I fall in love with every backwards hat, the way a boy holds
a Natural Light, his scarred knuckles stretching over the aluminum,
an *** in a great pair of khaki’s, how he bobs his head to the perfect
pre-game song. I fall in love with every you’re so gorgeous, or body scan,
or even when the drunken façade has faded and we are left
hanging onto window curtains and thin sheets, talking
about our dads or how he broke his arm in the 6th grade.
The way he balances his eyes on my shoulder blades, stares
at my lips like he just can’t wait until I stop talking so we can kiss.
I fall for every nightly temptation, every Tuesday morning regret,
every hug around my waist. I fall for every circle drawn with a thumb
around my hip bones, over and over again, until my skin is numb
and my expectation collides with this temporary high. And if you could collect
all the lover’s I left on slips of paper, I bet their sparks would glow purple,
neon confetti in the night air, just like stars. Because they fell,
whether momentarily or not, in love with me somewhere between
the ******* and the kissing and the tongue gracing the corner of my mouth
when he’s trying to pick me up at the party, or how I let my hand sit
in the loop of my jeans, how I take no ******* moonslide line
for bald truth. I just use it to get to people like you, because the fraction
of time in which I live begs for the short-term. It thrives on the idea
that one night and one small shatter is better than a committed sever
of someone you just got too ******* close to. Because I can’t want
to fall for your pride, your integrity, the way you picture your kids
using your old baseball glove. My generation needs fire just to feel a burn.
I can’t want to love you honestly, with dinner date plates, with a door
held open just a little longer, without the liquor. I’m just doll
living in the freelance design of a good time. My bedroom is your heart,
and I wear the lace high up on my thighs, just waiting for someone to play with me.

Sometimes when you’re sleeping, you smash
your nightmares into my pillow with your head,
which is why I think your hair sticks up sideways
when you roll over to me in our mornings
and kiss the back of my neck until the sound
of my own laughter wakes me up. I know you’re colorblind,
but you color me like a book, ignoring all the lines. I glow
in the contour your eyes make of me when you’re listening
to me frame the story I’m spitting at you before 2a.m.
You admire the shape it takes above my head, suspsendig
over the two of us like a mobile that rocks us, safely,
back to sleep. I love thinking about how you take your coffee,
how you put your sweatpants on in the morning, or the feel
of your lips nibbling at my palm as I trace your cheekbones
with my fingers like you’re a charcoal drawing
I never finish because I just don’t want
us to end. And I know that sometimes I like to skip some pages,
but come on, I just like to get to the good part. And I know
I’ve bottled up your sweetness for whatever reason
I had back at the time, and I know that I drive slow,
that I kiss you too long at the door, that I never
let you fall asleep before midnight, but I’ve always been your biggest fan.
I’ve always sort of loved you, even if it was in pieces.
I just got stuck. I just couldn’t find my way there again.
But I drew the curtain a tiny bit this morning so the sun
could highlight your sleepy face before I woke you,
and I covered your belly with the blanket so you wouldn’t be cold,
and I know our chemistry is a little old, but
you’re my favorite thing to hold,
or so I’ve been told.

I stopped pulling you towards me two pieces ago,
when you sliced my vision and ****** out the nectar,
tied the rope around my neck and dropped your anchor.
I tangled the nightmare of you in the wire of my mattress,
and punished your memory with a solid glass of wine
in my closet at two in the afternoon after I had to see you
push in the lock with her laughter on the other side of the door.
I’ve ignored you from the crowd, designed your ****** in my salad bowl,
had to kiss you through chocolate box comforts and a movie.
So, forgive me, if I don’t wrap myself around your infatuation (again)
all because you’ve taken an insomnia interest in me— excuse me,
my body. I don’t want to sound whiny in the form of a line,
but working you through my words and glazing
the misshapen mold I have of you with a poem or two
is the only solace I’ve found in these months of looking down when you pass
and cursing myself in the shower when I think my roommates are asleep.
This felt like falling in love until you had to blacken me
with your own corrupt expectations, until you took me
like a vile little shot and burned me all the way down.

But here I am, freshly rinsed and freshly pried open
from the loneliness, ready to accept your sins like a rotten Eucharist.
No matter the distance or the self-promising or the wasted
advice written on this paper every single night—

I’ll let you skip to the ending. I promise to wear my boots
back to my room and carry my jacket like the heart
you always give back when you’re finished.

The amount of people that I’ve scoped
through my own lenses, mirrored with optimism
weighed against the reality of who people are
beneath their cotton t-shirts is immeasurable.
I want everyone in my picture frame,
and I’ll twist the moral ladder to get there,
because I’ve been taught, ever since I was a little girl
in ballet shoes with my hair coiled neatly at my neck,
that there is far more beneath the glitter. That the light
can be blinding and it takes more than a promising silhouette
to bring people back into the good. I’ve slept with molted men
who’ve slithered into my bed on a nice compliment
and an “original” idea, and I’ve kissed their sore parts
hoping that the sweetness would pour from the cracks
in my lips and be absorbed by their scales. I’ve taken
triple chances on people who said I’ll do better,
and that they’d be better if only I could blush their cheeks
with my own electricity. I’ve harvested the sliver of memories
from each relationship I’ve kindled and melted them
into a ***, letting people sip the potion for themselves
and find a special, solemn rebirth in the wake of my aftermath.
I don’t know how
to have a conversation without saying thank you, or really,
you’re being too kind, when really I’m the one who’s flicked kindness
from my fingers like leftover water. I’m the one
who’s branded her own version of band-aids, who's healed
those who I could fit in a tiny shoebox back to their own
self-proclaimed hugeness. I’ve beaten myself down to ***** clay,
and that’s why you

have found it so easy to mold me. It’s why I lay your socks out in the morning,
why I drive my mind back and forth in my sleep, why I’ve always been able to rock
your pretty little heart back to me. You captured the remaining ember
left drowning in the wax and made a model of who I used to be
before I let everyone else wear me down.

You think I rub my arms over and over again
because it’s a little chilly and I should have worn a sweater,
but really I need to distract myself from the reflection
of you playing cat’s cradle with her fingers and nuzzling
your kiss into her wild hair. It’s not me who’s there even though
when the moon’s face wears the night to it’s annual masquerade
you’re the one who’s reaching out to me. Maybe we don’t kiss
but we don’t have to, because our souls have been suspended
above our heads like mistletoe and you chose
a long, long time ago to hold her instead of me. And you think
I’ve found recovery in the time, found separation
between the summers, but I tuck my hair behind my ears
and crush my lips back into my teeth not out of habit
but so that I don’t scream, That was supposed to be me!
That was supposed to be me. You know, too, or else you wouldn’t
recall some stupid puddle memory just so I’ll cling
to that last ember in the bottom of my heart and light it on fire.
So I’ll be the one to remind you of the frame you cut from my soft cedar
to put her in. You can turn my light down. I’ve got nothing for you now.

Disconnected by the root, wasting
our time between sheets instead
of between conversations You kept
yourself in backwards hats and vague
excuses to the questions I was asking.
I lit myself on fire, extinguished the flame
in the shower after we finished, cursing
at the droplets sliding down the curtain.
***** this! and ***** that after you ******* me
into the enjambment that was your free space—
your convenience. I fit only if you push, I matter
only if it’s after midnight and the world
outside your door and bed frame
doesn’t have to know. In the daylight,
I’m a ghost that you always see. I’m the ruby
spotted from the corner of your eyes, the shine
that hurts to look at, but no one can know.
Of course. No one can know the way your mouth
rests between sighs or how your eyes lock
into mine when your bruising the inside of my thighs.

I’m the extra beer in your back pocket.
I’m the ***** in the towel who’s promising
her better self that she won’t go again,
that she won’t allow herself to try to patch
the promise from too long ago. The relationship,
shattered early, that mended itself crooked,
that became a book thrown at the wall
and a sweet, dissipated call. I’m the secret solemnly kept
at night when you’re drunk and ugly and begging
for some beauty to curl up next to. I’m the last line
in the best country song, the whisper
you scream for when I’m gone.

Back in 2003 I found a piece of me
buried, like a shard of pottery, in the sandbox.
A Hot Wheel’s car, little rusted with one tire missing
that I used to shove in the little zippered flap
of my Powerpuff Girls backpack. Older, fifteen,
I carved another piece of me out and pasted it
to a vanilla letter, sliding the envelope through the slits
in his locker door, and I lost it. I’m not even sure he read it.
Nineteen, faded and little stolen, I threw another piece of me
into my mother’s grave. Plush petals, rosary beads, crystal
liquid drops infused with microscopic memories. I cut
myself in slivers and jammed uneven edges together
just to gusto the void, compact the space, walk solid.
And now, twenty-three, I press my face against a mirror
and slide my arms into a flannel, grandpa, hammy-down.
You took the last piece. You crawled into my guard, tore the lining
and spit your black blood on the blank memoirs I had hanging
next to the split.

Take me, now, if that’s how it’s gunna be. You wanna live
with the dust bunnies in my baggage? Feed off my insecurities,
my staggered breath, or my mercury dreams? I don’t want to be saved.
I’ve made my own maze with only one way out, so you’re trapped
in the Miss Havisham model I’ve made, rotten cake. Build yourself
a new girl from my discards, suckle the marrow from my bones,
and blow, like a glass ornament, a pretty replica of who I am.
Isn’t that what you wanted? Wasn’t that part of the chase?
The sweet idea that you could pull some perfect women out of the rubble?
I bet that’d be nice to show off, you *******. But here’s the catch,

I know I’m broken. You don’t need to remind me. So take
the smiles I’ve learned to draw on my lips for two cents,
and give up the **** fight I know you won’t win.