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Apr 2013 · 663
A Bowel, A Cup.
Hayley Neininger Apr 2013
"If we were things", he said
"Then what things are we"
I thought on it for a minute
Maybe two
I said to him,
"Maybe cereal
Or perhaps the milk"
A thing that starts off days
"Maybe even coffee"
He smiled
And he said he knew then what he was
"A bowel, a cup"
Anything that holds me before the day starts
The first thing either of us has to touch
Apr 2013 · 1.5k
Full.
Hayley Neininger Apr 2013
It would behoove my grade school bible teacher to know that I have finally found Jesus.
He sits alone at my neighborhood bar,
and in a fashion that is not unlike the line
at a New York City Jewish deli shop,
he takes questions.
Ticket number 347. “What kind of man will I marry?”
Ticket number 7623. ”When will the end of days come?”
My bible study class, oh,
how they would shake inside their buttoned blouses with envy
that I was the one to find Jesus,
between drinks, between cigarettes,
with beer and peanut excrements on bottoms of his sandals.
Handing out answers like pork cutlets
to mouths that haven’t eaten in years
because they have filled up on the empty appetizer
that is stomach-churning worry:
the gutless and gut-full sin,
of having problems without the hope of solutions
of having questions with silent answers
that it shakes believers so hard in the night they fall off their beds
and they land conveniently on their knees.
They wake up in the morning with bruises and scratches,
external hurts treated with
a mixture of peroxide and stuck-on-you band-aids
that hug tight their stinging cuts until the next day
when the Band-Aid losses its glue and falls off
when they land in meat grinders turning out sausage links
that no one even has an appetite for.

I found Jesus in a bar.

When I see him
I remember Sunday school
and how I stood up on the sweaty palmed stained pulpit and yelled,
“He is not real!”
and now that I am confronted with my falseness
I wonder was I wrong to try to cool the fire of questions unanswered
by answering them myself.

I took a ticket.
I stood in line.
I waited.
The knot my Sunday school teacher tied with my intestines
years ago tightened itself and pulsated
with the influx of another beer
and growing bowel movements that only made me more unsure
of the source of pain in my belly.

I watched
as Jesus nodded politely in between
admissions of sins and proposals of betterment
a gentle, deliberate nod
like his neck was the waist of a Hawaiian girl
on the dashboard of a Colorado trucker,
or maybe like aged fast-food wrappers that tilt forward with the inertia
caused by strategically placed speed bumps.
Each nod, a mini-bow that seemed to contradict
his devotion to his divinity and his authority
over the bleeding-kneed and hungry-stomached servants.

I am the last ticket before the last call and
being this close I can see sweat stains under his arms;
my mother would say they are extra halos.
“And your question, my child?” he says, and
I think I should have been more prepared
or at least not have stuttered like the elementary school student
one stuck playing the under appreciated Pluto in the graduation play.

“Was I wrong that day on the pulpit?”
It was rudely put. I was embarrassed.
He said, “Did it ease the hunger pain of uncertainty?”
He knew it did. So did I.
“Then no, you answered your own question.”
He seemed drunk when he said that,
so I trusted it as a sober man’s thoughts.
Then I walked away full
with knees unscathed.
Apr 2013 · 405
Change, Pockets.
Hayley Neininger Apr 2013
I feel sorry for the broken
Teenage girls
The ones who, on the inside,
Could have used a bit more superglue
To hold their organs together
Who are instead of strong, are fragile
Fragile and noisy with each breath
The loud clanging their lungs make
Sounds like too little change
In too big of a pocket.
Apr 2013 · 540
Stars And Constellations.
Hayley Neininger Apr 2013
I think if you would let me
I’d treat you like the night sky
I’d bundle up all of your wonderful traits and
Perfect flaws and mysterious unknowns
And I’d create a constellation for them
I’d search for it with my telescope endlessly
I know you don’t see yourself
The way I see you
And you still sometimes argue with me when I call you wonderful
But all of the things that you can’t stand about yourself
Are the very things I never want to go a day without
I think that if you let me I’d build you an
Observatory out of hundreds mirrors
Each facing you just so you could see yourself up close
I’d make you sit in front of it simply to show you
All of the other constellations
Who will never have stars that shine
As bright as yours.
Apr 2013 · 462
All Mother.
Hayley Neininger Apr 2013
The thing that I think you don’t realize
Is that all I create all the art I make
All of the words I tie into poetry
All of the ink I let seep onto paper-
All the inventions of creativity
I can conjure from nothingness
And from-bore a wonderful something-ness
All of the art in all of the bones
In all of my body
Is all you.
Who I miss terribly today.
Mar 2013 · 483
2
Hayley Neininger Mar 2013
2
I’ve always been better at writing than speaking. I find the silent confidence the written word is capable of more beautiful than anything. There is something ironically meek to me about speaking. Speaking is rarely done alone and its constant inflation from other people’s responses tend to distort the true meaning of the original words being spoken. Silence is pure- being untouched by other biases allows the validity of it to always be certain. Unlike the spoken word, the written one alone is found in this surety of truth.
Mar 2013 · 527
1
Hayley Neininger Mar 2013
1
I remember her red dress, of how when night came it’s thin straps slipped over her thinner shoulders falling slowly into a wrinkled circle on my floor. I remember her seeing me seeing her put it on in front of our ice curtained window the next morning and even though that dress was too short for autumn she would wear it anyway. I think because she knew it drove me crazy. She would hide it underneath her long winter sweater like she was keeping safe a secret that was only just for me. When she put on that sweater the light from the dawn would sneak out through the tiny holes in the fabric kissing sun-ray freckles on her pale unmarked body. She pulled it over her head ever so slowly. The leisurely motion in some way made me image a 9 year old boy I who for the first time that winter hesitated to pull but his snow boots over thickly crocheted socks.  His feet look like her head in some way. Both are somewhat unwilling to slide into warmer weather clothes; hiding a secret warming joy.
Mar 2013 · 537
Butterflies Eaten.
Hayley Neininger Mar 2013
How smart we were to eat pieces of one another
To keep small portions of each other
Hidden cleverly inside us
The little bits of you secretly tickling
The inside of my stomach
They don’t feel like butterflies
More like birds of prey
Dancing with angels
Their wings brushing up against me
When the joy of their movements
Allow them to forget themselves
And spread their wings full.
I need to stop writing about movies.
Mar 2013 · 520
Secrets In Ears.
Hayley Neininger Mar 2013
You said you keep the best secrets.
No one keeps secrets as well as you.
They are never as safe as they are when whispered
Into your ears to hold.
In that moment all I wanted to be was a secret.
A quiet whisper entering your ears to stay.
Mar 2013 · 576
Bigger Word.
Hayley Neininger Mar 2013
I love you in ways
That the word love cannot fully carry
In ways that that word could never hold
Without buckling over from the weight.
Sometimes I think it’s because there are not
Enough letters in the word love
And all that I feel for you cannot balance
On a number as small as four.
Sometimes I worry they will loose their footing
Way up there on love, too big for only four foot holes
And they will fall down to earth
But I love you in ways that don’t make me afraid
To blow away the crumbs,
Dirt,
Pieces of dust bunnies,
That cover the thing that is more than love
That I have for you
I will rub it on my heart
And keep it there clean
Until I find a bigger word than love
To fit between I and you.
I have no idea where this is coming from. I need a muse soon.
Mar 2013 · 342
Hands At the End.
Hayley Neininger Mar 2013
What if when the dust finally settles
And the tides have stopped
Crashing against the shore
And the winds sit still on tree tops
All that remains of you are your hands
Riddled with scars from words
You have written for me
And I am gone.
You sit there for the rest of time
Staring at constellations of scars
On your skin that spells out all of the
Things you wrote about me
And over the ages my face will blur to you
My hair will stop looking to you
Like wheat fields and slowly it
Will look more like a sonnet
My eyes you will remember to be blue
But they will look to you like the third
Ripple of ocean water from a stone
What if when the dust finally settles
You ended up changing your mind
And all that remains of you are your hands
Still scared but you can’t tell
Not when my hands are covering them up.
Mar 2013 · 1.1k
Love Is A Terrible Thing.
Hayley Neininger Mar 2013
Love is a terrible thing.
A horrid and invisible thing.
The one thing that defies the human
Fear of the unknown
Oh but we want to know it.
We want to see it to hold it
So badly that over the millions of years
Of both our and its existence
We have died for it, killed for it
Begged and sobbed on our hands and knees for it
This invisible force of good feelings and warmth
That we think circles tangibly around us-
Swims and ebbs around our fellow man
Connecting us all and touching the lucky ones
But it isn’t enough.
We want to see it.
We want love to take a form we can mimic
And hold forever
So over the years we have thrown things at it.
Hoping love could somehow catch it
Be consumed by it, covered in it
Its illusive form reveled to us finally
With our clever trick
Writers douse it with ink
Artists with paint
Bakers with flour
Churches with gospels and white ropes
And smartest of all
Teenagers, who throw at it their own bodies
Hoping to trap it somewhere
Between both of their naked beings
Those teenagers  who don’t have anything else to offer it yet
Nothing to throw at it
Nothing to lose in it yet
Still thinking love isn’t a terrible thing.
Mar 2013 · 2.9k
Recipes For Me.
Hayley Neininger Mar 2013
When I forget who I am
When sometimes I feel myself go sour
I look at my family’s recipe book
I hope in there I find the right combination
Of flour and milk that will make me eatable again
I thumb over the pages of hurried writing
Three generations of women glued to
Paper connected by their spine bound
By aging, once white thread
Each woman offering me
A different dish of myself
Depending on the nourishment I need
Their faces ageing backwards in my memory
To when all of their faces looked just like me
And then, there I am
Half cup great grandma
One cup grandma
Three cups mother
Written on floral stationary glued to lined paper
The edges of me and bend and stained from each constant gaze
That’s me, with my name in their book misspelled,
“Grandma’s Three Hole Cake”
Mar 2013 · 534
My Body Is Art.
Hayley Neininger Mar 2013
My body is a map
One that isn’t pinned up by pushpins
On plenty of pinning boys bedroom walls
Too big to see individual trees but big enough
To hold hopes and dreams
Strung together by red lines and black words
That title places they have yet to have seen
But man, how they wish they could visit me.
No, my body is more of a landscape
Still sitting on a easel that belongs to an artist
Who cannot bring himself to hang me up yet
Who can’t yet declare my permanence with a tac
My body is like that that.
Held in a state of constant change but only minutely
My mountains and streams haven’t changed for years
But the leafs on my branches transform ever so slightly
With aging paint brush strokes
That only I and my artist know are there
My features have no home
No place on a map to pin
They hold a kind of secret place that only
Few have seen but none could not say wasn’t me
But I still look similar to places they have already seen
No, my body is more like art.
When I was born I was naked like you
Pale with promise
And over time I was colored with age
I was wrinkled with paint
And damaged with a sometimes heavy hand
But even with the same wood skeleton as you
My un-uniformed array of colors
Only represent what I really am.
Mar 2013 · 768
Ember And Rumble.
Hayley Neininger Mar 2013
Often I feel all I really am is a pile of embers
Pieces of burn paper collected
And swept into a pile
Awaiting the shovel
Awaiting the trashcan
But I was once a flame
I held the afterglow of something powerful
Something that only man has ever touched
A promethean myth of promise so
Potent its future begs to be clutched
And as much
As I could love to be that flame again
My role as the after math is just as important
The pile of rumble that before a bomb was a building
Can be seen as material for something new
And the lot of something as raw as me
Can stand for hope, rebuilding for remaking
Things only exist from piles of ember and of rumble
And from me I can build an army
My fortune has not yet been set
My goals have certainly not yet been met
But I show promise
Now please tell me how will you make me?
Feb 2013 · 527
Blood Eyes.
Hayley Neininger Feb 2013
Isn’t it strange how we as writers choose our muse based off of its ability to **** us? Mine, a woman, a girl really. Her face is not beautiful it is fragile, nor is her body it is frail. She looks almost dead to me, freshly buried; hair thin and untouched; skin just now starting to fall off her bones kind of dead. I would think she was but for her eyes. Perhaps too close together and perhaps a little too big for her face but either way they echo the most wonderful hue of vein-blue. They are beautiful. They ruin me. They make me want to start a militia. Run down the street naked. Proclaim my love for blood. Open up my veins that on the surface promise one color but spill a completely different one. She makes me hate my body. Makes me realize its trickery, that it would promise me her eyes in my bloodstream but when I cut myself open to see them, to touch them I am left with nothing but me. My body, blood red when my favorite color has always been her eyes.
Stop writing about movies!
Feb 2013 · 829
Ants On A Hill.
Hayley Neininger Feb 2013
Our love was a train wreck
A shot in the chest
A broken neck from
An automobile wreck
And I
I have never felt love so strong than
When I used to stand next to you
I have never felt anything close to it sense
Our love was a nuclear bomb
It destroyed every bit of me
Dismantling my atoms
Scattering them across endless fields
Protons electrons broken bones and cut off finger tips
All of my being missing
From just us kissing
Our love was a fountain in a box
Trapped and suffocated water brimming the edge of us
Spilling out onto everything around us
And there was no mop to be found to clean us up
So we, our parts would just lay there
In pools and puddles of love
Little drops of water and atoms so tiny
It’s a wonder how our love filled us whole.
Feb 2013 · 627
Feelings Measured.
Hayley Neininger Feb 2013
The mathematical measurement of emotions
Is based off how fast they run
Set all up at the same level white line
Each toeing the chalky powder on cement
All at once taking off at the sound of a gun
Each running-panting in a race whose finish line
Always wraps around to the start again
In an arena where bullets don’t run out
And the chalk is always fresh
Where the winner and loser always play the same role
As math and measures are stagnant
Offering no hope for healing or progress  
The fast step that tears make
Forever beating out the long strides that hurt takes.
really rough
Feb 2013 · 499
Early Morning Coffee.
Hayley Neininger Feb 2013
I hope your love for me is like  
Early morning coffee.
And I am your favorite mug
When you take me out of the cabinet
Pour into me your energy and motivation
All the things that make you smile when you are tired
Will you set me down gently then
Wait for me to cool off
And kiss me slowly with a smile
Sipping the sleep out of your eyes
Walk me around your house
Careful with the handle.
Looking down at the floor
Make sure all that’s burning up inside me
Stays below the surface and
Doesn’t jump out to burn your toes
You wouldn’t care if it did though
You just wouldn’t want parts of me
That you love so much to be wasted outside
Your favorite mug.
Jan 2013 · 985
Film In Real Life.
Hayley Neininger Jan 2013
Perhaps I have stumbled upon the root of insecurity
Of why we judge ourselves so shapely
And shame ourselves into uncertainty
I think that every day we walk around
Comparing ourselves to other people’s performances
We are not granted back stage passes to their behind the scenes
We only see their highlight reel
The cut and pasted snapshots of themselves
That they have chosen to present to the outside world
All of the bloopers and uncut scenes we are only capable of seeing
In ourselves -are in other people, invisible.
It’s not fair.
To compare a perfectly edited version of a person
To another whose flaws are all too visible.
This is why we feel inadequate.
Jan 2013 · 2.2k
I Wish I Was Literature.
Hayley Neininger Jan 2013
I wish it was easy to say who I am.
I wish God was less of a creator and more of an author
Ink stained fingernails glasses brimming the edge of his nose type
Whiskey on the side of his computer; optional.
I wish that in place of these veins and hair and bendable thumbs
I had poetry, soliloquies, syllables, punctuations.
That marked my existence
I wish my mind was a novel and each word inside it
Moved through my organs and around my chest
And when you cracked it open knowing who I am
Would be as easy as reading a book
I wish that when I get so angry I forget to speak
That you could just rip off the end of my skirt and read the
Internal and omniscient monologue in place of my skin
That would explain everything
When I smile during turmoil I wish it wasn’t a mystery
And the chapters printed on my visible teeth
Could tell you exactly why.
If God was an author I would be a character
And each of my traits would have meaning, and significance
Why do I bite my nails?
Because when I was five years old I saw my mother do It and when I’m nervous
I do it to be close to her
That would be the reason and I wouldn’t have to sit and wonder about it
Because that fits my story
Every page of my life would be narrated by someone who knew
Me better than I knew myself and that, that
Would take a lot of pressure off my shoulders.
The horrible weight of self-defining
Wouldn’t it be nice to not have to discover yourself?
To have someone do it for you
Instead of taking years to find out that you work better under pressure
And that being a doctor really wasn’t your true calling after all
What if you could just look down at your body
And see words that told the story of you.
What if you were armed with the knowledge of knowing
Who you are and what your purpose is.
I wish I was literature
So finally I could through my hands up
Shout back at you saying “Here, look this is who I am.”
I like the sound of the ocean
Black and white movies
I get sad when it rains
Just read me.
Jan 2013 · 927
Truths That Cure.
Hayley Neininger Jan 2013
One question is almost always answered dishonestly. And most times with the dishonest answer, “I’m just tired.” But we aren’t. Not in the way we want it to sound to the person asking us if we’re okay, and we even lie with that a little to ourselves because it could be true- we are tired- but not from lack of sleep, rather and more truly from lack of belonging. A lack of enthusiasm for people, a lack of togetherness, a lack of luster for the world that we find ourselves in. We are stuck in a paradox of our own making, sometimes we feel so empty and disconnected from the world that when we feel that way we lie- furthering our own disconnect. Perhaps, if by some great grunt of force we were able to lift the weight of fear that is is our perceived weakness off of our backs maybe our voices would be less strained and more apt to answer honestly about the disconnect we feel rather than perpetuate its existence in a lie. We are the hands that feed our own loneliness and we bite ourselves time and time again because we can’t admit there is a problem. We can't be seen as weak. We condition ourselves to believe loneliness is a disease and it can be spread with a single sneeze that could lead to the death of our strong egos. So we use lies like tissues and cover up the fact that we feel alone forever fearful that someone else will catch it and reflect to us our own emptiness. Why condemn weakness and the feeling of emptiness to the fate of a negative connotation? Cry in public. See how many strangers comfort you. See how human this feeling is. Embrace it. Answer that person honestly. Hug someone who is sick from loneliness and catch their illness and let that be a bond that in itself cures the disease.
Dec 2012 · 749
Home And Heart.
Hayley Neininger Dec 2012
home is where the heart is
but what if you don't have a home?
what if circumstances out of your control
have forced you to pack up
your belongings in knapsacks
book-bags
and suitcases
where could you kept your heart?
would you nestle it in-between socks that double
as bubble wrap
or in an old mason jar
cleaned of its old bacon grease and
sealed shut from air
i knew a girl once
who was without a home and instead of packing it away
she carried it on her sleeve
and under bridges and squeezed between cloth and a park benches
it got too ***** for her to recognize
and people would nudge up against it in soup lines
and in the winter time it would smell like outdoors and  freezing pines
i would ask her
why not keep in in your backpack
surely it would be much safer there
and she told me
she would never
separate her heart from her body like that
and if she did find a home
she wouldn't keep her heart there either
because houses are temporary and her body would be as permanent
as God would allow it to be
Super, super rough draft.
Dec 2012 · 879
Clotheslines.
Hayley Neininger Dec 2012
When I was a child
We had an army in our backyard
They suited up in flower-print dresses
Their bodies billowed out in the wind
With new gush of air
And their shoulders were pinched by close pins
Holding them in a steady line formation.
My brother and I thought highly of our soldiers.
They guarded our house when they were outside
And inside they warmed our mother’s body
We returned the favor in different types of weather
When it was raining we could take them inside
And lay them flat and resting on out parent’s bed
And in sunshine we would let them bath in light
After a hard night’s watch.
We would sit on the porch and watch our troops
Hand in hand as children, whose world could
Afford to be guarded by clotheslines.
And we would know that the value of this memory
Would be vindicated by its longevity in our memories.
Nov 2012 · 3.0k
Poppy Societies.
Hayley Neininger Nov 2012
you pledge allegiance to a certain type of government
a nation that is ruled by fat men
in ***** dens that cloud the air with smoke
that waters your eyes so you can water their poppy fields
all the while with your right hand over a heart
that beats feverishly with the influx
of toxins that mix with your blood
diluting the poppy petal red
with clear atoms that bubble on spoons
in the shape of bone crossed skulls
they rule with iron fists clenched around
green paper that they take from you and your people
and sell fresh needles as necessary happiness
to counteract the sadness they have created and placed you in
they sit there with smoke rings coming from o-shaped lips
that ring around the perpetual cycle of
supply and demand
supplying addiction and wrapping it in itches
and demanding your free left hand
scratch that itch.
scratch that itch so hard that your skin opens up
and the pain requires more relief.
the nation you live in waves its flag with
173 stars representing Celsius and not celestial
because space is far away from this place
and offers too much unknown for you to think
that unknown is the opposite of the sadness you know
and maybe there is happiness there
where hands are free from swollen veins that act
as puppet strings.
really really rough draft
Nov 2012 · 906
Always, Brother.
Hayley Neininger Nov 2012
Brother, in my dreams you have always just died.
I’ve never dreamt you are still talking to me
nor are you many years gone
your absence is always known, fresh and painful
It feels like a skinned knee
Stinging red and raw and with every movement
It reopens and spills out more and more pain.

Sometimes I am at your funeral
I’m talking through tears about the things you loved
Listing off:
Longboarding
Reading books
Long conversations
A good beer
And I stop at me.
How much you loved me, how much we were alike
And our one difference-the size of our hearts.
Mine, a tiny fragile thing with room enough
Only to house you and
You, who had a heart so big
God couldn’t let it live.

He couldn't keep it beating without making your blood thinner
So that it could more easily pass through your
Giant beating *****
Thin blood that kept you alive just long enough
For you to feel every bit of pain and every moment of sadness
That having such a big heart always brings
Every sad thing I feel in my dreams.

Brother, I'll say to your corpse
Remember the time you were drunk
So drunk that when I told you we were out of ice
You started sobbing
You sobbed on the ground and you screamed so loud,
And you said, “but where will the penguins live?”
I laughed at you, I picked you up off the floor
And told you I love you more than you love everything
Even penguins.
And told you no one will ever love you more
Than I do now.
Nov 2012 · 397
Monsters And Hearts.
Hayley Neininger Nov 2012
Monsters and hearts are not too different
Their presence is only known by their uncertain existence
Be it, in dark bedrooms or in dark rib caged chests
They are both feared in their tangible appearance
A fear that they could both strike out violently
And at any time, suddenly jumping out of those
Places you can’t see
Only to show their faces to you for the first time
As the last thing you’ll ever see.
Hayley Neininger Nov 2012
I see you walking, seriously, quickly,
You catch my eye or maybe I catch yours
And we know.
That somewhere in the smile we share there is a solution
To the problems we’ve made in our own heads
About what is right, what is proper
How we should conduct ourselves in our love
So that it does not offend the people around us.
We find our solution in ignorance.
The total forgoing of social acceptance
And the ignoring of mandated protocol
When we see each other it’s like we’re hold hands in public.
Like we’re kissing with open mouths our hearts visible
To other people it looks like we are too exposed in our glances.
Like we are heart transplant patients on etherized hospital beds
We are eerily fragile and beautiful at the same time
But only to us who have stronger stomachs
Than the general public who gag at the sight of blood.
We embrace it with a smile
And overlook pale faces who can’t see the
Public displays of affection we can flaunt
By simply looking at one another.
eh, work in progress.
Nov 2012 · 682
Bloody Glue.
Hayley Neininger Nov 2012
As of late I have felt less like a person
And more like the aftermath of a shattered glass
My hearts contents that were once safely contained
Now spread out across the kitchen floor
And into tiny dust ridden cracks that brooms cant reach
My pieces that were once whole and one now longer recognize
The many parts of itself that use to be neighbors
But now have moved across continents
The circular bottom of my glass
Bounced and shattered making a jagged crystal crown
Perfectly shaped for house mice
The mouse king wears it like I use to wear
My heart.
As a symbol of power of knowing that
If all else fails I have this heart, this crown
So when people look at it they will know without a doubt
That I am good and I am deserving.
But now with that piece of my body separate
From my other organs I am not so sure
Now that it lays too far away from my soul
My brain my body
I am not sure that it means anything.
I am broken and the holy hope I have of reconstruction
Is that dust pan in the closet
And as it collects my dangerous shards of organs
I’ll pick up the bigger pieces with my hands
And hope that my blood is thick enough to act as glue
If only a temporary fix.
Nov 2012 · 440
A Slow Fire.
Hayley Neininger Nov 2012
My eyes don’t light up when I hear your name anymore,
That fire that would spark in my eyes has given way
To my natural icy blue.
My heart has stopped racing when I see you
And a slower heart keeps my blood running thin
The chills that use to coat my body when you smiled are gone
And I am now left unclothed in the wind
With cold eyes and thin blood and a naked body
But my mind is slowly starting to warm up by itself again
It has pushed you to the back of my skull
And labeled you under a bad memory
Where the heat of your body cant reach my eyes
And convince me to see myself for who you told me I was:
A cold beast who needs someone elses heat.
Without your warm touch I can feel myself
Being able to feel who I am again
Separate from your fire, I can remember how to build my own
And even if I have only just learned how to pick up two sticks
The promise of my own warmth heats me thaw.
Nov 2012 · 811
Reading Scars Like Words.
Hayley Neininger Nov 2012
I want to know all of you.
The tiny blemishes that would be imperfections
If they marked up any other body but yours.
I want to know the stories behind your scars.
All the ones you've collected over the years
And display on your body
Like old books on a library shelf  
I need to thumb my fingers over those puckered patches
Of skin because all your books are written in braille
And I want my fingers to know those words
In ways your voice couldn't describe.
These welts of words make up the story of who you are.
I hope you will let me open you up
And I hope that after I read all of you
You will still know
That I will always kiss you as sweetly as I did before
I knew all your wounds.
Please know that I will not think you are any less pure
To me as you were before I understood.
Purity isn’t real anyway.
It’s a prison of a concept that’s made with
Bars of guilt and of shame
Keeping you trapped behind your past.
But you are not that to me.
You are my future
And even if I add to your seeming imperfections
And give you a few more scars
Be happy that when I re-read the braille books on your body
I will read about me too and how I want
Nothing more than to add to you.
Hayley Neininger Nov 2012
Promise me you will not
Spend too much time talking
Forever trying to dilute oxygen from atoms
So that you eventually forget
I mean, truly forget
How much you love the sound
Of my voice
Embrace the ache you feel in my voices
Absence when you go away
So that you always remember how much
Every word I spoke to you kept you company
Promise me that even on this circular planet
When you stand as tall as you can
That even though you can’t see the end
That you will look anyway
And when you look you will always be searching for me
Even if you sometimes slump over the curve on this earth
And your stomach aches with the pressure of your arched body
Over this rounded mass
That you will ease the pain by keeping your chin prompt up
And your eyes always forward
Place your face in my hands if you must
I’ll hold it steady so you can have a better view of all you
Can be
And that way you’ll never really have to search for me
You’ll feel me under you holding you up
And every now and then I’ll turn your head
So you can look in a different direction.
And if the thunders of this world are really just the growling
Of your stomach over top of it
Ill feed that ache with my song, my poem,
My nighttime lullaby that didn’t last long enough
You don’t need to convert oxygen in that atmosphere
And either way if you choose to talk
No one would hear you, so don’t waste your breath.
Promise me to wait to talk when you come back down to earth
And you have something true to say.
Promise that when you’re done saying it that
You will listen to me then
Even if all I have to say back is I love you.
Nov 2012 · 1.2k
Hearing Love.
Hayley Neininger Nov 2012
When I look at you I see love
It lives all over your body
From the tuffs of your hair
To the tips of your finger tips
To the right side of your face that smiles more than your left
And that love, you wear it like a metal
And it makes you bold, so bold it
Makes me nervous and forget how to talk
And how to tell you that my love is more subtle than that.
You have to listen to it to see it
It comes out late at night after you place your metal on the dresser
And I’m not so blinded-
When your eyes are shut tight
And then I know the only way to your heart is through your ears
And I whisper to you that I love the smell
Of your skin
Or that your lips on my head is the only validation of my worth
That I will ever need.
I love you in words that live hidden in my head
And I know you look for them when you pull me
In closer, when you search my body for mutually shared feelings
But I’ve never been one to sew on feeling to blouses
Because I’ve never trusted a laundry machine
Not to tether my heart’s delicate fabric
So please, just listen to me speak.
Note the pauses in my sentences and
The dips of my voice, the clicks my tongue makes
When I say your name and follow it with I love you
Please know that your name has never been as safe as it is
When I hold it in mouth.
And I will never bit down on it
And love will always be on the tip of my tongue
And you will be the only one safe there.
really really rough draft.
Nov 2012 · 1.4k
Finding Air In A Snow Globe.
Hayley Neininger Nov 2012
My mother is getting ready for work. And I am a child of about 9 years old sitting on her bedroom floor watching her get dressed the same as I would for the next 9 years or so in this house. The house that I remember then use to shake violently from the train a block away and was so glass-fragile and so cold-damp that its walls warped and swelled; making it look like someone had once blown up a large balloon inside of it and the walls curved around it. Even after that balloon popped the walls never managed to regain their original shape. My mother who never complained about the state of our home and in fact rather fancied it would tell me “Isn’t it cozy living in a snow-globe shaped house, and when it shakes we can pretend we’re snowmen in a glass ball.” She would always say things like that. I would always listen; I would always sit quietly with my legs tucked under my *** and watch my mother get ready for work. She would go through the same motions she went through every night and every night in the same order, she did this so often and religiously she had it down to an art, a methodical system of movements that at this age seemed to me more like dancing. I would watch as her dance started in her hands. Her fingers thumbing over the light pale and pink lip paints she saved for weekday afternoons and for Sunday mornings. She instead reached for the bright Chinese red stick she painted onto her perfectly pursed lips. She then reached for her black dress, pressing down the wrinkles smooth as the backs of thumb-tacks, smoothing the fabric over her hips, her thighs, her legs. Next she would sashay over to her vanity, pick up a small container and spread over her eyelids a bright but dusty blue shadow. I love this next part. When she would gently sweep me up and sets me on her bed as she knelt down and told me to sprinkle her face with a shimmery clear powder, giving her the look she always said made her stand out, made her look “unique”. I always thought she looked like she was in the caught in the middle of a snow-globe. Her next step was then slipping her dainty and fragile size 7 feet into heels that I knew would look invisible in the dark night outside our front door, she would look like she was almost floating. I often thought those would hurt her feet as she walked that long stretch of street outside our house.  Her arms then would sway and flick her hands outward, grasping with all her fingers a purple and gold glass bottle of perfume on her dresser. Back then it looked to me like a curious crystal globe of sweet-smelling water that turned sparkly when she shook it. This is my mother’s last step, she presses down the sponge-like pump. I really love this part. The only magical part of my mother’s evening- the part I always thought would make her realize she should stay. As she presses down on the pump I see the shiny and clear purple hued liquid release and bubble out into tiny specks of oxygen atoms, I watch them as they swirl up the golden bottle-the rounded glass holding them in, controlling them, allowing them to eddy and ebb around themselves, to tango around each other within the safety of its bottle. They are dancing, writhing around in their own world, free from the terrors of the outside air, these atoms embrace the chaos and they wallow in the pressure that perpetuates them in an endless looping of rhythmic motion. They enjoy it. They bask in the comfort of the fluid that holds them tight together safe in their glass house, keeping them untouched. I, sitting there eye level to this bottle watching ever so closely as the air bubbles swim closer and closer to the surface until they slowly start to realize that they are being expelled from their bottle. Then they stop dancing and move franticly in a tornado-like motion, they scream and they fight their way back down towards the others like them, wishing to not be pushed up and out into the bigger pool of air they know will surely render them invisible. They wish so strongly to be kept inside their glass world, to always be safe and visible in the enwombing liquid that circles around them in their bottle that reassures them of their existence as a single being and not as a part of a whole. To be separate from the mass of air that awaits them, the air that only yearns to add to its girth, by swallowing the tiny air-bubbles. I want them to stay. Stay in their snow-globe and live forever as air bubbles safe and few, to not swim up to the world that will gulp them down whole. I know they are dainty and fragile and I want to keep them safe. I want to always see them dancing separate and unique and never leaving, yet they do. I want them to stay, yet they do not. All in an instant, faster than the blink of an eye, the once dancing bubbles are gone and are now sprinkled sweet across my mother’s neck. The only evidence of their existence- a lingering scent flowing out of my mother’s bedroom as she grabs her purse off the couch. I want her to stay too. And as she grabs her bag and slams the front door it shakes our house like glass around me. I remember a younger me, left there feeling liquid and weak in a snow-globe house now void of air.
edited a previous work.
Hayley Neininger Nov 2012
I dreamt that I wrote to you last night. I woke up with paper cuts in between my fingers, lemon juice that stained my bed a ****-yellow color, ink embedded underneath my fingernails,  and every time I reached down to scratch my ***** I left a shameful line of old black ink. I think I’d have mailed it to her if I knew that when she read it she would scream with a horrid realization. A realization of finally understanding the monster she use to sleep next to, before the **** sheets before the ink stained boxers. I’d have mailed it to her if it wasn't just in my dreams. I imagine that the lines in my letter were laced with layers of lucid logic that stringed together feelings that con-caved in on themselves. That ate themselves whole;  but instead of making them disappear entirely they grew twice their size and spilled over the pages and underneath my nails. The diction I imagine I would have chosen to write with would be read with a southern twang.  Slow and drawn out. She would have to read it with extra syllables that her tiny lungs could not possibly hold. It would make her choke, for the first time, on words that weren't her own. My words would finally fulfill the dreams of my hands; constantly wanting to ring around her neck like I was seven again on the playground and her name was Rosie. I wouldn't have rhymed in my subconscious, to me that always seems fake and I can’t really rhyme without having my voice break. I might, however; use from time to time red bold words laying in the middle of long paragraphs in hopes she would remember her red dress. Of how, before bed, it grazed over her slopping neck and slid off onto my floor. In my dream it’s still on my floor. I hope in my letter that I wrote out a picture of her seeing me seeing her put it on in front of our window the next morning and even though that dress was too short for autumn and she would wear it anyway. Because she knew it drove me crazy and because she wanted to remember me even after she walked out my front door. Mornings like that I begged her stay even if we had just fought over how much she snores, even if I had called her a **** one too many times the drunken night before. My letter, I think, would tell her that I wish she didn't have to bundle up and leave that she could instead cut up my bed sheets and make herself a new warmer dress. One that would have matched my pillow too perfectly for her to not lay her head on it and call it a hat. For her to pretend that my bed was the world outside the door. My letter would go like that. It would make her scream at first then make her remember that monsters can love too and knowing that; she would punch her new mattress and tear up her new pillows ones that I have never touched. She would scream, "*******!" preceding my name every time she landed a blow. She would say that so many times that she could never look at her new bed again without thinking of me, and of ****. When I dreamt last night I dreamt I wrote you a letter, but dreams don’t have hands that can hold pens. So I instead sent you my bed sheets, my boxers, I signed them with lemon juice and old black ink. Wear them, sleep with them, read them for what they are worth or toss them out because monsters with words like mine give you nightmares.
Nov 2012 · 792
Cold Places Together.
Hayley Neininger Nov 2012
If we could escape this heat
I think we would.
With a choice of geography I could see us somewhere cold,
Somewhere where our hands couldn't touch
Anything but the inside of gloves
Where our hearts wouldn't break with our fevers
Because only our memories would know what it was
Like to always be so hot.
We would never sweat next to each other
We wouldn't dare to.
We would know that each bead that dripped down our brow
Would harden into a marble, and we would never
Throw those stones at one another.
Besides, we never be so close to one another anyway
Not with our layers of fabric hugging our bodies so tight
That we would eventually forget what was underneath
And only recognize the form of each other by the patterns on our jackets
We wouldn't see each other as anything other than
A pile of laundry.
The site of piled clothing would not remind of us nakedness
But of how it felt to lay as children
Underneath a freshly dried pile of garments.
How we would feel the warmth as good at first but were then
Deceived by a burning hot brass button
That puckered the skin on the back of our
Necks, of our legs.
We could remember heat as heartbreak in our
Memories and it would be too far erased to ever recreate.
We could live for the cold, the sharp air
That would still the boiling liquids in our veins
That  once made our hearts beat too vulnerable to not be hurt.
Our core would adapt to the cold
And it would harden our hot feeling and small morsels
Of memories together like a bag of peas in a freezer.
We can’t be so hot.
Not you and me, not together.
Not with mouths so dry from each others
Our bodies would have to make water for us.
Not with heads so full of steaming blood that feelings melted and
Swished together in a liquid until they were no longer distinguishable
As real things and were often  so misunderstood
We added more liquid dilutions
Until they filled our bodies too full
They spilled out of eyes and burnt our faces.
We should move somewhere cold
Where everything is too solid to connect anything
And too still to break our hearts.
Oct 2012 · 2.4k
Full With Knees Unscathed.
Hayley Neininger Oct 2012
It would behoove my grade school bible teacher to know, that I have finally found Jesus. He sits alone at my neighborhood bar and in a fashion that is not unlike the line at a New York City Jewish deli shop, he takes questions. Ticket number 347, “What kind of man will I marry?” ticket number 7623,”When will the end of days come?” My bible study class oh, how they would shake inside their buttoned blouses with envy that I was the one to find Jesus, between drink, between cigarettes, with beer and peanut excrements on bottoms of his sandals. Handing out answers like pork cutlets to mouths that haven’t eaten in years because they have filled up on the appetizer that is stomach churning worry. The gutless and gutful sin of having problems without the hope of solutions that shakes believers so hard in the night they fall off their beds and land conveniently on their knees. They wake up in the morning with bruises and scratches, another problem but this time the solution is simple. A mixture of peroxide and cotton-blend Band-Aids, hugging tight stinging cuts until the next day when the Band-Aid is loose and falls off into meat grinders making sausage links you don’t even have the appetite for. I found Jesus in a bar. When I see him I remember Sunday school and how I stood up on the sweaty palm pulpit and yelled, “He is not real!” and now confronted with my falseness I wonder if I was wrong to try to cool off the fire in my belly that was unanswered questions by answering them myself. I took a ticket. I stood in line. I waited as the knot my grade school teach tied with my intestines tightened itself and pulsated with the influx of another beer and growing bowel movements that only made me more unsure of the source of pain in my belly. I watched as Jesus nodded politely in between admissions of sins and proposals of betterment like his neck was the waist of a Hawaiian ******* the dashboard of a Colorado trucker, or like aged fast-food wrappers that tilt forward with the inertia caused by strategically placed speed bumps.  Each nod, a mini-bow that seemed to contradict his devotion to his divinity and his authority over the bleeding kneed and hungry stomached servants. I am the last ticket before the last call and I take advantage of both. Being this close I can see sweat stains under his arms, my mother would say they are extra halos. “And your question, my child?” he says, and I think I should have been more prepared or at least not stuttered like the elementary school student stuck playing Pluto in the graduation play. “Was I wrong that day on the pulpit?” It was rudely put. I was embarrassed. He said, “Did it ease the hunger pain of uncertainty?” It did. “Then no, you answered your own question.” He seemed drunk at that point when he said that, so I trusted it as a sober man’s thoughts. Then I walked away full and knees unscathed.
Not a poem, just a work in progress.
Oct 2012 · 1.1k
Hiding in Nakedness.
Hayley Neininger Oct 2012
I remember the places I used to hide
My feelings locked away
With no one to find the key
Waiting for Mr. Right
But he won’t come
So I’ll settle for Mr. Right Now,
Mr. In the moment,
Mr. Can I take your coat off
Just to see your skin
So I can picture you naked
Full of regret, full of hatred
I do as he wishes
He slips off my coat
Along with my self-respect
My shirt follows and so does my hope
Passion and desire, meaning more than one night.
Now the pants, the bra, the shoes
Like tinny vessels,
A disappearing bruise
And with my last cloth of hope stripped away
My heart and mind meet at that place where they
Know That Mr. Right won’t come. He won’t show.
Because with my self-respect, my hope, it’s gone in the midst
My mind tells my heart that he doesn’t exist
a poem by my wonderful girlfriend.
Oct 2012 · 771
Father Time.
Hayley Neininger Oct 2012
To my father time,
my keeper of clocks whose minute hand
never clicks too fast for my growing mind,
whose hand was always held out to help me over curbs
and over mountains
Leading me to the path he’d knew I needed to walk down the most.
To the gray hair I loved to brush through as a child, with paintbrush fingers
and as an adult discreetly smell with each long, over due hug.
To the man I loved first and the one I give thanks for
every last thanksgiving.
The one whose eyes held the same color as mine
and when I looked into them saw I us both
picking flowers down the street
but father time
your eyes were always slightly different than mine
they had a touch of yellow that I could never,  in my own eyes find
but how I wanted that same hue of gold.
To be touched by your Midas eyes I thought I could uncover the world
but I can’t. You are too far away and I miss you
and I can no longer feel the warmth of those yellow specks
only the black of your pupils that are
deeper than the ocean and I am a fish without gills forever trying
to swim toward the orange light the sun yields each morning
only to be stuck in mud  
forever waiting  for your glowing second hand to touch me again each hour
and remind me to look for gold in blackness
and that I have the same eyes as yours, that can turn minute hands into
years of arms and mud into gold.
Oct 2012 · 1.2k
How We Should See Storms.
Hayley Neininger Oct 2012
In the break of a storm
Rain acts like cars whizzing past pedestrian's faces
Blinking with watery head lights
And deafening horns of water-droplets
Beating on the heads of concrete drums
The wind like the underbelly of a lawn mower
With teeth, circular, sharp
and vicious enough to cut the point off blades
Of grass
When strong gusts blows
Hats off men’s heads
The stretch of jagged lightening
Mocks the warmth of yellow light
As its golden blade cuts through
The butter-soft black and blurry night
And the pruned weeds of people
That turn earth’s green brown
Count after the flash of light
So similar to the sun of daytime
They swore was there to brighten their world
1..2..3…
Thunder lets them know how fast the storms
Girth is approaching like
The rings inside a water cup tell you
Something bigger than yourself is walking towards you
It’s footsteps a voice that causes even the best intentioned daisy
To lose a petal or two.
work in progress
Oct 2012 · 1.3k
Zombie Love.
Hayley Neininger Oct 2012
The dead often come to visit me.
My favorite corpse a delightful copy of
Something it used to be.
He comes to my door and I embrace him
He smells like aged formaldehyde under a coat
Of strawberries and mints
His front teeth are still spaced evenly
Sed for one
Hanging like a faulty Christmas tree light
Right over his holiday red bottom lip
If I could still kiss them I would tell him
As sweetly as I ever did, “your lips are as soft as whale blubber.”
The way they used to move around and in between mine
Makes me think your mouth could have danced on Broadway
And the crowd could have thrown up at its beloved star roses
Only the petals would rub your lips too rough
I would tell him, “baby I miss you.” And
“I’m sorry I never returned your favorite book.”
But in all fairness I think you have never returned anything of mine
Not my favorite blouse, my grandmother’s portrait
Not my heart. Not yet
For it is little and porous and too dead to give to
Someone one who is still alive
I bet you keep it there in your back pocket
Riddled with granola crumbs and sticky excrements of gum
And maybe every other haunting you take it out
Before sitting on it and you dust it off
And kiss it.
There is something sad about that.
Having your lips touch things I can’t feel
You might as well have ****** on my liver
I wouldn’t feel that either.
Come to me when you cannot rest in peace
With pen and paper and too much coffee
And in between cigarette puffs kiss the outside
Parts of me I can feel.
work in progress.
Oct 2012 · 1.2k
Patchwork People.
Hayley Neininger Oct 2012
Dearest our love poem goes like this
Come to me again late at night
In between purple hues skies and patchwork blankets
Come to me when my parents are fast asleep
And they won’t be able to hear the one-two of your feet
Walk up the carpet marked stairs
And higher up still my bunk-bed ladder
And even if you miss the second step
Don’t worry if the thud of your body hitting the floor
Wakes them up.
**** it.
After you scrabble up into my bed and
Later when they come in we’ll tell them the truth
You were only trying to whisper me
Your secrets
And I was born with ears in my mouth
And let them find out
That some people were born like that
With body parts hidden in odd places
And senses that overlap organs
Making it hard to understand why I have
To taste your words
And see your heart
Because I was also born with eyes far apart
From my face and somewhere close to my chest
And it just so happens to be I found someone like you
Who was like me too
That was born with their ribcage unattached
So when we hug I see your blood
Flowing in and out of your beating heart
I could touch it with my eyes they are so close
But I won’t.
See I was born with my feeling on the arms of my blouses
And when you take off my shirt
I brush against the bend of your knees and fall to
Tickle the tops of your toes
Where your mouth supposedly isn’t supposed to be.
Hayley Neininger Oct 2012
all the envelopes in all the worlds
will never be enough to carry my love letters
letters with headers that would be better read
dear  lover number 1,2, or 3
but the dears are really never suffixed by numbers
because the names that correspond to them
mean more than all of their sum
and fill up too many pages than I can count to
and some pages the number I can’t read at all
because I bare down too hard with my pen
and the ink seeps down onto the next letter I have to write
making page 76 look like page 48
and the periods at the end of sentences
look like misplaced and blurry hearts
it doesn’t help that I write in red
and that I only love a certain shade
it doesn’t help that I am broke
and I can’t afford ink
but rubber band are always on sale
and I can wrap them tight around my throbbing veins
to pump out the most velvet red hue
at the lowest price
but when my blood starts to bottom out I stop writing
and I start kissing the next boy who makes
my heart beat out more and more words
to write with.
Another number to start off a letter with.
Dear number 5, I’m sorry about your head but you shouldn’t
Have under judged my right hook
Dear number 7, don’t worry my body’s finally absorbed those bruises
Dear number 1, I wish you could have seen me naked I wish
It was still possible for you to see me naked.
To cut off all my rubber bands
And to burn all my stationary
Because you need to be greedy
And you need to use all the envelopes in all of the worlds
To write letters for me.
Oct 2012 · 714
Teetering Back And Forth.
Hayley Neininger Oct 2012
My muse for writing is hatred
I hate this and I hate that
I hate you.
My right hand seems perpetually pressed
Against paper
And the pressure from my left
Comes from a clenched fist
My fingers wrapped around
Some crumpled scribble of a thought
Most times my body feels like the vertical pole
Balancing opposing weight systems
Constantly pushing for power only to lose it
Again every single time.
And I hate that I rhyme
Because I am too off set to stand straight
On my own two feet
I am meek and I must teeter between
Who I am and what I write
When what I am in a ball of hate
Writing about how I wish it was love
And how nice cool metal would feel on my left hand
Compared to the hot blood
That seeps under my finger nails
From constantly clenching back cascades
Of callous conscious thoughts of hate.
That I hate I wished was love.
Sep 2012 · 1.2k
Why Can't I?
Hayley Neininger Sep 2012
The other night I was walking down the street
In a sweatshirt and blue jeans
And to the left of the street I heard
“Hey baby, get in the car with me”
And I knew this couldn’t be a nice gesture
And I should be afraid
I should rely on the pepper spray in my purse
Over the compassion in a man’s heart
Because after all I’m just an itty pretty bitty
In this big ol’ city
And I need help
I need a white knight to protect me from dragons
That used to be men but forgot the meaning of the word no
And twisted it so
It meant try harder
Look at how short her skirt is
And I thought since when did the length
Of my skirt become the measure
Of a man’s self-control
When did the visibility of my thighs
Warrant unwanted invites
I don’t remember sending out mini-skirts
To request people come to my birthday party
The length of my dress does not mean yes
And the cut of my shirt is not a man’s control test
And when I say no that isn’t just a request
Why do I have to be afraid to be a woman?
Why can’t men be taught not to ****
So I won’t have to be taught ways to avoid it
Don’t walk alone
Don’t talk to strangers
Don’t walk at night
Don’t leave home without pepper spray
Don’t walk in that neighborhood
Why can’t being a woman mean don’t
Be afraid you never have to wish
You were born with padlocks instead of knees.
needs work
Aug 2012 · 1.5k
Loving Me Is Hell, II.
Hayley Neininger Aug 2012
Loving me is hell and hell is dense
And hell is heavy
And hell is hot
Dense with the influx of passing souls
That nudge elbows of their brother sinners
In tight elevators that hum not
Piano music but drums so loud
They convert heart beats to 808 rhythms
They shake the victims of vices so
Hard the change falls from their pockets
And bounces back up into their eyes
Hell is heavy
It is heavy with the weight of lies
And of the truths of passions sought and met
With only finger tips and white lips
The vicious bosses of mobs
And the cemented feet of snitches caught
Hell is dense
It is packed tighter than fingers in fists
Clenched fixed on righting wrongs
The air there is hot with breathes
Held in and finally released with
The unbuttoning of sliming corporate tuxes
Fastened inside out so the brass buttons brand and burn
The business boys’ bantam bodies
While they look up at the men the tired to measure up to
But where always a stich or two short
Hell is hot
Hot and steaming with the blood of the corrupt
That was spilt and then encountered a tilt
Down a funnel mixed with rotten oil
Left stagnant by sinners that sought not
To move a finger to clean up that gunk
The steam from sinners water not sweat
Boil sweet and steamy up into the
Mouths of men with jaws wired open
And rested on their bellies that are propped up
By guns taking all that is sweet for themselves
This is hell
This, like me,
Feels tastes sounds and smells
Of dense hot and heavy
Sins deadly appealing
And dammingly just.
Jul 2012 · 696
Loving Me Is Hell.
Hayley Neininger Jul 2012
Loving me is hell
The brim ****** coal melting the
The rubber base of my shoes
Leaving my soles bare
And red and raw
Pulsating with heat pumping
Blood into my skin in attempts to
Make it live again
But my body is faulty
And it does not know the flakes around my toes
Are already gone
And any aid to save them is as useless
As rubber trying to fight fire
Loving me is hell
Because when I burn my feet I cannot stand any longer
And I will need you to carry my rotisserie rotten
Soles to where ever it is you wish me to go
And at first your arms are strong to hold my weight
But like everything else
Like the iron on statues like
The wood that built a house
They will weaken
And I will only be a burden of a beast
Whose soles not unlike my own heart
Makes you wonder if they are still completely in tacked
And you will consider throwing my body back
Into that fiery hell
Because loving me is just that.
Hayley Neininger May 2012
I respect my body.
The same way I respect my house.
My red brick skin
Blushed with flowing blood
From my space-heater heart
My air-conditioner lungs I have routinely maintained
With long drawn out breathes of cool wind
I have protected my house with toxic pockets
Of termite poison
To protect my wooden frame
And I hang up pictures of love ones with
Nails inside tattoo guns that spell out their names
And I paint my home’s walls with different shades
Of colors to bring out its ascetic value
Like how I use blue eye-shadow so my guests
Can better see my eyes, bright blue
I eat vitamins like I vacuum my carpet
Cleaning up and persevering its worth
The ting-tang sound of a working vacuum
Paralleling the pitter-patter of those circular pills
As they fall down my throat
I seasonally change out my couches and my chairs
When I go to my mirror and tie-up my hair
A different look for a different season
Because my house deserves a separate look too
For when it feels the wind changing
And like myself my house would rather not be bare
So I dress it in marigolds and poppy flowers
And ivy that I have to cut down when I notice it growing too fast
Because like my house I am too beautiful to be covered completely
Each shrub I trim another inch of skin I can share
And I respect  it when I get home
I say just a little bit
More skin at the top
To show off my brick house.
eh....work in progress.
May 2012 · 850
Mom.
Hayley Neininger May 2012
This one is for my mother
My only gift that maybe and probably
On some levels just a re-gift
Of the gift she has already given me
Over the years and through the many
Pages in the many books she has read to me
The books that she pulled from her red-wooden shelves
And sat on her lap on top of peach printed skirts
And underneath her pale pink colored nails
Words that grew legs in my mother’s mouth
And were so well fed that they grew hands too
Hands, that stretched out so far they reached my ears
And tapped on my ear drums moors code
Tales of other sleepy children who just
Wanted to stay up, “please just one more chapter longer”
“Please, I’m not even really tired”
Tales that when looking back I hate to think
I never realized  
How these tales reminded me of her
From every little detail minute as the
Punctuations that penetrated the spaces
between my mother’s long winded breath
One story I remember in particular.
The crescent moon that cradled the cat.
The cat that escaped from her farm in search of more milk
Than the farmer was feeding it
That cat who ran to the sky thinking the Milky Way—was just that.
Only to realize the love of the famer
Tasted better than how stars
Felt on patted and pawed feet
So the moon held the cat and slowly dipped its semi- circle
Cavernous cradle down to the earth again
Into the hands of the farmer
My farmer, my mother earth
With one undone overall strap hanging below her shoulder
That in my childhood I would tip-top to thumb the edges of
That metal that spooned the silver button hook.
The shiny metal like a bookmark
That I hope will never find its page
In a book I hope my mother will read forever.
Apr 2012 · 706
Moon Smoke.
Hayley Neininger Apr 2012
I tried to describe you to someone
The other day
At a loss for affectionate nouns that
Would string together adjactives
Of how much I miss you.

Words sat deep in my lungs
And puffed out squeaky and small
Smoke-tainted coughs
Laced with conversations we had
When I first put that smoke there.

Words pilled up at the base of my gut
Twisting my insides the way you said
Yours did when you thought of planets.
Words that if formulated in my mouth
Would tell you I would ****
Just to be a moon circling in your orbit
Picking up rocks of you
You thought had fallen off forever
And were meteored through the universe.

Words that you once spoke to me
At night on a bench
Carried in my moon-hard
Lungs as smoke
That when I speak of you
Heat me thaw.
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