To my friends
who can write
fresh-smelling
bouquets of words
with splendid color,
I offer my envy.
Mine are the blunt, stunted words,
rooted in the cracks
in pavement,
or forcing their way
to light around
overbearing rocks.
Some useful
in their own way,
edible or flavorful,
some with a
pedestrian beauty,
but few that one
would bring home in a bunch
with a box of candy.
More appropriate
in a grimy, young fist
crumpled in love,
destined to be vased
in a water glass
by a doting mother,
or shredded petal by petal
for the sake of soothsaying...
he loves me, he loves me not.

Consider the optimism of alchemy.
See how desperately we strive
to create what we never were
from what we really are.
A stone, a potion, a spell:
anything that can transform us
into the actual we aren't,
into the being we'll never be,
through a pulseless world
of winter, still and lifeless;
where yet, the tantalizing
possibility of Spring
beckons like the ghost
of a beautiful woman
murmuring to us:
*yes I said yes I will Yes.

on poetry*

A poem is only a mouthful of air
until it is read.
Imagine it. Craft it carefully
from your heart's flesh.
Seal it in a bottle
of clear, pure words.
Set it adrift on
the ocean of time,
life's restless surge,
until a few congruous spirits
pluck it from the sea-wrack
and recognize a message
that illuminates their souls.
Readers find writers;
never the opposite.

The poet's manuscripts
are preserved for posterity
with odd bits of his personal things
historical than literary
immortalized with passage of time
as his timeless work
perfumed in air conditioned staleness
letters sent and received
the mortal mind sending poems
desiring to be published
and outside on a falling winter day
in a dog's head
the crumbling desire
for a crumb of bread.