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Connor Jul 2017
I - Sunrise at Futamiguara/Revealed Intent

The piano on fire/
echoing throats of crystal

Village Mystics resign their title for a quick drowning

(dream)

Wedded-Rocks tide
together while Tsunami rolls in

(Izanagi / Izanami withstand the thrashing)

Japanese Autumn
welcomed as I watch a tinted rose unfold its cloaked chaos

(wherein a panther heeds its calling)

My heart has revealed itself at last


II - Love

bristling zeal/
halycon eyes & Haitian drums
aid the muscles
christening scene-

- bridal dancer pollinates a sleepers teeth in love poems fused with salt

&labor keeps the diaphragm sky
(with pinneedle clouds) afloat

I temper the image tilled with pen/sometimes it doesn't feel enough

(the shadow devours itself)

III - Conservatory of Music/Child Complex

Each gate of heaven its own sound

each device of wrath like doorstep-

-chimes (miracle)

or a whimper dashing through a lake
(vision of pallbearer)

gas heater/
the central puppeteer is dimmed, enjoying his contemplation of the (crafting)
day

999 violet walkup,
I can faintly hear what sounds like a private fountain

   (misguided flamingos bathe here
   and die
     during ***-season
    
   (panting)
  
IV - Joyful Soul/Reconciliation

   Year of water,
  exiting the glassness

which
  once showered me in doubt
  
-remove the cause

... and discarding my obligations
(they have only been actors)

undoing-
where phoenix-mind
owes/
erudite/the staggered
  single conversation between grace & naivety/

Balinese temples smeared in
  urns
(******) ash & brass &

frame of fade (childhood) yearning for bedsheets and harmonica temperature

V - Reminder/Ocean Choir

(tiger tiger burning bright/amplify your helplessly

joyful your motion
the motion of eager
island-seashells
  repeating archaic
     imitations (meditative)

VI - Painterly Woman/Temporary Gladness/Objective in Medium

my family is
sculpted by candles countless candles
(shadow dancer)

-inhaling holidays

I nightmare
     skin emerging from my bedroom wall
the

suggested image written with higher potential imaginative range than the act of looking at a "described" moment on a canvas. As one suggests their own image in writing while as painting assumes its own image for you. The reverse transaction. One cannot author a paintings beauty such as one sculpts the image from ink. Both are as immediately beautiful. Different mediums for different objectives (or rather methods we use to achieve this objective)

VII - Unattainable

Pine drum;winking
fashionable clothmats
copulate for silk and ever purer
silk
ever purer
(silk)))       the child universe

will bleed like
gardenbed

(amen/doldrum/amen(doldrum) amen)

VIII - Spring

Aware (zen taste) - moment evokes a more intense, nostalgic sadness connected with Autumn and the vanishing away of the world

This is the unbinding of words
as my terrific dead lover of disaster
put it-

(Somehow the unforgotten
name remains lavish, after all this reconfiguring, the infertile soil we attempted to escape,
the shade we hid in once like a peacock's coat, somehow the name, your name

remains clean)
Connor Jun 2017
I

top of the valley
))) showerhead & birdsong,
the womanlike apparition
of previous nights,
  confession buries its warmth within fervent tangerine sheets (where the day is hot and the future is formless)

I approach the dawn
in naked repose/horns repeating/soft a hares tail is
spotted with freckled water from Lands End,
youth & ideal kiss-image lost in bedsheets/
  eyes are painted with creekwater
  
to impermanence, guarding the stones we left there
  drying away/I miss you already
  
  (the island which reconciled my heart to that of a lambs infant noise)
  
  all worry and expenses vanished at the throw of an axe
  
     haze/fire/italian wine/the stirrings of March brought forth for inspection
     in the dim glow of our ashes/butterfly asleep/carved dragon
     draped with the fury in your kiss/

I stand naked before the valley, an initial warmth fills its features. A smile stems in the garden loosely protected by wire, I am temporarily innocent of day/
my restless behavior now soaked into a wooden platform

     Clothes placed on a nearby log, I now cloak an inevitability to my skin, one of a whisper, mute in the heart as yet,
     heavy (molten lead) to the rest of me

(questions starve in my mouth,
  for the sake of any dire simplicity/animal truth in tongue/awakened from its hibernation)
  I am gripping the mothmask
  helpless & drawn instinctually
  toward the fire which
  hurts me
(the witch unafraid of being burned)

  stumbling in black of later-spoken confusion/divided tones/two worshippers of the same trickster idol-

-only promising the subdued rising day,
where you monastically
prepare (with such grace) the next meal of bananas & hot tea, cupped with mint leaves, meanwhile,
Ethiopian rhythm fills the trees with a land who's taste they'll never know

      (& suddenly I am the forest)

II

(out of sight)

-hitchhiked home & let out here, a brown ivory-trimmed wood church hardly the size of a house a little ways down the road, myriad
insect conversation & the dry, eclipsing valley, carrying with me a simple liberation of spirit, one I can't let go of by necessity-

-my shoes are scuffed with loose dirt at the sole, I must pantomime the Sea, now more than ever

(without intervention)

-my clothes clean all things considered-

(darling time acts in accordance to nothing but its own divine & careless will)

-as if ingrained to me by the Summer heat, & the earned sweat on my back.

"Life needs to be lived, not to be solved" - Osho
Connor Jun 2017
Peacock summer (yolk & barnyard coffee shop for strawman Sal)

cactus palace, alps figured in stonework train terminal/Dylan hollering (I am the vessel for the ghost of me)

transmuted nostalgia, blank graffiti gaze/the alchemic architecture of skyscrapers replacing skyscrapers (an image made more blinding, the child raised to be dissociative & intolerant. I miss the oaken texture of your voice)

bulbous glass humidity, I am poet/poet build word house/in surrealistic wood/fireplace made of naive rainbow and the bones of a whole universe (Sun paints its terror on the back of my neck while I sit here watching a Supermodel with a 3 thousand dollar paisley pattern olive dress walk outside towards Gastown, her rings are worth more than a boreal dream)

Japanese weddings in Elizabethan gardens/grey Fenrir cloud-beast approaches with its faint dew/kites strewn between the Willow trees/Canyon instrument drum/ponderer creates masks of flowers/she sinks into the soggy earth/her primal home (I value those who are humble and beautifully so)

the more poems I read, the more mosaic my soul becomes like world-tree (roots collecting together, vibrant stems of skeletons & Springtime goliath)

do not fret the newspaper will never stop screaming, your cigarettes will never run dry, the ***** platform will never stop bathing itself in the city,

God, to answer your question
yes I am still godless
& yes I am happy

growing thin in the phantom pull of your vastness

(to essence of Lavender)

the sea its
own travelling
fortress
invulnerable
to time
Connor Jun 2017
Patchouli incense, chestnut thighs

(the stoicism found in
clocks made of paper)

an impressionist's linen,
fingertips all too aware of their own alive/

the chimney's formless eye
awakes to Mattress & agedviolin & I

turning to beautiful October taking off her whistling clothes/
yawn n gasping in gossamers ghost

The weeks bobbing (interminably) like an optimistic pond of
matchsticks

|||||||||||||||||||||||||||||||||||||||||||||||

(three strikes of a distant Mountain
bell signals reflection at Ryōan-ji)

(we abide by the fury of charging organs)

loveliness, willing to empty
our bodies of day
and fill our heads with
  goodnight

an hourglass garlanded in stems
which
the years turn over
pillowlike

II


(((((blink to
summer rain    

my heart has become
occupied by an unfamiliar
Canyon

(summer(ra(in s(um(mer rai(n)
Connor May 2017
(freckled freckled freckled eyes/

dew/pattern smile/you are eager/the

humidity dims the shadow/relapse/

enticement/the beachhead is creating

splash colors again/the tide applauds

gratefully/hair beam and glow of green/

scent of exotic oils now coalesce/

meditative lovers/idol obsidian, great

brass bird n neckline harp/quartzstone

tendon/consume me into the ardent maw/

dear,

valley for waxen bones/decay, sweet

altogether now/O half moon descent/

reconstituted daisy/you there, resembling

yourself, familiar of a fleshseer/cleansed

in white tended theatrics/become/

beseech/diluted symphony, Egyptian

security/It is time to leave behind your

midnight)
Connor May 2017
O prim harrow/
     ******* gomorrah/slashed fists-
raised eyes/joy conjured as alchemic kiss of wood/machine
      I am the child's unfastened bow
      
The diamond bible lay in a meadow formed
     with fragility
      
     (frame of mind as honey & cream & Ubud in June/do not suffer for the Monarch is nearly free from its own funeral, repeating)
      

       Pygmalion & worshipper
Iris ribbon/expander/deceiver
    
      Midnight smoking in backdrop of Lalibela
          Lalibela Opus
           Your thigh burned with Mystic sand

your past of perhapses & sitting on the
flashing rug
     where we listened to flowers speak the Animal language

roots imitate Atlas grasping at our lungs our earth/

the wrath of flesh
   like a youthful mirror
  
I escape the pavement,
  you fold the Sun into Origami
  
      swallowing it/a bird in it's irrational nest
     (I enshrine you with skylines)
          
       we try at last
            for a place of eternal windmills &
baskets which

    entomb the ocean I
tilled for our drowning
Connor May 2017
I

I have seen an
Aztec owl, kissed by the eternal
kaleidoscope of morning,
robed in Yellow air

Light escapes its hungry beak
and joins the Sun in harmony,
break of day rekindles the brickwork of archaic memory,

The Owl has lantern eyes which have witnessed innumerable births,

     -and the cultivating of this cherry-wreathed Valley, where we eat and
   write music for the soil's tender womb
                      
Opal condolensces for sleep
and sadness, the Owl gifts a necklace embroidered with apology, coiled 'round your neck, in times of gladness and tragedy

II
      
...and do not fear, for cradle, ring, and tomb
   all repeat in cosmic fashion
  
            (you will eventually return here, to the sea, you always have)
            
          Remember the attic where youth was stored away, to be replaced with exotic patterns, coral bulbs, cotton and laughter
        
     There, lay a glasswork child for your chest to keep safe. Your past. Your past of plums and skirted dancers, desert glow, Caribbean sleep.

(your mind rests its quiet curtains, but the classical radio station can still be heard)

III

An owl of sunset mosaics
     enters your dream, illuminating
the revisitation to a Mexico City
  that was flooded for Mountains
  
           ..soon to recede and quake, when Winter's spirit fades once more, there you will unearth
            Tenochtitlan.
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