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With surgical precision
You perfected the incision
Of that poison-tipped tongue,
Like a dart.

My crippling indecision
Was slashed with cold derision,
Till self-belief was wrung
From my heart.
© Marcus Lane 2010
It’s just spackle.
Cracks start
And you keep cleaning it out
And filling it up
With new brands
But it cracks again
Because it’s just spackle
And so it’s gonna crack
Because the house shifts
When it rains
When it blows
In the sun
Nothing stays the same
So spackle cracks
And that hole
Needs filling.
I’m tired of brands;
Seems there ought to
Be a Carpenter
Who’ll fix the holes
For good.
Like I'm offered gold
But my feet are embedded in silver
I want to move forward
But I can't move my feet
Want to tell you what's on my mind
Can't bring myself to speech
Drowning, tethered.
Not sure how I feel about either.
Tangled up in webs
And left out to soak,
let for dead.
How do I stifle
these feelings of mine
I look in your eyes
and my conscience goes blind
How do I refrain from saying all that I want to say?
When I know how you feel
And I know how I feel
How am I supposed to turn away?
Don't go far off, not even for a day, because --
because -- I don't know how to say it: a day is long
and I will be waiting for you, as in an empty station
when the trains are parked off somewhere else, asleep.

Don't leave me, even for an hour, because
then the little drops of anguish will all run together,
the smoke that roams looking for a home will drift
into me, choking my lost heart.

Oh, may your silhouette never dissolve on the beach;
may your eyelids never flutter into the empty distance.
Don't leave me for a second, my dearest,

because in that moment you'll have gone so far
I'll wander mazily over all the earth, asking,
Will you come back? Will you leave me here, dying?
Body of a woman, white hills, white thighs,
you look like a world, lying in surrender.
My rough peasant's body digs in you
and makes the son leap from the depth of the earth.

I was lone like a tunnel. The birds fled from me,
and nigh swamped me with its crushing invasion.
To survive myself I forged you like a weapon,
like an arrow in my bow, a stone in my sling.

But the hour of vengeance falls, and I love you.
Body of skin, of moss, of eager and firm milk.
Oh the goblets of the breast! Oh the eyes of absence!
Oh the roses of the *****! Oh your voice, slow and sad!

Body of my woman, I will persist in your grace.
My thirst, my boundless desire, my shifting road!
Dark river-beds where the eternal thirst flows
and weariness follows, and the infinite ache.
I am not jealous
of what came before me.

Come with a man
on your shoulders,
come with a hundred men in your hair,
come with a thousand men between your ******* and your feet,
come like a river
full of drowned men
which flows down to the wild sea,
to the eternal surf, to Time!

Bring them all
to where I am waiting for you;
we shall always be alone,
we shall always be you and I
alone on earth
to start our life!
Ah vastness of pines, murmur of waves breaking,
slow play of lights, solitary bell,
twilight falling in your eyes, toy doll,
earth-shell, in whom the earth sings!

In you the rivers sing and my soul flees in them
as you desire, and you send it where you will.
Aim my road on your bow of hope
and in a frenzy I will flee my flock of arrows.

On all sides I see your waist of fog,
and your silence hunts down my afflicted hours;
my kisses anchor, and my moist desire nests
in your arms of transparent stone.

Ah your mysterious voice that love tolls and darkens
in the resonant and dying evening!
Thus in the deep hours I have seen, over the fields,
the ears of wheat tolling in the mouth of the wind
I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.
 Feb 2010 Julie Anne Lail
Annie
Can’t wait to be seventy
With knees that hang
Like fleshy skin tags
Over my knee highs
And Custard feet
All squelched into my Clarks.

No prunes
In my grocery basket
Just lots of cheese
Chocolate and beer
Which will make me gassy
So I’ll ask for a backrub
To get my wind up.

I’ll say those things
I’ve always wanted to say
And not come off
Like a social landmine
Because people will just think
I’m batty.

They’ll smile
And nod
And make corkscrew gestures
Behind my back
But I won’t care.

I shall say
**** a lot
Because people
Will not expect that
From a portly granny
With a blue rinse.
But I shall never be unkind
Of all of the ugly words
You can use
**** is probably
The most benign.

I shall read great books
Filled with ideas
And speak to the deaf geriatrics
In the old folks home
And say things like-
So what did you think of that?
And even as they
Clutch their hearts
To prepare for their exit
From this world
I shall say-
I feel that strongly too
And in this way
Everything shall
Be part of my interlude
It shall all be about me
Me
Me
Me
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