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Hayley Neininger Sep 2015
I fell for you
Unconventionally
Because you aren’t perfect
Because you smell like sweat and sawdust
Because an hour with you
Is a guaranteed five laughs
And ten thinks twice-s
Because I didn’t plan on loving you
In fact I fought it like you did
Like a wild beast
With an anger like from being taken from its home land
With its hungry empty belly growls
With demands of its obedience from whips
With the ferocity of a caged lion
But also with the innocent of a boy
Looking at that lion from behind the zoos gate
Because so much of me
Wants to be gentle with you
Just wants to hold your hand
Tell you goodnight
Pour you a cup of coffee in the morning
Tie your tie for you
Unconventionally
At best
And terrifyingly at worst
Because in the middle of the night
I feel like more of a lion than a child
And I want to tear into you
With claws and fangs
Rip you to shreds
Because that’s the only way a lion knows
How to say
You are the finest, most exceptional, rarest person
I have ever met
And really even that is a childish understatement.
Hayley Neininger Nov 2012
Promise me you will not
Spend too much time talking
Forever trying to dilute oxygen from atoms
So that you eventually forget
I mean, truly forget
How much you love the sound
Of my voice
Embrace the ache you feel in my voices
Absence when you go away
So that you always remember how much
Every word I spoke to you kept you company
Promise me that even on this circular planet
When you stand as tall as you can
That even though you can’t see the end
That you will look anyway
And when you look you will always be searching for me
Even if you sometimes slump over the curve on this earth
And your stomach aches with the pressure of your arched body
Over this rounded mass
That you will ease the pain by keeping your chin prompt up
And your eyes always forward
Place your face in my hands if you must
I’ll hold it steady so you can have a better view of all you
Can be
And that way you’ll never really have to search for me
You’ll feel me under you holding you up
And every now and then I’ll turn your head
So you can look in a different direction.
And if the thunders of this world are really just the growling
Of your stomach over top of it
Ill feed that ache with my song, my poem,
My nighttime lullaby that didn’t last long enough
You don’t need to convert oxygen in that atmosphere
And either way if you choose to talk
No one would hear you, so don’t waste your breath.
Promise me to wait to talk when you come back down to earth
And you have something true to say.
Promise that when you’re done saying it that
You will listen to me then
Even if all I have to say back is I love you.
Hayley Neininger Mar 2013
Love is a terrible thing.
A horrid and invisible thing.
The one thing that defies the human
Fear of the unknown
Oh but we want to know it.
We want to see it to hold it
So badly that over the millions of years
Of both our and its existence
We have died for it, killed for it
Begged and sobbed on our hands and knees for it
This invisible force of good feelings and warmth
That we think circles tangibly around us-
Swims and ebbs around our fellow man
Connecting us all and touching the lucky ones
But it isn’t enough.
We want to see it.
We want love to take a form we can mimic
And hold forever
So over the years we have thrown things at it.
Hoping love could somehow catch it
Be consumed by it, covered in it
Its illusive form reveled to us finally
With our clever trick
Writers douse it with ink
Artists with paint
Bakers with flour
Churches with gospels and white ropes
And smartest of all
Teenagers, who throw at it their own bodies
Hoping to trap it somewhere
Between both of their naked beings
Those teenagers  who don’t have anything else to offer it yet
Nothing to throw at it
Nothing to lose in it yet
Still thinking love isn’t a terrible thing.
Hayley Neininger Jul 2012
Loving me is hell
The brim ****** coal melting the
The rubber base of my shoes
Leaving my soles bare
And red and raw
Pulsating with heat pumping
Blood into my skin in attempts to
Make it live again
But my body is faulty
And it does not know the flakes around my toes
Are already gone
And any aid to save them is as useless
As rubber trying to fight fire
Loving me is hell
Because when I burn my feet I cannot stand any longer
And I will need you to carry my rotisserie rotten
Soles to where ever it is you wish me to go
And at first your arms are strong to hold my weight
But like everything else
Like the iron on statues like
The wood that built a house
They will weaken
And I will only be a burden of a beast
Whose soles not unlike my own heart
Makes you wonder if they are still completely in tacked
And you will consider throwing my body back
Into that fiery hell
Because loving me is just that.
Hayley Neininger Jul 2013
Loving me is hell
The brim ****** coal melt the
The rubber base of my shoes
Leaving my soles bare-
And red and raw-
Pulsating with heat-
Pumping blood into my skin in attempts to
Make it alive again.
But my body is faulty
And it does not know the flakes around my toes
Are already gone
And any aid to save them is as useless
As rubber trying to fight fire.
Loving me is hell
Because when my feet are the first to die I cannot stand any longer
And I will need you to carry my rotisserie rotten
Soles to where ever it is you wish me to go
And at first your arms are strong enough to hold my weight
But like everything else
Like the iron on statues like
The wood that built a house
They will weaken
And I will only be a burden of a beast
With soles so black you will wonder how a soul
Could stay in that fire and still be in tacked
And into that fiery hell you will consider throwing my body back
Because loving me is just like that
Hayley Neininger Aug 2012
Loving me is hell and hell is dense
And hell is heavy
And hell is hot
Dense with the influx of passing souls
That nudge elbows of their brother sinners
In tight elevators that hum not
Piano music but drums so loud
They convert heart beats to 808 rhythms
They shake the victims of vices so
Hard the change falls from their pockets
And bounces back up into their eyes
Hell is heavy
It is heavy with the weight of lies
And of the truths of passions sought and met
With only finger tips and white lips
The vicious bosses of mobs
And the cemented feet of snitches caught
Hell is dense
It is packed tighter than fingers in fists
Clenched fixed on righting wrongs
The air there is hot with breathes
Held in and finally released with
The unbuttoning of sliming corporate tuxes
Fastened inside out so the brass buttons brand and burn
The business boys’ bantam bodies
While they look up at the men the tired to measure up to
But where always a stich or two short
Hell is hot
Hot and steaming with the blood of the corrupt
That was spilt and then encountered a tilt
Down a funnel mixed with rotten oil
Left stagnant by sinners that sought not
To move a finger to clean up that gunk
The steam from sinners water not sweat
Boil sweet and steamy up into the
Mouths of men with jaws wired open
And rested on their bellies that are propped up
By guns taking all that is sweet for themselves
This is hell
This, like me,
Feels tastes sounds and smells
Of dense hot and heavy
Sins deadly appealing
And dammingly just.
Hayley Neininger May 2014
I’m the luckier of the two of us
I get to see you
In a way you could never see yourself
The better way to look at you
A way that’s not in a reflection
Or in a photograph
In a way that allows me to see how your eyes light up
When you talk about your passions
How your smile crinkles more to the left
When your eyes are closed
How every part of you glows when you feel love
And believe me I crave every part of that glow-
Especially your eyes, the kind you could get lost in
And I guess I did
And since I am the luckier of us two
I promise to always look closely
And to always tell you intimately
Of all the things about you, you aren’t lucky enough to see.
Hayley Neininger Dec 2011
I am at my best in my madness.
The monsters of my mania are too sly
To let me think anything other than-
Hayley Neininger May 2014
You look your best mid-swig
The way your neck bends
And water or beer or sweet tea
Flows down your throat
And I know your thirsts are quenched-
When you look surprised your eyes
Open real wide and your eye brows
Tip-toe to barely kiss the bottom of your hair line-
Unless you're wearing a hat
That you like best backwards
And these are the little things that I hope only I notice
So that if you were ever to go missing only I-
Could describe you accurately
I'll describe all of these little things
To the lead detective
And I'd tell him about
How the bridge of your nose crinkles
When you **** in your cheeks
And blow out air.
Hayley Neininger Jul 2013
If I could change anything about you
That would be a mistake
Maybe the mistake I would make
Would to be changing you so you never met me
Only so I could met you again
But that would be selfish
And frankly quite weird
Because I don’t think I could shake your hand
And let you tell me your name
Without finishing it with your middle and last
Or without asking if you needed anything at the store
Like those pretzels you like so much.
Hayley Neininger May 2012
This one is for my mother
My only gift that maybe and probably
On some levels just a re-gift
Of the gift she has already given me
Over the years and through the many
Pages in the many books she has read to me
The books that she pulled from her red-wooden shelves
And sat on her lap on top of peach printed skirts
And underneath her pale pink colored nails
Words that grew legs in my mother’s mouth
And were so well fed that they grew hands too
Hands, that stretched out so far they reached my ears
And tapped on my ear drums moors code
Tales of other sleepy children who just
Wanted to stay up, “please just one more chapter longer”
“Please, I’m not even really tired”
Tales that when looking back I hate to think
I never realized  
How these tales reminded me of her
From every little detail minute as the
Punctuations that penetrated the spaces
between my mother’s long winded breath
One story I remember in particular.
The crescent moon that cradled the cat.
The cat that escaped from her farm in search of more milk
Than the farmer was feeding it
That cat who ran to the sky thinking the Milky Way—was just that.
Only to realize the love of the famer
Tasted better than how stars
Felt on patted and pawed feet
So the moon held the cat and slowly dipped its semi- circle
Cavernous cradle down to the earth again
Into the hands of the farmer
My farmer, my mother earth
With one undone overall strap hanging below her shoulder
That in my childhood I would tip-top to thumb the edges of
That metal that spooned the silver button hook.
The shiny metal like a bookmark
That I hope will never find its page
In a book I hope my mother will read forever.
Hayley Neininger Nov 2012
Monsters and hearts are not too different
Their presence is only known by their uncertain existence
Be it, in dark bedrooms or in dark rib caged chests
They are both feared in their tangible appearance
A fear that they could both strike out violently
And at any time, suddenly jumping out of those
Places you can’t see
Only to show their faces to you for the first time
As the last thing you’ll ever see.
Hayley Neininger May 2013
I think I knew you as a child
not then you were young but when I was.
you weren't a child at all to me
in fact I think you were something else entirely,
a haunting shadow at my back
less peter pan and more boogie man
I could feel you growling at the bottom of my ears
hot breath wet with spit whispering things I couldn't understand yet
you were frightening-
the reason I slept with all the lights on
and the closet door always either wide open or completely shut
my fear of what you were slept in my dreams
it manifested your face in my imagination
as I had never been brave enough to look at it
as a minster with fangs and claws
gills and wings, things that couldn't exist together
that somehow all lived on you.
I was seven or so when I first felt you
and not knowing what to call you I shouted at you all the names
of all the four letter words my little ears had hear
from much older mouths
I used to hear you though, your feet bumped to the beat of my
heart like you  wanted to match my pace
like you thought I walked with my heart as my feet
your breath was as heavy as mine
and sometimes I swore you lived inside me
how else would you know the structure of my organs so well
I lost you around 20 when
I learned that monsters weren't real they were just something that
bore from vivid and growing children's brains
a year later I meet you again
I didn't know your face but you felt like
something I felt before
you made my heart race,
my fever pace around apartments and staircases
my breath struggled to keep up
and so did yours as you chased me
matching my foot steps and labored breaths
acting like a shadow around noon that reapeared again
after you thought it left
the monster I had known as a child
really was you wasn't it?
something powerful and scary and unknown, but familiar
I wish I would have looked under my bed sooner
I wish that instead of having fear for fangs I had strength to see your eyes
yo find out sooner that monsters don't live under beds or in closets
and they don't exist solely for children
that monsters can live inside us
and if we just look at them without covering our eyes with fingers our blankets
we could see that the unknown isn't a masked monster
that what is masked could be love,
be it scary and unknown
it lives in us just the same
wanting to be seen for what it is and what it is is what we are
apart of ourselves that never changes or ages and
knows us wholly as us, even down to how or organs are structered.
Hayley Neininger Apr 2013
I want a love
A love like the moon has found
In the sun
The sun, who dies everyday
So the moon can live
And the moon who dies every night
Just the same.
They extinct themselves for the others existence.
ehhh
Hayley Neininger Apr 2012
I tried to describe you to someone
The other day
At a loss for affectionate nouns that
Would string together adjactives
Of how much I miss you.

Words sat deep in my lungs
And puffed out squeaky and small
Smoke-tainted coughs
Laced with conversations we had
When I first put that smoke there.

Words pilled up at the base of my gut
Twisting my insides the way you said
Yours did when you thought of planets.
Words that if formulated in my mouth
Would tell you I would ****
Just to be a moon circling in your orbit
Picking up rocks of you
You thought had fallen off forever
And were meteored through the universe.

Words that you once spoke to me
At night on a bench
Carried in my moon-hard
Lungs as smoke
That when I speak of you
Heat me thaw.
Hayley Neininger Apr 2012
I tried to describe you to someone
The other day
At a loss for affectionate nouns that
Would string together adjactives
Of how much I miss you.

Words sat deep in my lungs
And puffed out squeaky and small
Smoke-tainted coughs
Laced with conversations we had
When I first put that smoke there.

Words pilled up at the base of my gut
Twisting my insides the way you said
Yours did when you thought of planets.
Words that if formulated in my mouth
Would tell you I would ****
Just to be a moon circling in your orbit
Picking up rocks of you
You thought had fallen off forever
And were meteored through the universe.

Words that you once spoke to me
At night on a bench
Carried in my moon-hard
Lungs as smoke
That when I speak of you
Heat me thaw.
Hayley Neininger Mar 2013
My body is a map
One that isn’t pinned up by pushpins
On plenty of pinning boys bedroom walls
Too big to see individual trees but big enough
To hold hopes and dreams
Strung together by red lines and black words
That title places they have yet to have seen
But man, how they wish they could visit me.
No, my body is more of a landscape
Still sitting on a easel that belongs to an artist
Who cannot bring himself to hang me up yet
Who can’t yet declare my permanence with a tac
My body is like that that.
Held in a state of constant change but only minutely
My mountains and streams haven’t changed for years
But the leafs on my branches transform ever so slightly
With aging paint brush strokes
That only I and my artist know are there
My features have no home
No place on a map to pin
They hold a kind of secret place that only
Few have seen but none could not say wasn’t me
But I still look similar to places they have already seen
No, my body is more like art.
When I was born I was naked like you
Pale with promise
And over time I was colored with age
I was wrinkled with paint
And damaged with a sometimes heavy hand
But even with the same wood skeleton as you
My un-uniformed array of colors
Only represent what I really am.
Hayley Neininger Apr 2012
And again you fall up.
Fall up into your own head.
Your tangled strings of thoughts
Slither and snake around themselves and choke
Themselves out with a pressure twisted
Tighter than boy-scout knots
Ebbing around painful snaps of rubber band nerves
Looping around the tennis ball of your brain
And as you fall your foot snags on the ringed
End of a threading needle and as you kick it deeper
Into your soft red pin cushion mind
You are hanging with your legs pointed up
With your fingers just barely *******
The edge of that whiskey bottle
The needle breaks.
And you fall down into that drink
Dousing your brain with boiling hot liquid
Hoping that your knotted thoughts will
Melt into spaghetti, soft and loose
Barely circling the fork of your brain
And finally unravel the pressure of
Being the only person who falls both ways.
Hayley Neininger Mar 2014
I wonder if my mother ever struggled
With whether to give me roots or wings-
If she looked at me as a seed or as an egg-
I wonder if as a child she thought of
Planting me in the earth, letting me grow strong
In one spot she see could always see
And I could always call my home
I wonder if when I was born
She stretched out my arms
Noted their strength and deemed them fit to fly
From one corner of this world to the other-
To her, was I an impending tree or bird
I wondered if she wondered
As she pushed me out of her arms
But then I knew she always knew I could fly.
Hayley Neininger Oct 2014
Try your hardest not to love people like me
I promise it will be worth the effort
To avoid a heart that beats as foul as mine does
One that will take you to the ugliest places you’ve ever seen
And have you dance in dirt and swirl in broken glass
But I’ll kiss you in those places
Every one of them- in such beautiful ways
You’ll start to think blood smells like my perfume
And that thorns are more beautiful than flowers
I’ll make you want me
In the way that a tyrant wants a kingdom
In the way that lions want antelopes
It will be maddening, it will make a savage out of you
And by the end of it when I leave
And surely I will
You’ll be a hybrid of a human
That hunts for hysteria and hungers for hostility
You’ll be so soiled by me
You’ll see the world as I do
You’ll understand a little more about things
And how awful everything is
You’ll know why we name hurricanes and not rainbows
And I’ll be one of the hearts worth the effort to not love.
Hayley Neininger Apr 2013
The moment I saw you
It was if
I had never seen another woman in my life
Like all the other women
I had known before
Melted into one person
And quietly stepped out the backdoor of my memory
I was aware both by the amount of children in the world
And the amount of drinks being bought by other men at bars
That there were in fact other women
But not for me, the moment I saw you
They all became faded images in someone else’s head
And in mine there you were, and still are, clear as day
Standing with drink in hand, mouth moving
And there I was, and still am, waiting for them to stop
Just so I can kiss them
Like I had, and have, never seen lips before.
Hayley Neininger Oct 2014
The moment I saw you
it was if
I had never seen another woman in my life
like all the other women
I had known before
melted into one person
and quietly stepped out the backdoor of my memory
I was aware both by the amount of children in the world
and the amount of drinks being bought by other men at bars
that there were in fact other women
but not for me, the moment I saw you
they all became faded images in someone else’s head
and in mine there you were, and still are, clear as day
standing with drink in hand, mouth moving
and there I was, and still am, waiting for them to stop
just so I can kiss them
like I had, and have, never seen lips before
Hayley Neininger Nov 2013
Nightmares are a hell of a thing to happen to a person. They only exist in the perfect storm of conditions, elaborately timed coincidences that spiral into a world they know can’t possible exist. And yet, at the time, in the eye of this perfect storm, the fear of things that are not real is completely rational. It must be dark, pitch back even; there must be noise like floorboards creaking or perhaps something more obviously ominous, a skipping record player for instance. There must be a thing, an unknown thing with terrible intentions, malevolent and insidious, unknown to compassion or love. These are the things that breed goose bumps that render irrational people into rational cowards, what a thing to happen to a person.
Hayley Neininger May 2013
no one loves like we do
no one appreciates the weight of another's
hand inside our own
nor the wrinkles from another's body
in bedsheets
nor the balance of another's heart
on our sleeve
not quite like we do.
Hayley Neininger Jul 2013
With no secretes and with no lies
I love you
Although we have had so many words
Talked about so many things
These are the words that matter
And maybe the other things we say to each other
Aren't so important after all
But that we are alive together and as
Present for each other as best we can be
That’s what counts
Every finger you laced in between mine
Even when they were sweaty with nerves
Every touch of my hand to your shoulder
Even when you already had so much rested on them
Every word we spoke to each other when we said I love you
With no secretes and with no lies.
Hayley Neininger Nov 2013
The Places I’ve been
I’ve been in rain, I’ve stood
In puddles and I have watched
As the pools of water climb up my pant leg
I’ve traveled to different continents
I’ve hiked up the mountains that separate them
And I thought I had seen most of everything
The dips of this world and its highest peaks
And after all of this seeing
After all of these places of being
The place I remember seeing the best
Was a place I wouldn’t have guessed
Some rink-**** of a church out west
And even now I cannot tell you what
Art looks like inside the Louvre
But every detail of those nuns I can tell you know
The sound of their forks hitting metal plates
The sound of those same forks when
They were pulled between teeth
Their black coats fraying against the ground
Their protruding knees as they bend down
When they were praying the tiny mumbles
From a distance sounded like sweet-nothings
And I thought that this was their version
Of making love to the Lord.
Hayley Neininger Jan 2016
Come to me early in the morning
After all the world's bombs have been dropped in the ocean
When fish and whales scream silent to men
And their bodies wash ashore broken
Come to me as a jellyfish afterwards
Lying on a beach like a fractured glass heart
Solid enough to be buried in the sand
But shattered enough to never swim again.
Hayley Neininger Oct 2013
An ode to the letter y
A letter that holds a word
A fork in the road
A wishbone
The beginning of a question
The break of a tree
The arch of fingers signing I love you
Or rock on
An empty martini glass
An empty valley
One letter full of possibilities.
Hayley Neininger Oct 2013
Be my innkeeper
Light up the no to my vacancy sign
When I’ve had a long day
Let it flicker like the neon
Sign at the ABC store a few blocks away
And when the next day starts turn it off again
And let in those who’ve had worse days than me
Rest their heads and let them be
Remind me of myself and who I am when
You are my only tenant
But don’t let me forget that while
Yours is the most important
I always have a room for more.
Hayley Neininger Mar 2014
I’m awake again now
And I have to get out of bed
Maybe its 2 maybe its 3 am
But just the same
I step out
Walk around
This apartment with the fevered steps of a mad man
In these moments, oh I know you Ophelia.
The walls of solace, silent, and stagnant
Around our troubled heads
Our love is indeed as brief
As we have been told
By men who madness seems to not touch
Because their desires have the longevity of steel
And you and I, Ophelia are made of clay
The water, I understand how it felt to you now
Inviting and cold
Able to sooth our aching feet
From the constant pacing
How nice it must have been to dissolve into its currents
To rid yourself of the heavy footsteps
Stooping on your heart the friction
Must have made your smooth skin melt
And oh, Ophelia I understand
How enticing that cold water must have been.
Hayley Neininger Mar 2014
The ordinary man
Is always, in part, the villain.
The supporting role for the hero’s story-
They are never adorned with
Fangs or ominous and dark eyes
Their evil is much more insidious
Subtle but complex
Within a man that could easily
Pass for the hero himself
If his bad days did not over shadow the good
If he did not so strongly hold steady
His own beliefs
So that he felt bound to bind them to others
We are all part hero and villain
What casts us in our role as one or the other
Is if we act on the small part of us
That fights to the death for our beliefs
In the face of the popular opposition.
Hayley Neininger Jan 2012
I believe you should suffer in life.
To solidify it, make it solid,
Real.
Even in your sleep.
And even in your dreams
You should dream of knifes and of guns
Pointed square at your heart
The sound of the gun clocking back
The rush of the knife slicing your skin
Should be as painful and drawn out
As when you awake in the morning,
Patting your bed for liquids
Checking your sheets for the blood stains
You could have sworn would be there and
Are bewildered they aren’t.
Even in the sleep where
Your body and mind
Still let you act like a child
With your puckering lips,
Grasping fingers,
Inaudible grumbles,  
Droll dripping onto your pillow,
Should then be invaded by
Dreams of that knife and of that gun
That makes you wet the bed
Where there should be blood.
Hayley Neininger Oct 2012
Dearest our love poem goes like this
Come to me again late at night
In between purple hues skies and patchwork blankets
Come to me when my parents are fast asleep
And they won’t be able to hear the one-two of your feet
Walk up the carpet marked stairs
And higher up still my bunk-bed ladder
And even if you miss the second step
Don’t worry if the thud of your body hitting the floor
Wakes them up.
**** it.
After you scrabble up into my bed and
Later when they come in we’ll tell them the truth
You were only trying to whisper me
Your secrets
And I was born with ears in my mouth
And let them find out
That some people were born like that
With body parts hidden in odd places
And senses that overlap organs
Making it hard to understand why I have
To taste your words
And see your heart
Because I was also born with eyes far apart
From my face and somewhere close to my chest
And it just so happens to be I found someone like you
Who was like me too
That was born with their ribcage unattached
So when we hug I see your blood
Flowing in and out of your beating heart
I could touch it with my eyes they are so close
But I won’t.
See I was born with my feeling on the arms of my blouses
And when you take off my shirt
I brush against the bend of your knees and fall to
Tickle the tops of your toes
Where your mouth supposedly isn’t supposed to be.
Hayley Neininger Jun 2013
I used to write about heaven
Because, I knew that I was the type of person
Who would never see it,
Not one that drinks too much
Swears very often
Smokes so heavily, as I do
I used to think there was beauty
In a place that I couldn't see
In a location that isn’t mapped
I thought that in the absence of the tangible verification
Of its own acuality that
It could be anything I wanted it to be.
It changed over the years
First I wrote of it as a couch of clouds
Blue bundles of cotton
With light pink underbellies
That floated free and molded to only me
Then I wrote it as if it was a movie theature
With pictures blown up in front of me,
Mostly home movies that would zoom in on my mothers face
As some Elton John slow song played in the background
Timed perfectly with my mother's movements
And the popcorn was free.
You read all of these ideas of mine
Of what heaven was like
And you agreed and said,
"They are equally bad places to never be."
Now I don't write of heaven often
I sleep next to you much more
Than I drink
Or I smoke
I still swear very often
But the beauty of a place I can't see and could never be
Seems to have lessened to me now
And my idea of heaven are things I can verify
This bed,
Blanket,
Your head underneath a pillow.
Hayley Neininger Nov 2016
When I was a little girl I wanted to be beautiful
Like the princesses I grew up watching
I wanted to look like a sunset
Feel like velvet
Sound like the prose
Spoken by lovers in the throws
Of shedding of every stich of their clothes
And in a nose I would smell like a rose
Every sense sensed of me would
Make sense of me
Since sensing me would be like sipping sweet sensuality
But now that girls want is a woman’s burden
Because I am beautiful
And men flock to me as the ocean flocks to the shore
As Desdemona feel in love with the moor
As the lion is obligated to his roar
But I want more
Than to be beautiful
More than the summers day I can be compared to
More than the ways you can count to
I want to more than just inspire the lyre that plays a song
I want to make the notes it plays
I want to write down everything it sings for days
¬¬to Put into words truth as beauty
And beauty as not always truth
To have the eyes of angels but be ****** for their knowledge
That creating beauty holds less weight than when its clear on your face
But by grace
I will still always want to be viewed as the poet and not the poem
work in progress.
Hayley Neininger Mar 2012
If I were a man
I would ask out a girl just for the hell of it
Because either way ive been waiting far too
Long to try that restaurants grilled halibut
I would sag my pants down low
In any given social situation
I would wake up in the middle of the night with a cold sweat
Fearing that doctors castration
And in the same situation I would burp real loud
Because I drank too much beer
Or ate too many chips
And what is a man to do
other than flip his own scripts
and rip on other men’s trips
and say, “dude you’re so gay”
if I were a man
I’d probably put bumpin’ speakers in
My Honda civic
And id bust out loud rap as I turned and whipped it
In front of all the pretty girls
The ones with hair curled and necklaces made of my pearls
Ones I wouldn’t call back because I paid attention in math
And knew the male to female ratio was 1 to 4
And that left me with 3 other girls to score
But sense I am not a man
And according to them I am some-what less than
I’ll belt my pants suffer your ****** glance
Deny you a dance and instead of implants
I will wish for a transplant.
Hayley Neininger Nov 2012
you pledge allegiance to a certain type of government
a nation that is ruled by fat men
in ***** dens that cloud the air with smoke
that waters your eyes so you can water their poppy fields
all the while with your right hand over a heart
that beats feverishly with the influx
of toxins that mix with your blood
diluting the poppy petal red
with clear atoms that bubble on spoons
in the shape of bone crossed skulls
they rule with iron fists clenched around
green paper that they take from you and your people
and sell fresh needles as necessary happiness
to counteract the sadness they have created and placed you in
they sit there with smoke rings coming from o-shaped lips
that ring around the perpetual cycle of
supply and demand
supplying addiction and wrapping it in itches
and demanding your free left hand
scratch that itch.
scratch that itch so hard that your skin opens up
and the pain requires more relief.
the nation you live in waves its flag with
173 stars representing Celsius and not celestial
because space is far away from this place
and offers too much unknown for you to think
that unknown is the opposite of the sadness you know
and maybe there is happiness there
where hands are free from swollen veins that act
as puppet strings.
really really rough draft
Hayley Neininger Sep 2014
I know the good and the bad of it
Where the pendulum has swung
And where it intends to swing next

My body is filled with the knowledge of it

Poisoned marrow mixed in my bones
With a fresh prescription of penicillin
An invoice sitting on the coffee table waiting to be paid

My hand hovering over an overflowing astray
Holding a half smoked and forgotten about cigarette
A dust pan prompted against the stool it’s on

My growling liver eating the contents of my wallet
Leaving a receipt from the ABC store clinging to the condensation
Moistening the bottle of left out ***

This feeling of post apogee
The silent deafening moment
Of situational actualization

The view from the tipping point that lingers just long enough
To still see every vantage point, the good and the bad of it all.
Hayley Neininger Feb 2016
I wouldn’t call myself a princess
I know that because
I cut my foot when my glass slippers shattered
I blead all over the shards then tied wire around them
So those stained glass pieces would let you see the world
Through rose colored glasses
Because I woke up one morning to you cutting off my long golden hair
You said it was because every time you tossed in your sleep
You’d get tangled and tug it and you didn’t want to ever hurt me
Never realizing that hair was the only way I could reach you
Because I lost my voice and my legs loving you
My throat raw from yelling and legs too seasick to walk away
But you said you liked it better that way
It was easier for you to kiss a mouth that didn’t move
And touch a body that always stayed
So, no, I’m not a princess
But we are kind of in a fairy tale
Our story was a lie whispered to children at night
It was a dragon guarding nothing
It was the result of spells and potions
It was a silent mirror
It was just some made up mythical fairy’s tale
work in progress
Hayley Neininger Jul 2013
Promise me you will not
Spend too much time talking
Forever busy diluting oxygen from atoms
So that you eventually forget
And I mean, truly forget,
How much you love the sound
Of another’s voice
Embrace the ache you feel not when you
Are lonely and miss someone to talk to
But when you are alone and have no one to listen to
Always remember how much
Every word you’ve ever heard has kept you company
And promise that even on this circular planet
When you stand up as tall as you can
And then when you can’t see the end of it
That you will look anyway
To find the people worth listening to
And even if you sometimes slump over the curve on this earth
And your stomach aches with the pressure of your arched body
Over this rounded mass of a planet
Remember that you can ease the pain by keeping your chin prompt up
And your eyes always forward
Place your face in my hands if you must
I’ll hold it steady so you can have a better view
Of this world and the people in it
And every now and then I’ll turn your head
So you can look in a different direction.
And if the thunders of this world are really just the growling
Of your stomach over top of it
Know you can feed that ache with the stories of others
And when they get hungry you can tell your own story
One free from the ignorance of not listening to others
That have taken the time too, to get a better world view
When you do speak keep in mind all that you’ve seen
Promise me to wait when you come back down to earth
And you have something true to say.
Promise that when you’re done saying it that
You will listen even better than before
Even if all they have to say back is I love you too.
Hayley Neininger Jan 2016
You seem tired of it all
The constant and always puzzle
Of living and doing
Of being and breathing
I am too
Come with me then
And we’ll leave it all far and further away
I’ll knock at your door
With dreams in my eyes
And blankets in my hands
And you’ll still be awake
And you’ll open the door
And if you’d like we’d just leave
I’d take you everywhere that’s different
I’d show you wonderful places
Places nobody else knows
And if you’d like the perfect places of sleep.
Hayley Neininger Nov 2011
My breathing is heavy.
A force straddles my body, it pushes and thrusts over my chest
It starts to apply pressure to invisible heart wounds
I would not have known were their but for
The crushing weight intended to stop their bleeding.
Now feeling dry of blood I wait for the elephantine like force
To retreat, to allow my breathe back into my chest,
But as I look down at my chest I don't see wounds
Just you. I ask please get off.
And your weight still sits unapologetic-ally over my body
My breathing has slowed now.
Your pressure reacts and heightens as it moves higher up my form
Now it is perched atop of my neck
Now I can’t speak, can’t tell you to move, can’t vocalize
How your weight aches.
How I would ask you to please get off
My breathing is undetectable.
Bricks of your flesh rest atop of my head, now you've moved higher
The weight of you ebbs into my pores
Travels through my veins and pours into my thoughts
You and your crushing pressure have been absorbed
And now weigh on my mind
And to be frank you are quite heavy
So please get off.
Still a work in progress.
Hayley Neininger Nov 2012
I want to know all of you.
The tiny blemishes that would be imperfections
If they marked up any other body but yours.
I want to know the stories behind your scars.
All the ones you've collected over the years
And display on your body
Like old books on a library shelf  
I need to thumb my fingers over those puckered patches
Of skin because all your books are written in braille
And I want my fingers to know those words
In ways your voice couldn't describe.
These welts of words make up the story of who you are.
I hope you will let me open you up
And I hope that after I read all of you
You will still know
That I will always kiss you as sweetly as I did before
I knew all your wounds.
Please know that I will not think you are any less pure
To me as you were before I understood.
Purity isn’t real anyway.
It’s a prison of a concept that’s made with
Bars of guilt and of shame
Keeping you trapped behind your past.
But you are not that to me.
You are my future
And even if I add to your seeming imperfections
And give you a few more scars
Be happy that when I re-read the braille books on your body
I will read about me too and how I want
Nothing more than to add to you.
Hayley Neininger Apr 2013
I dreamt that I wrote to you last night. I woke up with paper cuts in between my fingers, lemon juice that stained my bed a ****-yellow color, ink embedded underneath my fingernails,  and every time I reached down to scratch my ***** I left a shameful line of old black ink. I think I’d have mailed it to her if I knew that when she read it she would scream with a horrid realization. A realization of finally understanding the monster she use to sleep next to, before the **** sheets before the ink stained boxers. I’d have mailed it to her if it wasn't just in my dreams. I imagine that the lines in my letter were laced with layers of lucid logic that stringed together feelings that con-caved in on themselves. That ate themselves whole;  but instead of making them disappear entirely they grew twice their size and spilled over the pages and underneath my nails. The diction I imagine I would have chosen to write with would be read with a southern twang.  Slow and drawn out. She would have to read it with extra syllables that her tiny lungs could not possibly hold. It would make her choke, for the first time, on words that weren't her own. My words would finally fulfill the dreams of my hands; constantly wanting to ring around her neck like I was seven again on the playground and her name was Rosie. I wouldn't have rhymed in my subconscious, to me that always seems fake and I can’t really rhyme without having my voice break. I might, however; use from time to time red bold words laying in the middle of long paragraphs in hopes she would remember her red dress. Of how, before bed, it grazed over her slopping neck and slid off onto my floor. In my dream it’s still on my floor. I hope in my letter that I wrote out a picture of her seeing me seeing her put it on in front of our window the next morning and even though that dress was too short for autumn and she would wear it anyway. Because she knew it drove me crazy and because she wanted to remember me even after she walked out my front door. Mornings like that I begged her stay even if we had just fought over how much she snores, even if I had called her a **** one too many times the drunken night before. My letter, I think, would tell her that I wish she didn't have to bundle up and leave that she could instead cut up my bed sheets and make herself a new warmer dress. One that would have matched my pillow too perfectly for her to not lay her head on it and call it a hat. For her to pretend that my bed was the world outside the door. My letter would go like that. It would make her scream at first then make her remember that monsters can love too and knowing that; she would punch her new mattress and tear up her new pillows ones that I have never touched. She would scream, "*******!" preceding my name every time she landed a blow. She would say that so many times that she could never look at her new bed again without thinking of me, and of ****. When I dreamt last night I dreamt I wrote you a letter, but dreams don’t have hands that can hold pens. So I instead sent you my bed sheets, my boxers, I signed them with lemon juice and old black ink. Wear them, sleep with them, read them for what they are worth or toss them out because monsters with words like mine give you nightmares.
Hayley Neininger Mar 2013
When I forget who I am
When sometimes I feel myself go sour
I look at my family’s recipe book
I hope in there I find the right combination
Of flour and milk that will make me eatable again
I thumb over the pages of hurried writing
Three generations of women glued to
Paper connected by their spine bound
By aging, once white thread
Each woman offering me
A different dish of myself
Depending on the nourishment I need
Their faces ageing backwards in my memory
To when all of their faces looked just like me
And then, there I am
Half cup great grandma
One cup grandma
Three cups mother
Written on floral stationary glued to lined paper
The edges of me and bend and stained from each constant gaze
That’s me, with my name in their book misspelled,
“Grandma’s Three Hole Cake”
Hayley Neininger Apr 2013
I remember her red dress,
Of how when night came its thin straps slipped over her thinner shoulders
Falling slowly into a wrinkled circle on my floor.
I remember her seeing me seeing her put it on
She stood in front of our ice curtained window the next morning
And even though that dress was too short for autumn she would wear it anyway.
I think it was because she knew it drove me crazy.
I remember she would hide it underneath her long winter sweater
Like she was keeping safe a secret that was only just for me.
When she put on that sweater the light from the dawn
Would sneak out through the tiny holes in the fabric
It would look like sun-ray freckles kissing her skin
Her pale and previously unmarked body.
She pulled it over her head ever so slowly.
The leisurely motion in some way made me image a 9 year old boy
Who I imagine for the first time that winter hesitated
To pull but his snow boots over thickly crocheted Christmas socks.  
His feet look like her head in some way.
Both are somewhat unwilling to slide into warmer weather clothes
Both hiding a secret heating joy.
Hayley Neininger Jan 2016
Until we have to leave
Let’s set fire to the royal garden
Breathe in heavy all the smoke
And then call it intense
Make our bed in grassy fields
And on sandy beaches
So we have room to roll around
Put up our middle fingers to the law
And kiss each other in the streets
Once the government outlaws touching
I’ll call you poison
And you’ll call me morphine
Like they’re our ******* names
Remind the world that when Satan made hell
He took notes from when we said our goodbyes.
Hayley Neininger May 2012
I respect my body.
The same way I respect my house.
My red brick skin
Blushed with flowing blood
From my space-heater heart
My air-conditioner lungs I have routinely maintained
With long drawn out breathes of cool wind
I have protected my house with toxic pockets
Of termite poison
To protect my wooden frame
And I hang up pictures of love ones with
Nails inside tattoo guns that spell out their names
And I paint my home’s walls with different shades
Of colors to bring out its ascetic value
Like how I use blue eye-shadow so my guests
Can better see my eyes, bright blue
I eat vitamins like I vacuum my carpet
Cleaning up and persevering its worth
The ting-tang sound of a working vacuum
Paralleling the pitter-patter of those circular pills
As they fall down my throat
I seasonally change out my couches and my chairs
When I go to my mirror and tie-up my hair
A different look for a different season
Because my house deserves a separate look too
For when it feels the wind changing
And like myself my house would rather not be bare
So I dress it in marigolds and poppy flowers
And ivy that I have to cut down when I notice it growing too fast
Because like my house I am too beautiful to be covered completely
Each shrub I trim another inch of skin I can share
And I respect  it when I get home
I say just a little bit
More skin at the top
To show off my brick house.
eh....work in progress.
Hayley Neininger Oct 2015
And so it happened the
Brisk slip into intimacy
Into the non-peaceful intrusion
Of our souls
And surely it should have  
We made each other question or choices
Skew our realities
Change our day to day lives
And mark a before and after in our timelines
You aren’t Che Guevara
You aren’t Pancho Villa  
You’re a normal person
Who managed to revolutionize my life.
Hayley Neininger Jan 2016
You could take apart thunder with your teeth
The lighting in your mouth
Could light up any stretch of sky
The boom in your voice
Could make a thousand ripples
In any glass of water I hold in my hand
No matter where on earth I stand.
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