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living with my childrens' mother
all alone.
Our fates,
they race around the clock
tick-tock.
Star crossed from the first sight
the first night...
we touched,
Like fire in the wind
creating a path,
forcing a dream
that won't ever last.
Destruction.
Flicker and die out
Isn't that what we are about?
A brief moment
in the life
of a girl and a boy
a husband, a wife,
doomed from the start,
opposite side of the tracks
the turn of his back
the fade of her laugh.
Clear is our end
a broken wing
that couldn't mend,
a union that couldn't fly
so lay to rest  and let die.
From the start,
it fell apart
but you can't see,
what is hidden in the dark...
FATE
3/17/08  Ashley Marie
Harvested-
a basket
of ruby jewels!

Here I stand in the kitchen,
a chilled mother with warm thoughts,
easing tissue-thin skins
from slithers of moist flesh.

Birdsong.
Peaceful solitude.
Time unrolls its red carpet.

Considerably reduced,
I slip a few scarlet streaks
into a bone-white bowl.
A familiar voice calls me to the garden.
"Tea dear!"
but I hunger for something stronger.

A rush of love
flies like an arrow
to pierce silence
copyright © Caroline Grace 2010
 May 2010 DJ Thomas
Jacqe Booth
No more
In love
No more fallen
Rather falling
We are brushed finger tips
Waving goodbye
Choked,
Air stuck
Tight lipped
I feel sick
And tired
Raw flesh
And cut deep
Straight through
To already
Brittle and broken
Bone.
Alone
And tripping
Over the
Falling sky.
Red eyes
Disguise
Roll the dice
Snake eyes
And the next roll
Is in your hands.
Identity resolved, blue ribbons taut-
I am speech, a verb, a praise, a participial phrase-
There are many battles yet to be fought,
but with respite and awareness of everything throughout,
and to know one's self is to know the world-
Action vernacular, I use words like disappear to identify-
Find one's self in all mundane, rain and flame and claimless blame,
I am the Earth-
Words like crush and blight,
For philistines and charlatans, I preach intrepidly-
A zeal-
Belief is as an ageless hearth,
smelting swords for smiting fear,
for pain and trepidation to disappear.
Reborn red-horned, and one dozen eyes can see
I'm a word, a noun, a ****, a key, and All alive is a mirror,
It is dangerous to utter truths when lies are all the rage,
But I reflect the truth-
Every creature, refined or uncouth,
is a form of life, a light of myself.
To forget is just as whimsical as a simple turn of phrase,
all I can advise,
is to simply turn the page-
Normalcy and tact are artificial-
At base, one's merit is no longer superficial,
but to assert this fact-
This is the greatest battle of all.
 May 2010 DJ Thomas
Christine
She steps out of herself
Literally speaking.
Takes a step
Her flesh opens,
Her muscles and bones
Advance alone.
No blood is shed.
She's just trying to be true.
Takes another step
Her muscles fall off
They lay on the ground
Twitching with energy.
Just her bones now.
Her bones
White and strong
Yellowed and brittle
Either way
They are all that support her now.
She has stepped out of herself
As much as she can.
If she takes another step
Will she simply disintegrate?
If I hedge thus a drooling wager and cash in
on my thrice-foiled cravings for her overdue bites
(plus a guilt-free laugh at his expense), I can
use minced steps to sidle around too-lively
trunks, and avoid the need to heed thugs
barking mad from within their crevice-laid traps.

How those bug-eyed brutes'll clamor and claw at me
to discard this protective wrap, clued in by my rep
of never bending willfully to anybody
but her. "Come on, shed! Get, uh, new set of scales,
for you we will — promise!" is how she'd stammer,
roughly translating their not-so-twee chatter,

if she were there. Rather, in that lavishly apt way
she has, she'll be away picking suitable pelts
to adorn her newly uncovered, quite public shame
while fending off an advancing clod, who won't go
easily, but who does go on ad nauseam with
a penchant for naming every God-**** thing

that haps vitally across his cocky path. Beyond
a simple relish of mischief, I'm doing this (mostly)
for her benefit. How could a persimmon
be forbidden, as if he had permission to make
such bargains? He's dismissed it as an ungainly fruit,
and mocked its likelihood to "lava thy lips"

with an orange pulp, but in that chance smattering lies
the matter to inflame my soul. I'll feed her
the pudding-fresh flesh, and strip it down
to its delectably small seeds. In their splitting
I'll glean the silvery utensils to spill
a man's wholly worthless future. Let's tuck in.
This work is licensed under a Creative Commons Attribution 3.0 License.
Gene Wilder's ***** Wonka once asked me
to step into a world
of pure imagination
and I danced to his voice
of sugary imperfections.
The swelling strings drizzled
on top falsetto inflections
captured me childishly
with candy-coated attentions

But even the finest chocolate melts,
and I learned to let purity be
pushed by treacly lyrics
or stern midgets secure
in their fudge-topped zealotry.
It sifts too pretty for me,
powdering my grown-up
infatuations with petty
wants, getting a little messy

What I crave instead's stained-glass contraptions
to propel me past the stretches
of biblical proportion
where light and dark don't mix.
I'm no Idiot, good-hearted
in the veins of Fyodor
or Akira, and I can't see
beyond the pure tedium
of a blurredly driven snow

I like my mental drifts grime-choked and splotched
with some savory do
dropped in to dissolve flossy
confections to a salted soup
of imagined impurity.
This work is licensed under a Creative Commons Attribution 3.0 License.
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