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 Sep 2015 Danielle Shorr
vf
smelling like dryer sheets, i stepped out
to a crisp fall morning.

a Southern fall doesn't start until October,
but something was rushing the chill on to us
saying "bundle up now, and cover
those goosebumps"

i haven't heard from you in a week
and i wonder if the Jewish New Year will be good
to me. i
clamber through my day, like
a child's first time at a rock wall.

at the top, i scream to come down
but they told me i had to jump,
so i didn't move
Well, we were the History club rejects,
focusing on the effects
of being us
instead of in a book.

Two college drop-outs,
calling in shout-outs
to our friends,
hoping that it affected
how we looked.

Our dads would sleep in,
and our moms were crying
until a quarter past noon --
and we knew
if we didn't start trying,
that would be us, soon.

We were the starving artists,
painting fruit we couldn't afford.
Hoping each brushstroke of an artichoke
would be fruitful to our wallet,
or at least strike a chord.

Two love-loss orphans,
dreaming of morphing
into something or someone else.
But they told us
to remove that fluff
from our head
and put it on the shelves.

We were the film club fanatics,
studying the dynamics
of how to be a pretend person.
We wanted to be
a Wes Anderson flick,
but we were never any thing
other than who we were
and that's what made us sick.

And I swear I miss the desperation:
I'm nostalgic for yesterday's conversations.
Special thanks to Noah Baumbach for the title and the line.
As the world defends itself from the anxiety of death,
a wind-caressed woman waits by the water,
and signals for silence, unceremoniously.
Waiting for the blood-banks to breed ideals --
which will, inevitably, be exported --
that will turn Natives into faceless, finger-painted  
neo-orphans of the broken nuclear home;
old souls, convinced to be the youth in revolt,
and to be the scrambled egg individuals of a melting ***, that disguises uniform for diversity.

Her lavender dress dribbles the spiraling air, as the copper dust swims by her ankles, knees, and thighs.
I do not remember when she told me that everything we do and say is a defense-mechanism,
distracting us from the fact that one day we will die and be as imaginative as the roles we give ourselves,
as the people we think blend into us,
and as the gods we use as an alternative to a morphine drip.

I stood by the bad river, knowing that all of my attempts at being more than what I was,
was my grasp at an out-of-reach eternity,
and a dream of a humanity that could be affected by one person.

I do not remember when she told me,
"All of our attempts at progressing,
is our way with dealing that we will someday die
and may not have been successful at living forever."
.
you came into
my life
as an
exclamation point
wandered it
as a
question mark
i thought you’d
leave with
three dots
behind
but you left
with only
one
The sloppy rain slips and slides down the fogged-up windows,
and this lets me know that I am not as small as I think I am.
In a city of three million plus, I feel like the soul of a nation,
even though I'm just a twenty-one year-old piece of plastic, drinking a hipster beer.

The waitress has frizzy hair and oily skin.
She's holding in late-night infomercials and missed ballet recitals, behind her words.
She looks at my luggage and asks where I came from or where I'm going,
and I tell her that the fun thing is that I have no idea where I'm going --
and that I still haven't decided where I've came from.

This city allows new-found anonymity, and I want that to be my cause.
With each passing glance, I know they don't see me, and, to me, that's the slumber-kissed throat-slit I've always dreamt of...

...the streets play music that I only hear -- and I know that's not fair, but I don't care.

And the homeless represent the bowels of the city.
And the businessmen are the ghost-filled engine.
And the middle class is the defense-mechanism I always wanted for Christmas.
And I am the empty delusion, desperately seeking a new pollution.
My foggy mouth tries to hide behind rain-smacked glass.
She says goodbye with complacent stares
and with the sudden flash of an umbrella.

The red of her dress doesn't belong in my life.
Each of her strides carry my resentment and weariness,
alongside the melting grey of the Seattle skyline.
So, I don't yell for her or imagine our lives,
as the windshield wipers sweep her image, out of sight, but not out of my head.

I return home, the half I was for decades.
The tread of my shoe mashing bluegrass,
digging up seeds and insect carcass, with every step.
Storm-soaked magazine subscriptions lay on the porch,
and her name is tattooed on every one.

The dog lays on the carpet, ears and eyes perking up at me.
And he knows he's truly alone, because I'll depend on him.

Eggshell kitchen cabinets are jammed with her:
Vermilion, saffron, and burgundy glasses hold
half-empty hangings of golden flat draft,
keeping her day-old, dried saliva smothered on the edges,
like transparent ocean waves dying on a glass coast
and buried in the bottom of the sun-pierced vortex.

What I couldn't realize is that the cup was me:
marked in so many ways,
letting decaying memories burrow and stay.
And I want to tell her that I understand
what it feels like to be fake, insignificant,
and a shadow on the sidewalk of society.

And I want to tell her that I also borrow
the experiences of others --
that I, too, learn feelings
by stopping and staring at personal wreckage,
like a tourist of emotions,
like an inevitable wish of a human being.
Her ribs crackled, in the skeleton night.
And I remember my mouth on hers,
where atomic fish hooks attached our lips.
Where there was nothing like kissing
like our God wasn't dead.

She was accused of killing a taxi driver
in the Brazilian underbelly.
Smoking a cigarette, she dropped it on the ground,
spat on it, and crushed it with her bare foot,
saying she fell in love with the way
his sleep-drenched body lay.

And I told her to stay home.
And I told her that they'd find her.
But she didn't stay home.
And they did find her.

Chasing her through the Babylon brush,
insults were thrown and so were balloons of gasoline.
Each pink, yellow, and green vessel floated in the air, as an internal opera heightened.
And sour splashes spread across her body,
as she fled from the vigilante mob.

The children danced along the panoramic horizon she ran beside,
laughing, pointing, singing.
The slumbering sorrow of the situation became evident,
and she started to feel the calm of fleeting life.

Her dreams aborted and her ideals became fallacies,
and with the sound of fuzzy motors in the background, her heart leapt and her feet slipped.

Rope ate into her, wrapping her like the orphaned recklessness of each set of eyes that painted her.
She squirmed amongst the cheers.
She cried with every thrown beer and balloon.
The empty-eyed males gang ***** her.
The women covered the children's eyes,
and the children tried to move their mothers' hands.

And I pushed my way through the crowd.
And I saw her smothered in blood, beer, and gasoline.
I wanted to halt the hurricane that destroyed morality.
But I am a coward.
Frozen by my fear, I, too, am a murderer.
And a murderer I'll always be,
for the burning of all that was good.

Sudden flames soared towards the sky.
Laughter escaped as molotov cocktails exploded onto her body.
Her head turned towards the crowd,
as flames scampered across her face.
I saw in her, what I never saw before,
which was the human race.
The night before, she whispered,
"The quickest way to break a heart
is to pretend you have one."

Howling,
like you've never heard before.
And she sat next to me, radiating.
Her body jumped with every bump,
as foam blossomed out of her mouth.

And I promised her
that I would get her there in time.
And her dealer promised me
he didn't give her anything.

Howling.
I was howling,
like you and I have never heard before.
And her glazed eyes would open.
And my eyes were wide shut.
Her body lain crooked,
like the antenna of the wrecked car
my grandfather left me.

And I wondered if the planet
was moving too quickly
or if I wasn't moving fast enough -
before I decided the only time
that was real, was now.

Howling.
The police sirens were howling,
like the suburbs have never heard before.
The wails were begging me to pull over.
And the flashes of red and blue
danced across her ivory skin.
She mumbled to her deceased grandma,
and I asked her to stay.

And in that moment,
I tried to numb myself.
I tried to detach
and let the river carry me.

Howling.
I was howling,
like the deputy
had never heard before.
I begged for an escort.
I begged to go back into my car.
He looked at her knotted body
but didn't see her like I saw her.
And he told me to remain calm.
He told me to stop yelling -
but I couldn't express enough.
I couldn't release enough desperation.

And the river carried me
to the rocks before the fall.
At the bottom, I knew she was dying,
and this killed me, most of all.

Howling.
I was howling her name,
like she had heard before -
but not this time.
No, not this time.

The night before, she whispered,
"The quickest way to break a heart
is to pretend you have one."
I see how white light startles.
I snapped a pic and she spun in circles.
She wanted a photograph
to cover her mother's epitaph,
so she could have a laugh.

She smoked to get away -
but this isn't what'd she say,
exhaling, "All we are is carbon
and a lack of empathy."

We blended into hues of
microwave dinners
and church alters.
I used to tell her to go
just to halt her.

We prayed to get away -
but that's not what we'd say,
whispering, "Help us be more
than carbon and a lack of empathy."
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