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I really hate love poems
I promise to never write one
When I see one I don't read it
because I hate the word "love."
and I hate its non-definition
and I hate how it makes people feel
when it fools them
and I hate how I don't know what it is at all
and I hate how it's never fooled me
and it never occured to me
that I possibly want to feel fooled
on a day that isn't the first of April
and I hate that I think that I might want to be fooled
by something as shallow as love
but how can I be fooled by something that doesn't exist?
because I know that "love" doesn't have a definition
and if it isn't defined then how is it real?
it must be a phantom in the air
and it really isn't fair
that you have to be superstitious
to be fooled
it's too bad that I
believe in ghosts.
I've been driving for three hours now
I've been driving for three minutes
I would say I've been driving for three seconds
But I won't, only because I'm past the driveway
But I might as well have been driving for three seconds
and I should probably drive for three more days
Because it won't make a difference
It won't change the pace
of my day-to-day life.

She always told me not to drink and drive
He always told me too
I'm pretty sure they always say the same thing
But that was bad advice when it comes to this thing
This thing I'm going through

They should have told me not to think and drive
because they never told me not to
Now I'm thinking all the time
And drinking and driving is a crime
and the men with disco cars hunt for the criminals
who drink and drive
but I still manage to do the time
for what is not a crime.
the fact that I think and drive.

I only do this unhealthy thing
because you force me to
You crawl into my ears and make a bed on brain
and cover up my focus with your hands
It's like a game of peek-a-boo in frames
I sometimes take a peek long enough
to see a traffic sign
But I would be lying if I said
I remember staying in the lines.

I'll let you continue sleeping there
tuck yourself into my mind
I'll wish you goodnight and sing you a lullaby
But only if you let me drive
Only if you stop intoxicating me
with thoughts of you
and you
and you
and you
and you and I

Thank you for listening
You are my sunshine
You make me happy
When skies are grey
You'll never know dear
How much I love you
Please don't take my sunshine away

Goodnight. Sleep tight.
What is dark and depressing is bittersweet

as what I write is wrong

and what is wrong is right

As what is thrifty is hip

and what is popular is expensive

As the caffeine in my bloodstream helps me sleep

and what keeps me awake are my screaming dreams

As my clean face is a mask

and this foundation is natural

As dollar bills can be torn

and so can this paper waste

As ants are strong creatures

but I exterminate them with my smallest finger

As your words are so soft

but are breaking me to pieces.
 Dec 2011 Devin Ellis
Waverly
Who Am I?

Well,
I must be
that ******,
the one
in the black hoodie
***** sweatpants
and an uncombed eye,
that's always wooly
scratchy,
bloodshot
with searching for
my stash spot,
that ******
in your peripherals
that you keep your eye on
because he's
not
in a polo
looking nice,
talking
"well-spoken"
and
not
a threat
to your beautiful
lily-white daughter.


Because I grew up
fixing myself
ramen noodles
and
lifting the welcome mat
after school,
I must also be
that ******
whose father wasn't
in the same house
until he was age 13,
and when I tell you that,
you weren't expecting it
because "you're not a racist."
but
you weren't surprised.


You see,
I must be
that ******,
a stand-in
for all other *******.
I must be that ******
who represents
all *******,
not because you are racist,
but because I'm the only
******
you've met
who doesn't talk like
dis, y'know whatmsayin,
and i talk like
this, do you know what I'm saying?
I must be that ******.

In order for you
to feel okay
being around me
I must be that ******
who goes to college
does the right
thing
the white thing
and gets a job
a nice little house,
a nice black wife
with a nice
new england
clear
dialect,
(what I was
trying to get at
earlier
is that ****** dialects,
by their mere intonation,
denote stupidity,
right?)
and doesn't say a word
when his white friends
make ****** jokes
or talk in a ****** dialect
mocking some Aunt Jemima
they heard at Walmart.

But,
I also must be that ******
who doesn't step out of line
and say
"WHY IS IT
THAT IN EVERY SINGLE
ENGLISH CLASS
WE READ
ONLY
TWO
BLACK AUTHORS
A SEMESTER,
AND THAT'S
ENOUGH,
JUST ENOUGH
TO KEEP THE
****** PARENTS
HAPPY."

And If I happen to be a ******,
I,
by all means,
must not be that ******
who had a white girlfriend,
and
this girlfriend
after dating
a ******,
tried to date a white guy
she liked,
and when she told him
that she had dated,
loved,
and yes,
******
a ******,
he had said back:
"I can't believe
you ****** a ******."

Then again,
I must be that ******
with the big swinging ****
able to destroy
a white girl's ******
with its pulverizing
power.

And,
please,
If I am going to be a ******
don't be the one
who writes a poem
about
having to be
that ******,
because those
kinds of *******
are being
over-sensitive,
those dashiki-wearing-*******
who think
"Da white man dis."
and "Da white man dat."

Because
I am not one of those *******
descended from the first people on earth,
your brother,

not in the ****** way,

but the familial,
species way.

Why am I even writing
this, ****** isn't a main operative
word anymore.

Search and find "******"
and
replace with
"Black Guy." That way it becomes
a joke.
Peaches

We used to pick them fresh,
Right off the branch,
From the tree in the front yard
And place them in a basket
To take inside and taste and devour.
You’d wash them for me,
Me too tiny to reach the sink,
Then take the knife
And carve, swiftly,
Slicing off a smiling slice
For me to eat.
Now your twirled fingers
And paper skin can carve
Only lopsided smiles,
Gnarled and unfamiliar.
Let me take the knife
And dig into peaches
For you to enjoy.
i will wade out
                        till my thighs are steeped in burning flowers
I will take the sun in my mouth
and leap into the ripe air
                                       Alive
                                                 with closed eyes
to dash against darkness
                                       in the sleeping curves of my body
Shall enter fingers of smooth mastery
with chasteness of sea-girls
                                            Will i complete the mystery
                                            of my flesh
I will rise
               After a thousand years
lipping
flowers
             And set my teeth in the silver of the moon
When I see birches bend to left and right
Across the lines of straighter darker trees,
I like to think some boy’s been swinging them.
But swinging doesn’t bend them down to stay.
Ice-storms do that. Often you must have seen them
Loaded with ice a sunny winter morning
After a rain. They click upon themselves
As the breeze rises, and turn many-coloured
As the stir cracks and crazes their enamel.
Soon the sun’s warmth makes them shed crystal shells
Shattering and avalanching on the snow-crust
Such heaps of broken glass to sweep away
You’d think the inner dome of heaven had fallen.
They are dragged to the withered bracken by the load,
And they seem not to break; though once they are bowed
So low for long, they never right themselves:
You may see their trunks arching in the woods
Years afterwards, trailing their leaves on the ground,
Like girls on hands and knees that throw their hair
Before them over their heads to dry in the sun.
But I was going to say when Truth broke in
With all her matter-of-fact about the ice-storm,
I should prefer to have some boy bend them
As he went out and in to fetch the cows—
Some boy too far from town to learn baseball,
Whose only play was what he found himself,
Summer or winter, and could play alone.
One by one he subdued his father’s trees
By riding them down over and over again
Until he took the stiffness out of them,
And not one but hung limp, not one was left
For him to conquer. He learned all there was
To learn about not launching out too soon
And so not carrying the tree away
Clear to the ground. He always kept his poise
To the top branches, climbing carefully
With the same pains you use to fill a cup
Up to the brim, and even above the brim.
Then he flung outward, feet first, with a swish,
Kicking his way down through the air to the ground.
So was I once myself a ******* of birches.
And so I dream of going back to be.
It’s when I’m weary of considerations,
And life is too much like a pathless wood
Where your face burns and tickles with the cobwebs
Broken across it, and one eye is weeping
From a twig’s having lashed across it open.
I’d like to get away from earth awhile
And then come back to it and begin over.
May no fate willfully misunderstand me
And half grant what I wish and ****** me away
Not to return. Earth’s the right place for love:
I don’t know where it’s likely to go better.
I’d like to go by climbing a birch tree
And climb black branches up a snow-white trunk
Toward heaven, till the tree could bear no more,
But dipped its top and set me down again.
That would be good both going and coming back.
One could do worse than be a ******* of birches.
I wonder about the trees.
Why do we wish to bear
Forever the noise of these
More than another noise
So close to our dwelling place?
We suffer them by the day
Till we lose all measure of pace,
And fixity in our joys,
And acquire a listening air.
They are that that talks of going
But never gets away;
And that talks no less for knowing,
As it grows wiser and older,
That now it means to stay.
My feet tug at the floor
And my head sways to my shoulder
Sometimes when I watch trees sway,
From the window or the door.
I shall set forth for somewhere,
I shall make the reckless choice
Some day when they are in voice
And tossing so as to scare
The white clouds over them on.
I shall have less to say,
But I shall be gone.
Out through the fields and the woods
  And over the walls I have wended;
I have climbed the hills of view
  And looked at the world, and descended;
I have come by the highway home,
  And lo, it is ended.

The leaves are all dead on the ground,
  Save those that the oak is keeping
To ravel them one by one
  And let them go scraping and creeping
Out over the crusted snow,
  When others are sleeping.

And the dead leaves lie huddled and still,
  No longer blown hither and thither;
The last lone aster is gone;
  The flowers of the witch-hazel wither;
The heart is still aching to seek,
  But the feel question ‘Whither?’

Ah, when to the heart of man
  Was it ever less than a treason
To go with the drift of things,
  To yield with a grace to reason,
And bow and accept the end
  Of a love or a season?
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