To raise a seagull would be no small task – do you know why?
Because both you and I are not seagulls.
If an individual is perceived to be revolting, then the question arises as to whether non-conformity or debasement are the identifiable issue.
Like those cheapened activities which are secretly laid bare within the hotel hallways of Sin City, my immeasurable and baron liaisons have also been revolted by scorpion-like stings, as the wind promotes her seductive and tantalising thoughts through the brushwood of Autumnal celebrations around the vicinity of Nevada.
It is important to understand that the fullness of sound involves the synchronicity of isolated connectedness, and that we validate both the message and the messenger.
Balancing acceptance and change is horribly attractive.
Do you know why, my reciprocal affiliation of that which is considered to be humanity?
For that which is conceived, formed and reproduced within the solar system of Nirvana is not so readily articulated within the parameters of epistemology.
Aren’t ornithology and psychology both flighty?

Show me the forbidden petals of your dark side, where enlightenment pulsates with her superior intellectual reliance upon rationalism.
What are the parameters of absolutism and relativism in this age, where I have discoursed with austere figures of the debased brotherhood?
Can you wrap your fingers around the girth of societal modernity, and stroke the length of paradoxical sophistication where philosophical death displays her unfathomable depths?
I have found resolution to this mathematical perplexity amidst our blatantly secret desert storm, where the cosmological clock ceases to denote her tick beyond the circumference of our interior sociology.
Looking back to the future – what do you think of your first love?
As we gather in the sacred circle around ancient and dreamy wishes, the spectres of dark forests are worthy of homage on this calendar season of historical significance.
Limp, is the phallus of political rectitude.
There is something beautifully menacing about the sound of bass drums, especially whenever there is a cultural context.
Do you know why? Because, they are connected to the melody and harmony, where the fullness of ontology is climactic in its lofty debasement.

The coldness of my unleashed disinhibitions have gracefully succumbed to the wisdom of cosmological forces, despite my ravenous salivations for all that is vehemently forbidden.
As I bark inside the relief of this solitary pound of articulated and socialised liberty, like an expression of abstract artistry within an ethical mudslide; I continue to teeter upon geographical tightropes which span unforgiving terrains across the ancient divides of propriety, where the baron plains of deuterocanonical origin are populated by restless spirits with gnashing teeth.
So, if they could ever be personified, I could easily butcher a myriad of depravities which tangibly characterise my inner Astarte and Ishtar demons – although, such an event would have to occur after we have engaged in a myriad of abominations where raunchy and indulgent copulations shamefully expose our brazen wantonness to animalistic inclinations.
Never offer to tie me down.
Restriction diametrically opposes my socially skilled yet nomadic being, as it sojourns across a psychedelic array of vibrant gardens, and weaves through present pathways which are timeless in their being.
It just is.
That is the essence of ontology.
Can we ever effectively contemplate the philosophies of predetermination and predestination?
As I am not dichotomous in my thinking, there is a legitimate place for being an omnivore within the walls of our societal fabric.
Although I radically accept that of which I do not approve, the psychology of ambivalence has led me to raise questions around the validity of horticulture.
My clock has melted down the flamboyance of those multicolored mountainsides of being and nothingness.

This ceremonial façade is likened to an ancient folklore which has been dipped in forbidden secretions, even though my arts are sincerely darkened to unfathomable depths of surprised and ambidextrous naiveté.
I have constructed the choreography of this metaphysical dance, which lingers on the brink of sociological pronunciations, and where the liberty of gargoyles spew their fluid projections from lofty heights across the four directions of our moralistic city walls, where magnetised needles ***** my soul with the earth-shattering clarification of true north.
I love to sit in the dark and to be enlightened, as the eerie silence bellows her validity across trans-national sanctions, where the fallacy of liberation is juxtaposed with a socio-political and fetishistic confinement.
I believe that classical infidelity is like a beautiful Gothic cathedral where silent rage has an ebb and flow which is not easily ascertained amongst our sub-cultural and contemporary cohorts, where dynamic equilibrium truly encapsulates the co-existence of opposites, which are said to attract.
So, as we gather in the menacing serenity of the dark forests, where geography marks her ancient alignments from sunrise to sunset; can we now pray and give homage to the spirits of history, in this underground finesse of paradoxical equilibrium?
I love democracy, as she gyrates her sensual community wantonness on this conveyer belt, where the vital functions of our organism slink into sleepy cessations of universal structures where causality releases her excitatory expressions of organic physiology.

There exists a mystical and quadruple representation of words, which is likened to a dictatorial Superstate, where translation is subject to that which is spoken, heard, written and read within the context of trans-national capitalism.
As we gaze from beyond the glow of the pulsating circumference, we can humbly acknowledge the ludicrous predicament of the many who are ruled by the few.
The parameters of this earthen citizenship may be somewhat characterized by embracing the perceived benefits of the system and a state of financially intoxicated anosognosia. However, as we traverse this metaphysical cataclysm where the majority votes of public arrangement diametrically oppose absolute law and that which is deemed to be reasonable; our compulsory co-operation self-regulates with a cardiovascular beat of semantic propaganda and monopolized dissention, where the relinquished rights of our revered forefathers have been re-written by coercive legislators in the name of socio-political equality.
The philosophy of meaning and political expression both buries into and removes her gorgeous face from the cuniform textures of Sahara catacombs, where we ****** relate and disengage from the **** with tyranny.

The blackened eyes of the distressed mare bulge from her cranial vortex, as she gallops through the darkened labyrinths of hades.
If you can cast your mind back like a fish on the end of a rod, to those earth-shattering moments where the sensitivity of our taste buds  in earlier childhood echoed across urban geographical contours.
Are you able to recollect the quality of those apostolic and culinary delights which were not divorced from the prints of contemporary issues which lay bare their scars upon our very hands?
It was all about the roll.
Yet, we have levitated and projected along secure boundaries where our silver chord has never failed us.
The sound of diesel locomotives are relatively hypnotic. Therefore, permit us to swear oaths upon this Celtic altar where the annals of history depict their runes upon the precipice of haunted equestrianism in "the back".
The beat of North America is mundane and predictable.
When we piece it altogether, we have a beautiful array of anthropological tragedy, with a subservient twang...if that makes any sense?

Oh, to be cradled in the arms of a stringed quartet, where ancient phantoms tickle forbidden structures and intertwine with my wandering spirit across baron regions of the netherworld.
As the fallacy of alleged progress warms the darkest graves with ambivalent laughter, I now ask for your permission to caress your slippery soul as it seeks to slide into cosmological inertia.
Articulation of the Algerian torso punctuates the pervasive sanctuary where seduction of the King resonates with my Arabic woodwind instruments.
Therefore, let us embrace under the canopy of Ashtoreth, as her velvet hours are forever shortening like the contemporary expressions of a wanton Eve.