Anna and I leave Jesus on the cross, on the jumbotron.
The blood pooled. The blood cooled. The bloodbath cleansed the flock.
I watch Anna from the passenger seat.
She's silent and salvation.
Rain falls in diamonds on the windshield,
bouquets of streetlights turn the transparents
to rubies, to emeralds.
She turns off the headlights.
Running half-blind on abandoned interstate,
Anna's silent, Anna's grace, Anna's forgiveness.
No more lamps overhead.
No more exits to be found.
Only Anna and I at peace in the void.

I saw texting girls
collide with semi-trucks,
and though they lost the fight,
well, they left their mark.

I've kissed a wrecking ball,
and as my building fell,
I felt like a petal on the wind,
I hope she misses me.

You are an angel,
wading through a drunken hell,
and I have called out,
but you are afraid of listening.

I've seen true believers
spend lifetimes bellowing about regret,
and I've seen the nomads write
laws in understanding sand.

And when our haste comes to claim us,
don't pull your hair out
or place ash upon your brow,
cling to the love on your serpent's tongue.

The pure are always proud, stones in hand,
us ***** ones perpetually bleed,
and crawl upon the worn ground.
Sister, if you remember me, why haven't you found me?

I overheard that the watches are tired of ticking,
the calendar hung itself,
your mother's eyes are dry,
and all our crimes will fall from on high.

my sweetheart's brass words
ricocheted in my hollow hall of a head,
the fresh priests and the ancient lords,
had fallen on their own swords,
I didn't feel like bleeding so I went to bed.

I woke to find all the people called me
slowly disintegrated in a colossal whirl,
the celestial dreams fed to an angry sea,
my weary hands were ripe, red; ready to be
in front of the painter's forgiving hurl.

the remnants struck the canvas with mad speed,
cutting, blending, burying the flickering light,
I split the transformation with a hopeful creed,
from now on I'm the freedom you need,
with a echoing clap and a weighty bellow- I broke the night.

Walked out the door,
into the God abandoned day,
night took his toll,
brought his longtime friend,
the rain.

Please, don't follow me.
I'm not mad for the reasons you thought.
I'm not sad for the season I lost.
It's the lessons you didn't mean, but taught.
Please, don't follow me.
Your words are meaning less and less to me.

Walked past my car,
stopped at Vista,
bought a pack,
watched the water war,
spat smoke, in my soaked coat, under an awning,
a teenage couple, tense as matchsticks, walked past,
staring with unknown, undeserved prejudice.

Please, don't follow me.
It isn't about emotional depths or rediscovery.
It isn't about finding happiness or inspiring sorrow.
It's the fact that my mistakes led me to you.
Please, don't follow me.
You aren't ready to help me.

You can rate me,
You can bait me,
You can freight me,
You can strait me,
Simulate me,
Even better
Drop a roofie,
Game a debtor.
You're so groovy, misbehaving,
Misbehaving,
Give it to me,
Trouble waiting,
Fascinating,
Always mating,
You can wake me,
You can slave me,
You can grade me,
You can shave me,
Integrate me,
I pulsating
A new navy,
All the skimmings,
Underpinning
Jehovah's witness,
Keep on stalking,
Better fitness,
Keep on shocking,
Shell is thinning,
Gettin' gotten,
Rot 'n' reeling.

Don't touch my bikini.
Better smile when you see me,
You can stare
That's a freebie.
Don't touch my bikini.
Looking is free,
But touching's gonna cost you
Something.

Smooth and lanky,
Hanky panky,
Got no treat or
New York Yankee,
Super leader,
Count to seven,
Go to Paris,
Break the leaven,
Roger Maris,
Bleed the Czar,
Shooting star,
You're so levy,
You're so sunny,
Getting ready,
Here's the money,
Socking heady,
Making honey,
Toasting herons,
That's not funny,
Waiter Betty,
Way too ****,
You're so on it,
You're so honest,
You can fool me,
You remold me,
All the preachers never told me,
Heavy breathing
Punting reason,
Welcome season.

Don't touch my graffiti.
Smile if you dare,
Oily oinkers everywhere.
Keep watching, you graffiti.
Next time you'll learn
That touching's gonna cost you
Something.

I met a woman at the laundromat,
six-foot tall in her flats.
She bore the scent of a bachelor's degree,
class C cigarettes and warm whiskey--

oh no,
here I go,
down to the river to cleanse my soul.

"My name is Tangerine," she splintered,
75 cents and a steady hand remembered.
I've got an incessant woman miles away,
but your proximity begs me to stay.

oh no,
here I go,
down to the river to cleanse my soul.

Tangerine had two crooked teeth,
a penchant for Plato seeped.
She was a batshit woman,
a bona fide tombstone,
an endless corridor,
and a paper bag dream.

oh no,
here I go,
down to the river to cleanse my soul.

fancy-smancy,
monkeys hobbling with
their rye,
and i stare clean through
stain glass eyes,
and i stare mean when
they don't get confessional.

secrets in turn,
secrets for the sacrifice
of my time,
no sympathy,
that ain't going to
help you one bit.

shards of glass,
shards of memory,
slitting wrists
and broken kiss,
through the fall
of sanity in sheets,
in monkey fevers,
in worship or
whatever.

i'm dressed up in
a fish bowl of time,
you look from the
outside,
and you laugh,
tap on the glass,
and i act like i'm
going to show you,
and i act like i'm
going somewhere
but you will pull
me out when i
go belly up and
that's that.

that's all there ever was.

There were two packs of Pyramid Reds,
three packs of Marlboro 100s,
a trendy girl's white knitted cap with a zebra print bow attached,
and a banana flavored ****** scattered across Drew's dashboard.
I met him at Delta,
the restaurant where he worked,
which was more nursing home than modern sock hop.
He lit up,
told me we were bringing denim jackets back,
and then dragged me to pick up a bird feeder for his mom.
"How is um-****, what's her name, rahhh...Rachel?
he asked two stoplights into our journey,

"She's really good, man. Things are just going swimmingly."

"She wants my nuts."
Drew thought every girl wanted his nuts.
It had become a regular catch phrase.
While it was his ritual to begin our talks
inquiring about my girlfriend,
it was mine to ask what the number
of ladies he had slept with was up to.

"Oh, I'm not for sure, baby. Let's see, there were twelve
at the restaurant so far this year-"

"Twelve?"

"Yeah," he said grinning,"my ******* managers had to give me a
talk."

"They gave you a talk for having a bomb *** life?"

"Not exactly. They were telling me to lay off the underage ones.
Lawsuits and **** like that."

"Awesome."
Just then some hefty white woman
with her hair in a bun ran a stop sign and
cut in front of Drew,
he didn't swear,
nor did the jackassery interrupt his flow,
he simply threw up a hard *******,
and continued forward.

"The total is definitely over thirty. Thirty, thirty-five,
somewhere in there."

We stopped at one of those breakfast chains,
that synthesize the ancient all-night diners
of American mythos.
Two for the smoking section,
and we were placed in a corner,
across from a burnt out
workingman,
who smelled of **** and aggression.
Drew chain smoked,
while we both burned through cup
after cup of coffee.
Drew had ****** two of the waitresses
that were on duty,
one came by and chitty-chatted with him.
Her name was Beth.
Someone broke her nose when she was seven,
she had a fella who was a waiter there as well,
both talked to Drew like he was a cousin or
an old high school friend.
Our waitress had blonde hair.
She was twenty-four,
but raising her sister's ******* child,
and supporting her mother on
tips was cutting lines into her
tiny face.
Drew was talking smooth to her,
no doubt he slept with her before the
end of the week.
When she left he said,
"Isn't she sweet?
She's a ******* sweetheart.
Do you think I gotta chance with her?"

"Yeah, man. You're being a real pro."

"I thought so," he said as he took a deep inhale,
then let the smoke glide between his smiling teeth.

Drew waged a political war that lasted 10 cups of coffee
and one pack of cigarettes.
The first casualty was the ******* that drive 350s and don't
have a hitch.
The second was the wealthy.
Glen Beck.
Capitalism.
American ignorance mistaken as patriotism.
Needless to say,
we got along wonderfully.

We talked of old times,
like a couple of old guys,
and I was surprised at how distance
had shaped our views so similarly.

"You're lucky, man. You got yourself a nice girl, all settled n' ****.
All I got is ******. I just **** them, they fall in love,
and I put 'em in their place and go to the next one.
It's ******* sad."

"It's not sad, you just haven't found the right lady, I suppose," I said trying to make him feel lighter.

"Nah, I probably already met her, and just ****** her.
I don't even respect the girls I sleep with enough to
take them back to my place. Most of them I **** behind Delta,
a couple of times by that Walgreens off Kickapoo, Wal-Mart,
Denny's, um **** even behind that Petopia store."

"Behind Petopia? That needs to be the name of your book."

I couldn't get over myself,
kept telling all my friends I was dead,
and then you asked if you could sleep over.
I hadn't needed anyone.
But halfway submerged
in sheets, in white wine,
laughing your *** off,
I realized that all the
years I've been dropping
on this dangerous lifestyle,
are worth the expense
if for one evening they
bought me a few fevers
with you.

Alright, alright,
we're both alright
for the moment,
and that is more
than holy.

I could ask for you to stay,
perhaps for you to never change,
but there wouldn't be the hunt,
there wouldn't be any fun,
and I'm not sure if it's love
or time simply not spent alone,
but my breath is light,
my body heavy,
and you're falling asleep,
ear to my naked chest,
your heart
matching my beat.

Alright, alright,
we're both alright
for the moment,
and that is more
than I asked for.

the leaves of my mind die,
without rustle, without why,
an incessant new season of direction
of spring, of beauty, of need,
orthodox and counterclocks
of bathroom stalls and
desperation calls--
in the tile we prove our worthwhile
as the hounds and haunts of yesterday
test our haul,
and I'm a magician and a *******,
a lover and a shotty terrorist,
the mad house rings,
sing, sing, sing
of yesterday--of fever dreams,
make me levitate to heavens,
push me away for doorknobs
and summer screens,
those are temporary,
lionesses in heat,
to be appeased
for the watering hole
and mouths of summers sought to soon--
we can romanticize the afternoon,
we can romanticize the mundane gloom,
but in the end we are nomads,
bouncing off shoreline and magazine subscription,
confused of endings
and brave in the face
of annihilation.
Rewrite the histories of our forefathers,
rewrite the reinventions of the wheel,
until it's all progress and simmering,
until the *** is full and festering,
when the now is soon,
and yesterday is dead,
the magnificence of misery--
hits like a runaway diaper truck
to add injury to insult,
to add scorpion to sting,
and if your mother is a dancer,
be not ashamed,
but praised,
she filled a primal need,
more than can be said about
Hemingway or Artaud or Bonaparte or the spring,
I have mountains to climb
and ****** rhymes to satisfy--
if you feel love,
boast,
if not welcome to hell,
a perpetual ****** roast
of ego,
of soul,
of every lover you let go--
the luck lies at stoplight kisses,
the luck lies in ***** sheets
and clean sneakers,
if sorrow is a gateway drug,
heaven is my fix,
if sorrow is a gateway drug,
I'll buy two hells a week for
the rest of my endless years,
if you love me,
do it,
don't doubt,
don't simmer,
ignite,
burn  brighter than former,
than the mourner,
than the funeral singer,
and make dinner on the ground,
we'll howl as the gravestones depreciate,
we'll howl as the stock market
solidifies in ice,
we'll howl as we realize the trite,
and I'm wrong often
but mostly right,
ask the machine gun,
and the sparrow hauling the olive branch,
ask murderers and the stain on your pants,
time is a circus of the three-ring variety,
too much to focus,
too much to bore,
too much to whine,
but under the cover of freedom--
enough to die in contentedness
and lie in the pangs of eternity
with a sigh, a slip of the tongue
and a pair of rolling eyes--
let not your daughter drown,
let not the horns on your head weigh you down,
the tomorrow is soon,
the now is ancient,
the promises to be fulfilled
will leave you begging-
bring on the fantasy,
the daydreamed celibacy,
the marooned integrity,
I've got a moon,
fourteen clouds,
and a headrush from nicotine--
drink of my youth, it's light, easy, cheap--
enough to get you drunk,
but lacking the dexterity of luck--
the burden, the burden
of always giving a ****.

the wild suburban dogs
eat
the leftovers of a tom cat
outside
my apartment door--
the neighbors gone,
they must've done wrong,
the cops keep asking me
where they went--
a bluebird lands
on
a bent limb,
no song to sing
just worms to slurp,
a nest to think about,
and a debt
to me--
for the undeserved attention
I grant.

A bad mix of Shorty's Irish Whisky
and a whimper riding the wind,
has got me lying about my past.
A roomful of men in nooseties surround,
crowbar stares prying at my mindsafe of secrets--
I drink until the grimace gives way to birthday cake grin
and my watering eyes burst in confetti.

Martha emerges from the black suits
in her spiderweb burgundy dress.
Jack and Nathan drool in the corner.
Martha whispers, "Hey Harvey," and then a terribly long
something-or-other in my ear,
but I'm too far gone to comprehend
or to care about comprehending.
The crafted playlist for this party
hiccups and dies, creating a suffocating silence.
The beady eyes turn shifty, erratic strayfire gazes
fill the room.

I begin to laugh.

I notice Jack talking to a grey-haired man and pointing at me.
Martha looks at me and nods with a sense of urgency.
New music coughs across the room,
I slide into a small, desperate clan of dreamy-talkers,
hungry for a new pair of ears to beesting with *******.
I listen, while my aging wolf scours the room.
I make a swift break for the door,
the night lies naked in front of me--
light pollution pours fake beams on the contours of the evening.
A middle-aged woman snags my arm before I can reach my car.
I pull until my arm frees, but she delays me enough
for the grey-haired man to catch up.

He introduces himself with a lightning one-two punch.
One being a sharp left hook.
Two being a dusting right uppercut.

"You stay the hell away from my daughter!"

I begin to ***** a river of orange, red, dotted with black chunks.
More than a few drops land on his shiny black leather shoes,
so he proceeds to break my nose with a vicious kick.

Amidst my moans, I am able to ask, "Who is your daughter?"

"Karen, Karen Newman."

"I have no idea who that is!" I cry.

"Don't lie to me, Jack! She told us all about you."

"My name is Harvey."

I look out into the road.
A blue sedan stops momentarily.

"I owe you one, buddy!" Jack shouts.

The Newman parents disappear without
so much as an apology.
I lay listening to the low hum of the city's traffic.
A few minutes pass, sending me into a haze.
Delicate fingers lift my head from the concrete,
I look up.
Martha begins to clean the blood and ***** from
my face with a wash cloth.
I feel soft and pure in her hands.

I read a story the other day.
I read the headline.
It said: There is no god and we are his prophets.
We drive slowly on Saturdays.
At night in our home there are noises,
the dull thumps of ghosts.
We used to comment. Now we rollover.
I wake and return the blankets I’ve stolen.

In the mornings there is music.
A kitchen dance of tip-toes and arms at war with air.
The new car with its heated seats.
There’s a pace I like.
It’s microwaved tea;
it’s 11:30 a.m.;
it’s one more chapter before.

I listen to you get ready,
a chorus of tubes uncapped
and capped, of hairdryers
plugged and unplugged.
You sing softly.
I hear this, too.

Beyond this house,
a brook, a mountain, a trout.
Distances mapped.
Plans drawn with
parallel lines, listless and drifting.
Within,
there is no god, and he is love,
and we are his prophets.
You are my practitioner.
And I, yours.

I know it's easy to have me.

But if I ever find my way to your pale hands,
please don't take me.

I'd like to go for a stroll
on some empty, November night.
We could complain about the missing stars,
we could quietly sing old soul songs.

And if we get a hotel room,
I'd like to sleep in my jeans,
you can wear anything
as long as it's something.
I want to feel classy,
valued,
and I want the same for you.

I want to wrap up in sheets,
warm each other by the glow of our smiles,
I want to get my fingertips tangled in your hair,
and we'll stick to forehead kisses and whispers.

If we don't heal,
we'll at least escape,
If we can't be innocent
we can at least fake.

One look at your face
                     and you own me.
One touch of your skin,
                     and you burn through me.
One wandering eye,
                     and I say, "Yeah, that's fine."

the
last
love
poem
for
now.

i made me some writer friends,
mistook the mistake,
tore the gate,
ate a ghost,
******* a ******,
slaughtered a village to gain your attention,
when you wouldn't look,
i painted myself black,
when you wouldn't look,
i told you i was a shepherd, you were sheep,
and you were going to get
eaten
by some gelatinous being
with very fine teeth.

all my writer friends,
they're all at my throat.
all my writer friends,
they sink claws, scream in my ears,
shove, shove,
tell me i need to love god above.

i made me some writer friends,
tricked the truth,
bent my back with compliments,
strung my neck with friendly kisses,
wrote all my writer friends a eulogy,
wrote a ****-all note to my mom and dad,
but i didn't buy the right stamp,
smoked a bowl,
baked a cake,
called the goat an *******,
poured a shot for a 15-year-old girl,
tickled the ivories until they stopped laughing at me,
discovered that all red-headed girls bite lips,
thanked danny elfman for scoring my bedroom scene,
continued working on an epic poem that rips ginsberg off.

all my writer friends,
tell me to stop distorting reality,
stop drinking,
stop dominoes of summer girls,
all my writer friends,
they are handing me bibles and pistols,
and i give them a nod,
a blanket,
a cup of coffee,
positive reinforcement,
and set myself on fire every night
to hear myself howl.

Some get that way by playing it safe,
memorizing mantras, righteously abiding by rules,
some get there by cutting seams,
lost in purposelessness, partaking of
ether, marijuana, alcohol, or anything
that's buzzy enough,
some find their sweepstakes in curls,
in fantasies, on the internet, or in the aftermath,
some claim the spoils, some gracefully accept
determination, some divorce their wives,
some happily raise their pulse to the heavy metals,
some review albums and cut down the *******,
some write love stories for our grandmas,
our moms,
our ex-girlfriends,
some find it in politics, right winging, left winging, chicken winging,
some in bomb threats,
some find it in supremacy,
others in melting pots,
some cheer up over breakroom chitty-chats,
some in **** ***,
some in sympathizing with pedophiles trapped in iron lungs,
some when they have hit the bottom rung,
some by rationalizing,
boosting themselves above half-wrongs,
to coast on the half-rights,
some by breaking up,
some by declaring war,
only to get discouraged, yet proud of the scars,
some kids dance to experimental music,
some write blogs about capitalism,
some find it kicking it with bitter vegans,
others while murdering their parents,
but everyone is a winner,
everyone is right,
everyone has earned the paycheck,
the vacation,
the **** wife,
and the key to eternal life.

because green leaves
and restoration sunshine
bore the hell out of me.

because love for me
has never been forever,
just a face i show for a scene.

because spring and winter
for me never exist,
i seem to live in the months inbetween.

because at the surface
my subject matter deals
with nothing past my *** drive.

because every word i use
is a staple of every
third graders' vocabulary

because this poem doesn't rhyme.

because i write stark reality
instead of romantic
imagination.

because they aren't me.
every poet may be their biggest critic,
but they're also their biggest fan.

The hot dogs blossomed, split in the boiling water.
Plumes of beef stock and corn syrup billowed
toward the surface.
6:00 p.m. and the anchorwoman addressed the living room.
Three dogs for Dad in Dad's recliner, one dog for Mom
in Mom's recliner, one dog extra in case she changed her mind,
and two for me.
Yellow mustard. Relish. A dead ****** in standard definition.
"Did you do something different to these hot dogs?" Dad asked.

"Is it bad?" Mom asked.

"It's just different," he said.

But even that was the same. The same question. Same response.
Every Wednesday from '93-2005.

At 6:15, Dad would go blow his nose in the bathroom.
Put on a pearl snap button-down.
At 6:20, Mom would tell me to put on slacks.
"Good Christian men don't wear shorts to church."
That's right. But I didn't have the heart to remind,
the best of them wore dresses.

Mom would drive. Dad would be in the passenger seat.
He perpetually directed her to stay as far to the right side
of the gravel road as possible.
"One of those baboons will come flying over the hill.
Middle of the road. And if you don't get over,
we'll all die. Or at least a couple of us."

We'd get to church.
And all the old women
with their purple hair and ill-fitting
bracelets of golden-colored metal,
named after precious gemstones (Ruby, Pearl, etc., etc.),
would kiss my cheek.
We'd sit three rows back from the front.
And as the song leader began "Jesus Hold My Hand,"
all I could think about: dead hookers and hot dog juice.

It's funny when you need someone to be free.
When the steering wheel isn't liberation,
when you spot smiles from your so-called friends,
and they only put you on pins and needles,
when every word you release must walk the tightrope of judgement,
as starving eyes wait on tradgedy.

It's hard to stay happy when your lover isn't around.
When all the guilt and high crimes circle like vultures,
when your distant relatives keep asking, "are you sure you're okay?"
When everyone paints you as bitter and self-loathing
because you want life to mean much less than this.

It's the memories tying us together.
"Soon" becomes the lifeline, the encourager.
Future prophecies of coffee, blankets, catnaps,
bad movies, and late night discussions subdue the hours.

So,
I'm sorry if I seem coarse.
I'm sorry if I seem vengeful.
But terrible thoughts abound,
when my freedom is away.

I swam in your ocean, Anna.
I drank the salt of your skin
until it gave me hallowed sickness.

I told you,
I was never good at staying anyone's friend.
I spent three weeks convincing you I'd try.
When I didn't succeed, why did you act surprised?

You keep shifting shape.
And that isn't fair.

I got tangled in your weeds, Anna.
I struggled and howled,
you talked with warmth, ran fingers in my hair.

I told you,
I wouldn't live past thirty-five,
you said,
I wouldn't make it to twenty-five,
I told you,
I was evil,
you told me,
you were eviler.
I told you,
I was evilest,
you said,
**** superlatives.

I saw you drown yourself in yourself, Anna.
Wallowing in the cold wind
of one demented abecedarian.

You keep shifting shape.
And that isn't fair.

I told you,
to keep your feet moving,
you said,
I needed to stop talking,
I told you,
I was ready to marry you,
you said,
I would never escape my
ex-girl collection,
I told you,
Anna, if I can't have you
you're going to destroy you,
you said,
you'd like to see you try.

Let your waves crash against me,
let your wind carve,
I will say I love you,
until one of us dies.

I spent three months pulling red hairs from my teeth,
eight lodged in ***** hair,
two sipping bottom shelf wine,
and now learning how to drive
past cream-colored envelopes,
filled with future foe.

Sorrow takes getting used to --
happiness wanes over paranoid shoulder --
I mark calendars,
I stock coffee filters,
but the ends and beginnings
blur in boredom.

I spent a century waging a war,
four more making amends,
and now the record skips.

Memory bends,
bedrooms and bathrooms
smell the same--
funeral parlor
and pulpit martyrs
sound the same--
centuries and months
age the same.

collapse into the bed.

i love the hours we ****,
the hours when our feet
forget the floor.

close your eyes.
pleasure centers and crazer neurons.
old soul music and moans.
****** asian neighbors and some televised war.

every sorrow dissipates,
every worry alleviates,
and every thought is silenced
by white knuckles grappling with skin.

You laughed when they struck me with stones.
You cried when you kissed another man.

the bombs fell on my family,
i looked to god,
asked,
"is that all you got?"

no, no, i was not shocked,
for 7 years the
prophet on the
24/7 news
told me it was coming.

I scattered my wife
in an array of bedside ashtrays.

I wore my shoes out
trying to find a pure form of love.

When love found me,
it arrived late and carried a fee.

The ashes of my former life,
crawled, cradled and spliced.

Until the wife I burned through,
became bright, became beacon.

It didn't hit me until the third month
of "freedom".

I laughed while laying beside Miranda's
milky twin.

As the copy sputtered with barnacle conversation,
I walked free. I walked home.

I felt washed clean in a gleaming sea
of finding the past me.

a little pitter-patter,
postponed the celebration
and clatter.

a little pitter-patter,
**** on our family gatherings
like it made no matter.

pit-pit-pitter-patter.

pit-pit-pitter-patter.

no screaming lights,
the night to
shatter.

boys went on before.
went to unjustified war.
felt the hot

pitter-patter
of hatred,
of lead.

old polititcians
produced
a downpour of pretty promises.

in the form of
"freedom"
"independence"

give 'em pride
and a rifle.
push 'em a trifle
to strengthen their hide.

pit-pit-pitter-patter.

pit-pit-pitter-patter.

postponed 'til the fifth.
so we could remember
dead boys

in convenience.

All God's children,
resting on both their
knees,
doing whoever
they
please,
thrusting boredom away,
dismantling the moonbeams,
dissolving the winter wind,
with a pitiful howl.

We suckled teats,
we dragged our feet,
now we *****
black comedy,
and pace perpetual in the valley.

All God's children,
lifting their hands to the plasma screen,
drinking their own blood,
and feeling
perfectly
guilty
for it.

Better natured today than yesterday,
smelling less like cigarettes and more
like laundry detergent, you sit across
from your therapist at the bar and
ask for one more boilermaker.
You say, How do you desire what you already possess?

And your therapist says, Don't go down that drunk.
That's a bad drunk.

You're in a floral print A-line dress, one
you bought from your sister-in-law.
She's doing one of those multilevel marketing things
and though her Facebook posts make you want
to suicide yourself, she's happy and independent
and at home with her kids. Despite these lukewarm
feelings, you harbor some resentment as you finger
and thumb a seam that's already coming undone.

Sloane. Your husband keeps mentioning a woman
at the office named Sloane. You're at the bar,
almost alone, and promised yourself
you wouldn't think about Sloane. But here you are.
Sloane in a pencil skirt and stockings. Sloane
with a fresh ****** energy, the kind you can't
seem to summon, and you wonder why ***
is such an important thing. It's so brief,
forgettable, full of abject compromise.

*** is an inherently violent act, don't you think?
You say to the therapist.  

If your therapist hears you, he doesn't respond.
You don't repeat the question.

You watch yourself broadcast on the TV above the bar.
They're commenting on your hair and your arms
and going on and on about your likability.

Your therapist changes the mood. It's 6:30.
He gives the place a nighttime feel.
He kills a row of lights and turns on the
colored bulbs, the blues and greens.
The TV is turned down. The music is turned up.

This is what you've been waiting for, the lights, the music.
There's an hour before anyone really shows up. You can
close your eyes and drift.

Two or three drinks pass. A couple walks in.
You have your therapist put in for an Uber.

Maybe I've been asking the question the wrong way, you say.

Oh yeah? the therapist says.

Yeah. Maybe the question should be reversed.
Maybe the question should be
how do you remain desirable to the objects you possess?

That seems like a lot of work. Seems like you'd have no
sense of self. You'd always be bending.

I've been a plus one for a long time.
You say bending. But I wouldn't be
doing anything new. I already do all these things.
But I see them as a compromise. I'm just trying
to reframe, you know?

Why? your therapist asks.

You open your mouth and find no words. You smile. You say you've had too much. You're rambling. You're sorry. You better go.

With our backs to her bed,
Lady Brett and I had a picture
taken and sent--
our chance: then--
brief and spent,
oh how my fingers
went fidgeting,
begging for a start
or
an end--
from time to time
they still do,
when I drink the milky
skin of fabricated twin--

In sighing, cracked parking lot,
lit by tired moon--
Lady Brett glanced over shoulder
as I cashed kiss,
turned and fled--
a weary drive
lit by bent cigarettes
and a whispered,
"goodbye lioness."

I long to transfuse
Lady Brett's cynical spine
with two bottles of wine--
an evening in ether,
a ballroom bedroom heater,
until all yesterdays
discard,
carried by wind,
obliterated in sawmill,
scatter across new babes,
seed,
a lesson in imminent sin.

But Lady Brett
and I,
will scheme more than abide
will degrade more than refine
will die more than find
fruition--
all our ashy, planned action--
a century apart,
125-miles too soon.

they are already past their peak,
at only 18
that's a hard fact
to feel.

but if you asked
them how much
they had left,
they truly believe
they haven't
even started yet.

but i see decay,
gravity, and
metabolism are
already betraying.

miss teen something or other
rattles on and on about her
ingenious selection of
"georgia on my mind",
she doesn't come off
as a queen,
as she twitches with every
side glance toward me,
as her hands fumble
awkwardly,
as her ******* appear through
her t-shirt,
so much for something or other
royalty.

her friend miss broken arrow
of 2007 goes on and on
about her fattening ***,
but her friend reassures her
that the judges like that.

i can see them better than
they see themselves.

i see them as stretch marks,
as time-battered vocal chords,
as wrinkles, as used up
objects cast aside
like boring toys
flung by hungry boys.

50 years from now
if they make it that
long,
they will look into
withered mirrors
with runny mascara
about their eyes
and they will
wish,
that someone
would just recognize
them for the things
they did.

i feel so sorry for
the formers,
never again reaching
the height of glory.

Every time you are away,
the vultures ask if I'd "like to play",
and lately I tend to say,
"Okay."

They invite me to dim rooms,
we talk about how all our friends
are "old friends",
we talk about ex-boyfriends,
weather, pregnant people,
and potential careers.

They ask if I'd like something to drink,
and lately I tend to say,
"Okay."

So we sip poison,
put on one of their country records,
or play some ****-poor movie,
and I never really say anything.

They ask if I'd like to lay beside them,
and lately I tend to say,
"Okay."

We undress,
push, pull, sweat, hate,
die,
and then the vultures
always make the eyes,
and I always have to
wipe my brow,
clear my throat,
and say,
"Our touch doesn't mean much.
Okay?"

I found a way to make it painless, to make god good, to make myself good, to make myself god—me—Joshua Jerome Hutton, sound familiar?  

God I hope so.

I found a way to make it painless in the checkout line, while the bleary-eyed maidens of South Moore, one in front, one behind, talk 3 a.m. rallies and resurrections right through me.

I found a way to make it painless at the eternal stoplight, watching the eternal Vietnam veteran in eternal rags holding eternal cardboard, summoning crumpled bills from anyone other than me.

I found a way to make it painless during the photo shoot, a way to place my chin so thoughtfully in my hand, a way to look into the middle-distance, a way to imply self-deprecation, a way to find near perfection—only under ample light, of course.

I found a way to make it painless in the soup queue, amongst my fellow unshaven, shamed naked, shamed to the bone, shamed pure, shamed to one flybuzz drive: I must consume.

I found a way to make it painless, to make it to the center of the white space, to suspend, inking out the worst parts of me, an all caps ATTRACTION, impossible to pinpoint, all for the review of books and the cabal of the slowed-down and insane still reading the review of books.

I found a way to make it painless by never breaking eye contact nor speaking a word as you talk yourself deeper into what you hate about yourself, and I stir my drink with a black cocktail straw, and I clear my throat, and I hahaha to myself, and I say these little issues just seem like problems. Just wait. You just wait.

I found a way to make it painless, to eek out of my own borderlines, to meld with the air and chemtrail across the sky, to observe from a holy distance the tightrope walker, the controlled demolition, the desperate young men lagging five feet behind the elusive loves of their lives, firing every clever phrase, hoping for one to land, to glean one little pause, a moment to catch up, and here, I must admit, it gives me great relief to be this removed, this far gone, this far god.

Eager, *****, I washed my hands of you
in Rippling Creek on the 1st of January --
the beginning of the beginning.

As you turned to driftwood,
the friends and cross-eyed strangers
asked what was I thinking when I let go of you.

My mouth stitched by bongwater haze
all I could do -- watch your notched body soak.

Now on the 18th of September,
sitting in Fox Hollow, USA,
the shiniest of suburbs --
the sober of the sober--
In honest,
I say I'd rather have you alive and hating me
than dead and loving me.

If I lied in the grey dawn,
it was out of love.
If I lied in the grey dawn,
I was out of truth.

I'm alone
fending off vultures prying in with fake Facebook profiles,
taking threats from fathers who long ago went blind,
and this much I promise to you and Fox Hollow, USA:

I will quarantine the past.

coldshoulders abound,
the gowns gather moss
on the carpeted plains,
with a snaggletooth
and a plainface,
         I kiss your blue lips--
         I kiss your blue lips--
         I kiss your blue lips--
if you love him,
why do you spend your time with me--
if you love to dream,
why have you been overindulging on grief,
we can build a family,
a torrent,
a tree,
a yellow bird,
and three graves--
call it real estate,
call it legacy,
just call it more than it seems--

coldshoulders abound
circling like vultures,
circling around the maypole,
taste turns mundane,
so we bite with sharpened teeth,
so we pull hair with renewed vigor,
         I kiss your blue lips--
         I kiss your blue lips--
         I kiss your blue lips--
until the hot red liquid of time solidifies.

the night before your funeral
i coped by engaging in 100 different things
you would have never approved of.

i made the eyes at alyssa,
a girl who wasn't mine.

and i only did it because i know
she would never have me,
and that's always appealing.

lauren was late to the gathering.
she made four fractured souls
sitting around a wobbly table
at some arrogant sports bar.

i didn't touch her.
i didn't want to.
i wanted isolation,
yet invited these people
to make me play pretend
at some busy rednecker establishment.

i talked a lot about music.
LCD's latest mostly.
it's easy to hide behind the trivial.

we stopped at a gas station.
i bought beer for chase and tyler.
i hate beer, it just makes me feel
an idiot sense of accomplishment
when this 19-year-old pulls age off
via beard.

lauren left at 3.
i didn't say much.
i kissed her weakly.
she accepted it.
understood it.
had taken notice of my wandering mind.

alyssa slept over,
she had been locked out of her cousin's house.
in the morning, i made her breakfast, coffee.
asked her if she had decided to be my best friend or not.
it was a running joke to her, and she smiled, said she needed more time
leaving it in "potential" status.

i need a best friend.

alyssa left when i took a shower.
as i got ready,
i complained to tyler about lauren.
i don't know if i meant it,
but i listed quite a lot of grievances.
(is it my age?
am i restless?)

i put on a suit and tie. i didn't look at the weather.
i didn't realize it was forecasted to be a sauna.

i got in my car and drove to prague.
the Parks Bros. funeral home parking lot
was spilling into the streets, with SUVs
and heavy duty trucks.

i parked my car a couple blocks down.

walked into the parlor
where you were to make your great showcase
in that open casket.

my father gave your eulogy.
he had been your minister for a few years,
and had loved you for more than 10.

you had died in my mind months earlier.
when i found out about the leukemia.

when i walked past your body on display,
i looked briefly.
all i really saw were your sideburns.
they looked ridiculous.

everyone told me i looked handsome in my suit.
god.
was i so desperate for a compliment that i overdressed
for a funeral?

as we stood outside, it didn't take long for people to laugh.
talk about work,weather, ****** hair, baseball, and girlfriends.
"i hope the heat keeps us from being sad at the cemetery."

i drove to your final plot in the back of the procession.
my dad tried to explain some metaphor at the site, but it fell flat.
he said a prayer over your body.

then he asked me to lead a song i didn't know.
everyone looked at me.

i tried to pass the responsibility.
but eventually started lacklusterly.

i hope there's a god leonard.
i hope that you made it.
and if you get a chance to speak with him,
tell him to play favorites,
and make me a favorite.
that's the only way
i will ever make it.

future us,
is future dust.

future us,
will be sifted
through fingercracks
of future friends
that never
got to remember us.

The first time a man ever pointed a gun at me and asked me to love him was at Granny's Kitchen in Greensboro, North Carolina.

The waitress, a soft spoken white woman with her hair pulled back in a bun, had just dropped off my plates --- a simple mix of scrambled eggs, two pieces of greasy bacon, and a short stack of pancakes. Now, no matter how cheap, I always feel like I'm cutting loose at breakfast places for the sheer abundance of plates. While I'm sure the eggs and bacon could have shared real estate, each component had its own china.

The waitress lingered at my table, her fingers fidgeting with straws in her apron. I made eye contact. Well, my eyes contacted hers; she was staring at my lips.

Sure I can't get you something to drink? she asked.

This was approximately the tenth time she'd made sure. She was uncomfortable that I had supplied my own beverage -- a Big Gulp. But even more than that, she was uncomfortable by the deep red stain taking over my lips. Contents of the Big Gulp: merlot, boxed.

(That is an unnecessary detail. I've only written it so I never do it again.)

Before Greg hopped up on a table and announced to the restaurant, If I could have your attention, my name is Greg and this will only take a second, blah, blah blah, I poured a copious amount of syrup on my pancakes. Then I moved the bacon to my pancake plate. In my experience, very little in this life is better than syrup on bacon.

I shut my eyes for that first bite, just like the commercials. The syrup dribbled a bit onto my beard, and when I opened my eyes, I discovered it had also landed on my shirt. I grabbed a napkin. Heard a chair slide backwards. I started with my beard, peering around the diner, making sure no one saw. I think I heard someone gasp. But I was busy, working that napkin then against my shirt. Jesus, I thought. My grandma, who's got a splash of the Parkinson's, could eat with more grace.

If I could have your attention, my name is Greg and this will only take a second, a very official voice boomed behind me.

I turned around to see if I recognized him as one of those cuffed jean-sporting, wild plaid-loving NPR hosts. He wasn't one of those. He was a sunburn with mop hair in a black tank top and hemmed jean shorts. He did, however, have a cleft chin. That's actually worth noting. Don't see a lot of them these days.

I know you guys are busy, he said. I know that like me, you guys are probably broke as hell. I mean no offense Granny's, I love this place, but it ain't exactly four stars. Or three. Anyway, all I want from each of you is five dollars. If you ain't got five, give me four. Ain't got four, three. And so on.

He started with the stringy Japanese couple on the west side of the restaurant. Nobody really seemed scared, not the freckled brat in canvas sneakers, not the liver-spotted gentleman with a copy of that day's paper.

My old friend Jerome used to say that white folks are the only romantic criminals. He tacked it up to that whole Bonnie and Clyde crap. Greg, it seemed, was privy to that information, too. He smiled and thanked each person as he robbed them of a few presidents. The victims, smiling back, seemed to be thinking of their names tagged at the end of some newspaper dialogue. A few even gave more than he asked.

Here, take fifteen. Times will get better.

Aren't you just a charmer.

It was all very moving.

So he gets to me, and of course, I don't have any cash. I carry a debit and an arsenal of credit cards like a normal American. I don't know how he made it to me before running into this particular problem.

No, I don't have one of those iPhone card swipers, he said. Well, you gotta give me something.

I offered a gift card to Harold's Clothes for Men, it had like two bucks on it, but he wasn't interested.

What's your name?

Henry.

How much do you weigh?

Enough to keep me prohibited from most amusement park rides.

I like you, Henry. Well, let me ask you something. Have you ever loved a man? he asked, pointing his smudgy revolver just past my ear.

I shook my head no.

Me neither. I've always been curious, though. You been curious?

There was a time when I was thirteen -- Blake Hinton was changing after basketball practice -- and I remember thinking, that is an incredible chest. These lines just sprawled from his sternum, lines leading to these almond *******, and I specifically remember wanting to eat them like, well, almonds. But that hardly counts as curious. So, I said, No.

To which Greg responded: Get curious, boy. You're coming with me.


In the spirit of honesty, I was in a bit of a haze before Greg made me climb into his beat up Cavalier. Not just from the Big Gulp brimmed with merlot, no, I hadn't slept in two days prior to the whole gun-in-face incident. Reason being, I was, as Greg would say, broke as hell, and the rent was due. I stayed up both nights conspiring (and drinking). So, really I was pretty thrilled to be kidnapped away from the whole situation.

I had visions. I guess from the lack of sleep. Maybe they weren't visions, maybe just dreams, or fever dreams, I don't know. All I know is I blinked, and we were in the Appalachians. And there was a grey longbeard in the backseat rattling on and on about how change is easy, movement is easy; it's that whole nesting thing that takes courage and strength, blah, blah, blah. I told him to be quiet. Greg told me to get some sleep. I blinked.

We were in a karaoke bar in Madison, Tennessee. There was a gin and tonic in front of me. I took a drink. There was a water with lime in front of me.

Greg asked, Where did you go?

I told him, your dreams, trying to be cute. He turned and asked the bartender for a Yeager bomb. Reaching for the server in -- granted -- an overly dramatic gesture, I said, Make it two. We made it three. We made it four. Seven. Then some vague, but perfect number, because my head rang right. The words came right. And I was a journalist, asking Greg all the right questions.

I'm not a criminal, he said.

I was just bored, man, he said.

You see, I was in a rut, he said. Last month I put up a personal on Craigslist. I know, it's pretty ******* desperate. I've read the kind **** people put on there. But mine was different. I just wanted some time with my ex-wife. Some couch ***, you know? We hadn't done it on a couch since I dropped out of college, and I hadn't even really thought about it until a couple weeks after the divorce. Then it was all I could think about.

A black woman, whose teeth glowed under the black light, began singing "Wild Horses." Then he read my mind, I think.

Yeah, she answered it. Did our thing on her sofa. It was nice and all, and like all nice things, you just want more, but she said I couldn't have no more, this was a fluke, a one-time, or no, a one-off thing, she said. Had to relocate, so that's why I did that whole thing at Granny's.

You ever get it on a couch? he asked.

No, I said. I've see a bra though --- two actually.

He took that as a joke, which was good.

Though wild horses couldn't drag me away, a gasoline horse could.


He handed me a courtesy breath mint after I finished throwing up. The Nashville skyline looks perfect, he said. Especially at night.

My stomach was gravel in a washing machine. Masculine love. At gunpoint, I had agreed to indulge it. I was going to make love to a man -- not just a man -- a criminal. Not something to write about on a postcard.

Mr. Winters, my esteemed landlord,
Apologies about the rent. Got kidnapped by a *******, and I'm presently banging and being banged by him in Music City, USA.

I blinked.

We laid on opposite ends of the queen-sized mattress.

I always liked Super 8s, Greg said. I don't see the point in spending so much on a hotel. A bed is a bed.

And I tried to be funny with something about the confidentiality of dark bedsheets, but it fell flat.

Greg cried. I love my ex-wife, he said.

Can I help?

Will you hold me? he asked.

The air conditioner kicked on in the already freezing room.

I'm sorry. You don't have to, he said.

I scooted against him. He smelled pleasant in a family-vacation-kind-of-way, like a fresh pretzel covered in salt. I put my arm under his neck. He buried his face into my shoulder. I blinked.


The front end of his Cavalier was held together with copper wire and coat hangers. It was a two-door. Both doors dented from, according to Greg, hit-and-runs. It had a Vermont plate on the back. It was red. I mention all of this to say: if we kept moving, we were bound to get pulled over.

In the parking lot of 3B's Breakfast, Burgers And Beer, Greg asked me to retrieve his revolver from the glove compartment. You kinda have to uppercut it, he said. And I did.

I don't want to do it again, but we have to. I'm not staying put, not until I hit the ocean. But don't worry, I'm not going to hurt anyone.

He showed me the revolver. No bullets. I nodded, in approval, I guess.


The second time a man ever pointed a gun at me and asked me to love him was at 3B's Breakfast, Burgers And Beer in Bellevue, Tennessee. Of course, it was the same man, Greg, but the circumstances were a little different.

I went with two orders of biscuits and gravy --- or B & G as my dear friend Chance affectionately calls it. Four bites in and I'd yet to hit biscuit. For a moment, I wanted to tell Greg, C'mon man, ***** the ocean. Tennessee does gravy the way God intended. Nobody would find us in this suburb. We could be sharecroppers. Do they still have sharecroppers?

Do you like fresh corn? I asked. It was the first crop that came to mind.

Greg didn't answer. I noticed his plate of hash browns and eggs -- sunny-side up -- were untouched. You okay?

He was, he said, trying to get in the zone, that's all.

Alright.

Our waitress looked like a poster child for ******'s Youth. She couldn't have been much more than sixteen. She had blonde -- almost white -- hair. Her eyes changed color with the intensity and direction of light, a gradient between seaweed and dark ocean blue. She appeared to be an amish girl gone defective, and I was about to inquire into that very supposition when Greg stood on the table, and said, If I could have your attention, my name is Greg and this will only take a second.

Tennessee is not North Carolina. In North Carolina, they got a healthy aversion to firearms. In Tennessee, however, once a babe can walk, the *******'s got a BB gun and an endless supply of empty soda cans for target practice. I say that, to say this: when Greg stood on the table, so did three other men. Their three guns pointed right at him.

Lower that gun, brother. You ain't gettin' any money out of us.

Hate to shoot you in front of your boyfriend.

Coffee spilled and ran off the tray our waitress held. She shook so hard, it wasn't clear how many women she was.

Greg's cleft chin centered on one gunman, than the other, than the other.

Just drop the gun, *******.

We don't want to ruin no one's breakfast.

Fellas, I said, he doesn't have any bullets in his gun. We need a little money that's all.

That ****** is just trying to protect him.

I'm calling the cops, a purple-haired old woman yelped from under her table. Silverware clanged against the floor. Then the buzz of a fly. Then the pop of fries drowning in grease. Then the bell chimed as some idiot walked inside.

Greg's arm was shaky as he pointed the gun at me. Do you love me? he asked.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I put my arms up. Slid my chair back a ways. Stepped on the chair, then unto the table.

Do you love me? Greg asked.

His breath smelled like last night's alcohol and that morning's coffee. He was a child, a sunburnt child with a cap gun. He wasn't going to hurt anyone.

I put my hand on top of the revolver and lowered it. He crumpled, as if I were scolding him. They still pointed their guns at us. But for the first time in my life, I felt secured, tethered to a space.

I lifted Greg's chin up with my index finger. Covered his eyes with the palm of my hand. And I kissed him. I kissed him, keeping my eyes closed tight.

You can get used to anything--merciless debt, infidelity, death--anything, the photojournalist thinks as he stares out his open hotel window to the beach where two boys lay covered with white sheets.

The bombs fell an hour earlier. Upon impact they didn't so much make a sound as absorb it, syphoning off laughter over mimosas in the first floor cafe, blurring the start-stop of traffic into a shapeless background hiss. He was out there when it happened, on the beach, walking his morning walk.

From one hundred yards he took in the flash, the upheaval of sand, reaching for heaven and then, all at once, subject to gravity's retreat. He knew there would be a second bomb, like when you're cutting a tomato, and you look at your finger then to the knife, and think, I'm going to cut myself, and a couple slices later fulfill the prophecy.

He didn't rush to the boys. He got his camera out of the bag, grabbed the lens, adjusted for distance, for the wane morning light. Boys screamed and ran. He wasn't sure how many, four, five. The second bomb hit. One boy, smaller than the others, rode the sand upwards and back down. The photojournalist thought he tried to get up, but he wasn't sure.

He knew better than to rush over. An unidentified person pointing a vague object at the children on a satellite feed would garner backlash. So he waited, surveying the slight waves break, the gulls continuing flight.

Parents, people he assumed to be parents, moaned in an unfamiliar language. Their sounds though, both guttural and sharp, said all. He approached. A man picked up the smallest boy, his lifeless limbs, doll-like and pierced with shrapnel, hung off to the side.

He took twenty-five shots from behind the lifeguard's post, using the telephoto zoom. He lowered the camera and made eye contact with the father.

Now, in his hotel room, there's an urgent knock at the door. A voice shouts. The email sends. He drops his laptop in the bag with the rest of the gear. A taxi pulls into the roundabout outside.

When he lands he's not sure if he's fractured his ankle or just sprained it. He limps to the door, climbs in, says, "Airport."

"Maa?" the driver says.

The photojournalist punches the seat. The father of the boy, along with three other men, approach.

"Maa?"

Stop looking at me like you look up to me,
and start looking like you're in love with me.

Forget those spiders,
cut yourself free.

Get into my orbit.
Talk me through my destruction.

I'll distract you from yours.
I'll put on that tie you like,

and you will wear that black dress.
We will pretend we invented fashion.

You will get the eyes.
I will get the eyes.

Get into my orbit.
I'll tell you anything you'd like.

I wouldn't mind if you would cover me with night,
and silently rest your head next to mine.

Stop looking at me like you look up to me,
and start looking at me as if you can set me free.

I only see you in fevers of inappropriate dreams,
you only speak to me when everyone else you know is asleep.

I will make coffee,
you will bring a sewing kit.

We will talk about finding the bottom
of the human soul on drunken nights.

We will say **** the indie kids
and the 70s throwbacks.

We will wear swimsuits
when no one is around.

We will talk with good humor
about what we'd say at the apocalypse's final address.

Get into my orbit.
We'll compare scars and run from all our old towns.

Stop looking at me like you look up to me,
and start rewriting yourself with me.

spilled blood,
spilled milk,
not tears,
no repent,
"boy, get right!"

i will,
i will.

driftwood again,
flimsy tangles,
always on,
halfway gone,
"son, come home."

i will,
i will.

the wisdom weighs,
the sorrow gains,
i walk doomed,
you walk stupid,
"come into the fold."

i won't,
i won't.

salvation sells,
purpose buoys,
love is forever-
what a crock,
going for a long walk.

Find the muck, I do;
pull my shoes off, I do.
I feel it, the muck,
tethering and I feel
competition pulsating.
Competition against what?
Against the water that surrounds,
I guess;
Against the mud between my toes,
I guess.
I missile off it, the ocean floor,
careening upward, and I missile
the bright fishes in my wake.
My wake?
I attended it, you could say;
I got over it, you could say.
And I could stop here, the surface,
floating face down.
But what of the alternative?
An appetite for oxygen, I have;
a heavenly itch, I have.
A skyward geyser, I could be;
a bolt of lightning in reverse, stand back, see.

"are you feeling anything now?"

"nothing positive.
some guilt with a hint of nostalgia."

we thought we could touch.
touch that would enable us to exhale.
we thought we could touch.
but our touch don't mean all that much.

we thought we could make love.
love that would resurrect our rhyme.
we thought we could make love.
but we only looked perplexed when all we made was ***.

we broke each other up.
played pretend-patch-each-other-up.
now all we are is haunting shrapnel,
stuck in each other's side.

Jake was a pussyhound in a city of *****.
"Hey man, can I ask for some advice"
--a common conversation-starter device;
I riddled his brain with disdain,
he armored up--
the ignorance card draining from his sleeve.
He once taught me a lesson greedily kept celestial.
Purely accidental--
lost in the beginnings of spring,
he strolled into my daydream,
sharpened his fingertips on my shoulder blades,
my heart struggled to beat under my mind's premonition--
"I ****** Susie, Sally, and Sam. Satan's summer in a bedroom--
needless to say, I was enthralled."

As the landscape of their bodies took shape
in my shuddering skull, the cancer took.
Details--details, more details, pretty please,
conquest, conquest, more, more,
gimme more.

I.

I lay beside the canals in Esmeralda, city of water.
For hours a shadow and an oar and a boat approach,
and in the distance unseen girls hum a melody,
a melody not wholly unlike the sound of the lapping waves.
The sun rises and sets in a matter of moments.
My skin crinkles, molts, regenerates as fresh
as a babe's. I think of father, of mother, the words
not the people. My hands move now on their own.
The left points to the Saint Cloud Bridge and I say,
Saint Cloud. I'm in my body but outside it. A little god.
A deliberate historian. I record everything.
I think I always did. My right hand waves
to an acrobat on a clothesline. Behind
the acrobat a small stucco home crumbles
and rebuilds itself. My right palm
covers my mouth and I kiss it.
The veins running down my arms
appear to be filled with different colored inks,
reds, blues, greens. A shadow and an oar and
a boat approach, closer, closer.
A single swallow flies above the water, dipping down,
wetting the tips of its wings, climbing upwards over the
balconies, the rooftops, the sun setting, the sun rising,
blessing its flight. My right hand traces my uneven
and ever shifting face. What did I look like as a boy?
Did I have many friends?

II.

The shadow offers his hand, eases me aboard
his small boat. We push off back the way he came.
He says a few words to me, the
only words exchanged on our long journey:
I used to live in the city, he says. It nearly
drove me mad. I moved to the country.
I cultivated a garden. I installed a wood stove.
This was healthy.

III.

A small delight, to watch the shadow
command the oar, the grace in it.
I think of a woman's dress. I think
of the word rustle. I feel the word rustle.
My left hand points to the shoreline.
Spanish moss hangs from a bald cypress.
I say the word, Fire, and the Spanish moss becomes
engulfed. I say, Stop, and everything
stops, even the sun. Its position makes
me think the phrase six o'clock. While
Esmeralda, the city entire, is locked
in my rule, I step out onto the water.
I find I can walk across it. I know the
city's name, but I'm not sure I ever lived
here. The blades of grass feel foreign
on the soles of my feet.

IV.

Four has always been my favorite number,
I think. A lightning bug emits a flash of green.
It is the only creature unstuck and I follow it.
It leads me through a snow covered valley,
through a yellowed wheat field, through
a suspended dust storm. I brush away the particles
and they drop to the cracked earth.
I'm in a desert now. A woman sits with her legs
crossed. I sit with her. I feel the urge to tell her
a joke. It's apparent. She feels the same urge.
We both try to get the words out, but we keep
laughing, our minds rushing to the punchline.
Before we finish our jokes, we die. We decompose.
We turn to skeletons, our bony mouths full of ash.
We're born again, our joy and humor now with a depth centuries old.
We laugh, death much easier than we'd expected.
We try to tell the jokes again. The cycle beings and ends and begins.
The lightning bug insists that we move on.

I'm led to a gate. Guarding the gate is a girl
with a red ribbon in her yellow hair.
I ask if I can call her maiden.

I can almost see through the girl.
Rolling hills and a crystal stream
serve as her backdrop just beyond
the gate. She summons me with
a gentle wave of her hand.
I lean down. She kisses me.

You're my first kiss, she says.

I hope I'm not your last.

She takes my hand and insists we walk backwards.
The ground is uneven, my feet unsure.

There's an old saying I'm sure you know, she says.
The definition of madness is doing the same thing
and expecting a different result. This applies to more
than recurring bad decisions. It applies to death.

What are you saying? I've been expecting a different death?

You've been expecting a different consequence of death,
but you keep dying the same way, the girl says. Watch me.
Be curious. But say no more. Don't diffuse death of its
wild alchemy.

We walk backwards through the gate.
I want a secret, something
the girl doesn't know about me, one
dark moment to add dimension. But
the thought lurks that she knows
more about me than me. Time speeds
up. Day turns to night. Snow feathers
down. Backwards we walk into empty
homes, into dry riverbeds, into the unknown.
We begin to fall. From what, I'm not sure.
To where, I'm not sure.
The girl grips my hand tightly.

When will I know that I've died?

Shhh, she says. No words. Only wonder.

all eyes,
all on me,
all eyes,
hanging
all over me.

milk the silence.

fingertips trace the
splintered podium.

clear my throat,
once,
twice.

"We shoulduh' seen this coming."

great opener.

"Our end was scored
by symphonies of sitcoms,
reality television, coffeehouse blenders,
and fanatical braking.

Our pride in resilience was the
spark that lit the powder keg.

Foreigners couldn't stop us,
for we stopped letting 'em in years ago.

Time couldn't stop us,
for our bodies are made of plastic,

and words don't dent us,
for our emotions are backed by
the most stubborn of metals.

We broke love when we were still young.
All us boys were aiming for quick fixes,
and all you girls were aiming for margarita mixes.
Ladies decided they wanted to nest around the
smoking age,
and if they were attractive enough,
us boys bit.

We all got divorced.

We all got into politics.

Some of us died for a country,
but none of us are sure why.

Some of us ran from debt,
some recorded folk songs on laptops,
some sexed their way out,
some drank themselves to death.

We shoulduh' seen this coming.

But we didn't, so that makes you and I, the idiots.

The smart ones had foresight,
and departed us early.

Now we idiots look to the murderous sky,
and wait."

all eyes,
all on me,
all eyes,
hanging
all over me.

milk the silence.

i raise my arms up,
as though the crowd is crucifying me.

they want to finish their burgers.
they want to stroke each other's egos.
they want to pass the blame on some
distant land,
and stick boots up ***** and wave a few flags.

"So civilization doesn't get to rust,
it goes out in a flash and is carried away as dust.

Mankind annihilates itself in a fit of boredom.

Get stoked for the funeral pyre."

all eyes,
all on the ground.
all skin,
all plastic skin did melt.
all forgotten dreams,
all torn from hidden seams.
all the thin, the fat, the republican, the democrat,
all the white, the black, the chinese,
the arabs, the jews, the druggies,
the christians, the monkeys, mtv stars,
toilet seats, pamphlets,
all the newsreels, dvds,
collector's editions, suvs,
all fuse together,
all in one immaculate heat.

no one even got a chance to applaud.

And my dad wanted us to hurry.
He worked the night shift.
Sweat on his forehead evidenced his
displeasure with rising sun.
35 mm in his hands. Steel-toed boots on pavers.
My mother stuffed another box of Kleenex in my
backpack. Gritted the metal teeth. Ready?

Ready. Her hands on my shoulders.

Take another one. Josh wasn't smiling.
Dad winded the film.

I don't want to smile.

My mother stuck her fingers into my mouth
pulling opposite and up.
And her fingers tasted like
the musty pages in the books without pictures.

hot rain,
like chipped edges
of stained glass,
sink into shoulder.

the bluebird croons
a monotone dirge,
and
I snicker at the wind's applause.

god arrives late,
but I give him credit for
showing up.

god arrives late.
I, in the process of
shutting the gate.

god arrives late.
I **** in my gut,
bury my hate.

hot rain,
like my mother's tears,
sink into my skull.

the bluebird clears his throat,
and
I imagine strangling the showboat.

god arrives late,
but it takes courage to come at all.

god arrives late,
but hands me a check to keep quiet.

god arrives late,
asks me what I've been up to,
and I take the bait.

there is a
way,
  a truth,
       and a light,
and
  I'm often
    reminded,
        it isn't mine.

there is a tradition
and a constitution,
gods in powder wigs
talking through their
wooden teeth,
and I'm often reminded
my thoughts are fiction.

all new friends are quickly
old,
all parents
die of heart attacks
after analyzing high crimes.

there is a
way,
  a truth,
       and a light,
and
  I'm often
    reminded,
        it's outta my sight.

there is a piece of Anna's hair in my teeth,
there are blackbirds circling in a hollow sky,
and I'm supposed to have no doubts,
and I'm supposed to avoid shouts.

all babes get slutty or drown in bongwater,
and I'm expected to call them cute,
all patterns have a strange affinity for ******* me,
and all love is adrift in a staggering, stagnate sea.

there is a
way,
  a truth,
       and a light,
and
  I'm often
    reminded,
        I'm out of line.

While Rachel slept lost in twisted sheets,
I fixed myself a drink.
I sat outside for an hour to breathe
cigarette smoke -- my mind on the brink.
All my time spent with couples,
my wanderings tamed for privacy fences--
a third wheel in groups of four rubble,
am I *****, prophet, poet or menace?
I thought as the stars coughed across
the acidic sky; I wish for a spark to ignite--
the powder trail of ambition I lost
in swampy suburban repetition cries.
On the steps of my porch, I felt no God.
In the arms of worship or between a lover's thighs,
no sanctity, nor blessing, just scattered dirt clods--
I miss the old ignorance -- kept my heart from whys.
But now those same whys taunt and entice.
A supreme darkness surrounds me--
one my eyes have adjusted to--
one my justifications turn free--
leaving me hungry for new dark territories
and the kind of knowledge that never
lets you sleep.