The tent fly
flapped
in the
Arizona dream.

I fell out
of the door.
Saying,
"I should be
dead soon."

My bleeding feet
stained the
brown sugar sand.

And God
was everywhere;
in my cuts.
In me.
In us.

And God
was nowhere;
absent-hearted-
blood-kissed-
consciousness.

My hands gripped
at the cheeks
bordering thin lips.
I kissed the
Arizona dream
as if it were
my own.

If it were my own.
If you were my own.

I don't believe in God,
I believe in me.

Because
the only thing
that scares me
more than a God
is myself.

I am
so many people
that I can't even
keep track of
myself.

I am
group-******
ideas, personas,
smiles, images;
fractions of a being.

Phantom in plain sight.

I am a joke.
I am *******.
I make you laugh,
so you can't hear me.
I sell you someone else
so you don't see me
as I stand before you.

I am the ghost.

So, so many
voices
but none of them
are mine.

**** me
to pieces,
then gather
what fits.

It never does.
It never does.

She looked at me and said,
"You should **** me
before you love me."
And so I did.

Her hands covered her *******
and she said,
"I want you to guess which breast
my father touched first."
And so I did.

The bones in her hands shifted
as she fixed her hair into a ponytail.
"You're going to promise me that
you're not going to try to fix me.
You're going to promise me, okay?"
And so I did.

Her lips would start bleeding
because when she lied
she chewed her lips.
She said, "I think today
will be the last day I live."
And I asked her for one more.

Dry blood sat on her inner lips
as she kissed me good morning.
Her voice softly cooed,
"I hope that isn't the last time
I kiss you."
And I asked her for one more.

She bled,
"All you write about are girls.
You never write about me.
All you write about are faces
without souls. What about my soul?
Are you going to
******* write about my soul?
Are you going to write another poem?"
And I asked her for one more.

Looking at me,
she ran her fingers
down her hips,
across scars,
and said,
"Too many men look at me
and see what they want to.
They look at me and see
broken picture frames
that they can repair
and put our faces into."

Our hands met
and our fingers grasped
at the pieces of ourselves
that were deeper than faces.
But it was only me
as she whispered,
"Stop,"
licked my cheek
to my ear,
finishing,
"Don't fall in love
with what you
think you see.
Just **** me."

And so I did.
And so I asked her for one more.

When the girl, I loved, died,
I locked myself in her room
while her parents were in Arizona.

I went through her things
and found
**** photos;
A few where she seemed
ashamed
and a few where she
liked her body.
She had a gummy smile
and in others
she looked down at her *******
while having a blank expression.

I found empty
alcohol bottles.
Cheap bottles of wine
and a bottle of red,
stuffed with tissue paper.

Under her dresser
I found an unopened
letter she intended to
give the boyfriend before me,
where she admitted
to being ***** as a teenager
and how she hoped
it wasn't too much
baggage.

I threw out the photos
and
alcohol bottles,
but not the letter.

I don't know why but I kept it.
I occasionally read it,
because it's her,
and I love her.

I told my friend
and he called me a
Halomaker,
because I made sure
she was remembered
as an angel.

She kissed me
not because
she wanted to
but because
she could.

We fell in
love.
Not because
we could
but because
we wanted to.

We made
mistakes.
Not because
we wanted to
but because
we could.

We thought
we were
perfect.
Not because
we could
but because
we wanted to.

I vomited in
the bathroom
of a
Baltimore
7-11
because
sometimes
you cannot
hold it in
much
longer.

Her hands shook
as she held her
mirror
because
sometimes
your reflection
can only
tell you
so much.

My body shook.
Her body stiff.
And when
the bodies
move
the hearts
stop.

She lied some.
I drank words.
The veins
in hands
are maps
to imagined
consciousness.

Really,
it's just
a
*******
*****.

Music to
my ears.
Nervousness
between
blinks.
Noise to
my brain.

She said,
"I love you"
not because
she wanted to
but because
she could.

I said,
"I love you, too,"
not because
I could
but because
I wanted to.

Father mosquito
drank my blood
and promised me
that there was a lot
to live for:
***, money,
women, love,
food, water.

But *** is only worth
the ten seconds
after I ***:
the ten seconds
where my body breaks
but not my heart.

And money is an idea
that belongs to someone else.
So, the money I have
never really is mine.
The things I need,
I'll never have.
The things I have,
I'll never need.

I do love the softness of women,
Father Mosquito.
You have understood me
once.

It's just underneath
my skin.

But you say love
and no love
is as important
as self-love.
No lips stitched into mine
is worth the feeling
unless I understand my worth,
and you're currently
*******
it
dry.

What happens when food
loses its taste?
And water is no longer cold?
What happens when
my body fails me?
Drink my blood
since it is yours, too,
father.

It's just underneath
my skin.

I sit and I dream,
a parasitic dream,
where we aren't
who we were
and we aren't
how we seem.
Where I eat you
and you eat me
and somehow
we're still
happy.

In each pile of
body on body
I walk by
loneliness
and loss.
I love you's
and
I hate me's
saturate the air's
conscience.
Us,
the nation and all
are pinned against
each wall
being ******,
mercilessly.
We are
*******
heartbreakers.
Our ***** are
property of
others:
intellectual property.

In my dream,
where I dream,
everyone
I've ever loved,
is dreaming
and
trapped in a pit
of motorized
rubber ******
where the rubber
pumps and eats,
pumps and eats,
breaking ribs,
shattering spines,
ripping esophagus,
splitting spirit like
tissue paper.
Bodies ripped apart
by branded, artificial
"love":
society's configuration.
Brand recognition.
Product placement.
Motor salad.

I'm a white, male,
American dreamsicle
who says "****"
way too much
to not be cool.

I read about my father issues
on my mother's face.
I hate things and people
because the news told me to.
Art is ****** and ****** is art;
when Billy killed Sue,
my heart raced.
Do drugs with me
or do none at all;
promise me when we're high
we won't fall.

There are ******* on the street
and the cops are shooting them.
There are ******* kissing
and old, white men are scared.
There are mentally ill people
and they are "seeking attention".
There are women with voices
and old, white men are scared.

I am an American Dreamsicle:
cold, unhealthy, and killing your kids.
You can buy me for 40% off
and I promise to take 60% of your ideals.
I am what my parents don't want me to be
and that is the appeal.
Little do I know, I am every thing you are
and that is my cancer.

Pale body, blue eyes
Dark haired WASP;
adopted.
Cigarette burns
Cigarette breath
Black nail polish;
worn like her gaze.
Plump lips;
Tastes like
*******
and
"he left."

Milk body, brown eyes
Blond haired voice;
accent consumes.
Diseased brain
***** like a parasite
Blood-shot red nails;
scratching at life's surface.
Chapped lips;
Chews on them
like a blown tire
dying between metal
and the road.

Our bodies shifted in and out
like an ameba.
Suffocated by lost teenage years
and daddy issues.
Riding my knee.
On my face.
I want to disappear
into outer space.

Skeleton ***;
our corpses mix.
Sweat stained smiles.
Soap smothered tiles.
Showering with two souls
as lost as mine.

Every soul I come into contact with
leaves an impression onto me.
But I don't believe in souls,
so how can this be?
How can I taste the flowerless
nature of a coke nose
and find it to be an eternal bloom?
For I, to without and before sunset,
**** the shadows that mask the morose
and keep the victimized stalwarts close.
See thy honor in the trauma of the night
and transient beauty of the light
that shines in all that I touch,
not enough or, perhaps, too much.
To break my empathy would be shimmerless,
but I'm dimmer, thus, a shallow crest
of what I thought was best
on the Earth's grass
and in the brain's broken glass.


Intermission:
Soda Pop and Popcorn in the lounge.


****** in France,
you like coke and being other people.
You tried to **** yourself with your car
but it only went as far
as the saliva leaping from your mouth,
when your head hit the horn,
and blared until your ears popped,
with your spit splatting against the speedometer.
Because what is fast isn't fast enough.
The EMT told you this when you saw the lights flash
across your eyes. Focus. Focus. Focus.
Follow the light with your eyes.
This isn't god. Do you have parents?
What is your name?
Your wallet melted in the heat.
What is your name?

You think you hear rusty bone saws
but they're trying to cut your friend out of the vehicle.
There isn't enough time. Time is never enough.

This is what she looks like when she's sad:
The human condition effective immediately.
Winter shades shift side to side,
exploding out of each iris.
Skin falling off,
when lunging forward to kiss me.
Fingernail daggers dig into my pores.
I'll bleed under her fingernails,
if she'll drag them down my torso
until her knees click the floor.

This is her tongue inside of my mouth:
We taste each other before we waste each other.
Hip bones parallel and our eyes rubbing shoulders,
my hands surfing her rib cage
and it's all the rage because she moans.
And when she moans,
color tones orbit around her head.
Planetary tumors dancing around her skull;
jump roping with her hair,
eating morals and removing plurals.

Those are her lips around me.
Her head moves up and down
but her eyes focus on me.
She makes eye contact
and I empty my dreams
into her mouth.

We are a public forum.
I ache with alcohol poisoning
and liberal undertones.
The terrain that is my face
bleeds oils that would lubricate
the axle of the car that she drove
into the tree
that we carved our name into.

Come back to me.
I miss you so much.
I watched you die.
I watched you die
and there was nothing I could do.

They told me that she wouldn't make it.
They told me that she might make it.
My hand gripped at blood stained blanket.
I think she said my name under the air mask.
I could tell if she saw me;
her eyes rolled back into her head
after she gazed a thousand yards away
into the field of black
that sheltered the tall grass
that we would chase each other through
and get lost in
as we got lost in each other.

I love you! I ******* love you!
My back, a membrane coil
that rises my stiff neck
that cares my head full of memories.
I turn on the light and you're not there next to me.
I put my hand on your copy of The Thornbirds
and know that you've read it more than the notes
I leave in your inbox,
hoping that it'll say that you have seen it.

Walking to your grave,
I am a darkness that the abyss has swallowed
and I have followed myself into nothingness
that is such bliss
that I forget
your kiss.

She applied the latest fashion tips to her lips
and put on the newest dress to cover the mess.
I held her as she swayed in front of the mirror.
"I want to get away from here," she cooes in my ear.

It rains ridicule as she tries to be classic cool;
storms that brew from within-
and there's no way of knowing how it'll begin.
She'll say that she's a succubus
but I promise that she's a star and thus
destined to implode but shine beautiful before death.
And I await to be burnt by her deathly breath.

She says that she feels detached,
I read the message that has hatched
from ten eggs thrown from a wrist.
Her lips are mine but all I do is miss.
Her lips aren't mine and all I do is this.

I **** time with new noise and old sights.
She asks if I'll be home tonight
and I wish I could because I'd clearly sway thee,
macabre debutante lover baby.

Her name is Tricia and as I whisper,
her cheeks blush.
"Don't break hearts or mine too much."
I could say the say the same for you, my Josh.
Couldn't we all break broken signs
with the love we reallign?

I tantalize her lullabies with eager hands
and lethargic eyes.
I shoulder her and press her near,
and kiss her from neck to each ear.
She slides hands and traces each crease.
She runs her hands as soft as fleece.
My hands hide in her underwear
and she says,
"How did you remove all of my air?"
She fixes her hands and grabs my base,
I kiss each corner of her face.
Stroking, stoking my desire,
I ask her to lay naked by the fire.

I disrobe and throw each cloth on ground.
Tricia takes off her bra and there is no sound.
Her ******* make me eagersome
and, suddenly, I'm no longer numb .
I tell her that if it doesn't feel right
that we don't have to make love tonight.
She walks and her feet kiss the tile.
She says she wants to stay for a while.

We get lost in blanket and the cloth is soft,
as we move from the fire to a loft.
I tell her that her lips are silk,
her chest plays songs,
and her taste is milk.

Her feet appear behind my head,
and she bites her lip until I feel dead.
I place my hand between her thighs
and listen to each moan and sigh.

I hear her shudder as I break her soil
and I feel my body start to boil,
as I push in and kiss her nose.
She throws back her head
as her mouth can't close.

I wake up and she's next to me.
I kiss her forehead to thank for harmony.
I pick her up and let her bloom in my arms like a flower.
And then I walk her to the shower.

She likes fashion and interviews. I like getting lost.
Sometimes she grabs my bulge,
as she drinks from an aluminum flask.
She told me to rhyme something with 'flask'.
I said, "Fine. In your life, you've been wearing a mask.
But I can see. And you can see. They can't see.
That you are a detached, blond doll
and your back is against the wall,
as I kiss your neck until you're dead."
She said to rhyme something with 'dead'.
I said, "Fine. You ******* in my head.
And it's quarrelsome
that they don't see that you're numb.
I'd pull on your lip, with my teeth.
Dig my hand between your legs.
Just to make you feel. Just to make you feel.
And I study your hairbrush
to see that there are too much
strands of memories from melodies
that lay dormant in ballrooms
and scented kisses
that drip of the misses
in your life and mine."
She said **** me with your words.
I refused because I'd rather watch her bloom
in my dreams than the seams of
a fiber noose that rings loose
the bell in your neck
that sounds until birds fly
and we die-
You look at me,
"Home."

"I really wish I could love you."
"Don't cry. I'll be okay."

Her cold hands blanketed my cheeks, as warm tears repelled from finger to finger.

I looked at her, as her eyes changed from blue to green to blue again. "I don't want you to die, Reno."

"Dying can't **** me, Josh. I thought you knew better." Her eyes were green again, as her iris exploded into a wave of grey. She blinked and they were blue again, changing the room to an eggshell white. We sat on a naked mattress, in the middle of an empty room, my face resting on her soft shoulder. Only orange, dancing pill bottles kept us company. They'd tip their caps, like a hat, at the end of each song.

We swam in a teal sea, inside of four brick walls. Our mouths didn't move, but our voices travelled through air bubbles.

Doing an underwater backflip, the bubbles broke, "When did you first fall in love?"

Kicking off the floor, towards her, "I was twenty."

"How'd you know?"

"She gave me a cupcake and was trying to light the candle, but couldn't. She kept trying and trying. At that moment, I knew I loved her."

She swam towards me, her legs like ribbons waving at the surface.

"His name was Lee," she cooed as she started to drown, "I was seventeen and he open hand slapped me. I thought that was love. Then, eventually, he started to close his hand and then I knew that it wasn't. It didn't stop me from loving him with everything I had, though."

I reached for her as her legs were being pulled up to the surface. She opened her mouth, "You'll be okay. I promise."

My pillow was soaked by sweat as I sat up and rubbed my eyes. The other side of the bed was empty.  I turned my head to see the bathroom light peeking behind an indecisive door. Getting up, I walked around the foot of the bed and over the blanket dying on the floor. As I grew closer to the bathroom, the sound of retching clawed at my eardrums.

My hand pushed the door until the bronze **** kissed the wall. An alabaster body was on the floor. Reno's face appeared as she wiped her mouth. She flushed the toilet. I walked towards her, kneeled beside her, and hugged her as the sound of suction and spinning water drowned the air.

I whispered in her ear. She picked up head, out of my arms, and smiled, blue eyes and all.

"I don't feel anymore."
"I really envy that."

I turned on my side, the sun was peering through the window and laying ribbons of its light across her bare body. "You shouldn't envy that, Reno."

"Why shouldn't I?"
"Okay. Well, why do you?"

Her hand waved a lock of blond from obstructing her icy-blue sight. I could see the shadows of birds dance across her torso and past her face. "I'm afraid," her words spiraling from her mouth, "and I don't want to be."

"Afaid of what?"
"Everything. The world. Hunger. Bleach stains. Failure. ****** knuckles and the look of the person as they clench their nose, teary eyes and all. This. My father finding me. Dying before I get to do everything I want to do. Validation. I'm afraid of everything and I'm too young to be afraid of everything. I need two to four more years, tops."

Ten, twenty, and fifty seconds rained down the window. It felt like the wall of an aquarium, and us the aqua-blue evolution.

Rolling to her side, her hand blossomed around the curvature of my face, as I didn't know what to say. "Josh," her breath evaporating into syllables, "I'm too young for the world, so help me forget, okay?" My eyes followed her soft fingertips capped by lily fingernails, as her index and ******* walked from my stomach to between my legs.


After we made love, the water lowered on top of our heads and bodies as the steam rose. My hair was flattened against my skull, and her's gripping her back. Soap slid across her *******; lathering her abdomen, I asked her if I could see the soap. Reno scrubbed my chest and leaned into kiss me before placing it into my hand.


"When you're famous, who do you think you'll sleep with," she asked while stirring her coffee. Placing the muddy spoon on the table, she looked and added, "Who's your celebrity crush?"

"I'm not sure," I sipped my coffee before placing it next to my bagel,"I don't know."

"It's okay, buck. I know you'll forget about me when you become big, so just say."

I couldn't believe it.

"Okay, well, what's your wish, Reno?"

"What do you mean?"

"What do you want me to say?"

"Say who you'd sleep with."

"Well, after I carelessly throw you to the side, I'll probably sleep with Parker Posey. Then, I'll go on a date with Emma Watson and hope that goes well," I regretted the way I spoke. "Like, I can understand the question, but what's up with the second part about me leaving you?"

Reno flicked the side of her coffee cup, and then drummed. "I don't know."

"I can't do the whole you feeling like you're not good enough for me. You are. You just are. I don't want it to happen because I really like you, but I won't allow myself to go farther if you insist on the... I mean, what's wrong?"

"I don't know," she she flicked her coffee cup harder, "I don't know."

"You know, Reno. You can tell me."

Tears sat at her eyes and they disappeared in the glare, as she looked out the cafe window. "It's not easy, you know."

"What isn't?"

"Loving you," she began to rip at the skin around her thumbnail,"it's not easy because I'm afraid. I'm afraid because it might be real."

Her eyes shifted towards me, the way her hair broke the echo of sunlight. Cancer cells.

"I'm dying, Josh. Whether you love me too or not, for one year to ten to never, you'll be with other girls because I'm dying. And that's that."

Dear reader,


Reno doesn't smoke and it's a relief because I'd rather my smile stop her heart than a Malboro. I told her that and she considered never talking to me again because of how corny I was being. If anything, I'm glad she doesn't smoke because her teeth are as white as the snow suffocating the landscape. She asked me if I ever smoked a cigarette and I said no, because my hands would start to tremble at the idea of picking up another of one my father's habits.

We walked in the snow and, three steps and two breaths in, she asked me to stop. Reno bleeds other's blood, and it showed when she dug her hands into the snow to reveal a dog's frozen carcass.

"I saw the tip of his tail sticking out of the snow." She studied the dog's body and brushed some snow off of it's side. There was a wound, the size of a child's fist. Frozen blood stained matted fur, as the front and back legs seemed miles part. "He must have been so cold."

"Someone shot him," I looked at her, as a strand of blond hair cut her face in half when she turned to me.

"He doesn't have a collar...  I know what it's like to not have a home, too," she whispered to him.

I watched her, with her knees in the snow, cry. The tears slid down her cheek when she asked me if I thought that the dog's owner killed him.

"I don't know, Reno. I hope not."

She took off her left glove and wiped her face with a pinkish hand.  She turned to me,"Do you think my dad would **** me, if he could?"



The tree branches hung over the blanketed path, as clumps would fall off and plop frostbitten kisses on the bright, eggshell ground. Eventually we reached the grave of Hilary.

Hilary Natasha Drake
Born October 12, 2001
Died December 8, 2007
May God grant you access into his kingdom
as easily as he granted you access into our hearts.

"She was beautiful," Reno smiled, before she looked away. "My mother would always say, 'Hilary, don't you know how pretty you'll be?' ...She had these lily green eyes that lit up a room-I could have swore that she stole them from the garden of Eden. She was sweet, too. Too sweet. Too kind-hearted."

I felt my hand tighten, as I looked down to see Reno's fingers wrapped around me. Her eyes were holding hostage a flood, as her lip quivered as much as her voice.

"In nine minutes, it will be the anniversary of when we lost her. It was just too much for her and I understand, Hilary. I do.

"It ate her body and wouldn't stop. Every day she seemed thinner and thinner. I remember when she lost her hair. Hilary didn't want to wear a bandana or a cap. I asked her why and she said, 'There's nothing wrong with not having hair, pappy does it all the time.'

"She was so strong, Josh. Stronger than me. Stronger than my dad. When she died, the hospital bills and funeral expenses were too much. We lost everything. My dad lost himself.

"Then, my mother left when his drinking got bad... It was the night before Valentine's day. I remember because I was given so many flowers. I didn't understand why because flowers die, too.

"My mother didn't even say goodbye. She left the photo albums. I never got to say goodbye to her or Hilary and it's not fair because I love them so much. I love them more than anything."

Reno couldn't erupt into tears like they could in the movies. This was the scene where she was supposed to cry uncontrollably or have an epiphany that could alleviate the loss, but neither occurred.

"There's one thing I want you to know, Josh: You can't save me. Don't try, okay? Please, do not try to fix the broken pieces because you'll only cut yourself.

"But there's also another thing I want you to know: You can be there, as I fix myself. I want you to be there."

I looked at her and told her I wanted to be there too.

I think I understand why Reno doesn't smoke, now. The idea of possibly giving herself cancer, when it already has taken away everyone she loves, would take something away from Hilary's fight and only add to Reno's loss.

"I can cry over a dog, but not my sister," she whispered. Reno wiped her nose, looked at me and said, "Am I too much yet?"

"Of course not."



Sincerely,

Joshua Haines

Sara not so plain and not so tall
Daydreaming in the shopping mall
As blond as a summer day
Speaking of herself in a peculiar way:

"I'm pretty, yes, but I wish to be better;
To be the admiration of a love letter."

But her beauty is the kind that lasts
And makes your heart beat especially fast.
Finland born but London found,
Lovely, sure, but greatness bound.

And the nights grow more tiresome,
as her chest beats a tattered drum.
Her mood too dreary for speckled eyes
that will dim if night blurs into sunrise.

"Sleep why do you run from me,
as my memories grow.
Eyelids, be a blanket,
And melatonin, a pillow."

Victoria Lucas in her head,
as the bell does ring until fed
by the words that sound soft to us
but are actually strong and thus
she is misunderstood-lips are red-
Like Greenwood inspired, kissed dread:
She can save herself before jarred,
Before feathered, before tarred.

And it is my faith that lets me know,
That her happiness will one day grow
Because Sara not so plain and not so tall
Is the strongest of them all

Dear reader,


It won't be long before they electrocute the trees with candy colored Christmas lights. Soon everything will be gone: memories, glances, the year. Every thing will dissolve into nostalgia and our lives will become more patchwork and less hopeful. Soul-crushingly sweet our smiles will be, as we watch that disguised meteorite crash into our existence.

Her name was Reno. Her dad joked he named her so because she was the result of a gamble gone wrong.

I could see the stitching around her eyes start to falter, as tears slipped out like a young nineteen year-old girl, running out of the back of a double-wide. Away. Away from it all. Leaving her father, the mechanic who could only fix things with his hands. Running through a field as shimmering as her nails, touching the tall grass with her short fingers.

"I'm not trailer trash," she said, "I've just had it rough."

Reno could see things others couldn't see. Frequently she painted wrecked cars, and I asked why, to which she explained, "Some accidents are allowed to be beautiful."

I fell for her the way her jaw drops after one of my inappropriate jokes: quickly and with such joy.

She had the same answer to when I asked if she liked movies and if she missed her mom.

"Of course I do, Josh," she looked at me and smiled, "Hey buck, have you ever seen True Romance?"

A woman after my own heart.

We watched Christian Slater shoot Drexl, and, like a bullet to the chest, she placed her hand over my heart.

"My, oh my, are you sure that rib cage is big enough for that thing, Mr. Haines?"

She looked a little like Patricia Arquette, but identical to Michelle Williams.

"Are you aware that you look like Michelle Williams?"

Reno ran her hands up my legs, across my torso, and held her hands at my jaw,"Are you aware of how good of a person you are, John Mayer?"

"Ah, yeah. I've gotten that since high school."

She smiled, looked down and up at me,"No, the part about you being a good person? ...You're the drawing on my wall."

I didn't know what that meant.

"I had this drawing-so terrible-it was of the sunset on our hill in Welling Valley," she looked into me and down, while smiling,"Anyway, the sun would kiss the grass every evening, and one day I thought I'd draw it and keep it in my room. When every thing got ugly with my daddy's drinking, and when he beat me something awful, I wanted something to remind me that the light sometimes goes away but will always be back another day. You're my light, Josh. You're the next day after nineteen years of cussing and drinking."

We made love on my bed, as, through the window, the sun bathed our bodies. Her body was a sculpture and her voice was as soft as her lips. I was terrified.

Pulling her hair back, she stood at the foot of my bed, naked,"Are you scared of little ole' me? You look as white as a ghost."

"No, I've never felt so alive... You're so ******* beautiful."

Reno and I lain in bed while Parks and Rec played on the television. Her index and ******* walked across my chest and stopped as she asked, "Josh, have you ever been in love?"

I touched my fingers on hers, studying them with my eyes, and then I looked at her, "Yes, once."

"What was it like?"

I thought I'd feel pain but instead I smiled, "Fantastic, fleeting, and always a little out of reach."

She cooed, "I can't wait until I think I love you like nobody else."

"Me too."



Sincerely,


Joshua Haines

Her voice is strained.
Her skin is fair.
Her ******* lay on the countertop.
I **** her until my thoughts stop.

She rejects the notion of love for all,
as she leans against my kitchen wall,
with a cigarette and an unbuttoned blouse-
she wants to be homeless in my house.

She keeps me in her necklace's locket,
and I keep her in the wallet in my pocket.
Her toes kiss the linoleum,
she walks like she's made of helium.

She mumbles that I taste like mint chocolate chip,
as she rubs against my hip.
Her breath smells like Malboro Lights,
and I hope she decides to stay the night.

Milky Ways and Vanilla Cakes,
she likes the way my body shakes,
as we lay and eat our troubles away.
Hurried words slow the day.

She asks me about my stretch marks and scars,
and if I've ever been hit by a car.
And I say no, but I've been hit by love before,
and it feels like getting your hand caught in a door.

Hurried smiles and bathroom stalls,
she likes the way my family never calls.
The words escape between her plump lips,
as my hand travels between her hips.

We move until we forget
that the world is moving faster.

She smells like marmalade
and Christmas trees.
She cuts her heart
where she places her knees.
She smokes in the park,
under the skating skies.
She makes me upset
and sometimes I make her cry.

Over in the dark,
she plays in the snow.
And if she feels cold,
I touch her chest
but I don't know.

Bask in the bark:
our names on a tree.
Carved with the knife
that she swung at me.

She says she's drowning in my ocean,
but I feel no emotion.

Her words suggest our bond
is as strong as a noose.
But she only loved me
when I was something to lose.

You think you're a lost cause
but you're just stuck in the middle.
Life's been hard since you were little.
I don't know every thing,
but I know it's getting warm outside
and you're going to be fine.

You think you're a cancer
but just wait and see
that you'll heal yourself,
like you helped heal me.
This may sound cliché,
but it's getting warm outside  
and you're going to be fine.

These dead stares across the shopping mall
Wouldn't I care if I could have them all
Fingerpainting these eyes
**** photos: camera shutter sighs

But her breath is morse code
And my words are falling
Her dial tone dilates
As her moans are calling

She fell in love with a filter
And I fell in love with someone's daughter
We took pictures in the summer time
And she threw them into the water

When she lies, her cheeks flush
She swears that she doesn't care much,
as she sits in her underwear
with a light grin and a heavy heart.

She felt her pulse by the bed light
She was sad that she was alright
I watched her paint her dad on fire
while holding infant her.

I heard the window shatter
She never said what was the matter
I found her on the driveway,
broken like a family picture frame

I can hear your back crack,
in the dark.
Removing your underwear
with chewed fingernails:
You softly ask
if we can share scar tissue
and if I'll stay
despite every issue.

You try to kick the covers
off of our bed,
and ask if we can share the thoughts
buzzing inside of your head.

When insomnia erases your eyes
and disease steals your brain:
You inhale ways to die,
because you still dream
but it's not the same.

I can hear the static in your skull.
I know why you keep
the kitchen knives dull.
You pull on my fingers
so I don't forget you.
You cry on the pillows
and hope I like romance too.

I kiss your temple
during each thunderstorm.
I read you books in bed,
because your eyes are worn.
I put my ear to your chest
because I want you to see
that the air you breathe
means everything to me.

Hard to miss, you can take me home.
I'd rather be anyone than to be alone.
Marlboro-stained teeth
have my lips controlled.
Don't mistake the chemicals
for our souls.

I move with the waters inside your ribcage.
Because when I drown in you,
it's the perfect place.

Softly, please, taking off our clothes:
I can see the kisses that have left holes.
You've been acid-washed
by love that wasn't stronger.
Take off your armor,
so you can stay here longer.

Your face is as cold
as the place I found you in.
You can let go of the hurt
trapped beneath your skin.

I keep warm in your fire that beats fast.
To be alone with you, it to be, at last.

Hard to miss, I will take you home.
You can be anyone, rather than be alone.
Remove your shoes, but not your heart.
You can stay here, as our world falls apart.

Possibility A:
I still love you-
(Hip Hip Hooray!)
I pretend that I'm okay,
but I'm not the same soldier...
...now that I'm older.

It's all in vain,
turning on the porch light.
And it's only right,
that I dream that you would come home,
or change overnight.

Love overall
relates to a prescription thrill:
I want to feel good,
as long as it doesn't ****.

Under the tree,
doused in gasoline.
I would have burned for you
for however many rings.
For however many rings.

Possibility two:
I would have loved you,
the best that I could,
until my lungs would collapse.
And I would have pulled you
out of the car crash.

But I watched blood stain,
while trying to save you.
But it was washed by rain,
as you grew blue.
I didn't know what to do.

I waited for the ambulance,
the sirens blue and red.
Did they know that I loved you?
Did I know you were already dead?

Your breath still lingers,
swarming in the night air.
And I still feel your fingers-
God, it isn't fair.
God, it isn't fair.

And you would have loved me,
under falling tree branches.
And I would have kept you warm,
after avalanches.
After avalanches.

I would have kissed you,
as the snow crushed.
And I wouldn't have missed you,
if my hands rushed.
If my hands rushed.

Possibility last:
It's all in the past.

It's
all
in
the past.

On top of a stained mattress
There is no love,
just oxycodone-loading-
and memories, "Tender, please"-
take ten of these-don't fake a dose
because I am close.
I am close.
I am close to you.

I feel okay, I feel okay
Well, I don't know-I don't show.
"Wait, don't go."
I feel okay, I feel okay

We don't show, no.
"Wait, don't go."
There are only memories
of when we were young guns.
We are too true-
take your oxycodone-
and it's terrifying.

On top of a star,
"You'll go far."
I love you enough to go to L.A.-
I feel okay, I feel okay-
Take your oxycodone
to get through the day.
And kiss me goodbye
before you try
to swim through the stratosphere,
my dear-it's clear.
It's near.

"Wait, I want to say-
before I slow motion
this emotion
that starts with a commotion
in my chest-
that I love you best
and it hurts to let go,
but it's not because of you.
I didn't know.
I didn't know what to do.

And it's true,
and that's what makes it terrifying.
My world is salt,
my sluggish love.
So, take your oxycodone,
because you don't want to feel what I feel.
And you don't want to reel like I reel."

I feel okay, I feel okay
Well, I don't know-I don't show.
"Wait, don't go."
I feel okay, I feel okay

We don't show, no.
"Wait, don't go."
There are only memories
of when we were young guns.
We are too true-
take your oxycodone-
and it's terrifying.

"...schizophrenic kisses in a reflection."

Fade in.

My eyes stick to one another like two slices of wax paper with faltering, yet desperately unable to let go of graveyard-shift-love adhesive.

Shifting sides inside. Shifting sides inside.

I stare at my naked body, as water, or something like it, rains from my head to my feet. Warm. Out of control. Gathering by the drain, mixing with the thoughts that won't fall asleep and the daydreams reserved for night.

My eyes are encased by the steam. My lungs filling with water or something like it.

I hope for a classic horror scene or a twist in a melodramatic rom-com. But nothing is funny nor scary and there is no Norman Bates or Meg Ryan. I am not Billy Crystal. I am unrequited love and future fame stemmed by heartbreak and three thousand miles of, "Please let me forget the broken heart I left in a hotel, by the shore, on the east coast, on a pit of dried firewood, in my parents' home, in my bed, in every book I didn't finish, in every sentence I should have finished."



Fade out.


Wake up.
Wake up.
Wake up.
Josh, how many oxycodone did you take?

I fell asleep after "Good Morning, Vietnam":

I can feel it all, in your hair.
Under trees.
Flying above the stratosphere.
My arms extended.
The skin burning off my torso-
struggling to breathe,
with a smile on my face.

(Canned laughter)

You're in a living room.
You are me.

I dug into my chest and petted my heart.
Groaning, the blood swam around my hands
and ate it's way up my forearm,
to my elbow,
to my neck,
to my chin,
to my lips.
"I can ******* blood,"
an internal piece of dialogue.

She whispers in your ear,
"I know who you are."
I am you.

I cut my voice on the air, calling out for her.

Why'd you abandon me?
I love you so ******* much.

Why'd you abandon me?
I love you so ******* much.

(Canned laughter)

Why'd you abandon me?
I love you so *******-

You are in my room.
I am you.
We are everything,
and we are nothing.

That's my mirror.
It's shattered.

Hey, there I am on the ground.

There's a brunette, mediocre poet.
It's shattered.

And on my hand are specs of heated sand,
sleeping in my skin-
a glass garden.

How can one find schizophrenic kisses
in a reflection.

(Canned laughter)

I said, "How can one find-"

I tried crushing each memory like a shortening cigarette, but it's easier to allow yourself to die than to forget.

I stood in front of the mirror-the wall behind me scribbled in green-and I watched myself shave the weathered, brunette hairs off my cheeks, chin, lips, and jawline that you found so attractive and wrapped your lips around like a future reunion of, "Hi. I'm sorry for goodbye. I'm glad I met you again before I thought I would die."

And, in my head, I watched you approach my lips with yours.
And, in my head, I took a step back and started to tear up.
You asked me to kiss you, in my head.
And I shook my head, in my head.
You said you were sorry and got help, in my head.
You were better, in my head.
You were healthy, in my head.
But I'm aware some things may only live and die and say goodbye in my head.

I sat on the edge of my bed, no longer in my head, watching "Good Morning, Vietnam", and I remembered where I was when I learned that Robin Williams died. I remembered poking your thigh, in Starbucks, and wondering how long it'd take you to feel my finger or if you'd try to ignore the feeling, like most feelings. Your lips were red and your pants were black and on white, were black cats. And you were afraid to ask for your coffee. And once you sipped on your coffee, you left a red stain and it still appears in my head. And I relive every thing while being dissacioiated with my current life. And every kiss is a red stain in my head. Oh, great, we're back in my head. I guess we never left.

And I remembered when I knew you were dying and leaving and when I knew you had died and left. But I drowned those memories in ***** and suffocated them with smoke, until my body collapsed and until my lungs learned the cursive in every exhale.

In my head.
In my head.
In my head.
In my head.

Here I sit in the dark, watching 80's films. Because thirty years ago, there was no you and there was no me. I imagine it was a simpler time for the both of us.

A time where we never met.
But I'm glad I met you.
A time where we never kissed.
But I'm glad I kissed you.
A time where I didn't say,
"It's okay.
It's okay and it's always going to be okay
because I love you too."

It's not okay. It's not okay. Itsnotokay.itsnotokayitsnotokayitsnotokayitsnotokay

Tomorrow I will wake up, put on a t-shirt, boxers, socks, jeans, worn out Nikes, and a beat up flannel. I'll check my pulse, as I do my vitals, and I'll take my medications. I'll look at my bank account and determine how much money it'll take to forget you and how much more I wish I had so I could help you.

Is there a simpler way of saying I love you, or should I continue writing this album?

My antidepressants don't work
the way I want them to.
I tried to imagine watching each film
with anyone but you.

Your flickering eyes,
they project the world.
Hidden reels
inside your soul.
There's too many people
inside your bones.
You don't have to be
in your theatre alone.

I forgot how to sleep
under the same ceiling.
I watch movies in the dark
to remember the feeling
that made me confide in her.
My eighties film.
My Winona Ryder.

There's too many people
inside your bones.
You don't have to
be in your theatre alone.

Five after dawn
and your movie's still on.
Christian, **** the popular kids,
because they don't understand
how her brain works,
how her glances steal,
how each death
can't make her feel.

Your flickering eyes,
they project the world.
I watch movies in the dark
to remember the feeling
that made me confide in you.
My eighties film.
My Winona Ryder,
let me forget you.

Maybe you're crazy
with your cleaner.
Maybe each swing of the mallet
made you meaner.
Maybe reality bites because of Heather.
Maybe it scared you that we were in love, together.

Maybe it scared you to stay together.
Maybe it scared you to stay together.

Standing like a model in a motel room-
jealous eyes can't open the blinds.
Every time, every time.

Je t'aime à la folie, broken frames.
These are beautiful songs for damaged people
that don't think they're all the same.

They taste like formaldehyde,
so hopefully they'll preserve me.
But, instead, they burn the room
as they kiss my neck and collarbone.
Lapdancing on my loneliness-
Please, let me remove my eyes and hands,
because I've seen and have felt too much.

You don't understand:
everything is ideation
and demisexuality.
Double entendre:
I'm a toxic lover,
I have girls around my waste.

Take a look around and see how damaged everyone is,
and how universal they are in their illusory disguise,
"How can we be so smart if the last line was redundant, guys?"

Je t'aime à la folie, broken frames.
This is just a mediocre song for damaged people,
so they believe they're not all the same.

Don't feel too much.
Remove introspection.
Be self-absorbed.
Feel no affection.

I'm so happy-
I've masturbated until I can't feel
and that's okay.
My hair is brittle;
the water's iron and so are you-
your love's a mess.
God is angry
because he doesn't have to exist
to be real.

Hipsters ruined liking Wes Anderson-
Bill Hicks was brilliant
and everyone is an intellectual.
Your ideas aren't yours-
your words are mine
and mine are yours.
Writing to be antidepressed,
because singing is for the shore,
for your shore.

Let's pick each other's psychology,
like we're removing clothes
or missing ads,
and get lost in each other's darkness,
because, "I love you,
I suppose.
I suppose."

There are pleas
that disguise themselves
in trees
that whisper in the dark-
Like a crinkle in a kiss,
or the words that you'll miss;
too late for meds,
too late for sleep
this time.

We ride on the beaches
with cool kids and leeches.
We **** blow off the ground
because there are times you feel,
and some you fake
when everyone is around.
The bodies in red
that you leave in your head.

The trees tesellate
into nooses and goodbyes.
And I swear this isn't the first time
that you've loved me
like it's the last time;
when I've been something to lose.
The love you have
is the love you refuse.

Your cries are milk-
I wish your cancer was mine.
To be a mistake.
To be left behind.

We're twenty-one and we shouldn't be.
We make love like there's jealousy-
We hide in reflections because we
assume we'll live forever.
There's a hotel inside of our eyes,
where we live in a disintegrating atmosphere-
people are seasons,
as the cars gather in front of what used to be here.
I didn't know we were old,
until I watched the skin fall
off your bones
and onto my body.

We can tell them to *******,
and to believe in you and me.
Tell them we're twenty-one,
and I loved you
despite every time you'd cheat.
Can I tell them that you're not a hotel
and that my stay can be more fleeting-
Why do they say that
I'm terrified of what you'd hide
and that you're the one that's leaving?

Fringe-love superstar,
I loved you so much that it left a scar.
Elephant memories,
get away from me.
The Hotel Lauren is for making love
out of jealousy-
Tell them to *******
and to believe in you and me.
I want to tell them that I'm different.
I want to tell them that my love is pure.
I want to tell them that I'm different.
I want to tell them that I'm more.

In a dark and distant galaxy-
Upon a new world I seek-
You're healthy and smiling-
because, because, because, because
there is nothing as romantic
as dying on your kitchen floor-
There is nothing romantic
about waiting for you
to come home
from war.

Daughter, daughter
on the wall-
Why'd you let your picture fall?
Killing yourself for instant
pseudo-safety-
Killing yourself for nothing, maybe-
But the gun is still pretend enough
to put into your mouth and bluff
And say that no one can
save you now-
because, because, because, because:

You are your own lover
and you are your own daughter.
And you're left in hot water
but you stay in to try to forget
that you're cold inside.
And you drown yourself
so you can hide.

The tree of life grows in a graveyard-
With my hands around the air,
I imagine you over there-
Sitting under the branches,
inhaling abuse
and
exhaling cursive.

Xeroxed vitals on paperplanes
Crashing into window panes
Broken-heart blisters and voyeuristic veins
Appear and create transparent glass stains
Blue-Green grass on the other side
Laying there, our fathers died
Dreams and streams of alcohol
Run from their mouths with no control.
Shaking, breaking, no where to decompose
Skin peeling off of worn down toes.
Tell me where their love goes
Tell me where their love goes
Everything turned into gun-shy eyes
Blue-lipped Sunday surprise
Bodies breaking into waiting
This is nothing but carbon dating
Bottles breaking of ***** that's so clear
That I won't see until they're near
God and Jesus in picture frames
Suburban families with jungle brains
Broken homes and replacement Brad's
401 k's and missing ads
Finding our homes that aren't so black and white
Let us sleep in our dreams tonight
Validation through our existence
Is dead but still our resistance

The words I can't help but repeat
makes every line feel so incomplete.
The bones under alabaster skin shake.
She whispers,
"Be calm, this is no time to quake."

I don't know what I did
to bring myself to this place.
They ask me how I feel
and I say, "I need some space."

To you that you can't recall,
to love her is to love most of all.
I try to rearrange how I feel
and I allow you to take the wheel.

You can cause a wreck-
I said, "You can cause a wreck."
And I promise to pull you from the debris
because that's what you did for me.

Chestnu-uh-uh-uh-ut.
Chestnu-uh-uh-uh-ut.

I don't know what I did
to bring myself to this place.
They ask how I feel
and I say, "I need some space."

To put myself together
in puzzle pieces, forever.
To try to solve a ******
when the victim is the killer.

Chestnu-uh-uh-uh-ut.
Chestnu-uh-uh-uh-ut.

The words I can't help but repeat
make me feel so incomplete.
I let the words escape
and I promise myself I won't break.

They ask me what is wrong.
I say, "Everything about this song."
I feel so helpless and weak,
I couldn't sing this, let alone speak.

The rhyme scheme isn't diverse.
I say, "Take a look at this verse.
And I'm not sure if it has a bridge,
or that anyone knows I'm at Chestnut Ridge."

Chestnu-uh-uh-uh-ut.
Chestnu-uh-uh-uh-ut.

The words I can't help but repeat,
make me feel so broken down.
Alabaster bones shake.
She whispers,
"Please don't stop looking now."

Monday morning vultures at your feet
Carelessly as you sleep
Sentimental weeping not without a blind headache
I imagine that you'd run away

I was carried to a burning landscape by the arms of trees
I dug my hands into the soil and pulled out the spine of the terrain
I love with the curiosity of acidic rain
And the fire that burns inside burns through the smother of pain

Floating onto too much too soon, to be without an impending doom,
and to shame my feelings to a newly familiar tune,
brings what was happiness
and transforms it into sitting alone in a dark room
muttering, "I was happy, I was carried into a heart by the arms of trees."

It feels like I only notice love while I'm dying
Every breath I take feels like it's way too much
Since you're counting down from three
I trust that you'll stay with me

It feels like I only notice love while I'm dying

It feels like I only notice love while I'm dying
I'd cut myself if I knew how to bleed
Just because I'm on morphine
doesn't mean my heart is as numb as me

It feels like I only notice love while I'm dying

It feels like I only notice love while I'm dying
Every step I take feels like it's way too far
If you want to hold my hand
as I go then I'll understand

It feels like I only notice love while I'm dying

It feels like I only notice love while I'm dying  
It feels like I only notice love while I'm dying

Sing with me,
I've slept with bloodshot eyes
I've dreamt of a sunrise
that erases everything  
Oh, every thing

Move with me
You won't have to be alone
Wrap your hand around a microphone
And sing with me until the sun comes

Sleep with me
Talk to me about yourself all night
We'll grow tired as the dawn bites
And lay side by side,
with no where to hide

Too tired-
we can pretend to be dead
Too bad it's all in my head
It's all in your head
We'll never be dead

I'm in love with someone's daughter
living in the shards of a broken home
Cutting herself on two year-old letters
These are moments she can't fake;
reasons to feel alone
So used to abuse, her tears start to shake
I hold her close as her head starts to ache
"I love you too much,
so I can't let your heart break."
She said, "I know you love me,
but you've made a mistake."

I never meant for anyone to be my pulse.
I promise not to step on your feet
if you teach me how to waltz.

Hands, plural to make us one
Near the end of August the heat told me to stop
It's vicious, wanting you
No milder than the jaws of winter

And every person not you cuts
On the street, our wounded lips
Before October and on silver screens
Your face projected on everything

You wanted the cinema, I thought
So I spoke fumbled niceties at your door
But the camera was stuck in my eye

And the words I scripted shifted into your mouth
The breaths I take, the breaths I shout
Your smile corroded in the rain
Your endless longing,
My endless shame

It keeps me in this thought
That what I feel has no name
But the credits crept up with the dregs of December
Money is noisy, and I liked your quietudes

But the snow will blanket my blood-buoyant bright
And I will drown into night
To lay by you until dawn
To lay by you until you are gone

There was an army of ants in the plastic plants
So I poured light through a magnifying glass
And I created a fire on the artificial grass

They scurried and hurried
with flames on their backs
Like soldiers on a hopeless plain,
searching for invisible barracks

And I sighed as they died,
because we are all the same:
Scurrying and hurrying from invisible pain

Out of body, out of touch
If I feel at all, then I feel too much
This poem is as shallow as my grave

But I'm still digging

If I want a God then I'll misbehave
If I want to be sad then I'll entertain
Just because I'm found
doesn't mean I'm around
Just because I'm growing up
Doesn't mean I can't be down

I'm sorry, mom and dad,
but if I want to be happy then I'll have to be sad
I'll write until my fingers bleed
Until my words are the blood that the readers need

Mother, Father
I am six foot one and I can see over the trees
I can **** mountains and bury my bones in the soil
I am six foot one and I am just tall enough to see the truth
I can look over others but I can't look over myself
My shoulders bend like a bow, waiting to break
And I can feel it all. I can feel it all.

And to you,
May your temporary smile be a golden forever
And your heart existent with or without hope
Let your brain open doors your hands cannot touch
And your chest not collapse when the smoke is too much
To live and to love with you is the grandest adventure
And to cut myself on your edges, bleeds into itself
And to live in your heart, is the biggest place I've ever found
And to kiss you until my hands break and there is no sound

And to all of us,
We're a dark piece of trash
Ribs are a cage and holographic souls sing
Disenchanted by the human experience
We're pretentious and objectify everything

And to all of us,
We're all light, we're all eyes wondering wide
And we all shine bright, some of us cannot hide
May your hands slant, slowly slinging
towards the bells that are slowly ringing
and may you strike a chord in all of us.
May your existence be a temporary forever.

Punk lips in perpetual paralysis,
and they're too afraid to let them kiss.
Too afraid to try to let it last
because of the blurs in their past.

I think the kids are in trouble.
Hanging out with temporary people;
making the wrong times never stop.
Smoking dreams with glass lovers
to indie sonnets and neon power pop.

The world knows they can pretend,
and it's their hearts they can't defend
from the illusion of what they could be,
and the loneliness of what they'll never see.

They skate the pavement until the sun sits,
and drink ***** from water bottles until their hurt slurs.
It's the preparation of tomorrow and what it may not bring
that makes every moment before, everything.

They're scared because it's real,
and I'm scared because they're scared.

You pull on my lip like an aircraft emergency oxygen system.
Our engines catch fire
as our tongues flutter like the wing's peeling metal,
and as our eyes peek at one another
between each plane crash of lips.

We've lost cabin pressure
as we can no longer control our bodies.
We gasp for each other's breath
as our shimmering structures
roll around on the sky of my bed.

We kiss like we've only got seconds left,
when in reality,
these moments will never die
even if we do.

Dear Talia,

I don't want to be a tortured artist.
I don't want to be depressed and I don't want to be anxious.
Competitive sadness and disorders treated like accessories disgust me.

The world glamorizes mental illness, and I don't understand why. There is nothing romantic about being mentally ill just like how there's nothing glamorous about a broken wrist or a torn medial collateral ligament. There's nothing romantic about constantly being afraid that the world will fold in itself and **** you with it. There's nothing romantic about feeling like you could break down and cry at any moment.

This is the first piece I've written while being medicated.

I want it to be Christmas already.

The world dreams itself a halo, but can only attain horns. The halo is an illusion and the horns are an idea.

I'm due to take another Lorazepam. Would I look cool to the kids who idolize dysfunction and misinterpret pain as style, if I were to take one of these, with water and a distant glance, in front of them? Geez, to have their approval would to have everything and nothing at all.

I'm not sure why I've written as much about this as I have.

You.

It is 2:48 am and all I can think about, in this moment, is you.

I can't wait to spend Christmas with you. I can't wait to wear bad Christmas sweaters, and be the couple everyone hates, as we sing Christmas carols and spread holiday cheer.

I wrote this poem a few minutes ago. Sometime around 2:30 am. I'm not sure. I'm exhausted:

I sat on the edge of my bed, and on the edge of my life,
medicated to the point of pointlessness. Soft.
It was the nineteenth, not the twentieth,
and I wished I saw the fireworks with her fifteen days earlier.

My gasps tore the shingles off of the house.
And they hung suspended above the hole in the roof.
And God stared down into my room, as the shingles swirled skyward.
"I see you," I said, "but I don't believe in you."

I left home and ran until I was a dream that had passed itself.


I hope that was okay.

I love you.


Yours,

Joshua Haines

My dad dug his foot into my back like a shovel breaking soil.
If I do enough push ups, can I put a smile on your face.
If I move the earth for you, will meteors stop me.

I carried sparklers in my hands while cannon-kisses erupted in the sky,
and my cousin swore that I'd hurt myself.
But I explained to him that history repeats itself,
and that my hurt is unavoidable.

Like the hug of a grieving grandmother,
and the staring off into space,
as her tears stain my white oxford lie.
There's no way to get out of this place.
Finding new ways to live in death.

I don't want to be cool. I don't want to be cool.

And her fingers left a ******* on my back.
And my mouth melted onto hers.
I love her until my eyes **** in sleep.
And it's deep. And it's deep.

The swirl of the ceiling sank down
like a child being drowned by his mother.
And I missed my brother, and I missed it all.

I don't want to be cool. I don't want to be cool.
No, not anymore.