It's true, what they say:
Time turns back
In dreamland.

Hair, somehow
Thickening,

Beard,
Oddly thinning,

Belly
Obscured handily
By a small, thatched pillow.

The man

Looks clumsily
Like his father:

They share the same
Squashed nose.

But
His breaths,
They reflect not

The heavy-handed heft
Of his ancestral chest
Rising deeply,

But rather the lighter airs
Of a simpler time

Resting gently
On his eyelids.

The day was wet, the rain fell *****
Like jars of strawberry jam, [1] a
sound was heard in the old henhouse,
A beating of a hammer.
Of stalwart form, and visage warm,
Two youths were seen within it,
Splitting up an old tree into perches for their poultry
At a hundred strokes [2] a minute.
The work is done, the hen has taken
Possession of her nest and eggs,
Without a thought of eggs and bacon, [3]
(Or I am very much mistaken happy)
She turns over each shell,
To be sure that all's well,
Looks into the straw
To see there's no flaw,
Goes once round the house, [4]
Half afraid of a mouse,
Then sinks calmly to rest
On the top of her nest,
First doubling up each of her legs.
Time rolled away, and so did every shell,
"Small by degrees and beautifully less,"
As the large mother with a powerful spell [5]
Forced each in turn its contents to express, [6]
But ah! "imperfect is expression,"
Some poet said, I don't care who,
If you want to know you must go elsewhere,
One fact I can tell, if you're willing to hear,
He never attended a Parliament Session,
For I'm certain that if he had ever been there,
Full quickly would he have changed his ideas,
With the hissings, the hootings, the groans and the cheers.
And as to his name it is pretty clear
That it wasn't me and it wasn't you!

And so it fell upon a day,
(That is, it never rose again)
A chick was found upon the hay,
Its little life had ebbed away.
No longer frolicsome and gay,
No longer could it run or play.
"And must we, chicken, must we part?"
Its master [7] cried with bursting heart,
And voice of agony and pain.
So one, whose ticket's marked "Return", [8]
When to the lonely roadside station
He flies in fear and perturbation,
Thinks of his home--the hissing urn--
Then runs with flying hat and hair,
And, entering, finds to his despair
He's missed the very last train. [9]

Too long it were to tell of each conjecture
Of chicken suicide, and poultry victim,
The deadly frown, the stern and dreary lecture,
The timid guess, "perhaps some needle pricked him!"
The din of voice, the words both loud and many,
The sob, the tear, the sigh that none could smother,
Till all agreed "a shilling to a penny
It killed itself, and we acquit the mother!"
Scarce was the verdict spoken,
When that still calm was broken,
A childish form hath burst into the throng;
With tears and looks of sadness,
That bring no news of gladness,
But tell too surely something hath gone wrong!
"The sight I have come upon
The stoutest heart [10] would sicken,
That nasty hen has been and gone
And killed another chicken!"

I.
gravity
helps me realize
where exactly
you are.

and newton,
well newton
for all his
hang ups on
the temptations of
eve,

i guess got
it right
first:

what separates me
and you
and the rest of the world
is not
hope or magic

but rather
the pendulum swings of
chance

(arbitrary force)

the oscillations maybe
of a rickety train platform
on which our
footprints
converge, diverge,
and resonate

like naturalized frequencies.

II.
frankly,

i

don't want to talk
about the physics of it all.

i just want to sit
alone,
on the steps of this train
station,

and gently soak in the
clickety clacks
of these intersecting lines.

i

just want to
watch
as their doors open
and close,

and feel the rhythms
of their machinated dance,
and

sort the footsteps
that sift out
according to shape, color,

distance.

III.
as we speak,
i have already begun
to count
how many
stops

still separate

you.

and i.

An envelop of darkness
Draws in quiet.

There is a sweetness
To the silence,

To the chorus
Of sleeping children

Humming away
Hymns of brighter tomorrows

And far-away dreams
That shield them from aged lines

That once-upon-a-time
Plagued their fathers and mothers.

And oh, there will be
A time for them too to grow old,

But I will take solace
In the fact that even

As we grasp for words and songs
To grip our smiling pasts,

There will still be nights like this:
Full of silence and God and poetry,

And swinging songs of self and serendipity,
And quiet mornings wrought just

Light enough by street lamps
Which hit pavements like bits of gold,

Waking the dew and painting our grounds
Smooth and bold.

Day
Crisscrosses
With night,

Somehow manages
To touch the other's hand
Even if
One is allergic
To the heat
And the other,
A fear of the dark.

There's a striking
Balance in the
Muted gray
Of the groggy sky—
A scenery
Not very much unlike
That
Of a slumbering owl
And a waking wren,

One creature
In cahoots
With the darkness
And the other
Perhaps too
With light.

Both,
Sing very
Different songs—yet
Both
Seem to arrive
At the same purpose:

Which is to see
What the other
Really is made of
Beyond the light
And shroud—

Touch maybe even
Forbidden wings and
Quietly
Sing some more;

In this habitat
Of shadows
They—we—will not be bothered.

So sing, wren,
Your truest of songs:

"Good morning,
"Good morning,
"The day is
"But coming,"

So sing, owl,
Your truest of songs:

"Good evening,
"Good evening,
"The night is
"But leaving."

And so now kiss, night,
The plodding day.