I looked at your name in my phone,
the picture and last post
from your Facebook account
sent to and from space
on transmissions and airwaves.

I have a hard time remembering
the last time I saw you - at a bar,
the Blackhawks and the Bruins
making history on some LED screen,
while we sipped on cheap beer
and reminded each other
that our jobs aren't that bad.

A wise man said friendship
needs constant repair,
like your old red Jeep,
always rattling and clanking
for one reason or another.

And I realized tonight how things have changed:
that we're not growing apart, just growing up,
or maybe it's both, and maybe it's okay.

When I found out you were dead,
I looked at your photo on the mantle.
It seemed older now, your crooked smile
and that Budweiser hat you always wore.

What is it about dying that gives
our portraits a new power of time?
A drunken nostalgia pushing tears
down over our eyelids onto our cheeks.

When I look at your photo on the mantle
I feel a creeping thought crawl through:
"You seem like the one who'da died."
Not fate, not destiny, definitely not God,
but a part of who you are, the man we knew
had a trait that fit death so sweetly,
like a sad song from 1961, and a line we loved
about old cars and holding on, just a little while.

You seem older now, you'd be 33 this year.
Your crooked smile would be different,
and that Budweiser hat you always wore
wouldn't fit as well as in our photos of you.

These killer parties pretty much killed us.
That music was loud and pulsating and violently fresh.
There were kids tripping on some stuff
and over some passed out bodies on the floor,
always laughing and saying, maybe just one more.

I always figured we'd out grow these things,
crooked walks home when we were a total mess.
But you got caught up pretty bad in the scene,
and pretty soon Los Angeles had left your mind.
But you were always looking around for a ride.

Suddenly, I found myself in a swarm
of blues, blacks and grays,
funneling past traffic lights and skyscrapers,
up elevators, under railways and
squeezing between shoulders.
But burned into my lips
is a wiped away kiss
(a few hundred, probably),
that maybe we shouldn't have traded.

I swear, nothing will beat
When you bite my lips
And run your hands through my hair
Kissing me like my exhale is the last bit of air
That will ever enter your lungs
And when you kiss my neck,
I feel a shiver like an arctic breeze
I just can't help it,
You're so... foxy

I saw her sitting on the curb with somebody, smoking an extra cigarette so she could stay an extra four minutes. That's how long it takes her to smoke each time. He lit one next to her and they talked about whatever reasons they had to complain that day. What's worse than knowing exactly what's going to happen next? This train's whistle is wailing and begging me to get off the tracks, but the ropes are tied just tightly enough so I can wriggle and squirm and scream but it's not enough to roll over the rail. I'll see him lying next to her admiring long black hair and a colorful elephant tattoo. The scent of stale smoke radiates from their lips as he leaves for the night — with their teeth stained a little darker now from reheated coffee. Soon they'll empty every bottle in the place and slip out of their clothes between dark red sheets stained from her teeth sinking into my neck. I'll be buried in the churchyard, my last rites read by a thief.

In school I was taught to love
Jesus because he died for me,
so I could be forgiven and
see him in Heaven.

But I never learned what Heaven was,
or Hell, and what the difference
was between the two of them:

Hell, with its flames and sorrow mixing
like red and blue paint, blood under the skin.
The wounds we witness but can't do anything about.

Heaven, white without temptation,
clouds that never rain or clash with lower pressure,
and offer no decision to do good.

Eternity is a prison, whether a rigid valley of burning faces,
or an endless celebration of our sacrifices and charity.