Well, we were the History club rejects,
focusing on the effects
of being us
instead of in a book.

Two college drop-outs,
calling in shout-outs
to our friends,
hoping that it affected
how we looked.

Our dads would sleep in,
and our moms were crying
until a quarter past noon --
and we knew
if we didn't start trying,
that would be us, soon.

We were the starving artists,
painting fruit we couldn't afford.
Hoping each brushstroke of an artichoke
would be fruitful to our wallet,
or at least strike a chord.

Two love-loss orphans,
dreaming of morphing
into something or someone else.
But they told us
to remove that fluff
from our head
and put it on the shelves.

We were the film club fanatics,
studying the dynamics
of how to be a pretend person.
We wanted to be
a Wes Anderson flick,
but we were never any thing
other than who we were
and that's what made us sick.

And I swear I miss the desperation:
I'm nostalgic for yesterday's conversations.

As the world defends itself from the anxiety of death,
a wind-caressed woman waits by the water,
and signals for silence, unceremoniously.
Waiting for the blood-banks to breed ideals --
which will, inevitably, be exported --
that will turn Natives into faceless, finger-painted  
neo-orphans of the broken nuclear home;
old souls, convinced to be the youth in revolt,
and to be the scrambled egg individuals of a melting ***, that disguises uniform for diversity.

Her lavender dress dribbles the spiraling air, as the copper dust swims by her ankles, knees, and thighs.
I do not remember when she told me that everything we do and say is a defense-mechanism,
distracting us from the fact that one day we will die and be as imaginative as the roles we give ourselves,
as the people we think blend into us,
and as the gods we use as an alternative to a morphine drip.

I stood by the bad river, knowing that all of my attempts at being more than what I was,
was my grasp at an out-of-reach eternity,
and a dream of a humanity that could be affected by one person.

I do not remember when she told me,
"All of our attempts at progressing,
is our way with dealing that we will someday die
and may not have been successful at living forever."

My foggy mouth tries to hide behind rain-smacked glass.
She says goodbye with complacent stares
and with the sudden flash of an umbrella.

The red of her dress doesn't belong in my life.
Each of her strides carry my resentment and weariness,
alongside the melting grey of the Seattle skyline.
So, I don't yell for her or imagine our lives,
as the windshield wipers sweep her image, out of sight, but not out of my head.

I return home, the half I was for decades.
The tread of my shoe mashing bluegrass,
digging up seeds and insect carcass, with every step.
Storm-soaked magazine subscriptions lay on the porch,
and her name is tattooed on every one.

The dog lays on the carpet, ears and eyes perking up at me.
And he knows he's truly alone, because I'll depend on him.

Eggshell kitchen cabinets are jammed with her:
Vermilion, saffron, and burgundy glasses hold
half-empty hangings of golden flat draft,
keeping her day-old, dried saliva smothered on the edges,
like transparent ocean waves dying on a glass coast
and buried in the bottom of the sun-pierced vortex.

What I couldn't realize is that the cup was me:
marked in so many ways,
letting decaying memories burrow and stay.

The sloppy rain slips and slides down the fogged-up windows,
and this lets me know that I am not as small as I think I am.
In a city of three million plus, I feel like the soul of a nation,
even though I'm just a twenty-one year-old piece of plastic, drinking a hipster beer.

The waitress has frizzy hair and oily skin.
She's holding in late-night infomercials and missed ballet recitals, behind her words.
She looks at my luggage and asks where I came from or where I'm going,
and I tell her that the fun thing is that I have no idea where I'm going --
and that I still haven't decided where I've came from.

This city allows new-found anonymity, and I want that to be my cause.
With each passing glance, I know they don't see me, and, to me, that's the slumber-kissed throat-slit I've always dreamt of...

...the streets play music that I only hear -- and I know that's not fair, but I don't care.

And the homeless represent the bowels of the city.
And the businessmen are the ghost-filled engine.
And the middle class is the defense-mechanism I always wanted for Christmas.
And I am the empty delusion, desperately seeking a new pollution.

Her ribs crackled, in the skeleton night.
And I remember my mouth on hers,
where atomic fish hooks attached our lips.
Where there was nothing like kissing
like our God wasn't dead.

She was accused of killing a taxi driver
in the Brazilian underbelly.
Smoking a cigarette, she dropped it on the ground,
spat on it, and crushed it with her bare foot,
saying she fell in love with the way
his sleep-drenched body lay.

And I told her to stay home.
And I told her that they'd find her.
But she didn't stay home.
And they did find her.

Chasing her through the Babylon brush,
insults were thrown and so were balloons of gasoline.
Each pink, yellow, and green vessel floated in the air, as an internal opera heightened.
And sour splashes spread across her body,
as she fled from the vigilante mob.

The children danced along the panoramic horizon she ran beside,
laughing, pointing, singing.
The slumbering sorrow of the situation became evident,
and she started to feel the calm of fleeting life.

Her dreams aborted and her ideals became fallacies,
and with the sound of fuzzy motors in the background, her heart leapt and her feet slipped.

Rope ate into her, wrapping her like the orphaned recklessness of each set of eyes that painted her.
She squirmed amongst the cheers.
She cried with every thrown beer and balloon.
The empty-eyed males gang ***** her.
The women covered the children's eyes,
and the children tried to move their mothers' hands.

And I pushed my way through the crowd.
And I saw her smothered in blood, beer, and gasoline.
I wanted to halt the hurricane that destroyed morality.
But I am a coward.
Frozen by my fear, I, too, am a murderer.
And a murderer I'll always be,
for the burning of all that was good.

Sudden flames soared towards the sky.
Laughter escaped as molotov cocktails exploded onto her body.
Her head turned towards the crowd,
as flames scampered across her face.
I saw in her, what I never saw before,
which was the human race.

And I want to tell her that I understand
what it feels like to be fake, insignificant,
and a shadow on the sidewalk of society.

And I want to tell her that I also borrow
the experiences of others --
that I, too, learn feelings
by stopping and staring at personal wreckage,
like a tourist of emotions,
like an inevitable wish of a human being.

Still-birth emotions laying on the snow.
If I let you smile, will sticky lips let go?
After-birth sensations, beaten under hail.
I want to **** the blood out of your gums.
I want to touch you until your body's stale.

Venus in the snow -- the more I taste you,
the more the echoes in our mouths slow.
Shake it, baby -- **** me like I just got out of a coma.
Nothing more that I want than to be your trauma.

And I just have to bury myself in your emotions.
And to drown in the swell of separate oceans.

I see how white light startles.
I snapped a pic and she spun in circles.
She wanted a photograph
to cover her mother's epitaph,
so she could have a laugh.

She smoked to get away -
but this isn't what'd she say,
exhaling, "All we are is carbon
and a lack of empathy."

We blended into hues of
microwave dinners
and church alters.
I used to tell her to go
just to halt her.

We prayed to get away -
but that's not what we'd say,
whispering, "Help us be more
than carbon and a lack of empathy."

My brain is a factory,
producing every toxic part of me.
******* until my hand gets lazy,
fantasizing about Lexi Belle
and being Martin Scorsese.

My blood is a vacuum,
alone in a crowded room;
my white blood cells like to
travel to my *****,
so I can someday infect
designer uterine walls.

Locked and loaded,
my heart exploded.
The tissue and issues
attracted crocodiles
that swam from the mall,
for miles and miles.

Store-bought baby, my body isn't ready,
to be stripped down to the bone,
and sold to teenage radios,
that'll broadcast my American moans.

Caucasian nightmare:
my skin is not fair.
Peel enough off with chemicals,
until I decide there's no more,
and hide the layers in bathroom stalls,
located in the bleach of Baltimore.

O, ethereal Earth -
tortured town towering oneself.

Under Grace, thy swift death -
and upon mercy, a light, jest.

To be your Savior -
your only favorite -
is what's best.

My mother held me,
and asked what was wrong with my world.
Her rubbery hands in my hair.
"I feel like a plastic narrative," I said,
"and there's nothing I can do about it."

Elizabeth and God exist in a sunflower grave. Her mother and father slit her stomach open and watched the contents pour out like
spaghetti confetti.

Tommy, Elizabeth's boyfriend, rode his ocean blue Huffy, until the tread on his tires grew bald and until the grips were blanketed by dead skin. Looking for her, panoramic views of the horizon leapt beside him. Silhouettes of his legs, churned and kissed the orange and caramel dusk. With every tear in his hamstrings and calves, the **** in his sky grew and swallowed the memory of Elizabeth Mendenhall, Honor Student.

Margot, Elizabeth's twelve year-old sister, was an idealistic soul. Taking a Sharpie, she wrote on her sister's wall, "Liz, there is no death greater than the loss of self, and no life greater than one where we continuously search for what self is." Margot struggled with concentrating and frying eggs - but focused on the sunflower garden, dangerously and perfectly.

Hilary and Brendan were thirty-five and thirty-six years-old. They stabbed their daughter thirty-seven times. They don't know why they did it, they just couldn't think of a reason not to do it.

She begged for her life. The yellow petals of the sunflowers caught blood-drops and, after enough struggle, floated down to kiss and lay on Elizabeth's slow-twitch body. Hilary looked at Brendan and said, "What does this mean?" Brendan shrugged and said, "This is new to me."

The garden was an oven, and digging her grave was like pulling back on a cheap, plastic latch. Elizabeth had pale, pre-cooked pie crust skin. The slits in her stomach looked like peeks into a cherry stuffed filling. Crinkled lips looked indented by a stainless steel fork, back and forth, side to side. And the soil rained upon her like the reversal of hot vapor, returning home.

Elizabeth and the Sunflower Garden.

The night before, she whispered,
"The quickest way to break a heart
is to pretend you have one."

Howling,
like you've never heard before.
And she sat next to me, radiating.
Her body jumped with every bump,
as foam blossomed out of her mouth.

And I promised her
that I would get her there in time.
And her dealer promised me
he didn't give her anything.

Howling.
I was howling,
like you and I have never heard before.
And her glazed eyes would open.
And my eyes were wide shut.
Her body lain crooked,
like the antenna of the wrecked car
my grandfather left me.

And I wondered if the planet
was moving too quickly
or if I wasn't moving fast enough -
before I decided the only time
that was real, was now.

Howling.
The police sirens were howling,
like the suburbs have never heard before.
The wails were begging me to pull over.
And the flashes of red and blue
danced across her ivory skin.
She mumbled to her deceased grandma,
and I asked her to stay.

And in that moment,
I tried to numb myself.
I tried to detach
and let the river carry me.

Howling.
I was howling,
like the deputy
had never heard before.
I begged for an escort.
I begged to go back into my car.
He looked at her knotted body
but didn't see her like I saw her.
And he told me to remain calm.
He told me to stop yelling -
but I couldn't express enough.
I couldn't release enough desperation.

And the river carried me
to the rocks before the fall.
At the bottom, I knew she was dying,
and this killed me, most of all.

Howling.
I was howling her name,
like she had heard before -
but not this time.
No, not this time.

The night before, she whispered,
"The quickest way to break a heart
is to pretend you have one."

I can tell you about the girl.

Her freckles were beige constellations,
and her voice was husky and rasped
like birds before the churning of a storm.

She was weird and laughed at everything I said -
which made her even weirder,
because I'm only funny in certain photos
and in certain clothes.

Her left arm was covered in scars and burns.
"As you can tell, I'm right handed," she said.
Arthritis surrounded her wrists and other joints,
and all I could think about were my
grandmother's arthritis crippled hands,
and if the girl would thank the arthritis, one day,
for no longer allowing her to self-harm.

One of her feet were bigger than the other
and, when she walked, she would lose balance.
"I'm not sure if the world is too fast
or if I'm too slow. Then again," she winked,
"it's probably because of my feet."
I liked her because she treated me like a person,
but didn't take me as seriously
as I took myself.

I struggled with self-respect
and she struggled with a drug addiction.
Her arm was needle park
and sometimes she missed ******
more than she missed me.

She wasn't the type of girl to shake
without her drugs -
she'd, instead, talk about them
like they were old friends.
She understood them
more than she understood herself.

After a few months of ***
and, "I'll be sad when you leave,"s,
I called her my girlfriend
and she smiled.
Flecks of speckled angles, bright,
I saw her, first, she accepted
my night.

Five days later,
she overdosed on morphine.
I picked her up.

Her eyes were glazed over.
I said, "I love you,
but this is *******."
She cried and said,
"Forgive me."

I lain in bed, next to her -
next to the avoidance of death.
She asked how I was
and I said, "Everything I write is ****,
but I'm glad I can write ****** poetry
about how we'll be okay."

She asked, "We will be okay, right?"

I hope.

I want to be buried
beside the river
that drowns you.

-

The way the sky sits.
Our sleeves
wrapped in wind.
I kiss your lips.
You are my end.

-

Sequins and swans
on the dress of
the universe.
I want to be warmed
by the galaxy's grasp.

-

You are my water:
You move beside
and against me.

Capture my ocean side.
Surf my skin like you'd trace
  your fingers on
  VCR tape.

Wrap your hands
  around my neck,
  until I fade to black--
looking into your eyes.

Capture my ocean side.
  It feels like a diamond
is sinking into my chest.

  I want to hit myself,
            repeatedly,
until I can't feel anything
but my blue skin smush
underneath my knuckles.
  My fingernails
      kissing my palms.

Capture my ocean side.
  I cannot face what I have
drawn onto my mirror.
What I found measurable,
  has lost scale, has lost
          purpose,
immensely, breathless.

Rewind the tape
  around my neck.
I'd rather not see through
  the film
    or you.

Capture my ocean side.

A cigarette after ***
  gets old
when it's the only thing
  burning
in your world.

When Netflix feels like
  family,
you wonder where
  everyone went.

******* feels like
  a cry for help--
So help you God.

Missing your home
  is second
to missing who
  you once were.

Eastern philosophy,
Karl Marx, Rawls--
We don't know
  any ******* thing,
really.

Pretending to be more.
Pretending to be smarter
than we really are.

May holes in our sides
let others see
that we're beating, too--
just not as ferociously
or as honestly.

May we vanish
into the darkness
that best suits us.

If the light is our night,
may we follow it.
Follow it...
Follow it...
Rebel from our frame.

May God grant us
to be more
than losers.

There is no I in denial.
They kiss in bed.
They roll around.

There is no I in denial.
He bought her flowers.
She placed them in a vase.

There is no I in denial.
They hug outside of
traditional thought.

I do not know how we got here,
but I know I don't want us
to stay.

There is no I in denial.
They **** in bathrooms.
They make love in gardens.

There is no I in denial.
She blew a kiss.
He caught a tough break.

There is no I in denial.
He holds a box of his things,
after being shown out.
She says they'll manage.

I do not know how we got here,
but I know I don't want us
to stay.

There is no I in denial.
They kiss in bed,
but it's not the same.
They roll around in bed,
but it begins
to feel
like effort.

There is no I in denial.
He bought her less.
She said it didn't matter.

There is no I in denial.
He feels like his father,
imagining things
she's doing.

I do not know how we got here,
but I know I don't want us
to stay.

There Is No I In Denial.
They don't talk as much.
They sit farther apart.

There Is No I In Denial.
She asks him what's wrong.
He resents her care.

There Is No I In Denial.
He gets drunk and
breaks the vase.
The flowers lay,
covered in wet glass,
sleeping in a puddle.

I do not know how we got here,
but I know I don't want us
to stay.

THERE IS NO I IN DENIAL.
They don't talk, they yell.
They don't remember each other.

THERE IS NO I IN DENIAL.
He drinks more.
She feels less.

THERE IS NO I IN DENIAL.
They were married underneath
an oak tree,
  She said, "I do."
He smiled and said,
  "I'm so lucky."

The flowers lay on the floor,
  dying.

I do not know how we got here,
but I know I don't want us
*to stay.

I want to be a dog's growl:
  as rough as bark.
As I ruff and I bark
  until my throat bleeds,
down my tongue,
  and clots, choking me.
Strangling my anger.

  I want to bite God's hand
and taste the scars and lines.
  I want to run alongside
the downfall of man
  like I'm chasing cars.
Waiting to be run over.

I want to be castrated,
  neutered,
so I can fall in line,
  so I can conform,
so I can be me in a sea
  of nobody else.

I want to be beaten
  with a chain
attached to my neck.
  I want to be on t-v.
I want to be saved.
  I want to betray trust.

Generic. Generic.
  I want to be like this poem:
  generic, you martyr.
You genocidal ****.
  You deadbeat.
You racist.
  You sexist.
You intolerant ****.
  I want to chew off
my trapped leg.
  I want to be a dog's growl.

Green, stringbean bodies.
  Neon skin, the color of
a lime being crushed
  underneath a heel.

Tell me about earth,
  I could hear the voice
in my head. Like a
  radio being crumbled
up into a ball and
  thrown into my
train of thought.

Earth?

Yes, Earth. Tell us about it.

Us?

There are forty-million listening.

Oh. Well, Earth. Earth. Earthy-Earth.
  Earth is full of humans, like me.
People. Humans are people.
  And people are hell.
In No Exit, there are these--

We've read No Exit.

You've read No Exit?

We've read everything humanity
has published, in a matter of
  m o m e n t s.
You aren't as developed as you
seem to think you are.

What was the best thing you read?

We were partial to
Last Exit to Brooklyn.
Now, back to our question:
tell us about Earth.

If you've already read everything,
why do you need to ask,
let alone ask me?

You are the most
insignificant person
on this planet.
We are interested
in your thoughts.

I'm insignificant?

Yes.

Oh. I see.
Earth... Well, people...
People are beautiful.
The Earth is beautiful.
What makes us gorgeous
is our growth and our
desire to progress.
What makes us dazzling
is our belief that
a collective happiness and
an individual happiness
is both attainable
and sustainable.
Now, **** me
and annihilate
my planet, already.
That's why you're here,
right?

No. We're here to
harvest your women
and to colonize
everyone else.
You just persuaded us
to breed with your women.

But, that's ****.
And colonizing?
That's slavery.

We've read everything
your planet has ever written.
**** and slavery has been
encouraged on your planet
since your brief breath of
e x i s t e n c e.

Everyone
  is born pure,
    I think.
Imagine red-hot
  ****** metal.

Clay is given to two
  people. Two.

Sometimes one person leaves.
  The metal is too hot.

  Hey, this isn't for me,
he or she says.
  Shame if it's the mom.
Push it out. Check out
  of the heartbreak motel.

  But it's all the same,
I suppose:
  Mom or dad.

Red-hot ****** metal,
  sitting at the playground.
Teacher says,
  Play with the other kids.
Teacher says,
  Does the world seem big
    because it's so scary?
Teacher says,
  What is your nature?
Teacher says,
  Play with the other kids--
    think of it as
      networking.

  Time to graduate.

You ******* queer,
  said the news.
Yeah you,
  said the news.
Look over here,
  said the news.
Bombs, ****, *******,
*******, *****, spics,
******, school shootings,
drugs, suicide, famine,
STDs, rap music, Jews,
Obama, Putin, North Korea,
Ferguson,
  said the news.
By the way,
  said the news.
Have you seen
  Miley Cyrus'
nip slip,
  said the news.

Graduation night.

  Rumbling 'round the
warm, bath water
  city lights.
Her hand in his.
  She looks over,
What is your nature?

I had a teacher
  ask me that,
he said.

They ****** underneath
  an apple tree.

This is what the rain is for.
  What?
This is what the rain is for.
  To get us wet?
No, *******.
  Because I already
    had you wet.
Ha-ha. Very funny...
    No, it's for washing away
      memories of ***
        under a tree.

Birth.

Two people. Two.
  Let's name him,
she said.
  Let's fail him,
he said.

You're my favorite
  ****** cover.
Sing for paint drizzle.
  Kick me in the leaf
    stuffed gutter.
Put me aside. Pull me aside.
  Tell me you've kinda lied.
Tell me you're kinda sad.
  Tell me you don't
    have a future
  and that you're
    kinda glad.

I love you--I want you dead.
  I want you dead. Why'd you
gotta me feel free
  and pretty?

You're my favorite
  failed abortion--
pure shock value, baby.
  Your past is a ****.
I want you to be a
  plastic bag
so I can suffocate myself
  with you--
pure shock value, baby.

I love you. I love you.
  I love you.
Welcome to getting wet.
  *******. *******.
I want to ******* like
  I have cancer--
pure shock value, baby.

La, La, La
  Go **** yourself.
La, La, La
  Go **** yourself.
La, La, La
  Everyone is a drum solo
by a numb drummer.

On, Dancer!
  On, Cupid!
*** is fun!
  No violence?
Stupid!

Eloise in a Christmas tree,
swinging a straight razor
at the children below.
  Never held enough
as a baby.
  Never in love
just a maybe.

Eloise's father
in the living room,
drinking the news.
  Those *******
******* and *****,
  he screams.
Never held enough
  as a baby.
His mother smelled of
  a late night and
pineapple blend *****.

Eloise popping Prozac
like Tic-Tacs.
  Fantasizing about
shooting the school body.
You sonuvabitch,
her father screamed.
He penetrated--
She screamed
  and writhed.
Wrists held.
Body pressed.

Beans and toast
  for dinner.
Mom left dad because dad
  isn't big enough
or makes enough money.
Enough. Enough. Enough.

Eloise was supposed to be
a miscarriage.
Her dad lost some toes
when he missed a log.
  Chop, the axe said.

The world is a swinging place.
Whispering in the dark.
A hushed frenzy.
  Mix and **** out,
her gun let out a shout.
Eloise, queen of the
  student mass grave.

Eloise's father turns on
the news.
He drinks liquor instead.
Eloise on the t-v.
Oh, woe is me.
He went to the shed
  and blew his head
clean off.

The world is a swinging place.
The world in a frenzy.

She dragged a steak knife
  across her forehead.
I said,
   What the **** is your--
Hey, we all have problems.
She killed herself with
the memory
   of a system.
Everyone was begging.
Beg. Beg. Beg.
   Make me a star!!
I want to be
   Kurt Cobain!!
So, they dragged blades
and did smack.
Tweeted lyrics
and took selfies
with a poster of--

But she was never alive, right?
There can't be a her
if there's a me.
But I suppose what it condensed
is bound to
  shoot out into
itty
    bitty
stars.

Good ******* Christ,
redeem the men and women
slaughtering genitals.
Grinding against
  the hole in society.

Are you ******* serious?
  Oh my god,
I will die if he takes off
   his skin!!
What a hunk.

It was all elaborate
and people were saying
  "droll".
That's a thing.
Everyone was ******* lame.

Then, the men stripped.
One, Jupiter.
One, Titan.
And what was stopped
was a hurried whisper,
traveling the confines
of the classroom.
  And the men
clothed. And the instruments
  unused.
Sketches ceased before creation.
Paint without purpose.
What a Greek tragedy.
Boo-*******-hoo.

What I could only imagine
a slurry of too many words
aiming at my brain.
The mention of us all.

You don't understand.
*******.

She dragged a steak knife
across her forehead.
I said,
   What the **** is your problem?

It's raining.
And people are dying.
Somewhere. Everywhere.
Nowhere. On television.
And I don't care.
And their life is static
stuck in the waistband
of some dude's underwear.
And he scratches his *****.
He's shocked and ****.
He calls himself a "God".
He sent his son to die
as a guilt trip
and to spike book sales.
But he's scratching his *****.
And his wrist brushes
against his waistband.
He's pinched by the shock
of electic death.

It's raining.
I'm sitting on the edge
of my bed.
Closing my eyes
and pretending
my feet are hanging off
a shopping cart.
My parents are pushing me
and I'm facing my mother.
She looks young enough
to avoid
   every thing.

I don't care. I don't care.
There are snares
  hitting the cymbals.
And there's
a jazz musician. He's
nodding his
   head
back and
   forth.
   Back
and forth.

I don't care. I don't care.

It's raining.
And we zoom in on God.
And, clearly, I have a vendetta.
Have I been subtle?
He answers, "No."
Did I meet a jazz musician?
He shrugs, "Yeah, I guess."
And the room slows down
to a jumbled vibration.
And he smiles. Smiling.
Smiley-smile smiles.
There is no ******
like the second hand.

It's raining.
I don't care. I don't ******* care.
My dad yelling.
You have daddy issues!!
You ******* *****!!
And the room slows down
to a jumbled vibration.
What's true is a tumor
and it grows and grows.

It's raining.
Music is the shout
in a raindrop.
The wrists we forfeit
is the church of
an eternal solitude.
And we is I
and the mixture of
animal-speak
that swallows my
   brain.

It's raining.
There are joggers
in the park.
Their feet are smashing
the cement.
Slow down.
They don't care.

Then seven billion
joggers enter the park
and smash the cement.
My family is unearthed:
the swallowed inertia
of an undying thought.

It's raining.

His dog chased her
through the woods.
The rifle can **** from
three-hundred yards.

Watch her leap logs
and sidestep
sticks grabbing
at her shoulders.

There are three Gods
in the woods,
behind any tree.

No one is as ruled
as the lawless.
No one is as sedated
as the frenzied.

Sympathy couldn't be
measured in screams,
but measured
in her breaths.

Beyond the
honeydew horizon,
the senseless cease.
The half-life of eyes:
her only escape.

Where the tree-trunks
are furnished by the
candied corpses.
Her feet chomp at the
prostituted ground.

She will die, here,
whether she lives
or not.
For what is stolen,
stays.

In flashes,
her face dances
on top of a
broomstick body.

She refills
coffee cups and
her stomach with
butter pecan ice cream
and lovers' saliva.

But her lovers are
strangers
and her mouth is a
place
where secrets are locked
behind smoke stained teeth.

In flashes,
her ambitions escape
into the jet black night.
Cigarettes dropping like
sputtering fruit flies.

A size seven New Balance
buries a Marlboro corpse,
burning out like the light
in her kiwi eyes.

She returns to the diner.
What echoes reign free.

I am in such a **** mood,
the mountains have no meaning.
Big ******* rocks.

*******, dad.
*******, Fox News.
*******, Indiana.

None of you *******
know what irony is.
Google that ****.
Jesus Christ.

There are yellow streams--
that's poetic ****.
There are ruby stained sheets--
that's blood, obviously,
and, I dunno,
maybe somebody died on a bed?

Everyone can **** my ****.

To be or not to be,
that is the
shut the **** up.

Rapists are disgusting people.
They aren't people.

******* idiots.
Romanticizing everything
you wish you had
because
suicide, mental illness,
and eating disorders
make you cool,
riiiigghhhttt?
*******.
If you do this,
you aren't interesting.
You're just you.
Get used to it.
There are people
that go through
these issues
and they don't think
it's ******* rad,
*******.

I hate 75% of the south.
The south will rise again?
Get the **** out of here.

Stalin was a ****.

Most writers are *****.
Most of them ****.
I don't care.

For the love of "God",
if I read one more poem
about what poetry is
or how to define a poet,
I'll slam my head against
a ******* knife.

Some people are so dumb.
Most ******* people.
******* pseudo-knowledge.
Armchair philosophers.
If you guys wanted
to **** yourself,
you could jump
from your ego
to your IQ.

Something, something, imagery.
Metaphor.

It was four o'clock in the morning. Robert wondered why his name was Robert. He decided to get rid of the "Bert" because it was the name of a Sesame Street character or the name of a ******* in Tempe, Arizona. Then again, he thought, "Hey, just Rob makes me sound like I change tires for a living or that I work out at a gym that discriminates fat people and blacks." Rob or Robert took a second to evaluate his last thought and if thinking "and blacks" made him a racist person.

Robert sat on a bench and wondered if the woman beside him was expecting Forest Gump-esque wisdom.

Robert thought of a friend he had in grade eight, named Alexander. He thought of how Alexander had a glass eye. Robert wondered how Alexander had a glass eye but could not remember or did not know why Alexander had a glass eye. Robert, then, concluded that sometimes he will not know something and how that is okay because most people don't know anything--it's a collection of approximates that stay in our heads, he thought. Robert asked himself if his last thought made him intelligent or dumb and pretentious. Robert decided that he did not know. How meta, he thought. Robert, then, decided to stop using the word "meta" so much, because it made him feel like a professor with bitterness and something to prove.

Robert watched his sister struggle with an eating disorder. She was in a hospital bed, with an IV in her arm. Robert did not know if he would struggle with anything as hard as his sister struggled with anorexia. Robert, then, had intense but fleeting anger at every person that bragged about being anorexic or made it seem cool.

Robert sat on his toilet and wondered what his true identity was and what his true nature was. He wondered what was inherent and what was synthetic. Robert, then, wondered if a synthetic personality was inherent. Robert asked himself if he was a good person. He wasn't sure if sitting on the toilet, in his grandmother's house, and ******* to interracial ebony teen ****, on his iPhone, made him a good person or not. His concerns soon past, though, as soon as Lauren started to **** the pizza guy's white ****.

Robert walked down the street and was contemplating some of the issues that plagued his ****-infested mind, while he was on the toilet. Robert saw a girl running from a guy. Robert asked himself if he was a hero or inherently good. Robert, then, concluded that he was inherently a coward, since he did nothing and hoped that somebody else would save her.

Robert didn't meet a girl and knew that no one would write prose about his meeting a girl and their mutual love for one another. Robert was eating a steak sub, while thinking this.

Robert returned to the hospital, to pick up his sister. On the way home, his sister talked about how attractive her nurse was. Robert asked, "What did he look like?" His sister, then, said, "It wasn't a he. My nurse was a girl." Robert was okay with his sister being attracted to girls, but hoped that she didn't get more than him or more attractive girls than him, because, for some reason, that would make him feel insecure. Robert decided to stop eating so many steak subs and to work out. Robert asked his sister if she wanted to get steak subs. She said, "sure".

Robert was working out in his basement. He heard the sound of retching, upstairs. Robert followed the sound of the vomiting and opened a bathroom door. He saw his sister stick her finger down her throat. He said to his sister, "That isn't anorexia." His sister said, "I know. There's a lot you don't know about me." Robert said, "I'm sorry."

I remember
when growing up
was desired.
We swung our lungs
upwards,
towards the sky,
so we could steal
the air of the
universe's river.

I'd call you on
my parents' red landline.
You'd call me on
a broken cordless phone.
Your father would yell
and I could hear your mother
knock over things
as she was either
running, hiding, or
fighting back.

You don't exist.
You're a figment of my
imagination.
You're a poem,
but I want you to be
a memory that is real
to substitute the ones
I wish were fake.

You don't exist.
Your name is not
Kimberly or June.
Your ears aren't pierced.
We never played games
or shared deep thoughts.
We never talked about
running the **** away.
We didn't grow up together.
We aren't close.
You were never born.

You are just a phantom
stemmed by an unoriginal
imagination. imagination.
imagination. imagination.
But I want you to be real.
Please exist beyond my mind.

In my head,
you confided in me.
In my head,
I wasn't so ******* alone
from ages 6 to 16.
In my head,
you're a phone call away.
I don't want to write a poem
to communicate to you.
Be born. Be born. Be born.

I have so much
I want to share.
I want you to meet
my girlfriend Rachel.
I want you to hear
about how everything
is going well, for once.

Be born. Be born.
Be born. Be born.

The girl and I
were tickled by sea foam,
our ankles wrapped in
diamond studded leeches--
We are the
yellow-bellied *******
in a porcelain nest of water.

Our running is stunted.
Our heels are bouncing
off the beach-face
and we are distracted
by the butterflies
because they look like
flowers floating before
the orange
and purple bled sky.

The girl and I
are in love,
but we laugh at feelings.
There's a polished
wrecking ball
swinging between our
chewed lips.
And we agree
love is for tin birds
in a flame cage.

How she sat there
with movement in her head.
A churning of learning
the ways to get ******
and slaughtered by
other people's
sons and daughters.

And how I sutured a gust
of her brain exhaust
into my chest, into my lungs--
I breathed her like I was
******* the end of a
tailpipe.

Her hands ran like busted tires
as she massaged my temples,
revving her voice,
my ears on her
suicide door lips.

There is no green light
in her red light country.

Random dates.
Random times.
Useless words.
Stupid rhymes.

It's not cool being
less than you can be
so I urge you--
urge you--
to be happy.

Because there was a man
who was a clown
and he danced for the children
as they were being lead
to the gas chamber.
And it was 1943.
And it was
**** Controlled Germany.

The clown wept,
each time the lever
was pulled
and when the children
became silent.

To stop crying,
he told himself
that existence
is just random dates
and random times.
There was no meaning
in reason
and no order
in lines.

All he could do
was all he did know,
and that was to give
happiness
before they'd go.

Everyone sat
criss-cross-applesauce
in our hearts.
Perfume is made
with dead things, right?

I try hard to sound
important,
when I write *******
because
there are bodies
reading this *******.

And bodies grow and wither.
They thrive and survive.
They get married
and die alone.
They die.

To become dead.

Perfume is made
with dead things, right?

When I was little
I played with plastic toy knives
and dragged them across
my brother's throat
saying, "You're dead!
You're dead! You're dead!
I swear, you're dead!"

And we pretended
kool-aid was blood,
letting it drip down
my chin and neck,
down my chest,
past my pec.

I wrecked my bike
and ran for days.
I was stung by bees and swore,
"Nothing could hurt more
than this."

And when I turned twelve,
I learned how to ******* to dreams.
The grip on my skateboard
wouldn't let go of me.
I ollied over plastic bags
and stared at lottery tickets
sleeping in the garbage.

She and I played with fireworks
faster than shooting stars.
We waded in the lake,
being a cliche.
She and I rolled on the grass, naked.
I don't know where she is, now.

I don't know.

I asked her why she cut herself,
and she said,
"Because death has an edge
and life is pointless."
She asked that I not
write a poem
romanticizing suicide,
just a poem about
how hard it can be
to celebrate life.

Part of a mud-caked quilt,
between the city walls
and the tornado path,
*******--not at all.
Because he's a voice
in the crowd.

If I could shave
your burnt hair from my arms.
And hear the sirens blare
through cross-stitched alarms.
I would give until
the water leaves
the copper cuffed canyons
in my sleeves.
I want to want something
more than what I'd give.
Just to blend into the sky.
You and I.

We used to make paper planes
as flimsy as our confidence.
Nothing ever flew the same,
smothered by the thawing sky.
We counted the seconds
until rain ate their bodies,
"5,6,7,8".

Too afraid to go outside,
mom and dad are gone.
Hovering hips beside
the holes in our walls.
Staring out the window
as foggy breath falls.

Seaweed salad and water
before we sleep.
Thinking about
if the paper graves
are as deep  
as the cheap cliches
in our head.

The buzzed people
burn out on the street.
It's four a.m.
and cold toes are leaving imprints
on the concrete face
where the drunks and the homeless
beg for help
and for the past to change.

You, me, and every one we've met,
lean on the side of the tattooed bar,
smoking cigarettes that stain our lips,
slurring words that escape our souls.

You're wearing
Black Chuck Taylor All-Stars,
as we stand underneath
the black, starry sky.
You tell me,
as you put out the cherry
with your wet thumb,
that, "I busted my cherry
while riding my bike.
I hit a bump, then another,
and another."

We kiss and you whisper,
"It sounds better than the truth, right?"
I feel overwhelming sadness,
as I look at your freckles,
your speckled irises,
and I want to believe
the manufactured ignorance
that the world offers
and you take,
saying, "Of course, love."

Wisconsin, fine--
We sit on state lines.
Across the street, Rodeo Drive.
Move a little bit
and East L.A. makes you feel alive.

Go to the diner
where the mermaids wear aprons
and hold out menus like personal stock.
Where the surfer-rama drama in the diner deep
allows them to let go of those they keep.

And you and me and those we love,
keep us finite, because why not.
I could tell you how to eat your waffles
if you will be the spoon that stirs my coffee.

Listen to me,
"Rachel, there's no one, right now,
that I'd rather sit and eat breakfast with than you.
And if it doesn't work out,
and we choke on our meals, that's fine.
I just want to try when I'm with you."

We exchange glances
and I'm sure, then,
that I adore the aplomb,
for your smile leads myself
into believing and being more.

In the gas deep under-park,
she sleeps between shadows.

My darling,
upon the mountain's caress.
My ******-friendly mess
in a pineapple dress.
I couldn't love less
or less of you.

Young explorer,
drifting from world to world.
A huckleberry eye
that shifts from trembling duress,
with my hands onto her back.
Why can't life cut you any slack?
The chair is going out under
as the skies are mumbling thunder.
My violin underneath the sin,
sounding from within
"...I love you."

Broken water
bounce from cheek to chest.
Your breathing sounds the best.
With my words onto your lips,
and how the saliva drowns and drips.
I grip around your hips,
with the world releasing a boulder,
that drops upon your shoulder,
and I shake you senselessly,
why can't god set you free?
I can feel from you to me.

Blood, down, to ever and let go,
with your body in the snow.
My river-drowned girl,
engulfed by the swirl.
Love, oh no, from year to year.
Your words so everclear,
"I love you, too."

Silver-shiner,
moon-kissed and ever so,
your feet on the bathroom floor,
the kills from the handled snore.
What I wouldn't give to drink
from your fountain.
What I wouldn't give to die
on your mountain.
My darling, from colored-t.v.,
with a kiss and a motel fee,
I could know what the known couldn't,
with my fingertips where they shouldn't.
Turn down the volume and say
that you'll stay another day
or three.

Why can't I be
the spinny chair
in your office
for two?
There's nothing more
I want than to
matter to you.

Please, Please
let me be what I am
trying and dying to be:
Your lover that you'd
prefer to be some other,
with our kisses
covered in fleas.

I'm remembering to miss you,
but you'd have to
be here at some point.
I'd miss you so badly
I would dangle
your intestines over my mouth.
Can we kiss in the shade,
if we pretend I'm somebody else?

I can be the running car
in your suburban garage.
I want to steal you and feel you,
or just feel at all.

Catch me in your water,
smiling with the goldfish
and the flakes of snow angels
that bleed out every wish.

We can tremble
and mumble,
and stumble
in our darks.

There's no love that couldn't
hurt me now.

I watch you breathe
as you sleep.
I'm afraid of what
you could mean
to me.

I study the stripes
on your shirt.
I think of all the
ways we'll flirt
and all the ways
we'll cry and I'll choke
with your hands
around my throat,
and Malboro Black
cigarette smoke
pouring down my
esophagus--
I wish I wasn't
so fond of us.

Love is for tin birds
in a flame cage.

I made love
to an email,
inside my
mind's
sugar shop.
I guess
our blood is
detailed;
I don't feel
until you're
shocked.

You say the things
I moan,
and I wear the things
you swear,
like, "I'd still see you,
even if you were
to disappear."

You kiss me before
I tell you that you're
silver-spoon-
melted-heart,
reassuring me
that you're ****** up,
and to just push
to watch you
fall apart.

We shake
because it's what
we forgive the most.
So, let's bite our tongues
and float north.

You're not in love,
you just like
entertainment.
Blood boiling,
tense muscles
put your mind
at ease.

You're not kissing,
you just like
the gesture of hope:
the softer the lips
the harder it is
to walk away.

You quote their texts
like you're quoting
scripture.
The tweets you study
cause your heart
to freeze.

You're like a god
without a people:
You're looking
for anyone
to believe
in you.

I dreamt about
a ****** t.v.
movie.
I put myself
in a lover's shoes.
I said, "You're
not that lonely
but you like
the attention.
And I guess
I'd like to
give it
to you."

My stomach
churns
acid.

I lay in bed,
counting
the sheep
in me.

And I
hate myself
for every
lost cause
I find and
pet.

I want to
cut open my
stomach
and burn
the wool off
the sheep
with the
churned
acid.

Jesus loves me,
yes I know.
For my nation
tells me so.
Cut the wool
off of every one.
My words go on
but I am done.

Yes, Jesus loves me.
****, Jesus loves me.
Yes, Jesus loves me--
my nation tells me so.