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ConnectHook Apr 13
1

There is a red flag in many new style trends;
They represent a confusion of values.
It is like weakness, when they go crazy.
It stems from a basic rejection of the truth, weakness,
       When the self-proclaimed wise, who read the New York Times
       Fail completely to perceive the signs of the times.

2

Dionysus told his maenads to rip the thing apart.
The goat was thrown into the midst of their trance.
We think we understand them, but we don’t.
They only knew some bleating thing entered their trance.
       And they sang something like this: Oooh baby!
       We delirious maenads ripped apart our own baby
!

3

These weak-*** patriarchs be hatin’.  Let us twerk.
Someday the wokeness shall prevail, and we shall sleep.
The orchard will wither. True poetry shall rise
And twerking be seen as something true and deep.
       And all we inflicted upon your culture
       Shall be esteemed as truly authentic culture.
PROMPT #13:   Write a poem of six-line stanzas use lines of eight-twelve syllables, and while they don’t use rhyme, they repeat end words. Specifically, the second and fourth line of each stanza repeat an end-word or syllable; the fifth and sixth lines also repeat their end-word or syllable. Today, we challenge you to write a poem that uses Justice’s invented form.
https://www.poetryfoundation.org/poems/58079/there-is-a-gold-light-in-certain-old-paintings
ConnectHook Apr 12
In elvish days of dwarven lore,
Where Érandūliendor flowed,
In times before the ancient war,

       A Lit. professor once geeked out.

The Lord of Darkness in his lair
Sent forth from his grotesque abode
His wingéd minions of the air;

And sorcery, both bright and black
As chanted low, in ancient rhyme,
Made all the eldritch runestones crack.

       Where’s my **** phone? Honey, you seen my phone?

And so the curse of Gôrgoron
Conjured before the dawn of time
Was loosed by Åthylmírmindon!

Whose epic stand against the foes
At Beremöthelenduíl
Wrought fabled fire from winter snows !

T’was thus the hill upon the ridge
Of Flõrÿmandðlemboríl
Caused me to go and check my fridge—

       Hey honey, if you’re going shopping could you pick me up a
        six-pack?Now where’s my elvish glossary? Thought it was on
        the armrest. **** this freaking deadline

PROMPT #12: Try writing a poem that makes reference to myths, legends, or other well-known stories, that features wordplay (including rhyme), mixes formal and informal language, and contains multiple sections that play with a theme.
ConnectHook Apr 10
Once I saw graffiti as vibrant/authentic/raw/revolutionary/ proletarian;
Trendy art theory's rebellious flag.
An aspiring urban retro-funk barbarian,
(before Hip-hop turned **** and embraced criminality)
I had my tag!

But I came to see, in time,
Ego-driven urban artistic undertakings as, simply... crime.
Defacing public and/or private property,
Whether wall, bridge, truck or train,
with cheesy ghetto graphic style coopted from aerosol-addled youth
(the spraypaint's often shoplifted, sad truth— )
Is an ugly visual refrain.

Mark these words; tag this allegory:
Dogs also spray to mark out their territory...

Demonic smurfs, cartoon calligraphy, at best plebeian esthetic pleasures,
Cry out for Singaporean measures
Where the caning
beats explaining.

   "Word up"
PROMPT #9
try writing a poem of your own that uses rhyme,
but without adhering to specific line lengths
ConnectHook Apr 8
It sounded good at first but went too far, their mad confusion.
Now deviants wave flags and shriek. We hear only delusion.

Social justice meets mental illness; a blind date in the street;
Mix and recombine to make a flamingly bad confusion.

These violent clowns could burn it all down and STILL they'd be enraged
As smoke clears on the rubble of their sad confusion.

The worst of all assume they had a monopoly on Progress
But the malevolent misfits only ever had confusion...

Perversity hailed as diversity, victimhood applauded;
Nations subverted and brought to a sad conclusion.

To Weimar, San Francisco, Babylon and Tel Aviv
We could certainly, at this point, make unveiled allusion...
PROMPT #8: try writing your own ghazal
Five to fifteen couplets that are independent from each other but are nonetheless linked abstractly in their theme; and more concretely by their form. And what is that form? In English ghazals, the usual constraints are that:
the lines all have to be of around the same length (though formal meter/syllable-counts are not employed); and
both lines of the first couplet end on the same word or words, which then form a refrain that is echoed at the end of each succeeding couplet.
ConnectHook Apr 7
Art history matters. New Master’s degrees
Lead to dull innovation in poetry. Please
Try to write us a poem where meaning is plain
And no MFA patriarch needs to explain.

a statue carved by Bernini/a plate of eggs painted by Velázquez  

Jane, dear Jane, you’re a porcelain idol.
The time has arrived for your verse to unbridle
Itself and reveal some slight traces of life;
We know you are smart, but that dull butter-knife
Of your poetry, smearing the references ’round
Is like Sylvia Plath/Gertrude Stein/Ezra Pound…

personal pan pizza with unlimited free toppings

Those weird sudden line breaks confuse us, in fact,
And the rarefied dishes you name-drop get cracked
On the floor of your poetry, leaving us shards,
Risking splinters for muses and mystified bards.

my arm breaks off  like the shell/of a freshly-filled cannoli

You deadpan in monotone, stunningly brave,
But your tortuous verses go straight to the grave.
Academic obscurantists murmur and nod
As they lower the corpse of your work in the sod…

carelessly thrown baby/a designer toilet cistern

You ought to re-frame and then tighten your lines,
So replete with Old Masters and euro-trash wines:

(…weirdly-named liqueurs in a Rococo  palais)

Why would you not, then, aspire to coherence,
Dismissing the need for white male interference?
Your verses cry out for some fatherly guidance
To try and make sense of your history of silence.
Jane Yeh’s "Why I Am Not a Sculpture" has a […] sense of playfulness, as she both compares herself to a sculpture and uses a series of rather silly and elaborate similes, along with references to dubious historical “facts.” Today, we challenge you to write a similar kind of self-portrait poem, in which you explain why you are not a particular piece of art (a symphony, a figurine, a ballet, a sonnet)
ConnectHook Apr 6
Rumors of White Supremacy.
In that row, your column’s number…
Coining new terms in secrecy:
“Boing” (boring minus R) is dumber.

Coiled, then boing like a prompted spring,
Primitive poetic action;
Apes with crayons, coloring;
Hooting in dissatisfaction.

Leaves leave a taste like baseless fears,
Primitive prompts in lyric night.
BOING !  The Jack-in-the-Box appears—
Laughing at your illiberal fright…
I did not have much to work with...
PROMPT #6 :  Find the row with your number.
Then, write a poem describing the taste of the item in Column A,
using the words that appear in that row in Column B and C.
For bonus points, give your poem the title of the word that appears in Column A for your row, but don’t use that word in the poem itself.

Column A:  MINT
Column B:  BOING
Column C:  PRIMITIVE
ConnectHook Apr 5
I’m off to Bermuda
While you’re up the creek!
I cruise like old money;
You float like a freak.

As you steer between rocks
In that ****** canoe,
You’re a maritime nuisance
Obstructing the view.

My luxury vessel
Steers clear of the sharks;
You paddle and fulminate,
Studying Marx.

Your dugout is leaking;
I’m greasing the skids.
The dividends pay out
to bankroll my kids.

My profits accrue
While you seethe at your bosses.
You rail at the system—
I minimize losses.

I cruise into port.
Our hotel is reserved…
Your bitter resentment
Means dinner is served.

Departures are blissful;
We glide into harbors
And dine amidst hollyhocks
Under the arbors.

The banquet is served:
An idyllic location—
But you merely murmur
In disapprobation.

So scratch my maid’s Tesla
(or blow up a dealership…)
Rattle your chains
While insulting my captainship.

I’m by the pool—
You can splash in your gutter.
I’ll leave you a tip
For some bread with your butter.
NaPoWriMo PROMPT #5:
https://www.napowrimo.net/day-five-12/
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