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 Aug 2013
Seán Mac Falls
Crow perched on gable,
Dark border of cottage house,
Mountains smoke beyond.
 Jul 2013
Seán Mac Falls
There is no awakening.  Outside the cave
Light shadows in the sun, a blinding
Muck veils desolation in the vein-bled,
Good men, stumps of the naked forests,
And bird song drowned by the droning dead,
Ignoble, this is no country for old men.

In the open, all lie freely, lacquered clean
Sunning social graces, shine pornographic,
Know truth is real yet, embalmed by speakers,
Pages, their flame a cross, churning in a mire,
Our glass cities run time mendaciously silent;
The euphony of the untruths, the bent sign.

In Catatonia words are watered but never
Change, sapped of meaning, seasons fall
By the handy green, the spring leaves, tipped
Off balance scaled to autumns teeming news;
The barren shores, breaks, bless the vacuum
Tubes, and pray a curse, fawn the head lamps.

In the homeless land anxious creatures divide.
The concrete utterance is picked to rubble.
The stones ground into sand and we ringing
In delight, moving mandrake, mobile cadavers,
Orbit to satellite are digging babylon down
In the false hood, ****** by the mortar.

The ruin architects mark, fork millions
Of tongues in tributary, as does a great
River from a stony source.  The sterling
Feed their stock with tainted food, plants
Regenerate the mangled codex twining-tare;
Throws the babe with baptismal waters.

In the soulless land children peak abandoned,
They fall on temple steps by the golden mean.
We pattern the sky in the bold fabric of pity
And mercy but the strands fade out running;
Our cruel and only kind would rend the stars,
Would fallow Elysium, bleed gold to the vein.

How did we end mortal under the divining
Sun?  Down base our provident ways watching?
We wave in fealty to the dominion of spins
And shadow, gussied Gods so proudly made,
Desolate, vain, air escaping to whisper;
We are sailing from Byzantium.
 Jul 2013
Seán Mac Falls
Helios ****** his seed of light— Phaethon's act,
Pleasures born of pain, in the balled glass eyes,
Frees a moat of grey matter cloud, light crackles,
And one blue silent flash— mirrors zodiac skies.
The Phaethon story has often been understood to commemorate some great flashing event in the skies, whether comet or meteor. Everyone rushes by instinct—more accurately, habit—for a so- called natural explanation. But on examination, the case turns out not to be so easy. The narrating of the cataclysm may be fanciful and impressionistic, as if the poets enjoyed an emotional release from the regularity of celestial orbs . . .

"And the whole Skies were one continued Flame.

The World took Fire, and in new kindled Stars

The bright remembrance of its Fate it bears. . . "

                    — from, The Metamorphoses by Ovid
 Jul 2013
Seán Mac Falls
In a grove of seven oaks
From my run-down cottage
I see, the night clouds saunter
And drift and spinning round,
The break-neck moon, beaming
With joyous abandon, the piercing,
Painted white face of a pagan God.
 Jul 2013
Seán Mac Falls
By the dawn's early light,
Casual ties of warring pride,
Who wear the fit of uniforms,
Creasing down the seamy streets,
Who once in his sights were called to order,
By arrow clutching eagles, sandbagged
By the rivers heart of darkness, *****-
Trapped by bootstraps pulled, torn apart
In tiger eyeing fields that lied
In wait while choppers dived, delivering
Payloads of giant dragon flied fire
And this unction was to be their balm
And the swordless Dons were spit out
Of skull hunting windmills, Jonah
Beached to thy kingdom cong.

And over their heads cried the phantom
Jets, bat out of helmet, to the straw
Pulling hairs and these heroes, we
Abandoned without bonds nor blindfold
And lashed them to the flagging pole
With guns saluting while the sirens
Wailed, no wonder they should crack,
Our green jaded Gods, our Greek
Journeymen, due south of lotus land,
No wonder they should break on the China
Seas in that cold, ******* land.
O say can you see, that it is we,
The people, in anger and in shame
Who have no mettle, to give, but tarnish
Foisted on the brave and they
Are worn, like trinkets to dishonor.

And over the deep non-ending sank
Our heroes, betrayed by ism's, discharged
By ghosts in the machining guns,
Unspirited by a corporeal world,
Bamboozled in the muddy thickets
And dropped to the fray on ****** wings,
To foreign soil, where children are lost
In the man eating groves and they
Were thus dutifully numbered by their own
****** arms and all were made
Guilty cold in that sliver of uncivil
And polar eyed land, O say can you see,
The burning of twilights last gleaming?
And, we sutured a wall for the trigger-
Happy dead, we dammed the bleeding,
But can there be no bridges?

And further from those chilling fields
They are casting us letters, address
Unknown and mid adrift are messages
In drowning bottles by the waysides,
They are swimming to our doors,
Where, we the people, have built a wall,
Made of stone, black and shiny, it will
Not smear— and we are polishing off
Our dead, say the cold blooded
Behind that face and in front runs a red
River running down the vane, glorious sun,
Yet, this humble partition, in stories and tears,
Is deconstructing grave white heads,
Quartered in pride and darts to the ground,
That warring bird, crowned to his vacant
Lots.  O— say can you see, the turning
Of twilight's last gleaming?
Poem written in honor of all fallen soldiers and commemorating the 'Vietnam Veterans Memorial Wall' in Washington, D.C.

The Vietnam Veterans Memorial is a national memorial in Washington, D.C. It honors U.S. service members of the U.S. armed forces who fought in the Vietnam War, service members who died in service in Vietnam/South East Asia, and those service members who were unaccounted for (Missing In Action) during the War.
 Jul 2013
Seán Mac Falls
Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.  
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  

A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?
Nineteen priestesses were assigned to tend the perpetual flame of the sacred fire of Brigid. Each was assigned to keep the flames alive for one day. On the twentieth day, the goddess Brigid herself kept the fire burning brightly.

The goddess Brigid was also revered as the Irish goddess of poetry and song. Known for her hospitality to poets, musicians, and scholars, she is known as the Irish muse of poetry.
 Jul 2013
Seán Mac Falls
Woman,
Why do you visit so seldom, and plant things
In my fallen over garden, lavender and thyme,
Only to leave, but not
To tend?

Woman,
Take my sorrow and turn down the moon,
Plaster the sun in golden dress and spill
The ground with buttons
Of flower.

Woman,
Why does your face haunt me in dreams,
Your voice, play as in the spirit well that sings,
Drops forth, the moving waters
Into being?

Woman,
Take my open hands and travel with me,
Beyond the ninth wave, to the lost island
Of Hy-Brasil, and we will long live,
Wondrous as poetry.
Hy-Brasil or several other variants, is a phantom island which was said to lie in the Atlantic Ocean west of Ireland. In Irish myths it was said to be cloaked in mist, except for one day each seven years, when it became visible but still could not be reached. It probably has similar roots to other mythical islands said to exist in the Atlantic, such as Atlantis, Saint Brendan's Island, and the Isle of Man.

In Irish tradition there is the imramma, the sacred sea voyage that takes the wanderer on a soul-journey beyond the ninth wave to mysterious lands — islands of youth, of summer, of apples, of strange creatures and lovely women, and all the many shimmering dark-deep mysteries of the Otherworld.

The etymology of the names Brasil and Hy-Brasil are unknown, but in Irish tradition it is thought to come from the Irish Uí Breasail (meaning "descendants (i.e., clan) of Breasal"), one of the ancient clans of northeastern Ireland. cf. Old Irish: island; bres: beauty, worth, great, mighty.
 Jul 2013
Seán Mac Falls
The lost elk on blue pine mountain,
Where all the stunted world is small,
Know the face of winter as it founts,
Above tree lines, trumpet all is cold.
 Jul 2013
Seán Mac Falls
Here it is.
The red of the marked
Brain.  The fruit of the hollowed
Vein and the blood of the holy
Stream.  When will you waken?
Dry off its drowning veil?
All the years of steeping
Have never moved you near.
Once there was music
And once there was light
Now there is dusk and murk.
Now there is muffle and slight.
A wash in a glass are a sea
Of yesterdays and spent
Tomorrows.
 Jul 2013
Seán Mac Falls
Greatest eagle, black and white,
Tell me how to reach the skies—
Wander with wind into the night,
Are you lost like me when you fly?
I see you marking the flaming sun
And want to follow your windy path,
Rising after moon, majestic one—
What trials of life in your aftermath?
 Jul 2013
Seán Mac Falls
When I was a youth, I spied a bird,
She filled my field with song,
And sadly it was, my duties began
But we made a vow singin,'
Together again!

    And a way'l we go, as I hurry the sea and—
    She waits the land.

My true love I call a nightingale,
And I myself a lark,
Together we make, two turtledoves,
And we made a vow singin,'
Together again!

    And a way'l we go, as I hurry the sea and—
    She waits the land.

    O come will the day, that my true will say,
    When all my sporting is over,
    'Do you remember the days, I waited the land,
    And you hurried the sea?'

Now, the sea is my girl and I her man,
I hear a lovers lament,
An old seabird cries from the brighty main,
And I join with him singin,'
Together again!

    O come will the day, that my true will say,
    'My heart, you've been the world over!'
    But until I rest free, I must hurry the sea and
    She waits the land.
 Jul 2013
Seán Mac Falls
High trees drop green leaves,
Otters wade in morning sun—
  .  .  .  .  Minnows in the stream.
 Jul 2013
Seán Mac Falls
With ominous eyes—
Her face spoke a word unknown,
  .  .  .  Then she walked away.
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