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 Mar 2014 drumhound
Nat Lipstadt
(An After Dinner Desert Conversation)

He: I love you

She: I love you more

(this repartee ballet, has been rehearsal~danced  since our first season)

He: Why? That surely cannot be!
(on certain paths, he is more skeptic, than convert)

She: Because you are
kind and generous,
to street beggars,
my single friends,
(all who want to meet your
non-existent brother)
good and smart,
love dance, the Giants, and art,
go to bad superhero movies,
accommodating me
(as if you wouldn't go secretly),
never let me down,
love my cooking,
kiss my neck like no other,
hand me a tissue just before
I sneeze (how you do that..)

leave space for others
when you car park,
go thru life making
waiters, doormen and ticket takers
smile and laugh-appreciated,
then you tip crazy generous,
money worries put aside

restful sleep for hours,
head on my bumpy hip,
write me crazy love poems,
Veal Chops and a Day at the Ballet,^
never show me your love poems,
(tho one can peek, when you're asleep)
lest I might cook for you every night,
which you would feel guilty about

woman-injured,
you let me
repair the damages,
and I wonder how
she missed the gentle,
what the world so easy sees
when you sneezes poetry
from its crazy atmosphere

always have a plan,
the best of which is when
you announce no plan today,
maybe bed, maybe movie,
maybe movie in bed,
maybe all maybe none,
and that was exactly
what I was thinking,
which you already knew,
but have reservations made for
our special days through 2024

He: This mystery boy,
whom I don't recognize,
can't be me, for I am the
restless and writing type,
in the wee morning hours,
not a planner or plotter,
a slow and steady plodder,
lazy as the day is long,
shaves but once a week,
keeps his inside stuff,
well hid and most discrete,
drives like a madman in the
video game of Manhattan's streets,
delays the pressing troublesome matters,
asking only workman's wages and
what's for dinner tomorrow night?

She: A ****

He: This mystery boy,
never met him, never seen,
his existence, Einstein failed to prove,
maybe he's roaming the hallways,
oblivious to gravity,
(but not hunger pains,)
overhearing poems,
in languages he doesn't speak,
while riding the M31 bus,
for free, on an expired Metrocard,
cause the bus drivers wave him on knowingly,
his poetry writing sanctuary, they drive,
where they will be perchance, immortalized

if **** is your menu upcoming,
set a table for three,
his heart and soul will be in attendance,
his growling stomach sending his
appointed messenger,
tin foiled wrapped communications

surely as sure can be,
this mystery boy,
gonna want an extra slice of
life tarted with you,
in order to prove gastronomically,
The Theory of Relativity Poetically,
*should I ever see him
Yes, I have a love poem called Veal Chops and a Day at the Ballet, of which, this is an excerpt, and is the After Dinner Desert Conversation conclusion.
 Mar 2014 drumhound
Nat Lipstadt
So many poems in shallow graves lay,
unremarked, disfigured by inattention,
undistinguished, death by ignorance,
yet all distinguishable,
in merited manner
and winsome way

numerical weight of observations
marks only quantity,
nor is it a critical mass
connoting value, criticality
only idol worship, pop rock popularity

are you genuine,
do you value place
on any handworked lettered trace,
its silver hallmark
even ever,
ever even,
magnifying glass faint?

does the fear, the knowing,
that the greatest poem
ever penned and ever posted,
has escape your inward glance,
laying stillborn and yet
just a click away?

are you truthful poet,
do you imbibe
from the word~waterfall,
poems sky-endless falling,
within which,
by their virtue,
you, too,
permissioned to
survive and be nurtured?

if you drink and think of but
the issue of your own spawn,
see in a one way mirror,
a contained reflection,
see then a limited version of one self,
a half-formed wordsmithy,
incapable of healthy mutation,
a child, unfully grown,
poisoned by reaching for only
only one's self from the bookshelf of
this miracle,
called poetry

integrate your integrity
with integers and alphabets,
from spice islands and faraway places
infect yourself
with dots and dashes
of other's mind,
thus your own composings,
healed, improved with injected
doses of vive la différence!
a verbal literary interferon

are we all laureates? no
are we all kith and kin?
assuredly yes,
assuredly no

Vive la Différence,
the only commandment,
the ruling motto,
sup with me

once I was a young man,
a younger man than now,
unaware the road less traveled
the veritable choice of the chosen few,
vanity from the page
reflected falsely upon me

I learned to be not~me~poet,
in the company of
scribblers and scribes,
who strove and tried,
some better, some for worse,
all enshrined

once he wrote:
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!
Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought
the same thing as well...^


so these souls
to thee I do commend,
it is just the first snowfall,
I am buried neath drifts Minneapolis deep,
so help me,
lend me thy scalpel eyes,
thy tiny toy shovel,
six feet ain't much,
dig we must,
alert me to the names of
those who
must be uncovered, discovered,
rightfully celebrated
Spend too many hours reading poems.
I am a free heart giver, a list keeper
of the names that stumbled once upon,
I am instant devotee

lest I offend by absence decided to keep their names to myself,
but I crown their efforts with this poem and my unfettered
desire to bring them to your attention

^ http://hellopoetry.com/poem/379313/do-not-put-a-poem-here-until-you-have-bent-your-ear-to-shakespeares-sonnets/
 Mar 2014 drumhound
Nat Lipstadt
When one poet in plaintive wail, bemoans his certain knowledge,
his efforts paled and pallored by compare to giants long immortalized,
and yet provokes a third, yet another to compose,
pledged has it that the grayed ashen bones
of Shakespeare, Marlowe and his ilk and crew,
neath sod and sand, and English loam and land,
but for an instant, a tradition says,
their remains glow and gleam,
a poet dead centuries, yet for a few seconds risen,
lighting and lifting, not just him, but those who
surround themselves with cherished words spent freely
For Marshall
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