we own teacups
of porcelain   that
make up a couple
her always filled with coffee
mine with tea
this was what became
our morning routine
to spend time until the cups are emptied

we talk about irrelevant things
matters and thoughts that do not
have acquaintance with consequence
how it'd be possible to raise goldfishes in ***** bottle
we kept for remembrance or how many cookies could
the porcelain beauty we held so dearly possibly contain
sometimes we waste a good morning
watching wisps of steam          rise                    and vanish
like the way people seem to get out of sight after bidding goodbyes
after a certain distance they'd be nothing more than a sihlouette
and after time     slowly they get out of mind

one day you'd realize
that no longer can you conjure their sihlouettes   in memory     nor
can you remember the way they walked away
were they off in a hurry or their footsteps
heavy as the heart the carried that very winter morning
when snow didnt fall like predicted by the weatherman the night before
(and that was when you realised the weight of goodbyes)

these are the thoughts that occupy
my mind when I wash our cups
and notice (everytime) stain rings around the innerside of the cups
three quarters full of coffee          and half a cup of tea
we'd store the cups after
hers always facing left
they would sit silently       never a word of complain
as such nice mannered tableware,     cups are.
they'd wait silently for every next morning
to be filled,        coffee          and         tea.

I always thought of her          as a hot chocolate person
until one morning I saw sunlight caught in the dark lazy curls of her hair
until how the dark coloured liquid resembled the colour in her eyes
and came to a silent agreement with myself
how she suited coffee on lazy mornings the way
coffee suited her when she tipped her cup ever so slightly
and     sipped       like she'd found peace in mind
now I smile when she asks why I stopped telling her teacups are meant for tea
(that there are no absolutes in the things we do)

there are mornings she would wake to find me
already awake and silently staring at the rain pelted windows
legs crossed at the foot of the bed and singing
singing softly in russian

I'd end
always at Дорогая
and asks    if she
wants coffee.

Tell the tale of a girl once bold
Singing songs about a heart once cold
Hearing heaven with every breath she takes
Praying the next time her heart won't break
She will tell you that she is okay
That she's getting through her day to day
See the lining of red in her eyes
See the truth although she denies she cries

Listen to each dream that she whispers silently
The story present past the eery quiet sea
Looking for not just a lover, but a friend
See the beginning in her eyes and pray from a happy end
Respect the words that come from her heart
Know her brand is a work of art
Find the fairy tale and the reality
See her and the beautiful tragedy

Pray someday it will be a story from long ago
That hearts will be reignited and melt the chilling snow
That she will love with love that won't let go
And that heaven will bring to the rain a colorful bow
Tell the tale of a girl once bold
Singing songs of a heart once cold
Hearing heaven with every breath she takes
Praying the next time her heart won't break

And a woman who held a babe against her ***** said, "Speak to us of
Children."

And he said:

Your children are not your children.

They are the sons and daughters of Life's longing for itself.

They come through you but not from you,

And though they are with you, yet they belong not to you.

You may give them your love but not your thoughts.

For they have their own thoughts.

You may house their bodies but not their souls,

For their souls dwell in the house of tomorrow, which you cannot visit,
not even in your dreams.

You may strive to be like them, but seek not to make them like you.

For life goes not backward nor tarries with yesterday.

You are the bows from which your children as living arrows are sent forth.

The archer sees the mark upon the path of the infinite, and He bends you
with His might that His arrows may go swift and far.

Let your bending in the archer's hand be for gladness;

For even as he loves the arrow that flies, so He loves also the bow that
is stable.

It is almost five a.m.
With each thump of the echoing bass,
of the synthetic revenge and heartbreak,
angry percussion wraps me closer than your arms ever could--
tremulous and heavy,
more absolute than the sunset fictions
you contentedly let me cling to.
A venomous chorus drips from my lips,
once-swollen eyes now itchy and dry.

This is the still serenity of the predawn slumber,
the yearning of the yetsummer,
the quiet before the birds begin scavenging
through grass, trash, and recycling.
I protest--
tongue, fingers heels teeth and lungs
restless in spite of themselves.

You have chased me out of bed,
across dew-dampened grass,
over uneven pavement as treacherous as your voice.
You follow me.

Sleep is merely a forlorn memory
peering sadly from a forgotten heap of warm cotton thread,
whimpering futilely against the anxious pulsing
of overworked headphones
and overthought peculiarities.

You introduced me to this time of day.
You summoned it once with impatient chords
and a staccato keystroke melody,
casually ignoring the plaintive honesty
I willingly accompanied you with.

But the sunrise casts a strange glow, I guess--
rosy and well-intentioned,
fickle and fleeting, like your grin
or the capricious depth of the summer sky.

No one remembers that wandering blue
the same color as her eyes;
but it seeps through your pores,
curls into the caverns of your chest,
an aching in azure only because you let it.
You have bathed too long in the sun.
As the scarlet sunrise erupts across your shoulders
the sky settles into your lungs.

But don’t trust that sky,
that constant companion.

That sky is a cannibal
and it will eat you alive.

I met her in a sun-splashed glade,
So beautiful, my Corn-Goddess,
An aching clenched my poor throat,
I knew, I would see her no more.

Warmth comforted as we touched,
Gentle fingers caressing my arms,
I embraced her softness, so pure,
She kissed the tears from my face.

How I loved her, adored her, even,
Yet, I knew this day would come,
She drifted away, I did not call out,
And when I turned, she was gone.

Sauntering near the glade’s edge,
Summer’s sister beckoned, smiling,
A heady flirtation of russet and gold,
I sighed, indeed, I loved Autumn too.

© Paul Chafer 2014

I go back to the old house, down off Harper Road and across from the old bakery. The paint is green now and the shutters look as if they would like to peel off the sides of the windows and float down the street. I stand there on the curb. I say, “This is my childhood home,” and it sounds like a lie. Then, “I used to live here.” Finally, “I don’t live here anymore.” That one’s better, truer, but it still sounds like a warning.

I find a neighbor too, a little older woman with reddish hair and beautiful pearl earrings, and I ask, “Do you remember a little girl who used to live here?”

“No,” she says, “you know how it is with neighbors these days, no one ever stops to say hello.”

I resist the urge to say hello; we talk about the weather. When she asks if I was the little girl, I lie. I don’t have a particular reason for this, but the knowing glint in her eyes irritates me. I talk about a cousin, an old acquaintance I wanted to find.

“Genealogical research,” I say, “a hobby,” and I keep lying until the woman with the pearls is no longer curious, or paying attention. I do not remember what I say; there are certain kinds of lies no one is ever particularly curious about after you tell them once.

I wait a polite amount of time and then I go back to the Motel 6. The girlish, conventional corner of my mind is whispering sadly. What a shame, she says, no one here remembers you.

The rest of me is a woman, vindictive and satisfied. Good, she says, and means it. If she had her way, she would burn the house to the ground like so much tinder and be done with it. A better ending than this, she says. She’s smiling; she thinks I should have slapped the lady with the pearls right across her ugly face, there in the middle of the street. You and me, she says, we don’t get paradise, but we’re old enough to choose our own hell. You and me, baby, we get a choice.

I light a cigarette in the dingy motel bathroom. It’s the first I've had in days and as close to paradise as anything else I know. I study myself in the ancient mirror, unfortunately positioned on the wall over the porcelain toilet. I say it out loud, testing the words, watching them weave through the smoke. “A better ending,” I say, and I try very hard to mean it.

I wrote another neat bundle of words
Knotted them with coarse string
Smoothed the slick label over the bow
And licked my lips in guilt.

My heart has never thumped so hollowly in my chest.

Will you forgive me?

My head of stone
won't let anyone in
these days

I've held on so long
that my fingers might break
under the pressure of the weight
you dropped on me
I can't shake this feeling
Like a pencil stuck in the
schoolroom ceiling, just waiting to take
the fall.

I've cried out so much
my throat might crush
I can't take the tingle
that intercepts my veins
like the warnings you gave me
straight to my brain.

I don't mind it
Shovel up another spoon full
lets get through with it
I like the taste of medicine
any
way.