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She is like a red, thorn-stricken rose,
A beauty prized inside my garden,
Her body, like the petals, gracefully flows,
Movement preventing the coldest heart to harden.

I could be undoubtfully mistaken,
For my eyes play tricks, like mischievous young boys,
Making it rather difficult to awaken from a dream,
Or escape from a well planned ploy.

Only time will tell us, if it is meant to be,
Fate will bring my real soulmate, at a moment of overwhelming darkness,
The strong waves are beating against the shore, and back out to sea,
Until I meet perfection, wearing a white linen dress.

However, don't let the oppourtunity to find her pass you by,
Especially when it presents itself in the blue sky.
 Dec 2011 Dakota Demery
Mana
I want to write for hours
but I know not of what.
Not of nightingales and blooming flowers,
but this state I'm in, this rut.

Who could leave these scars upon me thus?
scrapes, bruises, scratches and pus...
Not you, not them, nor them all
I am the reason for my own fall.
here is little Effie’s head
whose brains are made of gingerbread
when the judgment day comes
God will find six crumbs

stooping by the coffinlid
waiting for something to rise
as the other somethings did—
you imagine His surprise

bellowing through the general noise
Where is Effie who was dead?
—to God in a tiny voice,
i am may the first crumb said

whereupon its fellow five
crumbs chuckled as if they were alive
and number two took up the song,
might i’m called and did no wrong

cried the third crumb,i am should
and this is my little sister could
with our big brother who is would
don’t punish us for we were good;

and the last crumb with some shame
whispered unto God,my name
is must and with the others i’ve
been Effie who isn’t alive

just imagine it I say
God amid a monstrous din
watch your step and follow me
stooping by Effie’s little, in

(want a match or can you see?)
which the six subjunctive crumbs
twitch like mutilated thumbs:
picture His peering biggest whey

coloured face on which a frown
puzzles, but I know the way—
(nervously Whose eyes approve
the blessed while His ears are crammed

with the strenuous music of
the innumerable capering ******)
—staring wildly up and down
the here we are now judgment day

cross the threshold have no dread
lift the sheet back in this way.
here is little Effie’s head
whose brains are made of gingerbread
There’s a whisper down the line at 11.39
When the Night Mail’s ready to depart,
Saying “Skimble where is Skimble has he gone to hunt the thimble?
We must find him or the train can’t start.”
All the guards and all the porters and the stationmaster’s daughters
They are searching high and low,
Saying “Skimble where is Skimble for unless he’s very nimble
Then the Night Mail just can’t go.”
At 11.42 then the signal’s nearly due
And the passengers are frantic to a man—
Then Skimble will appear and he’ll saunter to the rear:
He’s been busy in the luggage van!

He gives one flash of his glass-green eyes
And the signal goes “All Clear!”
And we’re off at last for the northern part
Of the Northern Hemisphere!

You may say that by and large it is Skimble who’s in charge
Of the Sleeping Car Express.
From the driver and the guards to the bagmen playing cards
He will supervise them all, more or less.
Down the corridor he paces and examines all the faces
Of the travellers in the First and the Third;
He establishes control by a regular patrol
And he’d know at once if anything occurred.
He will watch you without winking and he sees what you are thinking
And it’s certain that he doesn’t approve
Of hilarity and riot, so the folk are very quiet
When Skimble is about and on the move.
You can play no pranks with Skimbleshanks!
He’s a Cat that cannot be ignored;
So nothing goes wrong on the Northern Mail
When Skimbleshanks is aboard.

Oh, it’s very pleasant when you have found your little den
With your name written up on the door.
And the berth is very neat with a newly folded sheet
And there’s not a speck of dust on the floor.
There is every sort of light-you can make it dark or bright;
There’s a handle that you turn to make a breeze.
There’s a funny little basin you’re supposed to wash your face in
And a crank to shut the window if you sneeze.
Then the guard looks in politely and will ask you very brightly
“Do you like your morning tea weak or strong?”
But Skimble’s just behind him and was ready to remind him,
For Skimble won’t let anything go wrong.
And when you creep into your cosy berth
And pull up the counterpane,
You ought to reflect that it’s very nice
To know that you won’t be bothered by mice—
You can leave all that to the Railway Cat,
The Cat of the Railway Train!

In the watches of the night he is always fresh and bright;
Every now and then he has a cup of tea
With perhaps a drop of Scotch while he’s keeping on the watch,
Only stopping here and there to catch a flea.
You were fast asleep at Crewe and so you never knew
That he was walking up and down the station;
You were sleeping all the while he was busy at Carlisle,
Where he greets the stationmaster with elation.
But you saw him at Dumfries, where he speaks to the police
If there’s anything they ought to know about:
When you get to Gallowgate there you do not have to wait—
For Skimbleshanks will help you to get out!
He gives you a wave of his long brown tail
Which says: “I’ll see you again!
You’ll meet without fail on the Midnight Mail
The Cat of the Railway Train.”
 Nov 2011 Dakota Demery
Mada
Little red lights.
One on my left, one on my right
And two right in front of me.

They stare at me,
Watching my motionless struggle
With reality.

Little red lights.
One on my left, one on my right
And two right in front of me.

They're closer now.
Still watching. Still staring.
Still waiting.

Little red lights.
One on my left, one on my right
And two right in front of me.

Closer again.
Still watching. Still staring
As I start fading.

Little red lights.
One on my left, one on my right
And two right in front of me.

I'm almost gone,
But they're still there.
In one last act of desperation,
I grab at the curtain, only to reveal
The blood red moon of their
inspiration.

Little red lights.
One on my left, one on my right,
two right in front of me,
And one that has crushed me.
 Nov 2011 Dakota Demery
Nonsense
We've walked this path,
many times before.
The fun and the laughter,
has turnd to a bore.

I'm sorry we can't be,
what each other needs.
I need life normal,
and you need life's schemes.

I know you have tried,
but can't beat your demons.
I've tried my best too,
but can't find more reasons.

I can not pretend,
that my heart isn't sore.
You push till the limit,
and then push some more.

My strength has run out,
and hope has run dry.
The belief that I had,
was squashed with each lie.

I love you so much.
But I can't stand the strain,
you inflict on me daily,
'cause your head is in pain.

I offered you love,
and a lifetime of life.
But you chose the other -
hurt, conflict and strife.

I can not disrupt,
my bubble that's calm.
'Cause your chaos living,
has only done harm.

You know you can't give me,
what I need in life.
And I can't keep living,
with nothing but strife.

You are the right man,
I believed was for me.
But now you have shown me,
deceipt has a fee

If you could stay sober,
for more than a week.
Life would be pleasant,
and we'd find what we seek
Mother, mother, what ill-bred aunt
Or what disfigured and unsightly
Cousin did you so unwisely keep
Unasked to my christening, that she
Sent these ladies in her stead
With heads like darning-eggs to nod
And nod and nod at foot and head
And at the left side of my crib?

Mother, who made to order stories
Of Mixie Blackshort the heroic bear,
Mother, whose witches always, always
Got baked into gingerbread, I wonder
Whether you saw them, whether you said
Words to rid me of those three ladies
Nodding by night around my bed,
Mouthless, eyeless, with stitched bald head.

In the hurricane, when father's twelve
Study windows bellied in
Like bubbles about to break, you fed
My brother and me cookies and Ovaltine
And helped the two of us to choir:
'Thor is angry; boom boom boom!
Thor is angry: we don't care!'
But those ladies broke the panes.

When on tiptoe the schoolgirls danced,
Blinking flashlights like fireflies
And singing the glowworm song, I could
Not lift a foot in the twinkle-dress
But, heavy-footed, stood aside
In the shadow cast by my dismal-headed
Godmothers, and you cried and cried:
And the shadow stretched, the lights went out.

Mother, you sent me to piano lessons
And praised my arabesques and trills
Although each teacher found my touch
Oddly wooden in spite of scales
And the hours of practicing, my ear
Tone-deaf and yes, unteachable.
I learned, I learned, I learned elsewhere,
From muses unhired by you, dear mother.

I woke one day to see you, mother,
Floating above me in bluest air
On a green balloon bright with a million
Flowers and bluebirds that never were
Never, never, found anywhere.
But the little planet bobbed away
Like a soap-bubble as you called: Come here!
And I faced my traveling companions.

Day now, night now, at head, side, feet,
They stand their vigil in gowns of stone,
Faces blank as the day I was born.
Their shadows long in the setting sun
That never brightens or goes down.
And this is the kingdom you bore me to,
Mother, mother. But no frown of mine
Will betray the company I keep.
 Nov 2011 Dakota Demery
Mw
Nemesis
 Nov 2011 Dakota Demery
Mw
Blast it! All the ******* clocks,
I'll die if I hear ticking tocks.
All the fleeting, thoughtful lips,
Breathing down the slender dips.
I know the sounds of morning dew,
All my looming habits threw
My books across a crowded room
To show our cold, impending doom.
All these clocks, this passing time,
In broken English lacking rhyme.
Alone, alone, alone but tell
The fragile boy's abandoned shell
To hold the thought in neurotic mess,
And wait to dare what he confess.

There they go, breathe down the necks
Of lover's lost too far to vex.
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