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24.3k · Jan 2014
Feminism.
Hayley Neininger Jan 2014
Feminism is not a bad word
It is more than four words
If you are a woman if you are a man
If you believe that gender equality
Is important, if you stand by your mother
When she shouts, “I am equal!”
Then you are a feminist.
And I’m tired, I’m tired and I’m frustrated
That the patriarchal society we live in
Would rather demonize equality
Rather than let it stand tall as the statue
It deserves to be.
All it means
Is you believe that women and men are equal
That they deserve to be treated both fairly and just
And I trust-
That the only image of a feminist in your mind
Is one that hates men, that burns bras, that simply get in the way.
And sure there might be a few of those, yes
But I would like to ask you
Since when did one represent the whole?
Since when were all white Christian men
Devalued, dehumanized because of Jeffery Dahmer?
If I were to follow your logic
If we were all to follow your logic
We’d have to lock up every single one of you
All because a few of your fellow men
Perverted an ideal that at the heart of it was good
And please be good
To your feminists please know that it is not a movement
To strip people of rights but to grant rights to those who have been denied
Feminism isn’t a bad word
It’s a word that holds an ideal
That genetics that genitalia do not dictate
Whether or not a human being is held to the
American standard of equality.
bit of a rant
3.9k · Jun 2013
If I Had A Daughter.
Hayley Neininger Jun 2013
If I had  a daughter,
I would tell her this-
"Never lose your strength baby girl,
Always respect yourself enough to walk away
From anything or one that makes you unhappy
Walk away in combat boots or stiletto heels."
I would tell her,
"Always travel light, don’t ever be weighed down by all
The burdens life will make you carry
And if you struggle sometimes don’t worry because
Your mama will always be behind you with a purse
Big enough to hold some of them for you."
I would tell her,
"Always keep your heart on your sleeve
And after that teenage boy rips it off time and time again
Don’t worry because mama will always keep on hers
A needle and thread to sew it back on."
And, "Either way Papa's a straight shot."
I would tell her,
"Baby girl when things get rough,
When you’re down and getting back up seems
Impossible and you’re feeling low and you're feeling stuck
You can always reach for my hand if you need it
Even though I know you don’t."
And I know she’ll remember how strong she really is
How beautiful in everyway she grew up to be
And when the same people that pushed her down
Tried to again-
She would tell them,
"You know, you should really talk to my mother."
3.1k · Feb 2012
Grapes.
Hayley Neininger Feb 2012
Sometimes I think
That I eat grapes too much.
I eat them so much,
And so many that
Some fall into the fissures
Of my mind.
They burry themselves there
And there I let
Them sit.
For days,
months,
For years.
until they ferment,
Until they make me drunk
So mind drunk I think of you.
Of you and your
Intoxicating voice
One I that I can’t make out
Completely  until
I eat more grapes that
Fill my mind so full
Some slip down into my throat
And mute my voice
So that yours is the only
One I can speak in
And you always talk of making more
Wine.
2.9k · Mar 2013
Recipes For Me.
Hayley Neininger Mar 2013
When I forget who I am
When sometimes I feel myself go sour
I look at my family’s recipe book
I hope in there I find the right combination
Of flour and milk that will make me eatable again
I thumb over the pages of hurried writing
Three generations of women glued to
Paper connected by their spine bound
By aging, once white thread
Each woman offering me
A different dish of myself
Depending on the nourishment I need
Their faces ageing backwards in my memory
To when all of their faces looked just like me
And then, there I am
Half cup great grandma
One cup grandma
Three cups mother
Written on floral stationary glued to lined paper
The edges of me and bend and stained from each constant gaze
That’s me, with my name in their book misspelled,
“Grandma’s Three Hole Cake”
2.9k · Nov 2012
Poppy Societies.
Hayley Neininger Nov 2012
you pledge allegiance to a certain type of government
a nation that is ruled by fat men
in ***** dens that cloud the air with smoke
that waters your eyes so you can water their poppy fields
all the while with your right hand over a heart
that beats feverishly with the influx
of toxins that mix with your blood
diluting the poppy petal red
with clear atoms that bubble on spoons
in the shape of bone crossed skulls
they rule with iron fists clenched around
green paper that they take from you and your people
and sell fresh needles as necessary happiness
to counteract the sadness they have created and placed you in
they sit there with smoke rings coming from o-shaped lips
that ring around the perpetual cycle of
supply and demand
supplying addiction and wrapping it in itches
and demanding your free left hand
scratch that itch.
scratch that itch so hard that your skin opens up
and the pain requires more relief.
the nation you live in waves its flag with
173 stars representing Celsius and not celestial
because space is far away from this place
and offers too much unknown for you to think
that unknown is the opposite of the sadness you know
and maybe there is happiness there
where hands are free from swollen veins that act
as puppet strings.
really really rough draft
2.4k · Dec 2013
Afraid Of The Dark.
Hayley Neininger Dec 2013
I cannot fully explain to you
How perplexing it is
To be a 22 year old adult
But to still have the fear
Usually reserved for a young child
The fear of the dark
And not in a way that one is afraid of death
Or lions or tigers or bears
Oh my, my fear is much more irrational
You see I find I have bravery in real things
I’ve rock climbed mountains
Ridden roller coaters
Held a poisonous snake by the tale
You get why that’s braver right?
But what makes the hair on the back of my neck stand
What makes my skin pucker into tiny little bumps
Are monsters born of my own imagination
You see my imagination is wicked
And I use that word both ways
In the slang sense that it is awesome and powerful
And in the literal sense that is it evil
That when I imagine a monster
I give it ten hands with 20 fingers each ending with teeth
And eyes so black they sink into the monsters head
Making them look like empty sockets
So deep, they touch his brain
I am forever afraid
I’ll be honest with you
I sleep with all the lights on
And my closet doors wide open
So I could see exactly what is going on in there
I years ago threw out my bed skirt
Convinced they cloaked crooked
Teeth crawling critters capable of decapitation
And were all considerable stronger than myself
As you can imagine I have a lot of nightlights
Mobile ones I use to walk to the bathroom with in the middle of the night
I have to buy so many batteries
The clerk at Walmart can only reasonably assume
I have deviant private life
Because grown *** adults shouldn’t be that scared of the dark
Because at some point during or after childhood
I won’t assume it happens at the same time for everybody
Your imagination takes a backseat to logic
And you understand that monsters aren’t real
But death is and maybe that’s a better fear to have
That didn’t happen with me though and I think most artists
If they were to be completely honest with you would tell you
It didn’t happen to them either they missed a step
In the development milestone department
Though I think they would tell you too like I’m about to tell you now
The fear is worth it there hasn’t been a single monster
I’ve imagined that hasn’t had an equal
Beautiful thought and I can see them better with all the lights on.
2.3k · Mar 2014
Ophelia.
Hayley Neininger Mar 2014
I’m awake again now
And I have to get out of bed
Maybe its 2 maybe its 3 am
But just the same
I step out
Walk around
This apartment with the fevered steps of a mad man
In these moments, oh I know you Ophelia.
The walls of solace, silent, and stagnant
Around our troubled heads
Our love is indeed as brief
As we have been told
By men who madness seems to not touch
Because their desires have the longevity of steel
And you and I, Ophelia are made of clay
The water, I understand how it felt to you now
Inviting and cold
Able to sooth our aching feet
From the constant pacing
How nice it must have been to dissolve into its currents
To rid yourself of the heavy footsteps
Stooping on your heart the friction
Must have made your smooth skin melt
And oh, Ophelia I understand
How enticing that cold water must have been.
2.2k · Oct 2012
Full With Knees Unscathed.
Hayley Neininger Oct 2012
It would behoove my grade school bible teacher to know, that I have finally found Jesus. He sits alone at my neighborhood bar and in a fashion that is not unlike the line at a New York City Jewish deli shop, he takes questions. Ticket number 347, “What kind of man will I marry?” ticket number 7623,”When will the end of days come?” My bible study class oh, how they would shake inside their buttoned blouses with envy that I was the one to find Jesus, between drink, between cigarettes, with beer and peanut excrements on bottoms of his sandals. Handing out answers like pork cutlets to mouths that haven’t eaten in years because they have filled up on the appetizer that is stomach churning worry. The gutless and gutful sin of having problems without the hope of solutions that shakes believers so hard in the night they fall off their beds and land conveniently on their knees. They wake up in the morning with bruises and scratches, another problem but this time the solution is simple. A mixture of peroxide and cotton-blend Band-Aids, hugging tight stinging cuts until the next day when the Band-Aid is loose and falls off into meat grinders making sausage links you don’t even have the appetite for. I found Jesus in a bar. When I see him I remember Sunday school and how I stood up on the sweaty palm pulpit and yelled, “He is not real!” and now confronted with my falseness I wonder if I was wrong to try to cool off the fire in my belly that was unanswered questions by answering them myself. I took a ticket. I stood in line. I waited as the knot my grade school teach tied with my intestines tightened itself and pulsated with the influx of another beer and growing bowel movements that only made me more unsure of the source of pain in my belly. I watched as Jesus nodded politely in between admissions of sins and proposals of betterment like his neck was the waist of a Hawaiian ******* the dashboard of a Colorado trucker, or like aged fast-food wrappers that tilt forward with the inertia caused by strategically placed speed bumps.  Each nod, a mini-bow that seemed to contradict his devotion to his divinity and his authority over the bleeding kneed and hungry stomached servants. I am the last ticket before the last call and I take advantage of both. Being this close I can see sweat stains under his arms, my mother would say they are extra halos. “And your question, my child?” he says, and I think I should have been more prepared or at least not stuttered like the elementary school student stuck playing Pluto in the graduation play. “Was I wrong that day on the pulpit?” It was rudely put. I was embarrassed. He said, “Did it ease the hunger pain of uncertainty?” It did. “Then no, you answered your own question.” He seemed drunk at that point when he said that, so I trusted it as a sober man’s thoughts. Then I walked away full and knees unscathed.
Not a poem, just a work in progress.
2.2k · Jan 2013
I Wish I Was Literature.
Hayley Neininger Jan 2013
I wish it was easy to say who I am.
I wish God was less of a creator and more of an author
Ink stained fingernails glasses brimming the edge of his nose type
Whiskey on the side of his computer; optional.
I wish that in place of these veins and hair and bendable thumbs
I had poetry, soliloquies, syllables, punctuations.
That marked my existence
I wish my mind was a novel and each word inside it
Moved through my organs and around my chest
And when you cracked it open knowing who I am
Would be as easy as reading a book
I wish that when I get so angry I forget to speak
That you could just rip off the end of my skirt and read the
Internal and omniscient monologue in place of my skin
That would explain everything
When I smile during turmoil I wish it wasn’t a mystery
And the chapters printed on my visible teeth
Could tell you exactly why.
If God was an author I would be a character
And each of my traits would have meaning, and significance
Why do I bite my nails?
Because when I was five years old I saw my mother do It and when I’m nervous
I do it to be close to her
That would be the reason and I wouldn’t have to sit and wonder about it
Because that fits my story
Every page of my life would be narrated by someone who knew
Me better than I knew myself and that, that
Would take a lot of pressure off my shoulders.
The horrible weight of self-defining
Wouldn’t it be nice to not have to discover yourself?
To have someone do it for you
Instead of taking years to find out that you work better under pressure
And that being a doctor really wasn’t your true calling after all
What if you could just look down at your body
And see words that told the story of you.
What if you were armed with the knowledge of knowing
Who you are and what your purpose is.
I wish I was literature
So finally I could through my hands up
Shout back at you saying “Here, look this is who I am.”
I like the sound of the ocean
Black and white movies
I get sad when it rains
Just read me.
2.1k · Nov 2013
Goodness.
Hayley Neininger Nov 2013
Kindness and goodness are only genuine when the motivations they come from are born of morality and not fear.
1.8k · Dec 2011
A Penny For Your Thoughts.
Hayley Neininger Dec 2011
I am sitting here
Penniless and alone.
Waiting for you
And your bended ear
And your thousand questions
And your mouth full of pennies
Asking for my thoughts.
Ah, again.
1.8k · Apr 2012
Claire's Snow White Complex.
Hayley Neininger Apr 2012
Our adult selves are so cunning
Are they not?
They hide from the child inside us
And on occasion
Play hide and go seek
With them
In the most peculiar of ways
Taunting them almost with the
Promise that one day the baby
In their hearts will outgrow the
Adult on their surface
Placing hope in snow-globes
On high shelves with grown-up arms
So that the child, if it were to
To seek more than hide still
Could not reach it
And in its seeking would bang on the shelf
That the adult knew to not do
And the snow-globe would fall and crash
On the floor
Leaking out glittered blood
And broken crown-shaped pieces of glass
That only an adult is allowed to pick up.
Hayley Neininger May 2012
I respect my body.
The same way I respect my house.
My red brick skin
Blushed with flowing blood
From my space-heater heart
My air-conditioner lungs I have routinely maintained
With long drawn out breathes of cool wind
I have protected my house with toxic pockets
Of termite poison
To protect my wooden frame
And I hang up pictures of love ones with
Nails inside tattoo guns that spell out their names
And I paint my home’s walls with different shades
Of colors to bring out its ascetic value
Like how I use blue eye-shadow so my guests
Can better see my eyes, bright blue
I eat vitamins like I vacuum my carpet
Cleaning up and persevering its worth
The ting-tang sound of a working vacuum
Paralleling the pitter-patter of those circular pills
As they fall down my throat
I seasonally change out my couches and my chairs
When I go to my mirror and tie-up my hair
A different look for a different season
Because my house deserves a separate look too
For when it feels the wind changing
And like myself my house would rather not be bare
So I dress it in marigolds and poppy flowers
And ivy that I have to cut down when I notice it growing too fast
Because like my house I am too beautiful to be covered completely
Each shrub I trim another inch of skin I can share
And I respect  it when I get home
I say just a little bit
More skin at the top
To show off my brick house.
eh....work in progress.
1.6k · Nov 2013
Star Bullets.
Hayley Neininger Nov 2013
I know I am not really lying on the beach
Eyes facing up towards the sky
Where I really am is in Vienna
In a small classroom filled with fourth graders
Sitting in a circle in a room
That was decorated in glow in the dark stars
And a fake camp fire next to a cardboard cutout of a wolf
I remember learning about the Oregon Trail
And how cowboys would campout underneath stars
Guns close by so other dangerous creators wouldn’t be
And looking at the fake stars in that room
I was in another world, a realer world
Where the cosmos didn’t make stars
Bullets did
Silver bullets meant to hit werewolves
Who were so compelled to howl at the moon
They forwent the odds of being gunned down
And so easily they could be when the moon
Lit perfectly their silhouette  
Naked in plain view
All the stars were silver bullets
One that never met their target and flew
Past the wolfs and up into the black sky
Where they pierced the world’s barrio
The bullet holes became not stars
But un-mendable scars
From men who wanting to mutilate
The sky’s beauty with weapons
There to remind me
When the lights turned on in that classroom
The glowing little stars melted into the white popcorn ceiling
And as we, the fourth graders, disconnected our circle on the floor
The reality of the origin of stars I had just come to know
Never left me and the stars I see at night now
Are not as real as the ones I saw that day.
1.6k · Oct 2015
Who Writes.
Hayley Neininger Oct 2015
I think you should love a girl that writes
Live her many different imagined lives
In her vast collections of created worlds
Find her somewhere buried beneath them all
And when you find her pressed between
Scribbled pages and coffee cups filled with pens
Kiss her ink black fingers
Let them stain your lips so when she looks at you
She won’t forget
You’re the hero her books are about.
1.5k · Jun 2013
Stubbed Toes.
Hayley Neininger Jun 2013
In the end it’s the smallest of things
That make the biggest of impacts.
It’s the last ripple of an earthquake
Or of a skipped stone.
It’s like how you’d rather cut open your leg
Than turn a corner and stub your toe.
It’s the smaller kiss on the forehead
That follows the longer one on the lips.
When saying goodbye
It’s not the deep looks into each other’s eyes
It’s the rear-view glance at that person’s
Back that makes you cry.
1.5k · Apr 2013
Full.
Hayley Neininger Apr 2013
It would behoove my grade school bible teacher to know that I have finally found Jesus.
He sits alone at my neighborhood bar,
and in a fashion that is not unlike the line
at a New York City Jewish deli shop,
he takes questions.
Ticket number 347. “What kind of man will I marry?”
Ticket number 7623. ”When will the end of days come?”
My bible study class, oh,
how they would shake inside their buttoned blouses with envy
that I was the one to find Jesus,
between drinks, between cigarettes,
with beer and peanut excrements on bottoms of his sandals.
Handing out answers like pork cutlets
to mouths that haven’t eaten in years
because they have filled up on the empty appetizer
that is stomach-churning worry:
the gutless and gut-full sin,
of having problems without the hope of solutions
of having questions with silent answers
that it shakes believers so hard in the night they fall off their beds
and they land conveniently on their knees.
They wake up in the morning with bruises and scratches,
external hurts treated with
a mixture of peroxide and stuck-on-you band-aids
that hug tight their stinging cuts until the next day
when the Band-Aid losses its glue and falls off
when they land in meat grinders turning out sausage links
that no one even has an appetite for.

I found Jesus in a bar.

When I see him
I remember Sunday school
and how I stood up on the sweaty palmed stained pulpit and yelled,
“He is not real!”
and now that I am confronted with my falseness
I wonder was I wrong to try to cool the fire of questions unanswered
by answering them myself.

I took a ticket.
I stood in line.
I waited.
The knot my Sunday school teacher tied with my intestines
years ago tightened itself and pulsated
with the influx of another beer
and growing bowel movements that only made me more unsure
of the source of pain in my belly.

I watched
as Jesus nodded politely in between
admissions of sins and proposals of betterment
a gentle, deliberate nod
like his neck was the waist of a Hawaiian girl
on the dashboard of a Colorado trucker,
or maybe like aged fast-food wrappers that tilt forward with the inertia
caused by strategically placed speed bumps.
Each nod, a mini-bow that seemed to contradict
his devotion to his divinity and his authority
over the bleeding-kneed and hungry-stomached servants.

I am the last ticket before the last call and
being this close I can see sweat stains under his arms;
my mother would say they are extra halos.
“And your question, my child?” he says, and
I think I should have been more prepared
or at least not have stuttered like the elementary school student
one stuck playing the under appreciated Pluto in the graduation play.

“Was I wrong that day on the pulpit?”
It was rudely put. I was embarrassed.
He said, “Did it ease the hunger pain of uncertainty?”
He knew it did. So did I.
“Then no, you answered your own question.”
He seemed drunk when he said that,
so I trusted it as a sober man’s thoughts.
Then I walked away full
with knees unscathed.
1.5k · Mar 2012
Titans Fooled.
Hayley Neininger Mar 2012
Sometimes I feel
Like a tethered titian
Of sorts
Tied to and underneath the
Footsteps of morals
Above me on earth
Angry with no shoes
I stomp around with my thunderous feet
Because no tailor would tie
String around my arches and leather beneath my soles
To protect me from the hot coals that line
The carpet of my cage.
A mythological beast of old is what I feel like
Some days
And in many ways
I feel like
A god of flight
Not confined to the barriers of night
But to the endless blue hued sky
That my golden wings contrast against
So sharply they cut through the air
Propelling me in circles around a bigger circle
That the mortals below me still think to be flat
My heels clasped with wings confining me
To the jail of myself where I am
The warden of one and exact my
Revenge on my prisoner daily
With the force of a titans foot
Tricked into thinking wings could
Be shoes.
1.5k · Aug 2012
Loving Me Is Hell, II.
Hayley Neininger Aug 2012
Loving me is hell and hell is dense
And hell is heavy
And hell is hot
Dense with the influx of passing souls
That nudge elbows of their brother sinners
In tight elevators that hum not
Piano music but drums so loud
They convert heart beats to 808 rhythms
They shake the victims of vices so
Hard the change falls from their pockets
And bounces back up into their eyes
Hell is heavy
It is heavy with the weight of lies
And of the truths of passions sought and met
With only finger tips and white lips
The vicious bosses of mobs
And the cemented feet of snitches caught
Hell is dense
It is packed tighter than fingers in fists
Clenched fixed on righting wrongs
The air there is hot with breathes
Held in and finally released with
The unbuttoning of sliming corporate tuxes
Fastened inside out so the brass buttons brand and burn
The business boys’ bantam bodies
While they look up at the men the tired to measure up to
But where always a stich or two short
Hell is hot
Hot and steaming with the blood of the corrupt
That was spilt and then encountered a tilt
Down a funnel mixed with rotten oil
Left stagnant by sinners that sought not
To move a finger to clean up that gunk
The steam from sinners water not sweat
Boil sweet and steamy up into the
Mouths of men with jaws wired open
And rested on their bellies that are propped up
By guns taking all that is sweet for themselves
This is hell
This, like me,
Feels tastes sounds and smells
Of dense hot and heavy
Sins deadly appealing
And dammingly just.
1.4k · Mar 2014
Rubies, Diamonds.
Hayley Neininger Mar 2014
She shot me dead on
With a pistol that
Would have looked better on a cowboy
It was too heavy for her holster
Her body shifted from side to side
As she walked towards me
And she had to eventually prop her hand
Up on her unarmed hip
As she stopped to stop over me
She let her sweat drip down from
Her forehead to dip of her collar bone
And she let her mouth smile
Bigger than had seen it grow in years
She didn’t bother to wipe off
Her black powered fingers
She touched the spot just below my neck
Where I could feel the bullet sink further in
She shot me dead on
And I remembered telling her once
How she wore tears like a diamond necklace
She shot me dead on
And I remembered telling her once
How I much preferred rubies.
eh.
1.4k · Dec 2011
Benches.
Hayley Neininger Dec 2011
Perhaps the only people
Capable of true togetherness
Are the ones that are still alone.
Still sitting on park benches
Ease dropping on other peoples
Lives
Waiting to begin their own.
Knowing that they have to wait
For someone else
Who also ease drops by themselves
1.4k · Oct 2014
Wrinkled Grammar.
Hayley Neininger Oct 2014
Never be afraid to make me laugh
Even if over time I ask you to stop
And I tell you you’re making me look older
Just brush that off.
I really do love the wrinkles that you’ve put around my mouth
And when I look at them I see tiny quotation marks
That remind me of all the things I have to say
And that all of those things I say are important enough
For you to quote me on
And as more time passes and those tiny wrinkled quotation marks
Get bigger and bigger and start to blend together around my lips
They’ll look more like parenthesizes
And I’ll really, really love those too
Because they’ll remind me that when I used to have to say, “I love you”
I’ll know that I love you is always implied.
1.4k · Mar 2012
Poetry Slam, Man.
Hayley Neininger Mar 2012
If I were a man
I would ask out a girl just for the hell of it
Because either way ive been waiting far too
Long to try that restaurants grilled halibut
I would sag my pants down low
In any given social situation
I would wake up in the middle of the night with a cold sweat
Fearing that doctors castration
And in the same situation I would burp real loud
Because I drank too much beer
Or ate too many chips
And what is a man to do
other than flip his own scripts
and rip on other men’s trips
and say, “dude you’re so gay”
if I were a man
I’d probably put bumpin’ speakers in
My Honda civic
And id bust out loud rap as I turned and whipped it
In front of all the pretty girls
The ones with hair curled and necklaces made of my pearls
Ones I wouldn’t call back because I paid attention in math
And knew the male to female ratio was 1 to 4
And that left me with 3 other girls to score
But sense I am not a man
And according to them I am some-what less than
I’ll belt my pants suffer your ****** glance
Deny you a dance and instead of implants
I will wish for a transplant.
1.3k · Oct 2014
Naming Hurricanes.
Hayley Neininger Oct 2014
Try your hardest not to love people like me
I promise it will be worth the effort
To avoid a heart that beats as foul as mine does
One that will take you to the ugliest places you’ve ever seen
And have you dance in dirt and swirl in broken glass
But I’ll kiss you in those places
Every one of them- in such beautiful ways
You’ll start to think blood smells like my perfume
And that thorns are more beautiful than flowers
I’ll make you want me
In the way that a tyrant wants a kingdom
In the way that lions want antelopes
It will be maddening, it will make a savage out of you
And by the end of it when I leave
And surely I will
You’ll be a hybrid of a human
That hunts for hysteria and hungers for hostility
You’ll be so soiled by me
You’ll see the world as I do
You’ll understand a little more about things
And how awful everything is
You’ll know why we name hurricanes and not rainbows
And I’ll be one of the hearts worth the effort to not love.
1.3k · Nov 2012
Finding Air In A Snow Globe.
Hayley Neininger Nov 2012
My mother is getting ready for work. And I am a child of about 9 years old sitting on her bedroom floor watching her get dressed the same as I would for the next 9 years or so in this house. The house that I remember then use to shake violently from the train a block away and was so glass-fragile and so cold-damp that its walls warped and swelled; making it look like someone had once blown up a large balloon inside of it and the walls curved around it. Even after that balloon popped the walls never managed to regain their original shape. My mother who never complained about the state of our home and in fact rather fancied it would tell me “Isn’t it cozy living in a snow-globe shaped house, and when it shakes we can pretend we’re snowmen in a glass ball.” She would always say things like that. I would always listen; I would always sit quietly with my legs tucked under my *** and watch my mother get ready for work. She would go through the same motions she went through every night and every night in the same order, she did this so often and religiously she had it down to an art, a methodical system of movements that at this age seemed to me more like dancing. I would watch as her dance started in her hands. Her fingers thumbing over the light pale and pink lip paints she saved for weekday afternoons and for Sunday mornings. She instead reached for the bright Chinese red stick she painted onto her perfectly pursed lips. She then reached for her black dress, pressing down the wrinkles smooth as the backs of thumb-tacks, smoothing the fabric over her hips, her thighs, her legs. Next she would sashay over to her vanity, pick up a small container and spread over her eyelids a bright but dusty blue shadow. I love this next part. When she would gently sweep me up and sets me on her bed as she knelt down and told me to sprinkle her face with a shimmery clear powder, giving her the look she always said made her stand out, made her look “unique”. I always thought she looked like she was in the caught in the middle of a snow-globe. Her next step was then slipping her dainty and fragile size 7 feet into heels that I knew would look invisible in the dark night outside our front door, she would look like she was almost floating. I often thought those would hurt her feet as she walked that long stretch of street outside our house.  Her arms then would sway and flick her hands outward, grasping with all her fingers a purple and gold glass bottle of perfume on her dresser. Back then it looked to me like a curious crystal globe of sweet-smelling water that turned sparkly when she shook it. This is my mother’s last step, she presses down the sponge-like pump. I really love this part. The only magical part of my mother’s evening- the part I always thought would make her realize she should stay. As she presses down on the pump I see the shiny and clear purple hued liquid release and bubble out into tiny specks of oxygen atoms, I watch them as they swirl up the golden bottle-the rounded glass holding them in, controlling them, allowing them to eddy and ebb around themselves, to tango around each other within the safety of its bottle. They are dancing, writhing around in their own world, free from the terrors of the outside air, these atoms embrace the chaos and they wallow in the pressure that perpetuates them in an endless looping of rhythmic motion. They enjoy it. They bask in the comfort of the fluid that holds them tight together safe in their glass house, keeping them untouched. I, sitting there eye level to this bottle watching ever so closely as the air bubbles swim closer and closer to the surface until they slowly start to realize that they are being expelled from their bottle. Then they stop dancing and move franticly in a tornado-like motion, they scream and they fight their way back down towards the others like them, wishing to not be pushed up and out into the bigger pool of air they know will surely render them invisible. They wish so strongly to be kept inside their glass world, to always be safe and visible in the enwombing liquid that circles around them in their bottle that reassures them of their existence as a single being and not as a part of a whole. To be separate from the mass of air that awaits them, the air that only yearns to add to its girth, by swallowing the tiny air-bubbles. I want them to stay. Stay in their snow-globe and live forever as air bubbles safe and few, to not swim up to the world that will gulp them down whole. I know they are dainty and fragile and I want to keep them safe. I want to always see them dancing separate and unique and never leaving, yet they do. I want them to stay, yet they do not. All in an instant, faster than the blink of an eye, the once dancing bubbles are gone and are now sprinkled sweet across my mother’s neck. The only evidence of their existence- a lingering scent flowing out of my mother’s bedroom as she grabs her purse off the couch. I want her to stay too. And as she grabs her bag and slams the front door it shakes our house like glass around me. I remember a younger me, left there feeling liquid and weak in a snow-globe house now void of air.
edited a previous work.
1.3k · Oct 2011
Treasure.
Hayley Neininger Oct 2011
Crazy things we didn’t know were there
Without an X to mark its spot,
We shoveled and we dug over our bodies
We pillaged acres of skin, ravished even,
Our flesh fueled by the promise of glowing treasure
Wielding shovels and picks only our better natured angels
Understood, or could call “sweet intentions”
No map we possessed ended in gold
So we drew up our own tracing mountains and streams,
Upturning every rock, wading in every pool,
Our made-up languages became passcodes for secret doors
Our hair and nails became *****-traps
Like poisonous ivy and razor sharp spikes.
Perilous our hunt for heirloom, we would find.
But how could we not look?
Our compass points Northeast from down here
So as I climb towards your chest and you to mine
Our knocking proved there were unhallowed
Cavities under ribbed-caged bodies
And still we dig
Closer and closer to the treasure in our chests.
1.2k · Oct 2012
Zombie Love.
Hayley Neininger Oct 2012
The dead often come to visit me.
My favorite corpse a delightful copy of
Something it used to be.
He comes to my door and I embrace him
He smells like aged formaldehyde under a coat
Of strawberries and mints
His front teeth are still spaced evenly
Sed for one
Hanging like a faulty Christmas tree light
Right over his holiday red bottom lip
If I could still kiss them I would tell him
As sweetly as I ever did, “your lips are as soft as whale blubber.”
The way they used to move around and in between mine
Makes me think your mouth could have danced on Broadway
And the crowd could have thrown up at its beloved star roses
Only the petals would rub your lips too rough
I would tell him, “baby I miss you.” And
“I’m sorry I never returned your favorite book.”
But in all fairness I think you have never returned anything of mine
Not my favorite blouse, my grandmother’s portrait
Not my heart. Not yet
For it is little and porous and too dead to give to
Someone one who is still alive
I bet you keep it there in your back pocket
Riddled with granola crumbs and sticky excrements of gum
And maybe every other haunting you take it out
Before sitting on it and you dust it off
And kiss it.
There is something sad about that.
Having your lips touch things I can’t feel
You might as well have ****** on my liver
I wouldn’t feel that either.
Come to me when you cannot rest in peace
With pen and paper and too much coffee
And in between cigarette puffs kiss the outside
Parts of me I can feel.
work in progress.
1.2k · Oct 2012
How We Should See Storms.
Hayley Neininger Oct 2012
In the break of a storm
Rain acts like cars whizzing past pedestrian's faces
Blinking with watery head lights
And deafening horns of water-droplets
Beating on the heads of concrete drums
The wind like the underbelly of a lawn mower
With teeth, circular, sharp
and vicious enough to cut the point off blades
Of grass
When strong gusts blows
Hats off men’s heads
The stretch of jagged lightening
Mocks the warmth of yellow light
As its golden blade cuts through
The butter-soft black and blurry night
And the pruned weeds of people
That turn earth’s green brown
Count after the flash of light
So similar to the sun of daytime
They swore was there to brighten their world
1..2..3…
Thunder lets them know how fast the storms
Girth is approaching like
The rings inside a water cup tell you
Something bigger than yourself is walking towards you
It’s footsteps a voice that causes even the best intentioned daisy
To lose a petal or two.
work in progress
1.2k · Nov 2012
Hearing Love.
Hayley Neininger Nov 2012
When I look at you I see love
It lives all over your body
From the tuffs of your hair
To the tips of your finger tips
To the right side of your face that smiles more than your left
And that love, you wear it like a metal
And it makes you bold, so bold it
Makes me nervous and forget how to talk
And how to tell you that my love is more subtle than that.
You have to listen to it to see it
It comes out late at night after you place your metal on the dresser
And I’m not so blinded-
When your eyes are shut tight
And then I know the only way to your heart is through your ears
And I whisper to you that I love the smell
Of your skin
Or that your lips on my head is the only validation of my worth
That I will ever need.
I love you in words that live hidden in my head
And I know you look for them when you pull me
In closer, when you search my body for mutually shared feelings
But I’ve never been one to sew on feeling to blouses
Because I’ve never trusted a laundry machine
Not to tether my heart’s delicate fabric
So please, just listen to me speak.
Note the pauses in my sentences and
The dips of my voice, the clicks my tongue makes
When I say your name and follow it with I love you
Please know that your name has never been as safe as it is
When I hold it in mouth.
And I will never bit down on it
And love will always be on the tip of my tongue
And you will be the only one safe there.
really really rough draft.
1.2k · Dec 2011
Mad.
Hayley Neininger Dec 2011
I am at my best in my madness.
The monsters of my mania are too sly
To let me think anything other than-
1.2k · Jan 2012
A Snow-Globe and A Child.
Hayley Neininger Jan 2012
My mother is getting ready for work. And I a child of about 9 years old sitting on her bedroom floor watching her get dressed the same as I would for the next 9 or so years in this house. This house, I remember, that shook violently from the train a block away and was so fragile and damp that its walls warped and swelled making the house look like someone had once blown up a large balloon inside and the walls still held its shape. My mother who never complained about the state of our house ans instead would tell me, “Isn’t it cozy living in a snow-globe house?” So on the damp floor I would sit and I would watch my mother go through the motions, the same motions she went through every night and every night in the same order, she did this so often and religiously she had it down to an art, a methodical art that at this age seemed to me more like dancing. She started her dance by thumbing over the light pale and pink lip paint she saved for weekday afternoons and Sunday mornings , reaching instead for the bright Chinese red stick she painted onto her perfectly pursed lips, next pressing down wrinkles smooth as the backs of thumb-tacks -on her black tight dress, pressing over her hips, her thighs. She next sashays over to her vanity and picks up a small black container to paint over her eyelids a bright but dusty blue shadow, then gently sweeps me up and sets me on her bed as she kneels down and tells me to sprinkle her face with a shimmery clear powder, giving her the look she always said made her stand out, made her look “unique”. Her next step was then slipping her dainty and fragile size 7 feet into heels that I knew would be both black and invisible in the dark night outside our front door. That I often thought would hurt her feet as she walked the long stretch of street outside our house.  Her then, grasping with both hands a purple and gold glass bottle of perfume on her dresser, which then to me looked like a curious crystal globe of sweet-smelling water, that sparkled like a snow-globe when she shook it. This is my mother’s last step, she presses down the sponge-like pump. The only magical part of my mother’s evening- the part I always thought would make her realize she should stay. As she presses down on the pump I see the shiny and clear purple hued liquid release and bubble out into tiny specks of oxygen atoms, I see watch them as they swirl up the golden bottle-the snow-globe holding them in, controlling them, allowing them to eddy and ebb around themselves, to tango around each other within the safety of its glass. They are dancing, writhing around in their own world, free from the terrors of the outside air, these atoms they embrace the chaos and they wallow in the pressure that perpetuates them in an endless looping of rhythmic motion. They enjoy it. They bask in the comfort of the fluid that holds them tight together safe in their glass house, keeping them untouched. I, sitting there eye level to this bottle watching ever so closely as the air bubbles swim closer and closer to the surface. Until they slowly start to realize that they are being expelled from their bottle. They then stop dancing and move franticly in a tornado-like motion, they scream and they fight their way back down towards the others like them, wishing to not be pushed up and out into the bigger pool of air they know will surely render them invisible. They wish so strongly to be kept inside their bottle, to always be safe and visible in the enwombing liquid that circles around them in their bottle, that reassures them of their existence as a single being and not as a part of a whole, to be separate from the mass of air that awaits them, the air that only yearns to add to its girth, by swallowing the tiny air-bubbles. I want them to stay. Stay in their snow-globe to live forever as air bubbles safe and few, to not swim to the world that will gulp them down whole. I know they are dainty and fragile and I want to keep them safe. I want to always see them dancing separate and unique and never leaving, yet they do. I want them to stay, yet they do not. All in an instant, faster than the blink of an eye, the once dancing bubbles are gone and are now sprinkled sweet across my mother’s neck. The only evidence of their existence- a lingering scent flowing out of my mother’s bedroom as she grabs her purse on the couch. I want her to stay. And as she grabs her purse and slams the front door it shakes our house like glass around me. Me, left here feeling liquid and weak in a snow-globe house now void of air.
Just something I'm working on.
1.2k · Oct 2012
Patchwork People.
Hayley Neininger Oct 2012
Dearest our love poem goes like this
Come to me again late at night
In between purple hues skies and patchwork blankets
Come to me when my parents are fast asleep
And they won’t be able to hear the one-two of your feet
Walk up the carpet marked stairs
And higher up still my bunk-bed ladder
And even if you miss the second step
Don’t worry if the thud of your body hitting the floor
Wakes them up.
**** it.
After you scrabble up into my bed and
Later when they come in we’ll tell them the truth
You were only trying to whisper me
Your secrets
And I was born with ears in my mouth
And let them find out
That some people were born like that
With body parts hidden in odd places
And senses that overlap organs
Making it hard to understand why I have
To taste your words
And see your heart
Because I was also born with eyes far apart
From my face and somewhere close to my chest
And it just so happens to be I found someone like you
Who was like me too
That was born with their ribcage unattached
So when we hug I see your blood
Flowing in and out of your beating heart
I could touch it with my eyes they are so close
But I won’t.
See I was born with my feeling on the arms of my blouses
And when you take off my shirt
I brush against the bend of your knees and fall to
Tickle the tops of your toes
Where your mouth supposedly isn’t supposed to be.
Hayley Neininger Nov 2012
I dreamt that I wrote to you last night. I woke up with paper cuts in between my fingers, lemon juice that stained my bed a ****-yellow color, ink embedded underneath my fingernails,  and every time I reached down to scratch my ***** I left a shameful line of old black ink. I think I’d have mailed it to her if I knew that when she read it she would scream with a horrid realization. A realization of finally understanding the monster she use to sleep next to, before the **** sheets before the ink stained boxers. I’d have mailed it to her if it wasn't just in my dreams. I imagine that the lines in my letter were laced with layers of lucid logic that stringed together feelings that con-caved in on themselves. That ate themselves whole;  but instead of making them disappear entirely they grew twice their size and spilled over the pages and underneath my nails. The diction I imagine I would have chosen to write with would be read with a southern twang.  Slow and drawn out. She would have to read it with extra syllables that her tiny lungs could not possibly hold. It would make her choke, for the first time, on words that weren't her own. My words would finally fulfill the dreams of my hands; constantly wanting to ring around her neck like I was seven again on the playground and her name was Rosie. I wouldn't have rhymed in my subconscious, to me that always seems fake and I can’t really rhyme without having my voice break. I might, however; use from time to time red bold words laying in the middle of long paragraphs in hopes she would remember her red dress. Of how, before bed, it grazed over her slopping neck and slid off onto my floor. In my dream it’s still on my floor. I hope in my letter that I wrote out a picture of her seeing me seeing her put it on in front of our window the next morning and even though that dress was too short for autumn and she would wear it anyway. Because she knew it drove me crazy and because she wanted to remember me even after she walked out my front door. Mornings like that I begged her stay even if we had just fought over how much she snores, even if I had called her a **** one too many times the drunken night before. My letter, I think, would tell her that I wish she didn't have to bundle up and leave that she could instead cut up my bed sheets and make herself a new warmer dress. One that would have matched my pillow too perfectly for her to not lay her head on it and call it a hat. For her to pretend that my bed was the world outside the door. My letter would go like that. It would make her scream at first then make her remember that monsters can love too and knowing that; she would punch her new mattress and tear up her new pillows ones that I have never touched. She would scream, "*******!" preceding my name every time she landed a blow. She would say that so many times that she could never look at her new bed again without thinking of me, and of ****. When I dreamt last night I dreamt I wrote you a letter, but dreams don’t have hands that can hold pens. So I instead sent you my bed sheets, my boxers, I signed them with lemon juice and old black ink. Wear them, sleep with them, read them for what they are worth or toss them out because monsters with words like mine give you nightmares.
1.1k · Sep 2012
Why Can't I?
Hayley Neininger Sep 2012
The other night I was walking down the street
In a sweatshirt and blue jeans
And to the left of the street I heard
“Hey baby, get in the car with me”
And I knew this couldn’t be a nice gesture
And I should be afraid
I should rely on the pepper spray in my purse
Over the compassion in a man’s heart
Because after all I’m just an itty pretty bitty
In this big ol’ city
And I need help
I need a white knight to protect me from dragons
That used to be men but forgot the meaning of the word no
And twisted it so
It meant try harder
Look at how short her skirt is
And I thought since when did the length
Of my skirt become the measure
Of a man’s self-control
When did the visibility of my thighs
Warrant unwanted invites
I don’t remember sending out mini-skirts
To request people come to my birthday party
The length of my dress does not mean yes
And the cut of my shirt is not a man’s control test
And when I say no that isn’t just a request
Why do I have to be afraid to be a woman?
Why can’t men be taught not to ****
So I won’t have to be taught ways to avoid it
Don’t walk alone
Don’t talk to strangers
Don’t walk at night
Don’t leave home without pepper spray
Don’t walk in that neighborhood
Why can’t being a woman mean don’t
Be afraid you never have to wish
You were born with padlocks instead of knees.
needs work
1.1k · Jul 2013
A Different Nation.
Hayley Neininger Jul 2013
You pledge allegiance to a certain type of government.
A nation that is ruled by fat men
in ***** dens who fill the air so heavy with smoke
it tears up your eyes so you can water their poppy fields
and all the while with your right hand over your heart
that beats feverishly with the influx
of toxins that mix with your blood
and dilute the red poppy petal
with clear atoms that bubble on spoons
in the shape of bone crossed skulls.
They rule with iron fists clenched around
green paper that they take from you only
to sell you back  fresh needles as necessary happiness
to counteract the sadness they have created and placed you in.
They sit there with smoke rings coming from o-shaped lips
that ring around the perpetual cycle of
supply and demand-
supplying addiction and wrapping it in itches
and demanding your free left hand scratch
and you do, you scratch so hard that your skin opens up
and the pain requires more relief.
The nation you live in waves its flag with
173 stars representing Celsius and not celestial
because space is far away from this place
and it offers too much unknown for you to think
that there is a different world besides the one they own
and maybe there is true happiness there
somewhere where hands are free from swollen veins
that act as puppet strings.
1.1k · Apr 2013
Brain Battles.
Hayley Neininger Apr 2013
They say we have two halves of a whole brain.
Two sections that govern our actions
Like tyrants that ride horses with reigns made
Of nerves and weald weapons that shoot out sparks
Of neurons across our synapses
The lands of our minds that dips and rises like the Andes mountains
Amoung cerebellum fields
Where nervous horses hoofs trample
Nervous systems flowers and bend their stem
Into an L shaped pendulum that swings
Unevenly over corpus callosum oceans
That separate left and right.
Art and reason.
Two separate sets of war torn warriors fighting,
One with methodically measured maps
Marked with red flags between concurred lands of logic
And one with holistic metal armor that clinks and clanks
Around soldiers making music for them to march to
They fight over proper ways of reason
And creative formulations
Of treasons that ought not be crossed
Their trenches the rivens in our brains
That wet rot their feet with slimy blood and
Membrane juices
The left speaking in tongues
That right cannot hear when not
Set on staff lines
Or painted onto animal skin canvas
That once covered similar brain battles
Between right and left
Only to be cut and sectioned off
In improper fractions that yearn to be whole.
If only the sides would sign treaties of peace
With pens that pinch fibers together and bind
Halves into wholes.
1.1k · Mar 2013
Love Is A Terrible Thing.
Hayley Neininger Mar 2013
Love is a terrible thing.
A horrid and invisible thing.
The one thing that defies the human
Fear of the unknown
Oh but we want to know it.
We want to see it to hold it
So badly that over the millions of years
Of both our and its existence
We have died for it, killed for it
Begged and sobbed on our hands and knees for it
This invisible force of good feelings and warmth
That we think circles tangibly around us-
Swims and ebbs around our fellow man
Connecting us all and touching the lucky ones
But it isn’t enough.
We want to see it.
We want love to take a form we can mimic
And hold forever
So over the years we have thrown things at it.
Hoping love could somehow catch it
Be consumed by it, covered in it
Its illusive form reveled to us finally
With our clever trick
Writers douse it with ink
Artists with paint
Bakers with flour
Churches with gospels and white ropes
And smartest of all
Teenagers, who throw at it their own bodies
Hoping to trap it somewhere
Between both of their naked beings
Those teenagers  who don’t have anything else to offer it yet
Nothing to throw at it
Nothing to lose in it yet
Still thinking love isn’t a terrible thing.
1.1k · Jun 2014
Deep South Imagination.
Hayley Neininger Jun 2014
In the Deep South
There is always a woman
In an apron calling out to her kids
Warning them to hurry in
Or the corn bread might get cold
The kids couldn’t care either way
And at their age
Food doesn’t taste as good as
The marshes feel around their ankles

They’re just young enough to be nourished
Off of adventure alone
With sticks in hand
Grazing the tops of half-way grown
Up to their heads wheat

In the Deep South the outside
Is still the Wild West
Where you can walk a few blocks
From your front yard
To deserted boulevards
You can’t but a greeting card
From.
And among all the untamed
Nature and desolate fields and lakes
There is so much space
For kids to create

In the Deep South
Kids see broken down Chevys
As breeched kingdoms
Open fields as battle grounds
Littered with rocks that look like grenades
Every vacant marsh a ****** planet
Where you use overall clasps
As radios to your fellow astronauts.

Why would anyone be in a rush
To come home
To something so real
As Mama’s cornbread.
1.1k · Oct 2012
Hiding in Nakedness.
Hayley Neininger Oct 2012
I remember the places I used to hide
My feelings locked away
With no one to find the key
Waiting for Mr. Right
But he won’t come
So I’ll settle for Mr. Right Now,
Mr. In the moment,
Mr. Can I take your coat off
Just to see your skin
So I can picture you naked
Full of regret, full of hatred
I do as he wishes
He slips off my coat
Along with my self-respect
My shirt follows and so does my hope
Passion and desire, meaning more than one night.
Now the pants, the bra, the shoes
Like tinny vessels,
A disappearing bruise
And with my last cloth of hope stripped away
My heart and mind meet at that place where they
Know That Mr. Right won’t come. He won’t show.
Because with my self-respect, my hope, it’s gone in the midst
My mind tells my heart that he doesn’t exist
a poem by my wonderful girlfriend.
Hayley Neininger Oct 2012
all the envelopes in all the worlds
will never be enough to carry my love letters
letters with headers that would be better read
dear  lover number 1,2, or 3
but the dears are really never suffixed by numbers
because the names that correspond to them
mean more than all of their sum
and fill up too many pages than I can count to
and some pages the number I can’t read at all
because I bare down too hard with my pen
and the ink seeps down onto the next letter I have to write
making page 76 look like page 48
and the periods at the end of sentences
look like misplaced and blurry hearts
it doesn’t help that I write in red
and that I only love a certain shade
it doesn’t help that I am broke
and I can’t afford ink
but rubber band are always on sale
and I can wrap them tight around my throbbing veins
to pump out the most velvet red hue
at the lowest price
but when my blood starts to bottom out I stop writing
and I start kissing the next boy who makes
my heart beat out more and more words
to write with.
Another number to start off a letter with.
Dear number 5, I’m sorry about your head but you shouldn’t
Have under judged my right hook
Dear number 7, don’t worry my body’s finally absorbed those bruises
Dear number 1, I wish you could have seen me naked I wish
It was still possible for you to see me naked.
To cut off all my rubber bands
And to burn all my stationary
Because you need to be greedy
And you need to use all the envelopes in all of the worlds
To write letters for me.
Hayley Neininger Apr 2012
And again you fall up.
Fall up into your own head.
Your tangled strings of thoughts
Slither and snake around themselves and choke
Themselves out with a pressure twisted
Tighter than boy-scout knots
Ebbing around painful snaps of rubber band nerves
Looping around the tennis ball of your brain
And as you fall your foot snags on the ringed
End of a threading needle and as you kick it deeper
Into your soft red pin cushion mind
You are hanging with your legs pointed up
With your fingers just barely *******
The edge of that whiskey bottle
The needle breaks.
And you fall down into that drink
Dousing your brain with boiling hot liquid
Hoping that your knotted thoughts will
Melt into spaghetti, soft and loose
Barely circling the fork of your brain
And finally unravel the pressure of
Being the only person who falls both ways.
1.0k · Feb 2016
Bones.
Hayley Neininger Feb 2016
Hundreds of thousands of years from now
I hope they’ll find my bones
Cradled in the womb of this earth
And the archeologists- as careful as midwives
Would scoop me up, brush me off
And deliver me from the dust
Then when they softly blow off the rest of the soil from my skeleton
Ever so softly for a better look at what I used to be
They’ll see my sandy frame and they’ll **** their heads to the side
In wonder when they notice two sets of bones
Yours gingerly entangled with mine
And as they pick up the pieces of us
That used to be we
They can’t tell them apart, which parts were mine
And which parts you lent to me.
1.0k · Nov 2016
Poet, Not A Poem.
Hayley Neininger Nov 2016
When I was a little girl I wanted to be beautiful
Like the princesses I grew up watching
I wanted to look like a sunset
Feel like velvet
Sound like the prose
Spoken by lovers in the throws
Of shedding of every stich of their clothes
And in a nose I would smell like a rose
Every sense sensed of me would
Make sense of me
Since sensing me would be like sipping sweet sensuality
But now that girls want is a woman’s burden
Because I am beautiful
And men flock to me as the ocean flocks to the shore
As Desdemona feel in love with the moor
As the lion is obligated to his roar
But I want more
Than to be beautiful
More than the summers day I can be compared to
More than the ways you can count to
I want to more than just inspire the lyre that plays a song
I want to make the notes it plays
I want to write down everything it sings for days
¬¬to Put into words truth as beauty
And beauty as not always truth
To have the eyes of angels but be ****** for their knowledge
That creating beauty holds less weight than when its clear on your face
But by grace
I will still always want to be viewed as the poet and not the poem
work in progress.
1.0k · Mar 2012
Lesson's On Marble.
Hayley Neininger Mar 2012
A lesson I learned in school
From the boys I have only known
Through sharpies on bathroom stalls
Mike who broke Kim’s heart
And G who would love S forever
Even though the arrow pointing away
From it in a different color
Said otherwise
I learned on painting wood
Suspended by nailed in hinges
That love was more temporary than
Permanent marker
And could be erased by a janitor with
Clorox and even the
Girls who were so motivated to hang onto
Their love that they carved instead of drew
Hearts around their lover’s names
But found they could just as easily be painted over
By pink stained brushes
The lesson I learned in college
Eventually replaced the one before
The first day
In between classes and cups of coffee
When I saw the stalls
Were covered by doors made of
Marble.
Without a scratch of temporary.
1.0k · Oct 2013
Ode To The Letter Y.
Hayley Neininger Oct 2013
An ode to the letter y
A letter that holds a word
A fork in the road
A wishbone
The beginning of a question
The break of a tree
The arch of fingers signing I love you
Or rock on
An empty martini glass
An empty valley
One letter full of possibilities.
986 · Mar 2012
Dear Lady.
Hayley Neininger Mar 2012
Daughter’s of eve.
I have looked and I have seen
The breakfast you have brought to your men
The ugly millionaires you have married
the married business man you met on the ferry
The sad younger man at the bar
The customer whose eyes you couldn’t see though his cigar
I saw you trying to fit into his house
But the door was so small
So small
And you couldn’t fit.
Not with you and what he called, “big-*** hips”
So you go in the French doors in the back
That makes you feel like the eggs you brought him in the morning
Weak and runnier than their yolk sac
The men that first held you like the last orange on the
Last tree in the last garden of the world
Then slowly squeezed out all your juice
Right onto his lapping tongue
Because it turns out he wasn’t hungry just thirsty
And your skin was just a cup that held some juice
To quench his thirst
And wasn’t it worst when you first burst
Into tears over than man
Tears too heavy too many and too hot
To see anything else
To parallel park to leave your mark
On something new to write or speak
To dream or to think
To work out math problems on the board
To not question your man as your lord
I still I hope that your words will carry more weight than
Than number between your feet on the scale
That you will not let your grades drop lower
Than the ******* on your chest
Held high in cups you wish were
higher up in the alphabet than the letter
C.
So why can’t you see.
Why can’t you be
An A.
An a women student mother mentor
A daughter of eve
Who shouldn’t still have to pay
For the way the garden ended but in a pear-shape
979 · Sep 2014
Eve's Lime.
Hayley Neininger Sep 2014
The apple tree is far too honest with its harvest
Whereas a lime tree relies more on faith
A droll kind of tree
One full of doubt
She examined the fruit
Some were ripe and some were rotten
She felt nervous with the truth
It was hard to tell which from which
Without plucking that lime from a switch.
976 · Mar 2012
The Trees Have Cancer.
Hayley Neininger Mar 2012
The trees are stricken with a terrible illness
a certain shrillness that permeates
their perpetual stillness.
And I have seen them.
Their pitch dripped hearts buried underneath
Their brown and rough bark, our version of skin.
And I have cut them.
Looking for their sap, their form of our blood
Hoping to find it still sticky sweet with life,
Hoping it has not succumb to their illness
That is our men.
Men, with burly beards and chainsaws
That are the trees versions of sterile masks
And metal toothed needles
Chainsaw needles that pump poison into
The trees’ version of our arms
Their form of cancer that
Ravishes through what would be our
Organs.
Men with saws that are our version of chemo
Shaking off the leafs that would be
What we call hair
And I have seen them.
They fall down the same way we would
And are covered by our same dirt earth.
974 · Oct 2013
Only Tenant.
Hayley Neininger Oct 2013
Be my innkeeper
Light up the no to my vacancy sign
When I’ve had a long day
Let it flicker like the neon
Sign at the ABC store a few blocks away
And when the next day starts turn it off again
And let in those who’ve had worse days than me
Rest their heads and let them be
Remind me of myself and who I am when
You are my only tenant
But don’t let me forget that while
Yours is the most important
I always have a room for more.
970 · Nov 2013
Nightmares.
Hayley Neininger Nov 2013
Nightmares are a hell of a thing to happen to a person. They only exist in the perfect storm of conditions, elaborately timed coincidences that spiral into a world they know can’t possible exist. And yet, at the time, in the eye of this perfect storm, the fear of things that are not real is completely rational. It must be dark, pitch back even; there must be noise like floorboards creaking or perhaps something more obviously ominous, a skipping record player for instance. There must be a thing, an unknown thing with terrible intentions, malevolent and insidious, unknown to compassion or love. These are the things that breed goose bumps that render irrational people into rational cowards, what a thing to happen to a person.
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