We are critical.

We find flaws in
everything we see
because nobody
wants to write
about perfection,
even though sometimes
we wish we could just stay
staring into that
unblemished surface.

2. We are never satisfied.

We live our lives upon
mountains of
scrunched up
bits of refill and
ideas we gave up
trying to
express.

3. We never forget.

We write words about
eye contact made
three months ago
that we replay over
and over in our minds
even though it
stopped
being relevant.

4. We are fickle.**

Our emotions flash
from one
to the other
like strobe lighting that
disorientates us
until we feel as if
the world
will never be still.

5. We are exposed.

We don't know how
to keep our feelings
to ourselves so
we'll write them
down for
you to find
'accidentally'.

6. We are vulnerable.

We wear our
hearts on our sleeves
and won't lift a
muscle to fight back
if somebody tries
to break it
because we thrive
from the pain.

7. We will never stop.

We will never stop
feeling and
we will never stop
hurting,
we will never stop
breaking and
bleeding and
loving
even though the cycle
is endless
and we know what's
coming next.


We are addicted
to agony,
but we agonise
for the art.

Stop trying to remember his scent, he smelled like summer and reminds you of the time he made you laugh so hard, you snorted out milk on that dead, hazy day.

2. Don't waste your day trying to decipher what colour his eyes were, it'll only remind you of the galaxies and constellations that you once saw in his eyes

3. Stop trying to retrace the shape of his mouth in the middle of the night, you'll choke on your tongue trying to taste the mint he devoured seconds before pulling you in for a kiss

4. Stop reliving the times you clasped hands together, the glass plate will fall off your trembling hands.

5. Burn this list, admit that the galaxies and constellations shining in his eyes were wilted, the one in yours are bursting with fire. Remember on the dead, hazy day his laugh sounded like nails running down a chalkboard. Remember when you kissed, the weeds growing from his mouth entangled the roses blooming in yours.

Realize that one day, another boy is going to come and plant daisies where he left behind thorns.

I.
There will be a day, you say,
where the world stops and all that ever was
and all there ever will be would cease.

                                                                     Trust.

There will be a time, he says,
when I will no longer love like how
you built the moon for me, balancing
upon a staircase of wooden boxes.

                                                                    Trust.

You don’t care. You let him weave
with string, then with your soul,
your heart the ball of yarn at the end.

                                                                   Trust in him.

You are a lover. You are a fool.

II.
Light. Soft light and harsh light and lantern lights
and fairy lights and neon lights and flashlights.

Light, like that which comes on in his eyes
when you tell him you want Honey Stars, and
you two spend the night picking at those overhead.
He tells you that when you drop stars into the
Pacific, they become sweet, like honey.

All you wanted was cereal, but you are a fool
one that picks at stars that have long since died,
one that can’t tell a corpse from a sparkle.

You don’t get any stars in the end, except for the
ones in his eyes.

A fool.

III.
This is where you grew poppies,
expecting to harvest the seeds and
crush,
thinking that maybe,
just maybe,
the dust will help you sleep, like the
sand of the Golden man.
You teeter on the edge that separates
wanting and needing,
You walk on a slowly fraying tightrope.

Tight,
        like your heart.
Rope,
          like how you rope
souls into believing you,
how you rope in friends
and demand their faith.

This is where you rearranged
his little soldier boys, where the
ceramic crashed against the wood
and refused to break.

Not like you, then.

This is where you kissed him,
over
       and
             over, because
air is useless without oxygen
and oxygen is useless to a pair of collapsed lungs.

IV.
You hate him. You hate his strength,
how he bangs the table and it snaps in two.

You hate his laughter, scratching against the walls
in tune with your sobbing.

You hate how you have to scan his eyes before you sit,
have to look before you make the metaphorical leap.

You hate how you let him force open your legs,
hate his pride at being in control, and his guilt
for the purple and blue spots on your skin,
like garish children’s make-up,
a clown at the party of life.

You hate how he holds onto your sides till
you hear the crack, and how you tell the doctors
you fell, because you did.

You are still falling, every time he looks at you,
Honey Stars in his eyes.

You don’t hate him. You love him,
that’s why you come back to be destroyed.

You hate yourself.
That’s also why you come back, to be destroyed.

You can’t repair hurt like that
but you try anyway, because the best part of building
is when you knock down.

V.
It is painful, but pain is a symptom of life.
You let him hurt you, let him crush your
bones and self-esteem, because no one
taught you how to love and if it means giving,

then you must be doing it right.

VI.
Wake, from the best sleep you’ve had,
wake from a nightmare, to a nightmare.
He is gazing out of the window, with
suspenders to hold up his pants
and his courage.
Your canines sink into your thumb, as
he turns to you and he says, “Hera,
I love you, but–”

The memory ends there.

Hera was the wife of Zeus,
goddess of women and marriage.
Your parents made a mistake,
more than once.

VII.
You are alone.
Quiet was never your thing, silence the most
deafening noise in the world.

This is your hand, a hand that once
rested against his neck, a hand that
felt his blood pulsing in his veins.

This is your hand and it is green
not from gardening but with envy.

These are your shoulders, shoulders that once
carried backpacks stuffed with Honey Stars
and sour things like love.

These are your shoulders, and even Atlas
cannot carry the weight on them.

This is your heart, and it is red.
This is your soul, and it is aluminium,
his words like sandpaper, polishing
until your soul tears and can be collected,
filtered and cross-examined under a microscope.
It will be reactive with the acid of his absence,
but only for a while.

This is your neck, and the rope feels rough
compared to your memories of his hands.

just hormones
i tell myself
not real pain
not a big deal
but everything hurts and i want to die
just hormones 
hiding behind eyeliner
it masks the red 
i wasn't crying
allergies
mine are bad this time of year
i wasn't sad
why do you ask?
how ridiculous
i
don't
get 
sad
i don't need help
 i just need some time alone
no people
just the static crackling of a car radio a few yards away
a talk show with the volume **** turned too loud
screams and laughter from where my friends stand
they aren't like me 
they don't want me
i don't want them
i'll hide in a corner
hide behind a mask
of eyeliner
and lip gloss
cloaked in shadows
drip drip
goes the water
it's cold over here
but hidden
nobody can see me
i'm just another person on their phone
clipped into technology 
indifferent 
not in pain
just hormones 
i remind myself
you aren't really hurting
the slightest touch will turn your eyes into waterfalls
so stay hidden 
stay safe
it's ***** over here
bird **** on a window
how is it that even possible?
moist
disgusting
guarded by 6th graders
to afraid to approach me
but i can feel their eyes on me
creepy pasta
is what they discuss
as they beat their violin strings
with their bows
unpleasant noises
there's my mom's car
pulling up
get ready
smile
energy
brush your hair back
natural
act natural
"How was your day?"
hard
"Fine"
it's just hormones.

just addicted to lovelessness,
i guess,
addicted to the feeling of something that could be
a distant cousin of loss,
but can’t be loss when it wasn’t there to begin with.
a cousin of loss and brother of bereavement,
a lexiconical gap
in the english maw,
a space where the definition slipped out
but the word never grew in.
a gap where a word should be,
a word meaning missing something you never had,
losing something that was never yours,
grieving for something that never looked your way
or graced you with its pain.
insomnia of the soul,
unable or unwilling to droop into the catatonic stupor
of love,
until my eyes ache with open,
and my heart aches with empty
and just beautiful aches and pains,
like stiff joints filled with sterling silver
or arthritic necklace clasps.
my tongue is tin because the argentine
is in my hands,
silver in the space between the carpals,
oozing precious metals
onto the page.
writing in second-best so that it’ll stay.
writing second-rate love letters
and pretending they’re real,
like the words i moan mean something other than
hello
i’m lonely
who are you?
like i’m not the girl who cried love
because the village had already learned
that wolves are lies,
and vice versa.
because faking it has always been my favorite pastime.
i’ll write love poems forever,
keep feeding my addiction for as long as it stays,
let my loveless track marks bloom cantankerous sores
on my ribs.
while i’m young
i’ll write poems of arthritis and weakness
and death,
because oh now i am immortal
invulnerable and omnipotent,
but when my bones are brittle and my flesh is loose
and my spine makes me bow to the earth,
my poems will be of life and strength
and god
because darkness is only beautiful when it isn’t
an imminent looming
future.
when i know i may die tomorrow,
i will write of bluejays
and of a love that never found me,
though it knocked on all the doors and called all the numbers,
waited on my porch while i hid in the closet,
nursing my ache
trying to fill a lexiconical gap
with bukowski
and insomnia.
supersaturated with emptiness
because all the words in the dictionary
can’t make up for the one that’s missing.
it changed the locks when it came,
shutting me out of my skull,
taking residence in my chest
and growing larger with each slow breath.
every huff of oxygen fed my
resident,
every injection of
late nights spent just writing,
every pill popped -
the lies that went down better
if i said them with a gulp of gin.
so my lovelessness cracked my ribs as it grew,
replaced my marrow with sterling silver
and i watched it happen like
a glacier devouring a desert
because i knew i would never survive loving something.
deserts were never made to run bounteous
with water.
just addicted to lovelessness,
i guess.
addicted to silver joints
and words that don’t exist.

The dull public ruckus of the afternoon train filled the gaps between us.
We could have been part of it,
Drowned so deep in a conversation we could gladly call our own.
But our past selves have already taken invisible
B
R
O
K
E
N
Steps away from each other.
And tucked ourselves in the tight pockets of this companionable silence
As dangerous as the trigger handled by my emotions,
A gift for your forehead.
I will shove all my pain into your being
And watch my reflection crumble to her knees with a familiar cry of agony.
Mauled into frayed flesh in a crimson rose bush
That we had woven friendship wraths from.
And yet, my rasp throat still delivered smoothly.
“How are you today?”

Your usually anticipative eyes
Watched the scenery outside,
Disappearing just as fast as it came.
Did you think of the first day of school?
When we first approached with awkward greetings?
And from a wave and a smile
You start to attach them with questions
Questions that you should be asking me now
Things like
“Do you think we will end up in the same sec 3 class?”
“Do you want to go to ORA with me?”
“Can you save your game? We already hardly bond in class.”
“Are you even listening?”
I was.
I answered every last one,
From the beginning when we stepped into homeroom.
Even the ones you’ve never even asked me.
But now that I come running to you with my stained envelope
Are you still there at your seat?
To tell me
“You know what you need? A good cup of frozen yogurt.”


Now every glance that met
Will be snapped apart like a crisp twig.
Every walk down the corridor past each other,
Will be like two freshmen models on their first runway.
Every move, breath, laughter,
I will always be aware.
Perhaps because your voice
Will always make up for your height in the crowd,
Audible from the opposite side of the hall.
And its only until I let the quietness sink in,
When I have decided to treasure listening to the way you delivered my name,
Leaving your loud mouth like some exotic font.
That till today I still cannot decipher.

What was my height in your crowd?
164cm tall with probably less than half an inch, I guess.
You never noticed how my eyes would wander unconsciously.
Just to wonder
If you still remember I existed,
Somewhere in the pages of your scrapbook,
In the crowd,
Still searching, listening attentively.

Do you understand now?
We are standing at the extreme ends of Newton’s pendulum
Spiked from the illness of our broken bonds.
And I would swing an end so hard I would skewer you
And then the pain will come
Flying back
Stabbing me just as gruesomely.
But it’s so much better
Than disobeying the laws of reciprocation.
My friend, its unfair to be the only one.
Why not requite this one heaven of a pain?

People have pet the conflicted pain like dust off me,
And ignore the bruises that I have willingly punched myself upon.
They taught me
That the heart is a 2-room residence.
Happiness
Sadness
And if you are too happy
Don’t celebrate too loudly
Because you’ll wake the neighbor.

But could it really be helped?
This 1-year worth of what you have given me
You have left 2 party animals as clueless tenants.
Did you understand?
The fact that no matter what silly things we’ve done,
You will always be welcomed home.
And we would continue to drink
Till we are tipsy enough
To walk on the edge of the bridge we have built,
And fall into the hungry rivers
Into the places darker than black
Drowning the air out of our lungs.
But what reason should I be scared,
When you have always been the best swimmer I’ve ever known?
Forever a winner to me,
No matter how many competitions you have paddled out of the pool in disappointment.
It has always been you,
Who would slip over a note to my table,
My hair spilling over its surface in defeat.
Telling me that everything’s ok.
It’s you
Who understood that I was more of a listening person.
Your missing piece to fit your outspoken personality.
You,
The one who could even challenge me to a dance-off just to have the loser ask for the ketchup.
You,
Who could go on forever about a guy you obviously like,
But only say you ‘don’t stand a chance’.
I
The diplomatic one who would arrange you,
Like files in an office drawer.
You
The one who tried to hold us together till the end.
I,
Who failed to treasure your efforts, and share this burden.

And now that you’ve turned down the volume,
And walked out of the door without a goodbye
How am I supposed to handle the next morning, when being sober is an absolute nightmare?
Left alone to wonder what I have done
While we’re drunk, carefree and
Crumbling at the seams.

My dearest friend,
Have I ever told you,
How the number 1
Has always been our own funny little number?
Now if you just take ONE step closer…
Yes, I promise this time I’ll keep my earphones away.
I would point at the signboard above the door
And muse over how your stop,
Is ONE stop before mine.
How your birthday,
ONE day after mine.
Yeah… just like how we are ONE world apart in personality.
Isn’t that why we became like this?
SHUT UP I KNOW I’M A TERRIBLE CONVERSATION HOLDER.
I CAN NEVER PUT MY WORDS INTO THE APPROPRIATE CONTEXT.
BUT YOU KNEW THAT.
You knew.
Now go ahead.
Laugh.
Like how you always do, with that wide grin that reflected nothing but forgiveness,
Stripped down to reveal absolutely no grudges.
Because I deserve it, don’t I?
Because it was my fault,
I was the one, who willingly caused this silent war,
Fraying this thread that I mistook for a hiker’s rope.
There can only be ONE survivor in this meaningless game.
Scold me,
Because there was never such a rule.
I have decided who would be standing alone,
Long ago.
The loser,
The flower that will never find its way back from its ashes.
A.
B
R
O
K
E
N.

M
E.


(hi there. Look I tried ;w;)

it wasn't snowing yet, but they'd told us it would.
probably I said something infantile, about how
I could smell it, the frostiness of snowflakes in the
air, because you smiled that knowing smile of yours,
like you were an adult and i was a child and you
didn't have the heart to take my innocence away.

that look always made my heart smile, sadly, and
it also drove me up a wall, partly because it made
me want to hug you close and pity you the
burden of assumed moral superiority, and whisper
that you, too were a child. but mostly because you
were right— I clung to my naiveté while you, you
had already had the good sense to push it away.
it followed you around with sad puppy eyes, but
you knew it and you kept it at arm's length.
you brave, brave soul.

when it did start to snow I wasn't surprised. you
were. you didn't say anything. we were in
a deserted school hallway, listening, removed
from the other kids' cries. we were
delighted too, but the others wanted to run home
early, and we knew the definition
of home better than they. and I can speak only for
myself but it seemed we both wanted only to stay
forever side by side, tucked away in our corner,
me reveling in the softness of love and friendship
and winter, you trying to be there with me but having
trouble leaving your mind, where that sad-eyed
puppy snapped at your heels. it whimpered
but you held your own.

and slowly, we built up moments like this one.
we wallowed in each other and in the coziness
of cloudy days. we read good poetry and
heard good music and took photographs as we
discussed life from our  softer world.
there were moments of such pure white happiness
that they came full circle to being sad,
simply because I knew I would never be that
happy again, and I was not wrong, and I didn't
want to be. and we had
sad moments, too, never ever think I am not
happy to be sad with you.

and slowly, too, your innocence knew its
defeat, and sat obediently at your feet,
and we shared things.
but I was a child, and a weak one at that, and
God knew I was not as strong as you so she
gave me no great suffering to speak of, to
share with you. no way to reciprocate the
vulnerability you gave, and that in
itself was suffering for me.

I regret that I was not good at saying things.
that while
you had to be your own adult and push childhood
away, I clung hopelessly to mine as
I discovered me and watched it slip
from my small hands.

among the plethora of reasons I can give for
bitterly hating sunny days is the
way the sun slanted through the window and lit
up your eyes and swilled particles around
your face like fairy dust on the day you reached
out and pulled my lanyard over your own neck.
look, you said, content. almost proud.
I'm wearing a bit of you around my
neck, and you wove it through your
sunlit fingers, eyes bright. you tugged on it,
lightly. that's what love does, it strangles
you. and we all want it.

and I gasped at the way that word sounded,
so harsh in such beautiful sunlight on such
a soft face. but I don't want to strangle
you. I said that. thoughtlessly,
instinctively. I regret it every day. in that regard,
you gave me a strength, but it's no german shepherd—
you are so **** strong.

when your ache tugged and tugged at you,
tore you from reality, or brought you closer to it,
it slipped its finger into that lanyard knot. loosened it.
I could have reached out right then, as you had when you
pulled the sun-soaked string over your head, and
tightened it. tightened us. been a friend.

I didn't tug the knot. if you run.
when you run,
I know that two grown dogs
will follow after you, blocked
from the sun by your receding shadow.