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 May 2013 James Amick
mûre
the hardest surgery is the one you perform on yourself.
Steady?
Ready?
No anesthesia but a chuckle of nervous humor
the first incision across your heart.


When you finish (many months later)
you put the scalpel down, wave weakly
to the clapping colleagues hugging each other in disbelief
from the observatory, sterile and eager
you give them a wan grin
and hope they've watched closely
so that now they know how...
how to do this.

At twenty-something, I was taught by Fear
who said nothing matters
and then at twenty-something-else I was taught by Faith
who said anything matters
And she wasn't the Sunday kind of Faith that you find
clasped between your palms, clasped like you're afraid
that if you let go the Faith will just tumble out and break.
No, she was the Faith that was bigger than God and so intimate
that sometimes I was the Faith, sometimes you were the Faith,
and sometimes the Faith was me.
So really, Faith doesn't have a name.
But Faith and Fear, they both breathe, they're each lung
and when I fill one, the other billows, after all
you need two to breathe.

And so then I, feeling bold, learned about Bravery.
I had heard about it in newspapers and history book indexes
and in our local volunteer firefighters.
Wondered if I could buy it.
Wondered how much it goes for.
But I couldn't find Brave until the moment I gave up on it
and said, ***** it, I'm so scared but I don't care anymore,
I'll just do it, Brave be ******.  
And surely enough, it was hiding beneath the tremors.
So really, Brave was the Siamese twin of I'll Just Do It.
which, by the way, wasn't in the glossary of this or any history book.

Everything changes, you know?
I'm changing, you're changing.
Oh, it storms me like the sea!
I secretly raise my glass to stasis, my faraway frenemy.
Don't tell the other Sagittarians, they'd exile me surely.
Change, letting go of my old faces
feels too close to dying,
feels too close to leaving you behind.

And I'm not ready to leave you behind.

Oh the West, keep your Mountains.
If only for a little longer.

I've excised my soul again and again
transplanted and sutured
but there's just no time.

Even with these visions from under the knife-
there's just no time to heal
before I'm laid on the table again.

Faith hold me-
Fear teach me
so I can...


Steady.

Please- stay with me.

*Ready?
how many coins do we have? you count
and I’ll see; call out as you count, tell me
how much exactly; and then how many days
it will take us to…Little Boy with his crutches
can buy a new one, maybe
and a new shawl for mama…
throw it, one coin against the other as you count;
I love to hear the clink of coins…ha, ha –
you know, sometimes
I even lick a coin to see if it’s pure…mama says I’d get sick
if I did that…yeah, certainly not as sweet on the tongue
as the grapes and fruit we sell, but certainly tastes well
to me in my mind
have you another coin in the other palm?
this day a Lord’s servant bought
some grapes in the street corner;
she said it was for her master’s table,
and our grapes were glowing and fresh
much as what her master loves…and she was kind to me…
did you count the other coin? sometimes I wonder, you know,
how many coins we will need till the end of our lives,
like to the time, say, when Old Boko died last autumn –
how many coins will it take to see us to that moment?
Yes, and of course, how many grapes
would we need to sell to collect that amount?
poem based on the painting “The Little Fruit Seller”  by MURILLO, Bartolomé Esteban (b. 1617, Sevilla, d. 1682, Sevilla)
 May 2013 James Amick
Doris
Is it summer or is it spring will it rain or
Will the sun continue to kiss my long torso and petit feet?
Storms always seem to blow over in the Midwest as a dog bounces right past me, gives me a look and goes completely, merrily on his way. He doesn't seem too concerned about the weather.
Nor, should I be. I am going to stay put and ignore the neighbor. He's dying  to talk to me and I won't even lift my head to see the noise he makes in hope of a turn
He'll never receive the bone he is looking for, this dog on a mission his fur all damp and wet from a swim. His ears floppy and tail short if he comes by again and gives me a wink, I'll know the coast is clear from whatever task is complete.
  My book is in the car which isn't terribly far but to leave my seat and get on my feet seems like such a chore when the wind is blowing my hair and my green tea can cold a pack of cigs and I think I'm already gold. The book can wait, it's taking a twist Maria doesn't seemed too concerned about her lovers death but consumed by the clandestine love affairs when all the glares she thought were hers were now shared with a shoebox full of letters, cards and daring pictures along aside gift cigars.
The lake is calm, I'm happy I'm here rather than the busy streets which take its toll, always on the go but instead I can kick back and watch the hands on my wrist tick on by if I'd like, there is no one stopping me, no one to fight. I should look for a job but maybe in the fall, asleep out in the sunshine to clear my wandering head. No sign of rain the clouds have gone. I'll just listen for the  neighbor kids to pet Lou and Ill follow his lead and be a team player to see my mission through of fetching my book.
 May 2013 James Amick
chels
Sea
 May 2013 James Amick
chels
Sea
I am sorry that I
           pulled
                      and
                            pulled
u­ntil it hurt to move your feet apart anything more than six inches

I am sorry that I pulled you in
only to push you away
and leave you
with a knot in your stomach the size of
                                                                ­           canada
I did not mean to pull your stitches out and
open a glass case full of ghosts and
leave the sugar crystals stuck between your teeth I am
not who you thought I was I am
moonshine
under
moon shine and I am
a trigger warning I am a
trigger warning
trigger
warning
Don't forget about me
It took you some time to get
Where you are; no overnight
Fall or idle thought to drop out
Or taste how the other half lived,
Although now you know,
But a collection of erroneous
Decisions or the wrong people
At a bad time, or maybe that child
You lost and husband quitting,
Was all too much for you
To soldier on in the complex
World of the here and now.

Shelter is shelter, you mumble,
Sipping the warm soup, the memory
Of the last good supper long forgotten
Or put aside in that room marked
Verboten, and the trainers, yes,
The trainers fit the feet well,
Best for ages, you smilingly mutter,
The rest are rags, but they keep me
Warm at the best of times, which
Are few, you add, sensing the chill
Of the wall against your back;
Maybe Buddha would not pass by
Unnoticing, maybe he will give
Smile or coin or kind words
Like oil for rusting joints.

You sit and stare and muse
And feel the wind whisper,
Sense the passers-by look down
At you, feel their eyes, their
Muttered utterances, their shakes
Of head, their tut-tutting, and just
Remembering now your mother’s
Soft hand brushing your childhood
Head, soothing the poverty from brow
And cheek, maybe that’s what you want
On this street, maybe it’s her that you seek.
POEM COMPOSED IN 2009.
 May 2013 James Amick
Cara Anna
Everyone has that place they go to when the world is too much with them. Or at least, near everyone. Mine is dark, like the sea, and it’s full of stars. It’s not quiet. It’s endless and orchestral, swirling with symphonies that I haven’t quite heard yet, symphonies that are always just a galaxy out of reach.

And sometimes it’s full of fields. I’m from the city, but they feel like home. They circle me and the sky is blindingly blue and I count my breaths: One, Two, Three, and so on. Until softly the wind blows and there I can imagine a different sort of song -- it doesn’t elude me; it consumes me. It’s there in the breeze, in the drifting bits of dust and pollen and tiny particles of sunshine. It’s great and beautiful and the first song that anyone ever heard.

And every so often. Only every so often. That song changes. It’s still within reach, but it’s a different tune. The song is light with floating, glowing ash; it’s heavy with a million voices and laughs and other songs; it drips with summer drinks and rushes through my soul. I am not alone in some black, celestial ocean or alone in golden labyrinths; home is no imagined place, nor are others just comforting phantoms. I am with them. It is more breathtaking than the stars, and more blinding than the sky.

It was like this that my summer began. In musical swells of escapism, visions of melodramatic beauty, grander than my true surroundings. It was built up like Fitzgerald crafted the West Egg, and it nearly ended much the same way; a journey homewards marked with disillusionment.

First came the traveling. I had hoped to find something I’d lost, and started out my search in the throbbing streets of Barcelona, saturated with sunlight during the days and at night with the sounds from sports bars as the football games ended, or young lovers’ laughter along the clear, black Mediterranean coast. Even the most hushed, winding alleys were full of something; perhaps this was just some magical element I conjured to make every moment new and original.

In Spain I found sea food and chilled beer and a bright rose to color my cheeks. I found churches crafted with dizzying dedication, art that made my heart stop, that somehow filled the world with its own sort of symphony.

Then came Paris. There was wine, red and deep and romantic, wine that Hemingway might have brooded over, or that Audrey Hepburn could have brought to her lips on some glamorous getaway from her Roman home. I found walls too, covered with Degas, with Monet and Manet alike, with Da Vinci and the rest. I discovered what it feels like to survey the Luxembourg Gardens on a July day, from a high shady point where despite denim shorts and a boulangerie sandwich, you’re aware that you’ve been graced with something that holds a euphoric regality.

And finally came a trip to Maine. On the shores of Bar Harbor I saw the endless pines and clear blue waters that spelled out the promised land for the first explorers. Atop Cadillac Mountain, as I burrowed into my father’s jacket and hid my face from the wind, I found the stars, as endless as I’d dreamt. They danced for me as for Van Gogh and I could have died up there. I found cool mornings to be filled with walks to rocky shores, and tea and berries and books. There was a different quality here than had been in my European travels. It was introspective and quiet aside from the chirps of crickets and birds and the laps of waves on dark cliffs. I loved it.

Each place held its own collection. Sand and shells and Spanish fans; metro tickets and corks and long linen dresses lightened on the bottom from the waters of the Seine; sea glass pulled from the harbor and dream catchers and endless dog-eared pages. Physical, tangible, ephemeral things for me to grasp onto. I added them to my character, grafted them to my bones, made them my own.

But what use is imagined significance; I hadn’t grown or changed or even learned what it was I had been looking for. I was several weeks older, I had seen a few more corners of the world, granted meaning to trinkets and decided they added to my worth.

It was August then. Shorter days for fluttering leaves and the understanding that nothing separated me from the person I had been aside from the hours between us. Direction in life can’t be dreamt up, it’s earned. It’s what you’re allowed to have after you’ve fallen down and picked yourself back up. I fell, but chose to imagine a new self in faraway places where my troubles couldn’t find me amidst the breezy, sunny crowds.

The cobblestone Parisian streets, the docks of Barcelona, the coves of Maine; they were only where I fled to when my own world was too much with me. When I couldn’t find any use in continuing as myself, I invented a girl laughing on the edge of l’Arc de Triomphe, wading quietly into the inky mystery of the warm sea, or hiding in pine forests with a copy of Wuthering Heights and a serious demeanor. She was the same girl that lost herself into empty fields and dark oceans of stars.

Only one thing stopped the self-absorption that had claimed me that summer. It was nothing fateful; nothing original. I didn’t traverse the world to see this, and the experience was not mine alone. It didn’t hold any old hollywood glamour, nor was it the topic of any of Hemingway’s books. Or maybe it was. It was true, after all. It was the truest thing I did the entire summer; it wasn’t adorned with portraits or cathedrals or soaring landscapes because it didn’t need to be. Hemingway, I think, might have liked that. What I’m going on about now is that Every-So-Often moment. It doesn’t stand lonely in my memory, like so many of the others might. It’s brimming not with strangers and false romantic visions, but with the company of those souls you’re allowed to feel like you’ve known for your entire life, for more than your entire life. The sounds of empty seas and shapeless symphonies have no part; instead, there’s the strumming of guitars with songs so familiar they place an ache right in the core of you. You ache because that moment, full of bonfire and friends and song, is becoming you in a way that nothing else could have (for all of your efforts). It’s a beautiful ache, the one you get when you’ve come home after a long time spent lost and away.
 May 2013 James Amick
Tim Knight
Like a magician,
my suspicions were correct:
you’re an Esmeralda and very rich.

How could I tell, well:
            your stitches are sewn by money,
            the hair you possess falls as if honey,
            your tall cappuccino, three-extra-shots, is mixed with cinnamon,
            don’t get me wrong, you look lovely, but please floss,
            homemade bread is not attractive when lodged in pink, smoker’s gums,
            does your Father know you smoke
            or is choking fun?
            Cancer cannot be undone like your lower than normal blouse,
            so button up and stop with the arousing, ‘cos
            everyone here is doing work not listening
            to your fabulous conversation about Billy and Meg,
            cosy in the thought of love, playground love.

Like a magician,
my suspicions were correct:
you’re an Esmeralda and very rich.
TWITTER >> @coffeeshoppoems
don't feel sorry for me.
I am a competent,
satisfied human being.

be sorry for the others
who
fidget
complain

who
constantly
rearrange their
lives
like
furniture.

juggling mates
and
attitudes

their
confusion is
constant

and it will
touch
whoever they
deal with.

beware of them:
one of their
key words is
"love."

and beware those who
only take
instructions from their
God

for they have
failed completely to live their own
lives.

don't feel sorry for me
because I am alone

for even
at the most terrible
moments
humor
is my
companion.

I am a dog walking
backwards

I am a broken
banjo

I am a telephone wire
strung up in
Toledo, Ohio

I am a man
eating a meal
this night
in the month of
September.

put your sympathy
aside.
they say
water held up
Christ:
to come
through
you better be
nearly as
lucky.
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