Submit your work, meet writers and drop the ads. Become a member
the smokes still sitting in my lungs
stubbornly latched
on to all of those places where
your sweet breath once conquered
and dragged me to the nearest heaven
where our eyes rolled back with every
in hale; in hell
i was in hell with you
and you lit me with your lips
and you rolled me between your fingers
and then watched as i smouldered into the air
and then you let go
the dying embers of you and i
n.b. ..what a time to be alive
I now delight
In spite
Of the might
And the right
Of classic tradition,
In writing
And reciting
Straight ahead,
Without let or omission,
Just any little rhyme
In any little time
That runs in my head;
Because, I’ve said,
My rhymes no longer shall stand arrayed
Like Prussian soldiers on parade
That march,
Stiff as starch,
Foot to foot,
Boot to boot,
Blade to blade,
Button to button,
Cheeks and chops and chins like mutton.
No! No!
My rhymes must go
Turn ’ee, twist ’ee,
Twinkling, frosty,
Will-o’-the-wisp-like, misty;
Rhymes I will make
Like Keats and Blake
And Christina Rossetti,
With run and ripple and shake.
How pretty
To take
A merry little rhyme
In a jolly little time
And poke it,
And choke it,
Change it, arrange it,
Straight-lace it, deface it,
Pleat it with pleats,
Sheet it with sheets
Of empty conceits,
And chop and chew,
And hack and hew,
And weld it into a uniform stanza,
And evolve a neat,
Complacent, complete,
Academic extravaganza!
I crave to stain your lips with my name
Easing every syllable, vowel, and consonant across your tongue
Excavating into the base of your throat
Edging through your lungs
Becoming your every breath and sigh alike.

I desire to drip my mind down your back
Lacing every thought I can through the notches of your spine
Allowing ideas to glide across tranquil shoulder blades
Enable my intellect to become your most sumptuous support system.

I necessitate tracing my soul across your collarbone
Purr my subconscious into the deepest crevices of your chest
Inspire my pneuma up and down your incomparable neck.

I can make you feel meaningful again,
Touch me so I don't feel so empty anymore.
there was a draft of this published under the same title (now titled empty first draft) and I said I would edit it but I never did then someone I adore challenged me to edit it so here we are with a considerably beautiful final to an unfinished thought.
 Sep 2014 Gabriel Ibarra
Tallulah
I found you between touches on screens
through swiping on pocket machines
and I met you in the long shadow of sunset
you smoked a cigar and I a cigarette

We put the stars in our eyes
and found ufos and Russian spies
and gave ourselves to the not knowing
but knowing this wanting to keep going

So at one am we kissed at Chevron
with a smirking cashier looking on
and I did so without a second thought
because, honestly, how could I not?
 Sep 2014 Gabriel Ibarra
Tallulah
A blind man asked me
what i was looking for
sobbing on the kitchen floor
I blinked and saw oblivion

A deaf man played
the sweetest music I’ve heard
the notes feathered and frayed
it was more than I could ask for

A mute woman spoke
of a black sort of peace
that’s louder than words
and softer than fleece

Men have feared much greater things
of colossal serpents with devils wings
but I only fear the greater good
and if you only knew, you would
 Aug 2014 Gabriel Ibarra
Tallulah
She wore forget-me-nots
in her hair, but every morning
they only called her darling.
 Aug 2014 Gabriel Ibarra
Tallulah
First, find yourself being told: “constructive criticism can only help your writing.” Climb on top of the table and scream at the top of your lungs, this will help release some stress and usually insight fear in those who dare to criticize your masterpiece. Sit back down and nod knowingly. If the critic chooses to continue, assume a defensive position such as standing on all fours with your back arced as if to pounce.
Instead of listening to the incessant ramblings of the critic, opt for singing the lyrics to “Dude looks like a lady” in your head while staring at his overly feminine features. Note to yourself that you will write a story about a man who is ridiculously critical as a means to compensate for his lack of masculinity. Smile to yourself. When he asks why you are smiling just say, “Oh, your advice is just soooooo enlightening” and then give a little giggle. Leave the workshop immediately and locate the nearest Starbucks. Buy one latte, nonfat of course, and sit in the corner hoping someone will ask you if you are a writer. No one will. Pout.
You walk to the bar to meet your friend because you are too broke to take a cab. Ignore every word she says; she doesn’t know what she’s talking about. So what she went to Yale and is a well paid, anorexic tax attorney? That’s boring. You are a writer. You’re a poet.  It’s a misunderstood art form. When Shelby suggests you try to get a job in journalism, laugh in her face. Take a cookie and savor it in front of her. Maintain eye contact. Note to yourself to write a story about a woman with a Yale degree that gets so bored filing taxes she dies.
When your father starts to say, “I just can’t pay for you to ***** around in NYC anymore.” Compare him to Osama Bin Laden in hopes of getting the point across that he is about to annihilate your dreams and, probably, the dreams of thousands of girls who have yet to read your unpublished masterpieces. When he says you are being ridiculous, tell him you wish you were adopted.
 Jul 2014 Gabriel Ibarra
Tallulah
We stared out the back window at the painted lines making patterns on the highway. I got lost in the flickering of a broken headlight barreling towards us, but you only focused on the red brake lights of the cars that passed us by. We never turned around because we were too afraid of what might be right in front of us, so holding hands we stared out the back window, and watched the industrial river flow away from us.
Next page