the others may have heard
divines whisper fierce
but t you they have sung this song
and to us, you have released.

Triumph! Tumble! Turgid now!
this monument to peace
for  light
has en-flamed us both
with beauty  not to cease.
Lysander Gray Apr 2013
the hour reads
a mirror glance,
advertisements come
with no ones wish

i light another  cigarette
and
flex my ******* finger
whilst snoring sounds
like gravel mating
come from
the other room

the hour reads,
a mirror glance
no longer
12:22
Lysander Gray Apr 2013
Just ******* Nelly
and **** a fat **** Pitbull.
I want some Nick Drake.
Youtube ads. I  need say no more.
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