-
crack another thermometer open
on the broken bathroom sink,
pour yourself into me like mercury
and pan the bed of my stomach
for multitudes of gold flecks
like however many myriads
of sickly pill bottles in your
dresser drawer of socks.
-
see all
the shredded speckled petals
i ripped up before i'd let
the deer get to them;
i'm colorblind,
and i can't tell
the sun's reflection from plastic,
or tulips from the broken
pottery outside my front door.
-
and far least from another beer,
and another fifth of whatever
could be fit under your shirt
-
and never a chair pulled up to speak,
from standing like a soapbox
more suited to cleaning
than to preaching.
-
pour yourself into me like mercury,
because it's so much easier
when my veins weigh me down
to distraction, than being able
to think of hydrangeas again.
-

i don't
even know him.
i only recognize his vitals
rapidly diminishing on
the screen before me.

i'm wrong, this is wrong,
everything is wrong.
i'm trespassing on
vulnerability.

he knows;
he gets it --
how this place
can make you
feel like hell
without even
trying.

if belief were among
my faults, indeed
it would **** me to
scroll again  
        (and again)
through artificial
papyrus, through
reeds and lights
and electronics;

because every
new click
brings another
wrench.
tug at the
heartstrings;
what heartstrings?
these leave nothing behind.

because of you,
i am destroyed.
i am assimilated,
i am protein.
because of you,
i am denatured.

turn down your flame, nolan,
there isn't enough fuel
for you to burn so
brightly
for so
long.

heavy, deep and dark.
louder, louder;
the twofold pounding
of clockwork respiration.

thud, (thud-thud)
goddess arms hang
into the abyss, like
dead weight.

depth obscures,
lesser life forms
meander on their own,
unaware of the wayward colossus.

/lonely/

a shroud of antiquity
suspended --
veiling the secret
of ages.

thud, [thud-thud]
percussive life
continues alone,
out of time.

evolving

longing

a)  i am the mortar incurring blow after blow
     from the abrasive quality of your negligence.
      no, i am herb between pestle and mortar
      the full realization of 'rock and a hard place'

b)  i am the mortar between each brick you lay,
     in blue collar glory, or rock star slumming,
     to bind shaky corridors of past serenity
     and bear indiscretions on my limestone shoulders

c)  i am the mortar you fire before crawling under covers
     for inexpensive *** and trashier beer
     by a lake on a camping trip where tents trump love
     like the queen of spades in a hand of hearts
      
d)  in fact, these are false, merely possibilities --
     actuality: you were never enough
      to make me spew homonyms in metaphor
      because you were nothing like them,
      always appearing changed but monotonous in meaning,
      and if you're so into contraposition,
      are we not but names for each other?

in the somatic nervous system,
acetylcholine (ACh) stimulates skeletal muscle, causing contraction

action potentials
in the 8am physio lecture,
the biggest on campus
crammed with nursing majors,
and health science hankerers,
public health preachers,
OT saints and angels

amino acid NTs: glutamate (+) GABA (-) aspartate (+) glycine (-)

the prof wrote on a distant whiteboard
too many complained about being lost
she made a joke about feeding *******
to mice for her neuroscience research

amines: serotonin (-) dopamine (-/+) norepinephrine (+/-) epinephrine (+)

STEM-dominated
when i'm just looking
to drop my roots
and press that
good earth into
the spaces between
my toes and
under my nails

but the grounds are a garden
of biodiversity from clippings
gathered by migrant habit-clad
founders more than a century ago

the soil is fertile            it is temperate
there are water filters in most residences

there is enough here for me

when made a designated drinker
for a designated driver.

when stomaching stale pabst
and rationed sweet cider.

when frat boys fulfill
stereotypical homophobia.

when twenty grade A reds
can't last me longer than a dream.

when old man nightclub and triple kills
usurp the crown of moderation.

when you fall asleep
with so much in your blood to spill
like beans,
or milk not worthy of tears,

and i keep a loom in my heart
where i weave a string of everyone
[with myself]
and every fray in warp or weft
is mimicked by the splinters
shuttled to my hand.

today i will look for
chocolate and flowers
and find a pound of
belgian dark in my
pantry, and wilted
tulips on the counter.
i will hand write a
poem because it's
just so much better
on paper, and i will
serenade my darling
with bright eyes
on a scholastic field
after the last bell rings,
for at last i can stop
musing on possibilities
and begin to dwell
on solidity.

today i will bring you
a rose, for the petals
and lines and worn
down world-weary
ravines contained
in you; i will bring
you sweet darkness
in a plastic wrapping
for all the sugar laced
in with your hair and
irises, and despite your
fire and your heritage,
i will leave out the heat
of sacred mayan ritual
peppers because together
we'll be warm enough.

     finally, i will lean
  down close to you and
    whisper what i have
     not whispered for a
  million seconds or more,
    because i just haven't
     had the opportunity:
  *Ya llegué, mi querida.

i would hate to be built a brick wall
linear as immovable constants
and the wristwatch hands i fear

weave me around callouses
like a spring, double helix,
and i will shrug in content

nucleotides formed of consciousness
hydrogen and karmic bonds together
jacob's ladder extending to liberation

and sincerity for all the moments
i was missing from the jigsaw tangle
of pillows and down and sprawl

n. A homesickness for somewhere you cannot return to, the nostalgia and grief for the lost places of your past, places that never were.

insatiability makes its burrow
in my gall bladder,

wringing bile from the *****,
craving toxins to purge.


i thirst for sweet lexical gaps,
holes in patterns,

dots that don't make shapes
but still gladly connect


komorebi
n. The sunlight that filters through the leaves of the trees

loveliest in the distinction
it is only komorebi

once filtered, green soul
bleeding through

buckeye flour,
almonds,
acorns,
tree-bark,
cacao,
wine

your only criticism is that i split infinitives and spit bitters.

an octagon tent
wide enough that chucking rollies
to the sand made impossible
sprawled layers
you turned to quote Dali
told me how pale blue washed with lucy
shimmered skyline into dimension
acryllic-smeared sass drips canvas
into murmurs circling dilation
dimethyltryptamine stains
painting dreams on my eyelids
with flowerbrushes and silk,
mushroom dust gathers in discarded hues
on your pallet, where the colors of your irises
dry into a nebula of night-blooming jasmine
the scent of how you move when you sleep
and sleeping is never so sweet
as dancing through lucidity
with you as my sheets.
and i've traced your thumbprint so often
i'm sure if it were stretched around a marble
like buffalo skin on spirit-caller drums,
a globe would be seen
in which Greenland is finally proportionate--
the map on my wall always bothers you,
but I do too, and everyone does,
urging me under the geography
etched into the sea of your surface
by the crucible of your purpose
and working me into
empty behind your right
below the 22
between i'ching
and the forty two names of god
clasping your fore in silver
copper wound around my finger
hamstrings woven like wire
kambaba jasper, two to share
you hang Tibetan tektites
to elevate space
meteorite fragments
lodged in your helix,
stardust blood,
mandala sand from your mother,
and our tendons wrappe
by dexterous carpals
make such a pretty pendant
of my heart,
for synesthesia mistakes not
and my addiction to the pen has eased
for you breathe murals
and syllables never could
match brushtrokes of carbon dioxide.

sometimes it seems as though the cars
passing my street won't drive quickly enough,
and that the strands of christmas lights
aren't strong enough to support my weight.
                   
so for now i'll settle for forgetting to look both ways,
and perhaps later, i will invest in some sturdier rope,
all the better to scale my own cliffs of despair,
and face off with the spanish swordsman
reclining on the tip of my tongue,
matching rapier in (left)hand.

if victory finds its way to me, i'll continue to confound
in meeting the brute within, he who pounds boulders,
whose heart is like tourmaline in a granite casing,
and who claws at pristine arms in convulsion.

if i am once again triumphant, i shall travel further,
and face the shards of wit cutting through my irises,
except i am not as the dread pirate, the man in black,
i am vulnerable, i have no resistance, i am broken down
as easily as i am built up, and it is truly a gamble.

if, by some miraculous stroke of good fortune, i continue further,
i shall be disappointed, for at the end of the trials lies tribulation,
no flower princess for me, no blindfolded beauty,
only that **** noose of christmas lights again,
suspended from a macabre and rickety structure
seemingly crafted from the same material as the road to hell,
destination identical.

how i forget to cherish
these little moments
of our togetherness;
making an early meal
of sauteed vegetables
and eggs, "froached"
like i used to call them
when i was your little
chef and would bring
you breakfast on
special occasions,
and sometimes on
sundays, just because
it was sunday and dad
didn't have to leave
for work long before
the crack of dawn
even set its alarm.

we'd all sit in bed
together, squished
into sharing a cozy
comfort, sandwiched
between you two
and my old buddy
gladly the bear who
still sits on your bed
upstairs in his pink-
and-green striped
shirt.

but then i guess
somewhere along
the way i grew up;
the move happened--
i didn't visit gladly
anymore, or you
for that matter.

today you asked
me to get the big
jar -- the carnation
                      (top)
jar, from the
shelf of the kitchen
   cabinet while i
    explained my
oddly convoluted
thought process,
and we talked
about how my
granddad danced
you down the aisle
to django on a whim
of a kooky family friend,
and how i finally
realized how little
i actually know of you--
but that's normal.

i might be growing
up now, and i
might not visit
that little bear
anymore, but
what i never
really told you,
or anyone,
is that i have
my own now,
a blue one who
used to be called
blueberry, renamed
as joseph stalin,
because i'm a
big boy now,
and my sense
of humor dried
out long ago.

i may not be
your little chef
anymore, but
i can still make
you breakfast,
and bring it
to your bed on
sundays, and
sit with gladly,
and quietly chat
until late morning
like we used to
(never) do.

full circle, nearly, although
i'm not sure around what
it is i seem to be revolving,
for i am not moon, nor star,
nor planet nor body of astral
importance; i am a boy, and
even then, the definition could
be more secure than it is, for
i am not a ship, i have no anchor,
nor sails, my starboard side is
used for writing and my port
is lost in the stormy blue of
the stripes on your dress shirt,
those matching the woven bracelet
i still haven't had the heart nor
gall to remove from my wrist,
like a watch, hands however
not spanning minutes or hours
ticking off each grain of sand
to fall,
[like taking inventory of eternity]
           but pointing incessantly
back to you again, though you
are not the true north i seek, and
a wristwatch has no real business
dealing with dimensions beyond
its design and understanding.
a compass is perhaps better
suited to my purpose, though
the bearing would be thrown
by the lumps of iron remaining
beneath my skin, like braille,
and i the blind man groping
for a means -- any means --
to decipher the message left
hidden in my very fibers
by the electromagnetism
of your goodbyes.

if ever i needed you it is now --
and still the portal you promised
is closed, and no music sounds
for me as it did for you, for it
is you who has quieted it.

i've always wanted to apply for CSSSA,
but i'm too scared the rejection letter
will be the future shades of senior year
when i finally hear back from the mailman
who took my essays a year ago,
all bundled up in pre-approved envelopes,
stamped, addressed, received, thrown aside.
-
but that's not for two years,
so i don't know why i'm worried.
-
i've always wanted to do something,
not make something of myself,
even though the verb is the same in
spanish, with a reflexive difference.
-
in regard to this, a wise twenty-something (contradictory)
once told me to let myself feel instead of worrying so much:
"to put it less eloquently, feelings are like ****. FEEL 'EM."
-
apparently i haven't felt in eight months.
-
so maybe in compensation,
i will apply to CSSSA,
though the deadline is the 28th,
and the assigned portfolio demands
an utter lack of procrastination--
not my strong suit, you could say,
as a month of homework is still
sleeping in my bed.
-
****, it's all due tuesday.
-
also, while walking home
i saw a norse god namesake
on a balcony-asgard, wreathed
in the byproduct of his last smoke,
and somehow, despite my inability
to feel, that just made me so sad.
-

my mother always
used to stress
the importance
of opening my
mirrored closet
doors at night,
so they wouldn't
reflect my night-
mares back at
                 me;
"it's too much
sadness for
sleeping."

but i never listened,
feng shui being
another silly
pastime or
science fit for
housewives --
how wrong i
was with the
stars, perhaps
i am again
mistaken.

maybe if i had
just kept those
**** doors
open annually,
these putrid
thoughts of
mine would
escape into
the ethers and
fade into non-
existence instead
of polluting my
mind and dying
themselves.

listen to your
mothers.
nothing good
can come of
doing otherwise.

if i were to bread my tongue
with rocoto and cornmeal
and twist to reach the andean soil
my tastebuds long for so many nights
out of the year
olfaction and your left-sinus blockage
would stay cradled
in broken-baguette bread-crust baskets,
a trebuchet's missile,
naïve to the horn of the world,
and brittled to a carcinogenic crisp
caped in my earthenblood geysers
en el humo, en la tierra del fuego
in(fierno)

i recount by the tally marks of black felt
resorted to in the puddling of spilt tea,
(like broken china, you never missed
a beat to correct potential error

and my memory),
i count them to remember
the epiphanies standing over a red faucet
a gallon water jug, whistling snail-trickle,
wishing away the cracks in the grout
or the grout itself,
wishing away the cracks in the pottery
or porcelain facade of which
you're so fond and grace with singing cuticles

the fingers of a pianist
lacking the wherewithal
and solid brick gall
to answer the ivory's summons

i am not a piece of clay,
i respond poorly to your sculpture of my surface,
covered in oxides and baked in
hell's oven, your mountain fire
scathes me as it does cedar resin
and i am similarly embittered,
pooling sap & draining smoke
in the embers and dead charcoal
of your embrace

avant le corps, sans l'âme
sans le corps, avant l'âme

she was the first
to act as though
she wanted to be my beretta,
to hold a holster to my thigh
and accept the badge
of partner in crime.

she spoke without shelter.

pool days of marination
in monsters and taurus,
a kiss for pity
as i'd yet to be corrupted,
and she stole some joy
in taking what wasn't hers.

she was bigger than me.

she showed me
how shattered touch screens
can look like dried petals,
but cut like cold *******,
and when you're in a field of dandelions
how they come in handy.

she wrote the book on flagellation.

she promised it was all for me;
calloused fingertips from
loving me with lighter fluid,
scratches for feral adoration,
and the damocles' above my head
or rather hers, and hers to drop on a whim.

she wrote a chapter on manipulation.

i wasn't ready the first time
she pushed passed denim
and plaid as easily
as she waived my concern,
nor the second --
nor the third.

she had daddy issues.

i still didn't know
how tampons worked,
or vaginas for that matter,
and so to be forcefully
and viscerally introduced to both
behind a tree in Henessey
****** up my brain a little.

she called it "mad week."

ear bud cables
became garrotes
around my neck
in the suspended
movement of a pulse
through my aorta;
and as every day with her,
i felt she crossed a line,
and as every day before,
i never called foul.

long before light graced
beyond my sealed lids,
a gray lady sat sewing
squares, "for foundation."

her accent was like the
magenta strips with
which she bordered:
a boy needs foundation,
boundaries to teach him
his boundlessness, dirt
in which to sink his feet.

and unlike my foundational
quilt, linked so firmly to the earth,
she faded
first to rose, and then
to silver pink before
                                   dissipating
into dusted petal wither.

i'll meet her on the next go around.

my sixteenth was bitter-themed
and my parents gave me
a mexican blanket,
colored like mother,
aqueous aquamarine
and patterned like father,
those angular and triangular
movements;
woven just like theirs,
to give me rest and
haven on the roads
of my inevitable adventures.

and when i am eighteen
the women of my family
will meet with needles
and spools, and wool
to click-clack and chit-chat
over my adulthood -

and when it is done,
i will behold azure
like the heavens
entangled with warm tones
and spun prayers
to cocoon
in the chill of
carolina's coast

i've always admired water,
its tendency to take the
path of least resistance,
gently eroding without
being openly abrasive.
and i've always admired
you, though our definition
of always seems to differ
and the [drip-drop] of
(water-clocks) has long
since gone out of style.

have you ever felt electric?
charged; ionic, or maybe
something not so particular;
that's the feeling of another
connection being made,
threads of elastic static
woven together on some
great unknown loom
somewhere -- or maybe
just by our own weary
fingers.
              i digress, in that;
this isn't really about any
water, or electricity, or
some cosmic idea of how
we become connected, bound,
souls sewn with steel stitches.
i guess it's really just about
this one thought stuck
bouncing around like
a plectrum in a sound
[hole].
           /i could carry your
heart, like other writers/
and you're the only one
who would appreciate it./

i always wanted to
try listening to the
debut album of
a british goddess
while ironically
killing my own
pair at sunrise --
but as plans often go
south for mice and
men equally, so do
my own;
               languid
wakefulness ran
down my gullet
like seconds on
a smooth cocktail
seasons too late,
and moreover,
my addled brain
forgot the catalyst
the night before
last when i was
trudging along
in the dark and
some saviors in
a cheap white
chariot pulled
into the parking
space beside me,
telling me to
get in --
like they knew
or i knew, or we
all had some odd
mutual feeling of
positive vibrations;
like reminiscing
about early in
last august when
a mysterious scarf-
clad traveler with
sacred arabic
etched into his
hands slipped
me an equally
sacred slip of
paper with
nothing more
to give it purpose,
reason, definition,
or validation, than
that single glorious
and grammatically
incorrect pairing
of expressive
awareness.

i don't plan to meet
the pilgrim again,
regardless of our
unfinished affairs,
but sitting on that
little square of cloth
on top of manicured
lawn in cosmic harmony
with strangers, new friends,
serenaded by sigur ros
and kept company by
grouplove, i've never felt
more enlightened,
more awestruck,
more tuned into
those frequencies
above human
perception,
broadcasting
the only message
we deny ourselves
indefinitely --
*happiness.

i don't think i'll play
with pleasant words
tonight -- i'd rather
upset you with my
honesty than delight
you with laughably
phony repartee.

excuse the graphic aspect
but i'm not in the business
of acknowledging faux pas.

a reflection on state of mind;
i'd say solid, though somewhat
soft and liquid as well, like
a plate of spaghetti for brains,
i can't figure out which strand
of grey matter is meant for me
and which is supposed to be
slurped up by lady and *****
nor whether it is my pituitary
or my hypothalamus which is
destined to be taken home
in a doggy bag for seconds.

i really am lost.

all i've been able to think about lately
is a poem written by fingers on a keyboard
attached to a left hand not yet responsible
for being blistered with cigarette burns
or lifting can or shot or handle to lips
with which to stain -- barley, hops,
potatoes, rice, and alcoholic love.
and i've been thinking about how i felt
after i read a poem written the night
before by a left hand now singed
and swollen, and guilty of lifting
many such apparatuses bearing
many such inks to blot out
mistakes and scribble over
all the misjudged words
that have spilled from
lips stained with barley,
hops, potatoes, and rice.
and i've been thinking about
the content of that poem,
and about how differently
i thought of it two nights ago,
before i got my own matching
business card with a followup
appointment for next week,
and a matching warning
to allow 24 hours notice
before changing the day
or time of an appointment
in order to avoid being charged;
and with it came the opportunity
to write my own poem about it:
Christina M., LMFT,
Wed, 4-17-13 at 4:00 PM,
and it has a sacramento street
address with a phone number
i have no intention of calling.
and i've been thinking about
how i met with her today,
and what we spoke of,
how i told her about drugs,
and how i told her about drinking,
and how my grades have been slipping,
and how i realized that
my poem is his poem,
just eleven months too late.
and that's why i told her about
this party i went to this weekend,
and how i'm passive, and i have trouble
speaking up for myself when i need to,
and how we sang until i left the room,
and how i went outside in the cold
after i came back inside to notice
something i wasn't expecting
to make me sad, but did.
and this person with whom
i have another appointment next week,
and most likely the week after that,
for however many weeks it takes,
told me that it helps to tell a person
how you're feeling without
gluing strings to the information,
or getting upset, or lying,
and so i guess this is an attempt,
albeit one made out of cowardice
and impatience, and some desire
for there to be an easier way
to tell a boy i've loved him
ever since i found this stupid website,
filled with his stupid words,
and his stupid poem about
a stupid girl he used to date,
that clinically broke open
my amygdalae and upon them
tattooed every feeling
of which i was never sure.

A live oak, grey suit not moving,
“He’s dead,”
The strings inside him broke.
She loved mysteries so
That she became one.
-
Tonight, darling, to right
Wrongs and wrong rights
with zero dollars and zero cents
and bat mitzvah money.
-
Orlando was pretty well lit,
A LEGO set sunk, a paper town
That’s uglier close up – dementia,
Paper-thin, paper-frail fox-trot
All the way around to slow dance
And finally, “I. Will. Miss. Hanging. Out. With. You.”
-
Highlighting “Song of Myself” opens the door of your mind,
Not poetry, not metaphor, clues the size of my thumbnail
Couldn’t help but smile half straight edges and half ripped
Paper towns, you will come back.
-
If only I walked like I knew how to kiss
Guthrie sang to Whitman as Walt read of doors
And maps of mini-malls leading
To graffiti messages and skipping graduation to drive,
“Though life can ****, it always beats the alternative.”

like a walking
smash novel
waiting to happen;
this isn't perks,
there's no ****,
and no falcon,
and certainly
no flower grow(ing)
on the wall.

like a british
teen drama
or ******* of
equal magnitude.
this isn't skins,
well it is, just
less exciting,
less meaningful,
less expressive--
basically,
less british

like a discography
from thepiratebay,
or a microsecond
clip of sound waves,
this isn't a teen
anthem, or some
ridiculous ballad
written by puppeteers
who don't know
any better for
children far too
young to even
comprehend
the concept of
       loss.

this isn't about
the strain on their
parents or the baby
in her belly, or even
about the ****** up
liver of a walking,
deceased villain,
no.
it's about the
universal and
ubiquitous:
hollowness.
longing.
strife.

the record's straight,
no thanks to me,
we'll all sleep
easier tonight,
won't we?
who am i kidding.
i writed (clever)
a wrong made so
many times before
it doesn't even matter.
it's forgotten,
no longer verbatim,
content to just be;
people describe it
by saying,
"it just is, man."
and that,
ladies and gentlemen,
is a reason to cry.

because i always notice
the little changes in
my twos and capital As,
the slant replacing a
deceptive curve in the
final letter of my name,
the necessary angles
and perpendicular
attitude of my things,
seeking control in
unconventional
places, because i
can't seem to get
a firm handle on
anything else.
incomplete people
with little habits
of a partner
to smooth out
their edges and
fill in their flaws
are luckier than
those who have
to do it themselves.

people don't like truth,
or beauty, or breath;
they like depth
and context,
or rather the
comfortable despair
in lieu of a lack thereof.

():
you've taken up too many characters,
a placeholder, 0, is all i attribute to you.

(I):
i lack recall enough
to call back when
we first reacted--
science fair, maybe,
mâche volcanoes
from wet bits--
(too little base,
a surplus of vinegar)
the only magma
with measurable
pH

(II):
made cattle to caffeine,
the pastures we frequented
have gone out of business
by now

(III):
spoke and wrote
with silly string,
messy, childish,
hard to clean up--
impossible to pick
every adhesive trace
from tweed coat fibers--
i draped it around you
and left quietly without
apologizing

(IV):
number four, morphine drip,
corruption (with a caramel center),
you took me to a courtyard where
you had scrawled your number
with a gold safety pin stuck
in the grain--
didn't matter as long as they
brought you plain grain beverages--
i can't say how long i must have
been unconscious for you to
have been able to fully affix
trusses, crossbars and artificial joints
between prostheses--
you made a marionette of me
in a grubby alley operating room,
with an empty bottle
across the occipital for anesthesia,
and a patchwork of phone numbers
staring down from the scratched
portrait in the wood walls
of office buildings surrounding--
keep your cloths on a little longer
keep yourself closed from now on
keep yourself close from now on


[V]:
think of whichever oath you hold
gravely, and think of me, promising
i felt just as illusory as you before--
saved a letter from you i read sometimes
to remind myself how first real loves
can be, so as not to lose faith to cynicism,
and cynicism/stomach lining to coffee grounds.
thank you

[VI]:
i met you only once,
it was enough.
i didn't make out your
last name as you introduced
yourself between zipping up
your fly and cinching your belt,
and even while you walked
inside, between dry heaves,
i could think only of
your Texan-tinsel-town namesake--
good luck streaming the past like
mother's ashes from the back of
your lake boat so many miles from home,
it's all anyone could ask

(VII):
i took that polaroid of you;
you had your hand over
a candle flame and the
shadows dancing between
your fingers illuminated
the spare patches of snow
remaining on the playground.
there was no mistaking
the draining of my swimming
pool of ego as i witnessed
you staring out from each
ice crystal reflection in awe:
your smile tumbled down
the slide and spilled into laughter
while
your voice lilted up the rock wall
and sang in triumph at the top --
i miss you, ganges girl

[VIII]/[IX]:
first time i knew,
second time i suspected,
finally broke me down,
now we laugh about it,
or preferably, don't bring
it up anymore

[X]:
i might still be in love with you
first and foremost, if that's how
things worked, but virginity
isn't a collateral asset, you did
me no favors,
but share in sunshine shoves
and pushes-- a beer down,
3g 'til the bottom of the bag,
alice and wonderland--
i can't watch that movie
without thinking of long hair,
self-destruction, self-deceit,
and naïveté--
you made me grow up with you,
and while you've been in college
i've been rotting.

[XI]:
i've whiled away a year of slacking words
in favor of those spouting from you torrentially.
a placeholder, for people i've written too much about already:
11.

[XII]:
unnerved me in the best of ways,
but you were always ****** up
and emptied of scruples--
had me once at your favorite album,
fooled me twice when you came back,
but you won't get another chance to
touch me

[XIII]:
snow-flakey,
corn comfort,
corn snake.
solid, supple,
untrustworthy.

[moscow]:
you spent a year abroad
so i had only one thing to call you,
and even though I brought my black
camo S&W; pocketknife,
when you told me ******
was cheaper than marijuana
in the motherland,
i knew i shouldn't
have soothed myself
into confident
complacency,
and instead
leapt from
the subaru
piled high,
tobacco-strewn,
littered by cremations
of victims before me.

[XV]:
i yawn and jaws part,
droop down lids,
the realist rendering
of a singularity in film
can't even keep me awake--
but when we get home,
and crawl into the satin
cascade of your mother's
sheets, god, i can't
even think of sleeping.
the moon was also full--
it wanes for awhile now

i want: an elbow-crook to rest my head
             a cigarette to share,
             naked forms in riverbeds
             and universal train fare.

i need: breastplate percussion under my ear,
            a breathing on my spine,
             a sunrise built -- my eyes to sear,
             and send me to my sign.

fire me towards a career
or something
(any/or/either/neither)
because i haven’t been
playing music

and i’m starting to seem
the emaciate-pit peach on  a too-tall
tree of plenty
just out of reach

of tantalus,
waist-deep in a river
of cornsilk braids too
rich for eyes, too coarse for tongue or teeth

garden of goddesses
wielding life-flow
geometry
keep the
hounds and
ghost-things
at bay.

undress a smoky corset,
tendrils, or turgid
rapids, swatting
ceases less
twining strands
than flies.

i wish it away,
woven comfort,
a web of fraying
calico and red tape,
bearing the weight
of an arachnid slew.

yet away with it
yields my downfall,
tumbling branch
to branch,
unfeeling, unthinking,
but for my parachute.

i lost a life
to watching
a mirror and
the marker in my hand,
but it could not stop
the leaves from drifting,
nor the water from taking the leaves,
nor those leaves from disintegrating.

simmer down,
shudder breath,
breathe deep
&center

the only calliope
i ever really wanted
has already decided
she's through with me
without giving me
a chance to speak.
-
and she's polyhymnia
in the comedy of hell,
raising voice in praise
of anything she respects
and in that she garners
all the power intrinsic.
-
no need for erato
when she's around
to keep my arteries
and thoughts clear
of emotional plaque
and writers' embolisms.
-
she is euterpe on a stage
of all the beautiful words
in all the beautiful languages
that can never be explained,
only known, and loved
and said in blissful ignorance.
-
she's thalia and melpomene,
comedy and tragedy,
laughter in her steps,
and springtime song,
and the ache of departure
evident in her wake.
-
terpischore at play
when the music starts,
involuntary, a reflex;
dancing is like breathing
to she who will break
my heart so many times.
-
she is urania --
she keeps my eyes
on infinity and away
from sights that feel
like shaky index knuckles
on unforgiving pistol triggers.
-
she is clio, keeper
of simple night histories,
because those are what
she lives for,  and those are
what i've always mused upon
living for -- with her.

-
they say if a tree falls in the woods
and no one's around to hear it,
it creates a silence
in vibration,
without even
deaf ears upon which to crash.
-
and they say if a tree dies in the woods,
the only formalities it receives
are a coffin of moss and lichen,
a bouquet of fungi,
and a burial in overgrowth.
-
and i say, if a man dies in the woods
at the trunk of a silently falling tree,
then i am that man,
and the funeral would be attended by none,
and i would garner little more sympathy
than the corpse of the last man before me.
-
and finally, i say too that
this poem is inaptly named,
for i have no victim
to suffer
from
my
loss.
-

To sit so happily slouched
around a burning skeleton
of PBR party packs
and revel in the cremation
of our troubles
To properly inter them
wreathed in white sage
and murmur melodies
until they seep into the dirt
To nourish.

thunder is your favorite sound
and thunder is what cracked
in our stormcloud lungs
and our pulses
and the brushing of fingers
like lightning rods,
hoping one too many
would be enough to strike us.

petrichor is my favorite smell
and so we're suited to the dark grey
when it looms o'erhead;
every rippling echo an invitation
to be the next rock thrown into the sky --
rain breaks the seal, and immediately
there's no other option than
to be intoxicated with the scent of renewal.

capitals irk me.
parentheses are comfortable, like my love embraces me, like i slide letters into envelopes, or don't, rather.
uneven lines and fragmented line endings feel more accurate,
real, everything that is not posed or
staged, everything that keeps you
hanging on to the last syllabic
exhale.

mornings are better
when wrapped up
in strawberry kiwi
paper and burned.
-
like gene wilder
and roald dahl
with lickable wallpaper
cut up into skins.
-
a mile took more
effort than i thought,
and i'd rather replace
the tar in my lungs
with love,
but no one
likes to shotgun anymore,
and the man i've written
so much about
has pulled a move
more fitting me
than him,
-

i am a daredevil for walking
down the yellow line all the
way home, until i remember
my road doesn't have one.

i am a maverick because i
notice little things like the
resemblance of a fire pistol
trigger to gold and nickel.

i am a boy because i have
not reached manhood.
i am a god because i do
not believe.

i cannot gap
the necessary bridges
or bridge the scorched landscapes
or burn whatever is left of the people in my heart,
for the accusation of turning dirt with heel
each time one is overwhelmed
has little more stock
than discourse laid down
in the glass reflection
of the narcissus;
altruism with motive.

five, like clichéd clockwork
every ******* day-after;
after wasting (enjoying)
the better part of a seventy-two
hour stint in wonderland.

i don't know how to
confront the piles of
confetti on my carpet--
stragglers you left here
like it was ok, not rude.

i guess i could try the
vacuum; unplug it
from my stomach
and **** up the
residual signs.
            
it's funny how
misunderstood
a metaphor can
be, a teenager,
for example.

the vacuum hooked
up to me keeps me
stocked up on longing,
and lacking in content(ment)
what a drag, or a ******.

all i can really do on these
rare mornings becoming
regular, is drag this (mis-)
matching hot pink comb
through my hair another
time, in wistful hopes
of restoring some silly
insignificant order to
my disheveled and
"last-year"
hairstyle of a life.

tonight you told me
to remember this, in
your own way -- levity
leading the forefront;
"that(this) one night
when you stayed up
late, sewing and [stap]
[-ling] and otherwise
binding these little sheaves
of poetry for gifts to be
distributed the next day."

we relax and shrug off
the somewhat gruesome
dealings of the early evening,
speaking of perception and
human interfacing[projection].
a discussion of some deeper
thoughts followed, however
the part of me that still
wears footsie pajamas wouldn't
stop pulling on my arm.
as the clock hit 11:40, i went
to bed, turning briefly at the
stairs to say:
"merry christmas."

universe, displace from me
this trauma in the breaking
of my father’s favorite scotch glass
for it is simpler to clear glass shards
from the dishwasher and laminate tile
than ventricular shrapnel from my chest

eyebrows
straight as a net
keep me serving lets
racquet, arm, the ball
is all i don't know

40-love
scoreboard soothsayer
divining the true value
of affectionate devotion
game, set, deuce off the bat
[wrong sport]

my serve is in returning
paper bags brimming
with your belongings
(our volleys never lasted)

game, set, match
[applause]