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 Sep 2014 Em Draper
Muggle Ginger
"I love you,"
One:
You are the first person to ever say that to me
The grass felt soft and the air warm
We couldn't stop laughing

"I love you,"
Two:
I'm a bit more skeptical because words aren't actions
And you're actions are yelling another story; it sounds more like a tragedy than a comedy.

Three:
Someone told me they loved me before, but hadn't thought about what it means. I trust you are most selective with my feelings. (A candle-lit dinner means more than artificial light.)

"I _ _ _ _ you,"
Four:
We say "love" as often as "hate;" they can be equally destructive.

Five:
I'm alone. I can love myself.

"I love you,"
Six:
This time I said it first. That was a mistake. You are only skin deep. You couldn't understand anything more than perfume and mascara. It makes all the difference if you break or are broken.

Seven:
We are collapsing buildings, screaming it one last time before we accept we never had a chance. If we had been trees we could have swayed in the breeze.

Eight:
I am alone.

"I love,"
Nine:
My love is for someone else, not for myself.

Ten:
I'm very cautious when someone says, "I love you." I've heard it before. I have only seen it through squinting eyes.
When it's honest, I hope I know how to care for it properly.
 Sep 2014 Em Draper
Muggle Ginger
If you are uncomfortable when you look in the mirror,
keep in mind:
We spent thousands of years
trying to convince the earth
she was flat.

We wrote her maps as evidence of the things we saw;
and she believed them.
She cried tsunamis, and had earthquake breakdowns.

Keep in mind: the Sun never gave up hope.
The earth will keep spinning and breathing
the star-dusty space void of encouragement.

Next time you look in the mirror
and second-guess your potential divinity,
remember you will keep shining and living.

Because the Sun is out there
believing in you,
compensating for lack of the human capacity
to treat each other empathically.

You don’t need proof or approval
to be exactly what you are;
Eventually everyone will see
your infinite beauty.
 Sep 2014 Em Draper
C S Cizek
Slumped shoulders, a spine wire hanger
holding a jacket up. Taut sleeves, out-
turned pockets, warped collar,
and a gap-toothed zipper.

Elastic wrists plunged into shallow
pants pockets, tight like shoelaces
before the midnight untying.
Rose-gold hamper slid

beneath the box spring, dragging
cereal pieces to a fine dust
then dissipating with
the morning ritual

bed spread, bed sheet tearing from
a sweaty body to the tune
of a near-siren on the desk.
Leg swing and saunter

to cold tiles like broken glass. Clockwise
turn the shower dial, act clean, turn
it back. Fingers swipe 'cross
the medicine cabinet,

leaving droplets to race to the white wood
frame. Bridge thresholds past the fan-
diced ice air hallway to the closet.
Creep the door closed behind,

pull drawers to the end of their tracks,
find pants. Unhook jacket from bed
post, throw it on one sleeve
at a time, and plunge

elastic wrists into the shallow pockets
and leave.
 Sep 2014 Em Draper
Anne Sexton
Oh
 Sep 2014 Em Draper
Anne Sexton
Oh
It is snowing and death bugs me
as stubborn as insomnia.
The fierce bubbles of chalk,
the little white lesions
settle on the street outside.
It is snowing and the ninety
year old woman who was combing
out her long white wraith hair
is gone, embalmed even now,
even tonight her arms are smooth
muskets at her side and nothing
issues from her but her last word - "Oh." Surprised by death.

It is snowing. Paper spots
are falling from the punch.
Hello? Mrs. Death is here!
She suffers according to the digits
of my hate. I hear the filaments
of alabaster. I would lie down
with them and lift my madness
off like a wig. I would lie
outside in a room of wool
and let the snow cover me.
Paris white or flake white
or argentine, all in the washbasin
of my mouth, calling, "Oh."
I am empty. I am witless.
Death is here. There is no
other settlement. Snow!
See the mark, the pock, the pock!

Meanwhile you pour tea
with your handsome gentle hands.
Then you deliberately take your
forefinger and point it at my temple,
saying, "You suicide *****!
I'd like to take a corkscrew
and ***** out all your brains
and you'd never be back ever."
And I close my eyes over the steaming
tea and see God opening His teeth.
"Oh." He says.
I see the child in me writing, "Oh."
Oh, my dear, not why.
 Sep 2014 Em Draper
Seamus Heaney
Fishermen at Ballyshannon
Netted an infant last night
Along with the salmon.
An illegitimate spawning,

A small one thrown back
To the waters. But I'm sure
As she stood in the shallows
Ducking him tenderly

Till the frozen knobs of her wrists
Were dead as the gravel,
He was a minnow with hooks
Tearing her open.

She waded in under
The sign of the cross.
He was hauled in with the fish.
Now limbo will be

A cold glitter of souls
Through some far briny zone.
Even Christ's palms, unhealed,
Smart and cannot fish there.
 Sep 2014 Em Draper
Seamus Heaney
A rowan like a lipsticked girl.
Between the by-road and the main road
Alder trees at a wet and dripping distance
Stand off among the rushes.

There are the mud-flowers of dialect
And the immortelles of perfect pitch
And that moment when the bird sings very close
To the music of what happens.
 Sep 2014 Em Draper
T. S. Eliot
You’ve read of several kinds of Cat,
And my opinion now is that
You should need no interpreter
To understand their character.
You now have learned enough to see
That Cats are much like you and me
And other people whom we find
Possessed of various types of mind.
For some are same and some are mad
And some are good and some are bad
And some are better, some are worse—
But all may be described in verse.
You’ve seen them both at work and games,
And learnt about their proper names,
Their habits and their habitat:
But
How would you ad-dress a Cat?

So first, your memory I’ll jog,
And say: A CAT IS NOT A DOG.

And you might now and then supply
Some caviare, or Strassburg Pie,
Some potted grouse, or salmon paste—
He’s sure to have his personal taste.
(I know a Cat, who makes a habit
Of eating nothing else but rabbit,
And when he’s finished, licks his paws
So’s not to waste the onion sauce.)
A Cat’s entitled to expect
These evidences of respect.
And so in time you reach your aim,
And finally call him by his NAME.

So this is this, and that is that:
And there’s how you AD-DRESS A CAT.
 Sep 2014 Em Draper
T. S. Eliot
I

The winter evening settles down
With smell of steaks in passageways.
Six o’clock.
The burnt-out ends of smoky days.
And now a gusty shower wraps
The grimy scraps
Of withered leaves about your feet
And newspapers from vacant lots;
The showers beat
On broken blinds and chimney-pots,
And at the corner of the street
A lonely cab-horse steams and stamps.

And then the lighting of the lamps.

     II

The morning comes to consciousness
Of faint stale smells of beer
From the sawdust-trampled street
With all its muddy feet that press
To early coffee-stands.

With the other masquerades
That time resumes,
One thinks of all the hands
That are raising dingy shades
In a thousand furnished rooms.

     III

You tossed a blanket from the bed,
You lay upon your back, and waited;
You dozed, and watched the night revealing
The thousand sordid images
Of which your soul was constituted;
They flickered against the ceiling.
And when all the world came back
And the light crept up between the shutters,
And you heard the sparrows in the gutters,
You had such a vision of the street
As the street hardly understands;
Sitting along the bed’s edge, where
You curled the papers from your hair,
Or clasped the yellow soles of feet
In the palms of both soiled hands.

     IV

His soul stretched tight across the skies
That fade behind a city block,
Or trampled by insistent feet
At four and five and six o’clock;
And short square fingers stuffing pipes,
And evening newspapers, and eyes
Assured of certain certainties,
The conscience of a blackened street
Impatient to assume the world.

I am moved by fancies that are curled
Around these images, and cling:
The notion of some infinitely gentle
Infinitely suffering thing.

Wipe your hand across your mouth, and laugh;
The worlds revolve like ancient women
Gathering fuel in vacant lots.
 Sep 2014 Em Draper
T. S. Eliot
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps,
inhaled at each momentary recovery, lost finally
in the dark caverns of her throat, bruised by
the ripple of unseen muscles. An elderly waiter
with trembling hands was hurriedly spreading a
pink and white checked cloth over the rusty
green  iron table, saying: ‘If the lady and
gentleman wish to take their tea in the garden,
if the lady and gentleman wish to take their tea
in the garden…’ I decided that if the shaking
of her ******* could be stopped, some of the
fragments of the afternoon might be collected,
and I concentrated my attention with careful
subtlety to this end.
 Sep 2014 Em Draper
John Updike
At night-the light turned off, the filament
Unburdened of its atom-eating charge,
His wife asleep, her breathing dipping low
To touch a swampy source-he thought of death.
Her father's hilltop home allowed him time
To sense the nothing standing like a sheet
Of speckless glass behind his human future.
He had two comforts he could see, just two.

One was the cheerful fullness of most things:
Plump stones and clouds, expectant pods, the soil
Offering up pressure to his knees and hands.
The other was burning the trash each day.
He liked the heat, the imitation danger,
And the way, as he tossed in used-up news,
String, napkins, envelopes, and paper cups,
Hypnotic tongues of order intervened.
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