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shuffled into the hallway
the laughing ignorance
stews in its bathrobe and cigar
at the edge of its own manicured lawn
with a pale eye it it calculates
with a thin cold lip it ponders
he makes his lazy way to his bed among the spilled leaves
makes his way to the comforts of eyes closed visions

the laughing ignorance proverbial
fool in ragged cloth dancing a jig
on a spring moon's grave
flowers in hand and wreaths of holly adorning
his head like a crown of soft thorns
his skilful laugh echoes across the barren field
littered with the passing of days
strewn with the formulations of nights bitter embrace
no mere words can delay or
mislead the way that darkness creeps into the mind
when alone with its own devices

done with his jig
he sits on the springs moons grave
and sips at the christmas wine
savoring its crisp life on his tongue
the laughing ignorance still wearing
the dancing fools leather shoe
is a hobbled prisoner of his laughing jest
no other time or place has room for his kind
for his pantomime of long lost victory's
on beachheads of distant sandy shore

his rancid eye calculates me
in all my rumoured mistakes
and he speaks to that dream not to me
so i will leave him here
standing in manicured existence
of his own sour pain
the fall will find him sleeping sweetly
on the spring moon's grave
and it will renew him
leaves swirling down as the world steals the crown
of the tree above
he will be a young man once again
renewed by the promise of maidens dancing
and the dance of winterlight on snowbound fields
To love you breathes an art.
Your body is the canvas my hands yearn to paint.
The sculpted shape of your form is something I’ve only known dreams of.
Kissing you is like my lips have met the stars.
Hearing you sigh sounds like the sand rejoicing for another wave.
Seeing you looks like the first flower bud in spring.
Embracing you is like the pleasure a horizon feels in receiving a sunset.
To love you breathes an art.
A mirror is never just your reflection,
My mother once said
The mind has this devilish way of
Twisting
Things around
Making then a lot more or a lot less
That what stands before me
Suddenly
My face isn't my face anymore
Instead
I stare blankly at a blueprint
Society itself has hand-sketched
For me.
Post-it's on where things had gone wrong
Scribbles on things I needed less of
Highlighters on places I needed
Brighter brights
Thinner thins
And I just stood there
Watching
As these self-proclaimed architects
Unraveled
The plans they had for a body that wasn't theirs.
Accepting
The new rooms they had drawn next to the ones that already existed,
The ones that were always there
The ones I made a home out of,
The mole on my ear
That never seemed out of place
Until,
The impact of a critical post it told me so.
The place where my thighs met
I've always ignored,
Assuming I was normal
But the scribbles that
Begged
For less of me,
Proved otherwise.
The marks of stretched skin
I considered battle scars over a few calories at a buffet table
Nullified
By society's architects
Disapproved
As if it were up to them
Invalid
Like human came in the form of overruns
But I stare at this blueprint that suggests to change me from
Floor to floor
Head to toe
And wonder
If the one who owns the lot in which I am
Wonder
If He wanted to change me anymore than them
If He liked the original rooms
More than the ones carved to fit the trends
If He wanted me to ignore the architects
And the drafts of copies
And copies
And copies
Of different versions of me

Didn't He want me to accept the mirror for who I am?
I left this town in 75
a dumb drunk ****

or as a friend once
poetically observed
"a beer quaffing linebacker"

but tonight I return
an enlightened poet
ready to recite
a stack of poems
eight years and two days
removed from my last drink

now relishing
the sweet intoxication
of drinking in
seas of words and letters,
brading a life's narrative with
solitary lifelines of truth

This town knew me

I know this town

The pomp and circumstance
of my high school commencement
occurred in this very place

I know the exact spot
near St. Mary
where Moose was killed
that awful
Good Friday evening.

After enjoying
the team revelry
at a Saturday Night
victory party;
I ran my hand across
the scarred Poplar
on West Passaic Avenue
that abruptly ended
Fic's life.

I slink past the house
filled with heinous memories
of my youth, cringing
through relived nightmares
of my father brutalizing
my naked mother in
an alcoholic rage;
and remain busy
trying to lick the still
raw sting of running wounds
inflicted by a mother
consumed with a
raging bitterness of
self righteous resentments.

Beer, *****,
Strawberry
Boone's Farm
and lotsa rolled bones
destroyed my family home,
murdered childhood
friends and greased
the wheels of
getaway cars in
fruitless attempts
to escape emotional
nightmares.

From where I stand
I can throw a stone
in any direction to mark
the scenes of
a hundred stories
that authored
the constitution
of me.

Across
the street
I can see
the lights burning
in the apartment where
Weehawken Joe
once lived.

Take a look.

He was crazier than
Tony Montana and
like Scarface not a
single lie could
be found in him;
he also possessed
the gift of
the best jump-shot
the Bulldogs ever had.

Years after I left town
I burst into tears
when Buns Hines
broke the news that
Weehawken  Joe
died of throat cancer.

Mortality is a
bitter truth
to swallow.

All along
Park Avenue
old commercial haunts,
save Varrelmann's Bakery
long gone.

Further up the street
my pilgrimage ends at the
WCW homestead.

In the fading light
of a glorious
autumn afternoon
the house appears
rundown, empty,
mournfully shabby.

On an upper floor
a lace curtain gently
flits and darts out an
open window.

I ponder
the words
still dwelling in
the dark closets
haunting the rooms
of this distressed edifice.

I wonder
how they now
sound?

The faint noises
hidden in
dusty corners
moaning a
ghostly presence,
creeping the halls,
clattering about
the kitchen,
bounding through
the living room
in an old beat-up
Red Wheelbarrow;
rolling along
moving to manifest
faintly whispered echos
into fully formed phrases;
liberating expressive sentiments
of a very blue house...

Eight years, two days
removed from a drink,
I'm grasping for letters
fumbling for the words
listening for sounds
churning within me
seeking to release
the revelations
of my truth.

Crosby, Stills Nash & Young
On the Way Home

William Carlos Williams Center
Rutherford NJ
10/02/13

— The End —