Grown ups
In seperate top bunks
Deciding getting up doesn't even matter
But we weren't cynical.
The futility loop
Hurt our feelings.

i don't watch home movies
hate them
reason being because
when i was young
i was looking for a movie
my mother
had recorded for me
and accidentally
put one in the vcr
that i'm not sure
i was supposed to see
i know the obvious response
"uh oh, ****"
sorry to disappoint
they were only marked with dates
  1991
on live television
montel williams asks my father
"how can you just throw
your child away like a piece of trash?"
   1994
i spend so much time
in the emergency room
that my parents stop
penciling in growth marks
on the frame
of my bedroom door
i always thought
it was because they believed
i would never grow out
of this sickness
sometimes i believe
the reason that they
never bought me a dream catcher
was because they never thought
i'd live long enough
to see them come true
   1996
i am eliminated
from a spelling bee
because i didn't know
the 'dad' is silent in 'family'
   2013
before i got into poetry
i used to do standup
none of my jokes were funny
one of the other comics
tells me my skits are dry
sometimes sad
he says "why don't you joke
about something like your family?"
so i say
"i never wore any sunblock
because i didn't want anything
to keep me from my father"
i say "what do you call christmas
without lights or heat?"
before he has a chance
to answer
i say "1997. better yet
why don't you
make like a dad and
leave"
   2014
every time we drive
past the hospital
my mother reminds me
how much it cost to save my life
like she'd rather
have her money back
she doesn't have to say
that sometimes she wishes
it was me who had died
instead of my brother
i can hear it in the way
she says "love you"
sometimes i imagine
that if i were to die
that she
would pick out a casket for a child
because she never loved
the person i became
yesterday i told my father
how close i'd been
to suicide lately
and he said
"that's my boy,
livin on the edge.."
and i can't remember
if i laughed
or cried

someone's in the next room over
having *** while we
are weeping
what a way to mark the occasion
the day my fingers found a wound
you let someone else doctor
it's upsetting see
the bible in drawer next to us
the way our hands still
fit together
like the torn halves
of a love letter
the way you got
all dressed up like the rain
and how we couldn't tell
the difference in the shower
it was the longest hour and a half
spent crying
the hot water wouldn't give up
so why should we
right?
even though it was scalding
neither of us touched the ****
we knew this was supposed to hurt
your hair
a black mess against my shoulder
my fingers
oil in the vinegar of your hands
our bodies
the great divide
all the sobbing
a river runs through it
without the courage
to carry or **** us
so we step out
and drip dry
down to a mute breakfast
composed of quiet
and last nights liquor
as we came back in
there were people in our room
at first i thought them detectives
dissecting things
to see who had died here
i had forgotten this
was a hotel
and they were only
cleaning up after us
i wanted to stop them
plead
that the sheets were still perfect
that if they clean the bathroom
no one will know
what happened here
someone has to remember
"please
i know
these cigarette burns
by name
i will bury the faucet
let me take the tub
i don't care how
if i have to
i will drag it home by hand"

The schoolteacher had an affair in Santa Fe.
She was a schoolteacher and a tourist.
And an affair adds dimension.
It makes a place more than memory.
The notion of it inverts.
Santa Fe now resided inside of the schoolteacher.
The city had a cracked voice and blonde hair
and a slightly sagging belly and pictures
of a New York niece on its phone and
an ambivalent relationship with combing its hair
and an irrational fear of left turns.
She expected young artists with vague academic worldviews,
chainsmokers talking loudly about point of view and Heidegger.
Instead the artists were retirees, painting nothing but landscapes
of red earth, attempting to improve on the natural world.
The schoolteacher did not like this kind of art.
It was trivial.
Wholly unnecessary.
Then the blonde artist walked up behind her
in a stucco gallery. He said, "You hate it don't you?"

"Yes."

She turned. He appeared to be in his early forties.

"Tourists never understand it."

"I'm not a tourist."

"You are. You've never been within the land."

"Don't talk to me like this."

"This is how women prefer to be talked to."

"Not this woman."

"Even you. You want to be told you're wrong.
'I look fat' No. 'Everybody hates me.' That's not true.
I'm skipping the stage where we agree. I'm going
straight to the stage where we are opposites.
Plus and minus."

"The part where we *****."

"Or connect or lose ourselves."

"I bet you live in a loft. Dozens of half-finished
canvases strewn about. Dabs of dried paint on
newspapers."

"I live in my big sister's basement. She isn't home."

"There's not enough wine in the world."

"That's where you're wrong," he said.

Her crayola box lacks
all but two colors
-red and black-
mustn't go outside the borders

r ~ 8/4/14