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I.
Buy the film
and let it sit.
Buy the film
develop it
in the dark
dark dark box.
Buy the film
just in case
in its case.
Buy the film
and keep it safe
just let it sit
just in case
in case
in case.
  
II.
Just let it go
you know
you know.
But dollar signs
are on my mind
my mind my mind
mine mine mine mind.
Each click click click
tick tick tick ticks
scratch scratch scratching
at my savings.
So I'm saving saving
though I'm craving craving
just in case
in case
keep it
safe.

III.
But oh! the colours!
They bleed with
the seed of light!
Faded flourish,
show me frequencies
mine lenses cannot
develop!
Switch click crank
and smear
spread chemical beauty
I'd otherwise not hear!
Make me melt
into a world
that is mine but
can't be felt!
Your gleam it seems
is like that of steam:
a dimmer shimmer
it wisps and wafts,
soft evidence that
this all exists.

IV.
So go.
On Turning her up in her Nest with the Plough

Wee, sleekit, cow’rin’, tim’rous beastie,
O what a panic’s in thy breastie!
Thou need na start awa sae hasty,
Wi’ bickering brattle!
I *** be laith to rin an’ chase thee
Wi’ murd’ring pattle!

I’m truly sorry man’s dominion
Has broken nature’s social union,
An’ justifies that ill opinion
Which makes thee startle
At me, thy poor earth-born companion,
An’ fellow-mortal!

I doubt na, whiles, but thou may thieve;
What then? poor beastie, thou maun live!
A daimen-icker in a thrave
‘S a sma’ request:
I’ll get a blessin’ wi’ the lave,
And never miss’t!

Thy wee bit housie, too, in ruin!
Its silly wa’s the win’s are strewin’:
And naething, now, to big a new ane,
O’ foggage green!
An’ bleak December’s winds ensuin’
Baith snell an’ keen!

Thou saw the fields laid bare and waste
An’ weary winter comin’ fast,
An’ cozie here, beneath the blast,
Thou thought to dwell,
Till, crash! the cruel coulter past
Out thro’ thy cell.

That wee bit heap o’ leaves an’ stibble
Has cost thee mony a weary nibble!
Now thou’s turned out, for a’ thy trouble,
But house or hald,
To thole the winter’s sleety dribble
An’ cranreuch cauld!

But, Mousie, thou art no thy lane
In proving foresight may be vain:
The best laid schemes o’ mice an’ men
Gang aft a-gley,
An’ lea’e us nought but grief an’ pain,
For promised joy.

Still thou art blest, compared wi’ me!
The present only toucheth thee:
But, oh! I backward cast my e’e
On prospects drear!
An’ forward, tho’ I canna see,
I guess an’ fear!
On the beach at night alone,
As the old mother sways her to and fro, singing her husky song,
As I watch the bright stars shining—I think a thought of the clef of the universes, and of the future.

A vast similitude interlocks all,
All spheres, grown, ungrown, small, large, suns, moons, planets, comets, asteroids,
All the substances of the same, and all that is spiritual upon the same,
All distances of place, however wide,
All distances of time—all inanimate forms,
All Souls—all living bodies, though they be ever so different, or in different worlds,
All gaseous, watery, vegetable, mineral processes—the fishes, the brutes,
All men and women—me also;
All nations, colors, barbarisms, civilizations, languages;
All identities that have existed, or may exist, on this globe, or any globe;
All lives and deaths—all of the past, present, future;
This vast similitude spans them, and always has spann’d, and shall forever span them, and compactly hold them, and enclose them.
Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove.
O no, it is an ever-fixèd mark
That looks on tempests and is never shaken;
It is the star to every wand’ring bark,
Whose worth’s unknown, although his height be taken.
Love’s not Time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
    If this be error and upon me proved,
    I never writ, nor no man ever loved.
I do not love you except because I love you;
I go from loving to not loving you,
From waiting to not waiting for you
My heart moves from cold to fire.

I love you only because it's you the one I love;
I hate you deeply, and hating you
Bend to you, and the measure of my changing love for you
Is that I do not see you but love you blindly.

Maybe January light will consume
My heart with its cruel
Ray, stealing my key to true calm.

In this part of the story I am the one who
Dies, the only one, and I will die of love because I love you,
Because I love you, Love, in fire and blood.
But even butterflies of sunset colors
still flutter in the wind.
Despite a heavy metamorphosis
the wind does still support them.
Their orange and yellow do remind
of something that has ended.
But their flickering flutter, too,
rekindles the memory of stars long suspended.

So let us all provide the wind
for one another’s wings.
Let us catch each other’s tears
that fall from cloudy eyes.
Let us help each other
embrace the memories of
cigar smoke, the white whale,
and warm holidays without worry.

        Because Father said clocks slay time.
        He said time is dead
        as long as it is being clicked off by little wheels;
        only when the clock stops
        does time come to life

And the butterfly knows this is true
for a pocket-watch would weigh her down;
her subtle strength would not allow
for her wings to leave the ground.

That is why the butterfly (accepting change)
releases time
in order for her time to be used
floating via a warm wind’s courtesy.
Without the weight of a timepiece
she is able to welcome the reminders
of warm memories of her butterfly,
now warm wind strong behind her.
Third stanza from William Faulkner's "The Sound and the Fury"

— The End —