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Last night I danced like my dad
with a girl who resembled a dictionary definition
I read not long back-
charming.

Graceful eyes that could
stop traffic with a blink,
and engaging lips that
would smile to sooth the pain of
the midday, gotta-get-back-home-now,
commuters whom step
on pedals with haste.

I lied. My dad can’t dance, so last
night I made a fool of myself
in front of a girl who resembled
a dictionary definition I read not
long back.
Twitter > @coffeeshoppoems
 Jan 2013 Elizabeth Ortigo
ORLA
I'd faithfully promised
Myself and my friends
That all this was over
And I'd reached the end
Of my fawning and sighing
And tripping cloud nine -
I'd said I was finished
I'd said I was fine.

But I wasn't, you see,
And it all became clear
When I saw you again
For the first time this year:
You stood so **** near me
And smiled so wide
And shouted my name
And I melted inside . . .

I can't turn away now:
You stare so intensely,
You promise tomorrow,
And I love you immensely.
Thus, after the heartache,
The fear and the pain,
I'm back with a vengeance.
I'm back in the game.
TWO loves had I. Now both are dead,
And both are marked by tombstones white.
The one stands in the churchyard near,
The other hid from mortal sight.

The name on one all men may read,        
And learn who lies beneath the stone;
The other name is written where
No eyes can read it but my own.

On one I plant a living flower,
And cherish it with loving hands;      
I shun the single withered leaf
That tells me where the other stands.

To that white tombstone on the hill
In summer days I often go;
From this white stone that nearer lies
I turn me with unuttered woe.

O God, I pray, if love must die,
And make no more of life a part,
Let witness be where all can see,
And not within a living heart.
i was afraid of my wobbling knees.
it's funny how everything gets magnified when you're in front of a crowd. One minute it's
a-okay if you trip, poke yourself in the eye, stumble on your words,
because that's normal
and you can laugh it off,
because there weren't any consequences
but the next minute
the light is blinding you--
                                      you have no one's eyes to reassure you, because you can't make out their faces--
and you're alone,
squirming under the microscope,
caught in the worst trap
if only because it's not customary to cry for help once you're there.

And your job is to reveal yourself, flaws and all,
red face and all
sweaty palms and all
through a melody,
your voice and every single one of your
indescribable, raging, nonsensical fears
(what if I throw up all over the front row? Or what if I knock the stand over, inflicting that poor man with a ****** nose in the process, and THEN throw up all over him??)
the only things slicing the silence.
my writing's been off lately. i don't know why. inspired by a performance i had to do today
 Jan 2013 Elizabeth Ortigo
Chuck
Do not utter a syllable
For the reaper lurks at the door
Dim the lights as our eyes are widened  
Sit in a desperate, huddled mass
Feel the shivering, helpless creature on the left
Hear my traitorous lungs exhaling, surrendering my position
My heart pounding, screaming at my body
Ordering me to run, to fight, to ****
"Do not go gentle into that good night,"
As Dylan Thomas so elegantly stated
Yet it is not a time for romantic visions of heroism
Beowulf's idealism will not save us here
Sobbing, shivering, ***** stained American Eagle
Sweat drenched Under Amour Tees and hoodies
Feet ironically quivering in red and orange Nike Shocks
A 243 pound lineman blubbering under his breath
He wants his mother, his daddy, his pillow, to go home
Another boy, Darrel, clenches his fists, readies for attack
Cassidy sits silently, emotionless, statuesque, frozen in time
And I . . . What do I do? . . . What do I do?
Do I flinch like Sir Gawain in the face of death?
Or do I . . . . . . What do I do?
God, may I never discover the answer to this evil query
God help us stop the violence consuming innocent children
Render CODE RED obsolete
Yet, CODE RED will parish not
For society feeds on fictional fame
Fifteen minutes that Warhol never could have painted
Now it will be duplicated like so many Campbell's Soup cans
CODE RED    CODE RED    CODE RED   CODE RED  
And . . . What will I do?
What will I do?
Upon practicing safety drills in a high school
Oh, I wish I was free…
free of this “love”
that eats at my heart,
that tortures my mind
with what could-have-beens
and should-have-dones;
Oh, I really do wish I was free,
of this emptiness
that ties me up at night,
that curls me up
into a lonely ball
of dry sobs….
I wish I was really free,
free of you,
so every time it truly
would be a choice to have you…
but here I am a slave,
of your make-believe words,
of your pretend touch,
your lying kisses.
And I really wished I was free.
12/3/12

— The End —