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 Jul 2010 G Fairbairn
D Conors
i want you if
even for the
shortest moment
of time
even if knowing
our hellos
will also be
goodbye.

i want
you

to hold me.
D. Conors
06 july 2010
Blossoms at night,
and the faces of people
moved by music.
Speech after long silence; it is right,
All other lovers being estranged or dead,
Unfriendly lamplight hid under its shade,
The curtains drawn upon unfriendly night,
That we descant and yet again descant
Upon the supreme theme of Art and Song:
****** decrepitude is wisdom; young
We loved each other and were ignorant.
When, as the garish day is done,
Heaven burns with the descended sun,
  'Tis passing sweet to mark,
Amid that flush of crimson light,
The new moon's modest bow grow bright,
  As earth and sky grow dark.

Few are the hearts too cold to feel
A thrill of gladness o'er them steal,
  When first the wandering eye
Sees faintly, in the evening blaze,
That glimmering curve of tender rays
  Just planted in the sky.

The sight of that young crescent brings
Thoughts of all fair and youthful things
  The hopes of early years;
And childhood's purity and grace,
And joys that like a rainbow chase
  The passing shower of tears.

The captive yields him to the dream
Of freedom, when that ****** beam
  Comes out upon the air:
And painfully the sick man tries
To fix his dim and burning eyes
  On the soft promise there.

Most welcome to the lover's sight,
Glitters that pure, emerging light;
  For prattling poets say,
That sweetest is the lovers' walk,
And tenderest is their murmured talk,
  Beneath its gentle ray.

And there do graver men behold
A type of errors, loved of old,
  Forsaken and forgiven;
And thoughts and wishes not of earth,
Just opening in their early birth,
  Like that new light in heaven.
1680

Sometimes with the Heart
Seldom with the Soul
Scarcer once with the Might
Few—love at all.
 Jun 2010 G Fairbairn
D Conors
...i shall affix a sweet
red hibiscus
to you hair.
i shall live in the petals,
always near,
you
until the leaf doth wilt,
then live in
your heart
forever still.
D. Conors
24 June 2010
 Jun 2010 G Fairbairn
Katy Walker
Melancholy grain of sand
Why must you cling to my own hand
You should dwell with your own kind
Not against my skin to bind

I am becoming quite annoyed
All irritants you have deployed
I walk down the lonely beach
A water lesson I will teach

You do not wish to desist
Continuing to resist
I insist
Well then I will walk uphill
Go home to wash you to my will

O sand why must you crawl beneath
And cause all stable ground to cease
You fell me softly as you slide
Into your mouth—a pit—I glide

I wish you well but please get off
You are causing me to cough
More and more—your family
Adding to my misery

I cannot breathe and thoughts are dim
So dark it is—looking grim
My final breath is filled with sand
You are a pest—sand—to the end
Even if you cannot shape your life as you want it,
at least try this
as much as you can; do not debase it
in excessive contact with the world,
in the excessive movements and talk.

Do not debase it by taking it,
dragging it often and exposing it
to the daily folly
of relationships and associations,
until it becomes burdensome as an alien life.
You said: "I'll go to another country, go to another shore,
find another city better than this one.
Whatever I try to do is fated to turn out wrong
and my heart lies buried like something dead.

How long can I let my mind moulder in this place?
Wherever I turn, wherever I look,
I see the black ruins of my life, here,
where I've spent so many years, wasted them, destroyed them totally."
You won't find a new country, won't find another shore.
This city will always pursue you.
You'll walk the same streets, grow old
in the same neighborhoods, turn gray in these same houses.
You'll always end up in this city. Don't hope for things elsewhere:
there's no ship for you, there's no road.
Now that you've wasted your life here, in this small corner,
you've destroyed it everywhere in the world.
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