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 Mar 2013 Kendall Mallon
Cori
It was October of 1966 and he was 9.
He walked proudly
through the scary Brooklyn streets,
searching for that one corner he saw-
on the ride home from PS 361,
back when he was 8.
An entire 3 blocks from home,
and he arrived at Mamma Rosa’s.
“World Famous Taste."
he would taste it soon enough.
(He didn’t know it, but Mamma’s was only famous
for the pizza grease layer over the checkered table cloths).

He mastered the menu with his 3rd grade reading skills.
The “marr-in-ay-ruh” sauce sounded tasty.

The steaming spaghetti came towards his window seat,
and Billboard’s Top 10 Singles played over his noodle noises.

“Mother’s Little Helper” by The Stones was new to him.
He twisted his pasta to the beat of the sitar.
The spicy guitar chords and zest of the marinara on his tongue. . .
The al dente string
swayed
from his stinging lips and to the beat of the bass.

He paid in three quarters he got from the landlord.
He swept the driveway every Sunday.
It was the best sauce he will have ever tasted.
“What a drag it is-
getting old.”
There's a man mopping his brow after
    a Nobel-worthy experiment.
And there's a man mopping the floor after
    he leaves.

There's a man who has a scoop on a
    thrilling story.
And there's a man scooping ice cream,
    yearning to find a thrill in it.

There's a man picking a new car,
    a fiery red convertible.
And there's a man picking grapes,
    his back burning on fire.

There's a man singing his lungs out for
    thousands of people.
And there's a man singing away in the mines,
    his lungs already out.

There's a man who makes life happen
    with his wallet,
And there's a man who can't afford to,
    a circumstance made by life.

There's a man.
And there's a man.
The last time I saw my son
he was smiling
waving his little eight year-old hand
in front of his scarecrow-gold hair
shoulder-length

The last time I saw my son
he was joyous
at simply another day of school
mom taking him in her car as I stood by
unemployed

The last time I saw my son
he was blissfully unaware
of simply another day of sorrow for us
and the unatainability of life
missing

But I smiled back and the window between us
hid my welling tears
as I stood by the car that pulled away

The last time I saw my son
I knew he'd come looking for me
but I wouldn't be here any longer
just words written and songs made
photos and pictures and comments online
a ghost of electricity
a haunting blast of brain and regret
whose last thought was
the last time I saw my son.
Some of my
earliest
memories
are of you.

I can hear
your soft
Irish lilt
humming
into my
drowsy ear,
waking me
to a morning
filled with
sunshine.

Half a
century later
I still see us
sitting at your
kitchen table,
I’m a six year old,
spooning warm
tea, dribbling
a soft boiled
egg onto a
piece of
buttered toast.

I remember
smiling at
the laughter
you and grandpa
enjoyed at my
proclamation
that I ate
three breakfasts
every morning.

You were my
connection
to the wisdom
and ways
of the old world;
extolling the luck
of the shamrock,
the lore of
the shillelagh,
recounting
the haunting
mysteries of
the banshees,
the mischief
of leprechauns
and the magic
of nymphs.

You were my
passport  to
a gathering
of the proud
O'Brien and
Cook clans.

You opened
my ears
to the thrill
of distant
Philadelphia
cousins
crooning
folk tunes to
happy bagpipes
while my
widening eyes
watched young
Colleen's
ecstatically jig
the night away
in full regalia
with stiff armed
step dances.

You are
my maternal
cartographer,
your DNA
etched the
map of
Dublin onto
my face.

You are the
wellspring
of the Liffe
that courses
through my
veins.

You were the
cook who
conjured the
nourishing
aromas of
a Sunday’s
sustenance
from a boiling
***; simmering
ham, cabbage
and potato to
succulent
perfection.

It is a
meal
that still
sustains
me.

The warmth
of your apartment,
the dainty doilies
and light filled
lace curtains, the
spoken hopes for a
sweepstakes ticket
and the hushed
murmurs of deep
sadness the
devastating toll
alcoholism
extracts from
a troubled family
steeps deeply
within me.

I see you
kneeling in
prayer;
the muse
of your brogue
whispers endless
strings of Rosary
incantations.

Angelic fingers
anoint each
blessed
alabaster bead
with the piety
of an honest
soul.

You
endlessly
cycled
through
the family’s
litany of
sorrow and
hope.

With a
matrons
fortitude and
an inner strength
women possess
to bear the
weightiest of
burdens; you
sought the
resolution
of release
from the
crush
of worry
and woe,
by diligently
lifting these
delicate
hosannas
to the
Mother
of Sorrows
compassionate ear.

Your petitions to
the Blessed ******
as intercessor,
allays all fears that
your light prayers
will not be lost in
the incomprehensible
clatter resounding
amongst the
heavenly spheres.

You knew
The Mother of
Perpetual Help
understands
and will
ask her
Son
to whisk all
burdens away
with the flick
of his feather
of absolution.

When your
daughter
became
ill you came
to mother us.

You fed us
Thanksgiving
Soup for breakfast,
lunch and dinner
till the last drop
of gratitude was
consumed.

You made sure
homework
assignments
were completed.

You drilled me
with spelling quizzes
made difficult by
my inability
to decipher the letter
H through your Gaelic
Haayche.  

Your exclamations
to “Jesus, Mary and
Joseph” was fair warning
to give Grandma Tippy
extra sway.

You were fond of
cats and took pity
on our mangy
Tom sympathetically
imploring us to
“look at the face of it”
before laying down
another fresh
saucer of milk.

It took me
years to understand
why you would
commence to
polish my
mothers tarnished
silver plated tea service
as the first thing you would
undertake upon
entering the house.

As a house keeper
for the wealthy,
the sparkle
of your daughters
silver plated tea service
was confirmation
that class mobility
and your enduring belief
in America’s economic
democracy was real.

Your daughters tea service
was just as worthy and
on equal footing with
any tea service adorning
Englewood’s finest homes.

At bedtime your
silhouette would
would fill the
doorway of
my bedroom.

The lullaby of
your blessings
filled the room.

From that
safe distance
you would
dip a brush
into a jar
and sprinkle
holy water
onto your
grandchildren.

When you passed
away I beheld
your magnificent
presence in a
state of eternal
repose.  You wore
a blue flowered dress.  
Your clasped hands
held a Rosary.  

I surmised
your closed eyes
were filled with
the visions
of rest and the
soft light of a
glowing glory.

Your lips gently
smiled.  I knew
you were in the
tender arms
of your loving Lord.

The Blessed Mother
now tended you,
coddling a newly
arrived saint
in the loving embrace
of a mother’s
unconditional love.

I thank you and
bless you my beloved
Grandma Tippy.  I am
caring for your
Rosary Beads.
I consider them
a precious gift
and most
valued treasure.

Happy St. Patrick’s Day
Margaret "Grandma Tippy" Minehan
Love Jimmy

Music Selection:
Bill Evans, Danny Boy

Oakland
3/17/12
jbm
I
Sing, O Muse, of the wrath
That came from the East
To conquer our conquerors,
Of the left-handed Benjaminite, Ehud,
Chosen by G-d to free
The twelve tribes of
His chosen people.
For in his holy ******
Of Eglon, who, spurned by G-d,
Threw the chains of slavery on the
Exiles of exiles, diasporas of diasporas,
Kingdom of kingdoms trampled under
The wheel and foot, the people found
Their salvation in the crumpled body
Of an overweight king with a two-sided
Sword, fashioned by hand, in his protruded belly.

II

First, in the long succession of Judges,
Was Othniel, then Ehud, Shamgar,
Deborah, Barak, meaning lightning,
Followed by Gideon who destroyed
The altar of Baal, then Tola, Jair,
Jephthah, Ibzan, Elon, and Abdon.
Samson emerged late on the scene
And let the ***** from afar castrate his hair
And his G-dly strength.  But for all their
Effort there remained no king in Israel,
And everyone did what was right in
Their own eyes. The greatest of these
Poor souls from His chosen lot was the
Son of Gera, Ehud.  Giving his life to
Service, he offered his left hand as a
Sacrifice to Israel’s infidelities.

III

Sitting in his glorious throne room,
Talking of matters begot to none
But the war-chiefs who graveled at his
Every word, Eglon thought
Of his kingdom and prosperity
Allowing him and his company
To feast upon the rifled carcasses
Of the local gallopers and crawlers.
Then, not knowing where, a sickly
Perception of war entered and blew
The horn, resonating of blood and
Chariots, of men armed with spears,
Women and children weeping for their
Lost fathers and new-lovers. The sound
Reverberated; and written on the inside
Of his skull rested the words “wage war
With the kingdom of Israel.”

IV

And not making reply, or questioning why,
He knew but his men were to do and die.
Little did he know or think to think upon
That his free agency of choice was stolen
By the children of Abraham.  So, he
Gathered the armies of Moab
Of the Ammonites and
Of the Amalekites.  With a cloud of murderous
Dust trailing behind them, and war cries
Piercing the air, they rode on to the
City of palms. “Ride, my men,” cried the king,
“Steal and plunder, destroy their gods, and
Shimmer in the glory of destruction.” His armies
Heard his cry
But did not reply.  

V

Eglon and his armies, treading like
The young lion and the dragon,
Casting stretching shadows,
Conquered the twelve tribes.  Not
A cry was uttered from Israel;
They tumbled and crumbled before
The mighty hand of the veracious invaders
Like reeds amongst the wind on
A March afternoon breeding daises
On the golden meadow.  For years,
They toiled under Eglon’s rule
Under his might,
Under his perpetual night.
“Deliver us from this evil,”
Prayed unthankful Israel—
Like always before in the unperturbed cycle
G-d heard their cries from the wasteland.

VI
The existence of Ehud, G-d’s Judge,
Amalgamates at the tip of his left hand,
Would evil emanate from his finger tips?
Sinistra sinistra sinistra sinistra sinistra
Can he, caught in the grips of history,
Defy his wretched kind? With these questions
He, answering the summons of Him and
Armed with a double sided sword of two cubits
In length fashioned by his own hand, walked
Down from the mountains to the
Palace doorstep.
I
HAVE
A
MESSAGE
FROM
G-D
FOR
YOU

VII

As the blade pierced Eglon’s belly,
G-d’s writing evaporated from his mind.
Sent to a kingdom far away to conquer
A people he knew little about, his career,
His rule, his reign, would end at the edge
Of a man from amongst the commoners.
Here he lies, the once mighty king
Laying in a pool of his own feces
Sheol awaits for him after his death
Sheol awaits for us after our deaths
And, the young man, emerging from the king’s palace
With a smirk on his condensed face;
After the battle was won,
After Israel was delivered,
After his people forgot his very name,
He, too, from the tribe of Benjamin
Had Sheol waiting on him.
Revised version. Submitted for entry in Western Illinois University Elements Literary Magazine.
Copyright 2010
 Mar 2013 Kendall Mallon
Shuteye
Don't write
poetry on spare leaflet
papers. or napkins,
or your palm, a desk, any wall,
not in the solid-blue
notebook
that you bought last week.

Don't write
poetry at night, in the morning,
or at any time
in the afternoon.

Don't write poetry about
life, your grandparents, your dead dog,
or the revelations that creep out
from the pores of your skin
late at night.

If you want to be famous,
don't write poetry,
swallow it.

put your efforts into
the shadows beneath your eyes
the tone of your muscle
the sound of your voice
and how you look
on-screen
as unprofessional as it is to put first-draft work in view of the public eye, here it is.
In the hour of death, after this life’s whim,
When the heart beats low, and the eyes grow dim,
And pain has exhausted every limb—
  The lover of the Lord shall trust in Him.

When the will has forgotten the lifelong aim,
And the mind can only disgrace its fame,
And a man is uncertain of his own name—
  The power of the Lord shall fill this frame.

When the last sigh is heaved, and the last tear shed,
And the coffin is waiting beside the bed,
And the widow and child forsake the dead—
  The angel of the Lord shall lift this head.

For even the purest delight may pall,
And power must fail, and the pride must fall,
And the love of the dearest friends grow small—
  But the glory of the Lord is all in all.
By dumb luck our toes have kicked the dust from remnants, mysteries of the Ancients.
Sandblasting time has reduced their instructions for miracles down to perplexing sketches,
Littering a roofless sun-baked labyrinth of echoes.

Science in Genesis?  To be brief, just one example:   Turn the pages to
God broke off Adam's rib and created Eve.
Crowded centuries' have defected over this one in utter disbelief, perhaps you as well.

But analyzing the ancient Hebrew hieroglyph, by letter, by word, by connotation:
within a circumferential envelope, an exterior covering, protecting, shelter
to break off one of the involutions of him
the fixed form, configuration, exterior appearance, animal substance
in repetition, or doubled
    (thus a spiraling winding)
into the action of shaping, and the other the object of this action.

Did Moses learn about cellular DNA from his Egyptian royalty pharaoh-teachers?
or was this observation divinely bestowed, a vision in the burning bush?
To describe God's breaking and altering part of Adam's spiral blueprint,
Moses tried to steal electric fire for his goat-herding brethren.
Either way, translators scratched their collective heads and wrote "Rib."

Then, so that humanity would not be alone, God created "Eve"
(But btw, her word actually writes out as Aisha )
Which does not translate to universal woman, Moses repeats that several times.
It translates to a companion, auxillary force, the intellectual woman of universal man,  
The Power and the Act in Will.
Now unique among animals to imagine complexities and bring them about.

With this Creative Volition, Adam becomes a shadow of and a companion for God the Creator.
Moses gave this creative ability a feminine aspect, paired with logic's masculine.
(Not only did he describe our very cells, he understood our minds' anima and animus.)

Does this restore faith, or shake it?  
Sweet on the tongue, but how to digest it all?
And what about the snake?
A serpentine looking hieroglyph, one meaning among many is leaving God's Will.
And if one does, life become difficult, hard labor.

So how do translators pack so many meanings which they don't even fully comprehend,
into a smaller language?   pick one, maybe two meanings:
adapt pictorial and symbolical highlights into an Allegory,
populated with Ribs, Apples, and Snakes...discarding the literal.
The organic sphere of activity = a garden
sentient and temporal  =  basic sensual desire
anteriority of time  = morning      
matter in travail  =  a tree.
Feminine Creativity paired with Masculine Logic  =  "she" is a helpmate.

History will have to apologize,
The new patriarchs couldn't accept Woman with such an equal trait,
Interpreting Allegory literally for use in a power struggle,
Blaming "Her" for their own ignorance,
Bestowing only on her the wayward's punishment of difficult labor. (childbirth).
and having already edited out Yahweh's wife.....
(oh, gratefully a different poem.)

I've barely explained   four   words,   but what do I know, this amateur philosopher?  
Fabre D'Olivet said it best:
"language, the ineffable language.
Those whose dull glance, falling upon these pictures, these symbols, these holy allegories,
saw nothing beyond,
were sunk, it is true, in ignorance;
but their ignorance was voluntary.
From the moment that they wished to leave it, they had only to speak."
referencing
The Hebraic Tongue Restored,by Fabre D'Olivet in 1815
(Part 2  Cosmogony of Moses; 67: IHOAH,  87: DNA,  91: Aisha)
I think it is interesting that Mr. D'Olivet worked on restoring Ancient Hebrew Hieroglyphs in 1815, so when he re-translated the word that is now "rib" into what is clearly DNA for us, he couldn't have known DNA back then.  In his notes, he even stated that he was translating each letter by meaning, not understanding exactly what it meant, and left it to the reader to interpret.
.
.
Copyright © 2012 Anna Honda. All Rights Reserved.

http://archive.org/stream/hebraictongueres00fabriala/hebraictongueres00fabriala_djvu.txt
An old grave hidden away at the foot of a deserted hill,
Overrun with rank weeds growing unchecked year after year;
There is no one left to tend the tomb,
And only an occasional woodcutter passes by.
Once I was his pupil, a youth with shaggy hair,
Learning deeply from him by the Narrow River.
One morning I set off on my solitary journey
And the years passed between us in silence.
Now I have returned to find him at rest here;
How can I honor his departed spirit?
I pour a dipper of pure water over his tombstone
And offer a silent prayer.
The sun suddenly disappears behind the hill
And I’m enveloped by the roar of the wind in the pines.
I try to pull myself away but cannot;
A flood of tears soaks my sleeves.
Babylon has fallen! Aye; but Babylon endures
Wherever human wisdom shines or human folly lures;
Where lovers lingering walk beside, and happy children play,
Is Babylon! Babylon! for ever and for aye.
The plan is rudely fashioned, the dream is unfulfilled,
Yet all is in the archetype if but a builder willed;
And Babylon is calling us, the microcosm of men,
To range her walls in harmony and lift her spires again;
The sternest walls, the proudest spires, that ever sun shone on,
Halting a space his burning race to gaze on Babylon.


Babylon has fallen! Aye; but Babylon shall stand:
The mantle of her majesty is over sea and land.
Hers is the name of challenge flung, a watchword in the fight
To grapple grim eternities and gain the old delight;
And in the word the dream is hid, and in the dream the deed,
And in the deed the mastery for those who dare to lead.
Surely her day shall come again, surely her breed be born
To urge the hope of humankind and scale the peaks of morn --


To fight as they who fought till death their ****** field upon,
And kept the gate against the Fate frowning on Babylon.
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